o n t i l t s t a t u s

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  • 8/11/2019 o n t i l t s t a t u s

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    O N T I L T S T A T U S

    written by

    Moses Hershberger

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    DYLAN

    Theyre coming!

    Moses quickly locks the door and places a chair underneath the

    lock. The living room, in fact, the whole house is quite dark

    and with the sound of the music, something is totally not right.

    MOSES

    What the fuck happened back there?

    DYLAN

    I dont know! I went out to hunt

    for some food and then out of

    nowhere a hoard just came through.

    MOSES

    Did you fire your rifle?

    DYLAN

    I used my machete like a normal

    person, dumbass!!

    MOSES

    Where the hell is Miles?! I told

    that asshole to guard the door!

    Miles?!!! Why are lights turned

    off? HEY! CAN WE TURN THAT DOWN!

    Moses goes around the living room, looking around with his flashlight. He finds nothing. He runs to the window peers out through

    the curtains. A DARK FIGURE is crossing the lawn, coming toward

    the house.

    MOSES

    Oh, shit. This is fucking crazy.

    (sighs)

    The darkness and light. Brothers.

    He then marches on upstairs. Dylan marches over to his stereo to

    turn it down. Standing by the stereo is RICKY, who is sitting onthe floor, holding a FLINTLOCK and wearing streaks of war paint

    on his face.

    DYLAN

    Ricky?! Oh, shit, man! You scared

    me. Listen. Get your shit. We got

    to get the hell outta here.

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    RICKY

    (spaced out)

    Do you know why the labyrinth of

    the Golden Faun is a never ending

    paradox?

    DYLAN

    What the fuck?

    RICKY

    For each of us, death is not the

    end, but only a cycle. A cycle of

    chaos and philosophy thats guided

    and led by him.

    DYLAN

    Who the fuck is the Golden Faun?

    RICKY

    Hes inside.

    DYLAN

    Where? Wait...what? In the house?

    RICKY

    Everywhere.

    VOICE (O.S.)

    Fuckin A.

    Startled, Dylan spins around, RIFLE in his hands and aimed. But

    to his petrified astonishment, he finds CHARLES is the f.g.

    doing some sort of ALTERNATIVE DANCE. Its obvious he is so

    fucking spaced out, he doesnt even know it.

    DYLAN

    Charles? Yo Chuck? What the hell

    are you doing, man? Have you lost

    your fucking mind and gone crazy?

    VOICE (O.S.)

    Wrong! Wrong!

    Emerging from the darkness of the hallway is The Prophet. He

    is wearing a red bandana, sunglasses and has multiple cellphones

    around his neck. Its actually one of Dylans friends.

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    THE PROPHET

    I'll tell you one thing... we are

    the children of enlarged minds...

    He knows such vast knowledge and

    holds infinite wonders. The Golden

    Faun. Its all aquestion of life,

    isnt it? An enigma. A perplexity

    on the entirety of the universe.

    All this new vision is because of

    him. The Eater of All Time, Space,

    Thought and Memories. He is inside

    of you and all of--

    Suddenly, from the darkness of the KITCHEN, a BUNCH of BANANAS

    are HURLED at the Prophet.

    DARK VOICE (O.S.)

    You sick animal! You mangy animal!

    The Prophet exits down the hallway leaving Dylan alone.

    DARK VOICE (O.S.)

    Come in.

    We move into the kitchen and reveal TOM, standing in the shadows

    and we will SEE him in the darkness and shadow throughout the

    scene. Tom reaches down and picks up a bowl full of water from

    the sink. He splashes water on his face and head.

    DYLAN

    Tom?

    TOM

    Tom? Whos Tom?

    DYLAN

    ...Tom... its me...Dylan. Your

    little, vanilla boy. Remember?

    TOMA startled faun shows his two

    eyes/And bites the crimson flowers

    with his white teeth/Stained and

    ensanguined like mellow wine...

    DYLAN

    Oh. Shit.

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    INT. OUTSIDE THE BATHROOM CONTINUOUS

    The muffled sound of a toilet being flushed is heard through a

    closed door. Coming out, discreetly is Moses. We can barely see

    on this top level of the house that in this hallway, several

    doors are closed. Moses, mustering all the bravery he can, opensevery door and looks inside with his rifle first.

    Going from doorway to doorway, he reaches the last one and finds

    inside of it and finds a pair of legs sticking out from behind a

    bed. He begins walk inside, firmly holding the rifle. Getting

    closer to the body, Moses realizes who it is. Its MILES! Moses

    falls to his knees beside the slumped body. Miles head is

    covered in blood. Hes not dead, but hes close.

    MOSES

    Oh, shit. Miles? Miles? Wake up.

    Wake up. No. Dont go to sleep,

    man. Dont go to slee--

    MILES

    (whispering)

    Hes gone insane.

    MOSES

    Wha-- who?

    MILES

    Tom. Lately, hes been talking tothe sink and the knives. On

    occasion, the houseplants, too.

    MOSES

    What the fuck are you talking

    about?

    MILES

    Stir-crazy. Cabin fever. ALL WORK

    AND NO PLAY type of shit.

    MOSES

    Listen. Ill help you up, but

    weve got to get out of here.

    Moses stands up and goes over to the window and peers out. Down

    below, we see several more DARK FIGURES lumbering about. Moses

    goes back to Miles.

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    MOSES

    Theres not that many out there,

    but we cant stay here anymore. We

    should go, we shouldnt be here!

    MILES

    How many rounds do you have left?

    MOSES

    I dont know, less than half,

    maybe. Why?

