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Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

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Page 1: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Music Appreciation (MUSI 115)Class #4

Baroque Music, conclusion

George Frideric Handel1685-1759

Page 2: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

JS Bach……

•"[Handel] is the only person I would wish to see before I die, and the only person I would wish to be, were I not Bach."

Page 3: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

George Frideric Handel

• German-born composer of Italian, French, and German styles catering to English audiences

Page 4: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

George Frideric Handel

• Studied in Italy• International career• Impresario and theater

owner• Made and lost a fortune• Founded the London and

the Royal Academy of Music

Page 5: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Halle, (West) Germany

Page 6: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Handel’s Vocal Music

• 42 operas*

• 29 oratorios*

• 129 cantatas*

• Expanded dramatic intensity of the chorus*

Page 7: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Handel’s Instrumental Music

• Prolific composer of instrumental music

• Orchestral suites▫ Water Music▫ Music for the

Royal Fireworks

Page 8: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

HWV numbers

•Händel-Werke-Verzeichnis ▫(abbreviated as HWV)

Catalogue of Handel's Works

▫London Home

Page 9: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Handel’s Instrumental Music

Page 10: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Instruments

• Instrument designs were improved

• Finest violins in history came from shops of

StradivariusGuarneriAmati

Page 11: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

The Baroque Orchestra

Violin strings made of gut Woodwinds made of wood valveless, or “natural”

Horns and trumpets Timpani

Page 12: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Keyboard Instruments

• Organ• Harpsichord • Clavichord

harpsichord

Page 13: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

The Baroque Sonata*

• Written for 1–8 instruments• Most often: two violins and continuo*• Handel Trio sonata*

1. Sonata da camera* 2. Sonata da chiesa*

Page 14: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Concerto*

• Contrast and unity

• Latin concertare (“to contend with”)

• Opposition of different forces

Page 15: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Organ concerto

#1: Solo Concerto*

Two Types of Concerto

Page 16: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Two Types of Concerto•#2: Concerto Grosso*

Harp Concerto

Page 17: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Two orchestral suites* by Handel

• Water Music* 1717

• Music for the Royal Fireworks* 1749

Page 18: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Water Music*, Suite in D major, II

• Royal party on the Thames River in London, July 17, 1717

• 22 separate stand-alone pieces▫ Hornpipe

Page 19: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

First performance•April 17, 1717. Daily Courant :

The King took Water at Whitehall in an open Barge ... and went up the [Thames] River towards Chelsea. Many other Barges with Persons of Quality attended, and so great a Number of Boats, that the whole River in a manner was cover'd; a City Company's Barge was employ'd for the Musick, wherein were 50 instruments of all sorts, who play'd all the Way from Lambeth the finest Symphonies, compos'd express for this Occasion, by Mr. Hendel; which his Majesty liked so well, that he caus'd it to be plaid over three times in going and returning. At Eleven his Majesty went a-shore at Chelsea where a Supper was prepar'd, and then there was another very fine Consort of Musick, which lasted till 2; after which, his Majesty came again into his Barge, and return'd the same Way, the Musick continuing to play till he landed.

Page 20: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759
Page 21: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Royal Fireworks Music* 1749

•Golden Jubilee in 2002

Page 22: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Two types of vocal music…

•Oratorio*•Opera*

Page 23: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Oratorio* and Opera* Similarities

• Overture*• Aria*

▫Da capo al Fine*• Recitative*• Ensemble numbers:

▫ Duet*, (Trio*, Quartet*, etc.)• Chorus*

Page 24: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Oratorio and Opera Differences

•Language▫Italian vs. English

•Staging

•Subject matter

▫Libretto (Librettist) ▫Sacred vs. Sacred Text

Page 25: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Oratorio*

• Oratorio▫ Performed by solo voices

Soprano Alto Tenor Bass (or, Baritone)

▫ large chorus (SATB)▫ orchestra▫ no staging or costumes

Page 26: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Handel: Messiah*

• Premiered in Dublin in 1742

• Written in 24 days

• Libretto*: in three separate parts

• Compilation of Old and New Testament text

Page 27: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Aria vs. Recitative•Recitative*

▫Text is centered on the plot▫Simple to sing▫No melody or rhythmic complexities▫Simple chords accompanied on the

harpischord*

•Aria*▫Text focuses on the character’s feelings▫Highly difficult music requires a virtuoso vocal

technique▫Memorable tunes▫Full orchestral accompaniment

Page 28: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Recitative from Theodora

•Lorraine Hunt Lieberson

Ah! Whither should we fly, or fly from whom?The Lord is still the same, today, for ever,And his protection here, and everywhere.

Though gath'ring round our destin'd headsThe storm now thickens, and looks big with fate,

Still shall thy servants wait on Thee, O Lord,And in thy saving mercy put their trust.

Page 29: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Messiah: Soprano aria “Rejoice greatly

Melisma

(da capo aria)

Page 30: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Opera*The New Genre of the Baroque Era

Large-scale musical drama combining• Singing• Plot (Secular)• Acting• Scenery• Costumes• Instrumental music

Page 31: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Baroque Opera: Semele

Page 32: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Voice assignments*

•Soprano•Alto

▫Mezzo-Soprano or Contralto Replacing castrati

•Tenor•Baritone/Bass

Page 33: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Julius Cesare (1724)

•Montserrat Caballe▫“Vadoro pupille”

Page 34: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Legacy

•Fell out of popularity after his death

•Original instruments revival (1970s)

•Bel Canto revival (1960s)

•http://gfhandel.org/

Page 35: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

CD #1, Track “Hallelujah” Chorus from Messiah (HWV 56)

•Listen for…▫Enormous, vertical columns of sound;▫SATB voicing▫Full orchestral sound▫Minimal contrapuntal motion

Page 36: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Back to Bach…

•The Passion According To St. John (1724)

▫Recitative: “…Then Peter thought about the words of Jesus. He went out and he began to sob bitterly…”

Page 37: Music Appreciation (MUSI 115) Class #4 Baroque Music, conclusion George Frideric Handel 1685-1759

Contrapuntal DevicesOriginal: Inversion:

Retrograde: Retrograde inversion:

Augmentation: Diminution: