2
Leonardo Netherlandish Paintings in Soviet Museums by Nikolai Nikulin Leonardo, Vol. 21, No. 1 (1988), p. 105 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1578443 . Accessed: 16/06/2014 03:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access to Leonardo. http://www.jstor.org This content downloaded from 91.229.248.187 on Mon, 16 Jun 2014 03:37:22 AM All use subject to JSTOR Terms and Conditions

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Page 1: Netherlandish Paintings in Soviet Museumsby Nikolai Nikulin

Leonardo

Netherlandish Paintings in Soviet Museums by Nikolai NikulinLeonardo, Vol. 21, No. 1 (1988), p. 105Published by: The MIT PressStable URL: http://www.jstor.org/stable/1578443 .

Accessed: 16/06/2014 03:37

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access toLeonardo.

http://www.jstor.org

This content downloaded from 91.229.248.187 on Mon, 16 Jun 2014 03:37:22 AMAll use subject to JSTOR Terms and Conditions

Page 2: Netherlandish Paintings in Soviet Museumsby Nikolai Nikulin

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

NETHERLANDISH PAINTINGS IN SOVIET MUSEUMS

by Nikolai Nikulin. Phaidon Press, Oxford, U.K., 1987. 404 pp., illus. Cloth, ?29.95. ISBN: 0-7148-2441-0.

This lavishly illustrated and beautifully produced volume covers the work of

early sixteenth-century painters of the Netherlandish School currently in Soviet

galleries-mainly the Hermitage in

Leningrad and the Pushkin Museum of Fine Arts in Moscow. Both the text and illustrations, many reproduced here for the first time and almost all in colour, are of a high standard. An introductory essay explains how collections of Netherlandish

paintings came to be formed in Russia.

A HISTORY OF RUSSIAN PAINTING

by Alan Bird. Phaidon Press, Oxford, U.K., 1987. 304 pp., illus. Cloth, ?35.00. ISBN: 0-7148-2213-5.

Placing the art, artists, and movements

firmly in their historical contexts-

especially helpful in the early history of Russia-the author traces the progression of Russian (and Soviet) art from the earliest icons to the beginnings of secular art, through the confusing maze of

groups and movements at the turn of the

century, through Proletarianism and Socialist Realism, to the present day with

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

its greater freedoms. The lucid and

eminently readable text is accompanied by 152 interesting illustrations: a pity that only 16 are in colour.

THE GLEN GOULD READER Tim Page, ed. Faber & Faber, London, U.K., 1987. 496 pp. Paper, ?12.50. ISBN: 0-571-14852-2.

If you had ever wondered, but had never asked, why Glen Gould refused to give concerts, you will find the answer here, along with almost everything else he wrote or spoke for publication. A remarkable range of material includes articles on the purpose of art, technology and art, and his own distinctive view on

composers-often as provocative and infuriating as some of his performances, but, like his playing, always fresh and sincere. A stimulating and enjoyable collection.

EXTRATERRESTRIALS: SCIENCE AND ALIEN INTELLIGENCE Edward Regis, Jr, ed. Cambridge University Press, New York, NY, U.S.A. 288 pp. Paper, $12.95, ?7.95. ISBN: 0-521-34852-8.

Extraterrestrial life is often taken for granted by science fiction writers and

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

movie makers. In this collection of articles by scientists and philosophers, serious consideration is given to questions such as "Do extraterrestrials really exist?", "Where are they?", "Could we communicate with them?", "Do they have a moral code?" Their deliberations and conclusions make fascinating and thought-provoking reading. First pub- lished in 1985 and now re-issued in

paperback, Extraterrestrials fully deserves a wider audience.

MANTLE FIELDING'S DICTIONARY OF AMERICAN PAINTERS, SCULP- TORS AND ENGRAVERS, 2nd Ed., enl. Glenn B. Opitz, ed. Apollo Books, New York, NY, U.S.A., 1986. 1041 pp. Trade, $75.00. IBSN: 0-938290-04-5.

This basic reference book is a compilation of biographical data from various sources. It is a much expanded version of

Fielding's original 1926 volume. There are now over 11,000 biographies included

representing both living and deceased artists. The listings include latest known address for living artists. This reference book will be re-issued periodically with

updated and augmented listings. Artists

wishing to send their resumes for consideration should send them to Glenn B. Opitz, Editor, Mantle Fielding Dictionary, 5 Schoolhouse Lane, Pough- keepsie, NY 12603, U.S.A.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

BOOKS RECEIVED

Art and Cartography: Six Historical Essays. David Woodward, ed. University of Chicago Press, Chicago, IL, U.S.A., 1987. 249 pp., illus. Trade, $65.00. ISBN: 0-226-90722-8.

Artists'Materials. Ian Hebblewhite. Phaidon Press, Oxford, U.K., 1986. 256 pp., illus. Trade, ?16.95. ISBN: 0-7148-2432-1.

The Arts at Black Mountain College, Exh. Cat. Mary Emma Harris. M.I.T. Press, Cambridge, MA, U.S.A., 1987. 315 pp., illus. Trade, $50.00. ISBN: 0-262-08161.

Beyond Orpheus: Studiesin MusicalStructure. David Epstein. Oxford University Press, Oxford, U.K., 1987. Paper, ?10.95. ISBN: 0-19-315150.

The Course of the Knife: A Multimedia Performance by Claes Oldenburg, Coosje van Bruggen and Frank O. Gehry. Germano Celant. Rizzoli, New York, NY, U.S.A., 1986. 240 pp., illus. Trade, $40.00. ISBN: 0-8478-0822-X.

Electronic & Computer Music. Peter Manning. Oxford University Press, Oxford, U.K., 1987. Paper, ?9.95. ISBN: 0-19-311923-4.

Freedom, Cannibalism, Creative Love and the Values of Cosmic Nonsense. E.M. Robson. Primary Press, Parker Ford, PA 19457, U.S.A., 1986. 57 pp., illus. Trade. ISBN: 0-934982-11-2.

Image and Word. Jefferson Hunter. Harvard University Press, Cambridge, MA, U.S.A., 1987.233 pp., illus. Trade, $25.00. ISBN: 0-674-44405.

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