    MILES

    Dont waste them on the zombies.

    You gotta kill Tom.

    MOSES

    Think ghetto and get serious. Are

    you insane? Im not gonna do that.

    MILES

    Im telling you: dont let him

    talk to you. You shoot his ass

    down. I tried, but the dogs...

    MOSES

    What dogs?

    MILESGo old-fashion on his ass. Here.

    Take my machete.

    Miles reaches from under the bed and pulls out a rusty blade.

    MILES

    Im gonna die now.

    Miles slowly fades away and dies.

    INT. DYLANS KITCHEN CONTINUOUS

    TOM

    ...startled by a bullfinch/The

    Golden Kiss of the Wood, gathering

    itself together again.

    Dylan suddenly SLAPS TOM ACROSS THE FACE!!!

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    DYLAN

    Snap the fuck out of it and focus!

    There is a hoard of zombies out

    there and we need to--

    Suddenly, the SOUNDS of POUNDING HANDS against the door enter

    into the house.

    DYLAN

    Fuck! Oh, shit! Aight. Stop

    fucking around!!

    TOM

    Woodland fauns with hairy

    haunches/Grin in wonder through

    the branches,/Woodland fauns who

    know not fear:/Wondering they

    wander near...

    Dylan SLAPS him again. Tom just looks deep into his eyes.

    TOM

    I see the astronomical outcomes in

    your eyes. You were the house

    bitch. You've always been the

    house bitch. I should know. Ive

    always been here.

    DYLANAll right, dude, you gotta get it

    together. Come on, let's go.

    At that moment, Moses comes down the stairs with both weapons in

    hand. He rushes into the kitchen.

    MOSES

    What the fuck did you do to Miles?

    TOM

    A lamb to the slaughter.

    DYLAN

    What are you talking about?

    MOSES

    Tom killed him. He went crazy.

    What about Chuck and... shit!

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    DYLAN

    What?

    MOSES

    Wheres Malcolm?

    DYLAN

    Oh, shit. Where is Malcolm?

    Of course at that moment, MALCOLM bursts through in the door of

    the patio and pushes his way in and knocks a still dancing

    Charles to the ground. Malcolm enters the scene, out of breath.

    DYLAN

    Dude!!

    MOSES

    Where the fuck did you go?

    MALCOLM

    They fucked up the fence, bruh. I

    went and checked it out. Were

    gonna die if we dont leave right

    away. Let's get out of here! What

    are you guys doing? Smells like

    malaria and nightmares. Ah, shit!

    Whats wrong with Ricky?

    MOSESToms pretty much killed everyone

    in the house.

    MALCOLM

    What?

    DYLAN

    Yeah.

    MALCOLM

    ...and...Miles.

    Moses stands there quietly and shakes his head. Malcolm stands

    there, silent. Then he darts a look at Tom, raises his BAT and

    just as hes about to SWING...BOOM!! From the doorway, the

    SOUNDS of POUNDING HANDS slam against the house again. Its

    grown LOUDER. Moses helps Ricky get to his feet. Ricky seems to

    be snapping out of his trance.

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    DYLAN

    No!! Save your energy!

    MALCOLM

    Fuck that! This biscuit-eatin

    country ass killed my brother!

    DYLAN

    He's on tilt status.

    MALCOLM

    What're you talking about?

    DYLAN

    He's teetering in between.

    MOSES

    Come on, guys!! We really need to

    go!!

    Suddenly, a WINDOW BREAKS!! Fully alarmed, Moses and Malcolm

    take up their arms and position themselves.

    Malcolm and Moses moves to the broken window and SMASHES with

    the BUTT of his RIFLE against the unseen ZOMBIE.

    Moses pulls his trigger.

    DYLANYoure gonna focus up and say it.

    It's me, Tom!

    TOM

    It's me, Tom.

    DYLAN

    Yes! Now, Tom who?

    TOM

    Tomwho?I don't know. Who areyou?

    INT. ROOMMATE ROOM CONTINUOUS

    Ricky, in the meantime, is in the Prophets room and stabs him

    in the back of the neck, multiply times.

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    INT. KITCHEN - CONTINUOUS

    TOM

    You're scared.

    DYLANScared of what?

    TOM

    Of whom?

    DYLAN

    What?

    TOM

    Whom?

    DYLAN

    Who?

    TOM

    The yous and whos are emerging.

    Ricky comes out of the room, now wearing the red bandana and the

    sunglasses. Hes back.

    RICKY

    Jesus. What's going on?

    TOM

    Were told by advisors to sign up

    for electives for easy points, but

    then our Rumba instructors fail us

    for not appreciating the art and

    philosophy of the dance because

    it's obscene.

    RICKY

    WHAT?!

    Like a BATTERING RAM, the zombies push into the door. Not even

    attempting to barricade the door, Moses watches with despair.

    MOSES

    Its all over. I mean, whats the

    point?!! ITS ALL OVER!!

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    DYLAN

    You know what?! FUCK THIS!! AHH!!!

    Dylan raises the machete and brings the blade down and starts

    hacking away at Tom, hitting him first on the shoulder, then all

    over.

    DYLAN

    DIE, YOU SON OF A BITCH, DIE!

    Tom falls to the ground. Dylan stares at him. Lying on the

    floor, Tom is whispering something...

    TOM

    ...the...the...the...

    He DIES. Dylan then looks at his hands, realizing whats done.

    He falls to his knees and stretches upwards for life, like

    Wilhelm Dafoe in Platoon.All the noise left that we can hear

    is that of the UNDEAD entering the house. There is nothing left.

    T H E E N D