Outhere Distribution: Catalogue: Releases - Augustus & September 2015

New Releases

BENELUX

August - September 2015

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This series brings together the finest Baroque recordings from the Alpha and ZZT catalo-gues: discs singled out for honours, emblematic artists of music from that period, recordings that marked the discography...This is also the occasion to discover or rediscover universally known works as well as world premiere recordings of rarities.In the framework of these rereleases, the performers have been interviewed and bear wit-ness to their view of the work and their recording several years later, and their fascinating remarks are taken up in the booklets (all trilingual: French, English, German).Concerning the presentation of the discs, we have opted for handsome digipacks, the covers illustrated with photographs by great contemporary artists (all at Magnum) with a domi-nant colour as a guiding line: for this first series, we have chosen the queen of colours, that of the gods, kings, warriors, the devil, life, violence and death... Themes omnipresent in Baroque art!

AT A TIME oF GAThErInG MoMEnTuM, ALPhA Is rErELEAsInG 14 sEMInAL

BAroQuE rECordInGs

hiGhLiGhT OF ThE MONTh alpha Collection

Find all the infos on page 8

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PPd : 12,95€

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SCHÜTZ, HEINRICH - Musikalische Exequien

Heinrich Schütz composed the Musikalische Exequien SWV 279-281 for the funeral of his patron Prince Heinrich Posthumus Reuß 1635/1636. Of the three parts, which were to be performed during three different sections of the funeral service, the first part, in the form of a sacred concerto for choir and soloists, is based on the numerous biblical passages which, in accordance with the instructions given by the deceased were to be recited at the coffin which the deceased himself had designed during his lifetime. This part is followed by a motet for double choir based on the text of a sermon («Herr, wenn ich nur dich habe»), and at the conclusion of the hymn of praise to Simeon («Herr, nun lässest du deinen Diener in Frieden fahren»), a choir apart from the main choir intones «Selig sind die Toten» from heaven, so to speak. With this composition, written as a commission, Schuetz created one of the most artistic and heartfelt works of mourning ever written in the history of music.For his recording, Sigiswald Kuijken decided on a soloistic rendering of the individual parts, thus attai-ning greater transparency. In the middle parts, Kuijken uses high tenors – no altus or countertenors – who possess the specific ability to sing the middle parts over the entire tessitura clearly and with good balance, contributing great richness to the overall sound.

ACC24299

LA PETITE BANDE - KUIJKEN, SIgISwALD Acce

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BALLON, SéVERINE - Solitude

The supernatural drifts of the compositions brought together in this recording, served by the power and playing technique of Séverine Ballon, reveal unexpected facets of expressiveness in the contemporary cello. Fully engaged in the renewal of its repertoire, Séverine Ballon especially favours conversing and working with the composers, in the intimacy of the ‘sound factory’. Having initiated numerous creations to which this recital admirably bears witness, here she offers us a tailor-made programme in the heart of the compositional procès. Once again, what could have been likened to risk-taking allows Séverine Ballon to affirm, forcefully and with conviction, her artistic identity, her commitment and her very particular place in the world of the contemporary cello.

AECd1647

SAUNDERS, REBEccA - LANZA, MAURo - DILLoN, JAMES - LIM, LIZA / BLoN-DEAU, THIERRY


PPd : 12,95€

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Aeon

HANDEL, GEORGE FRIDERIC - Agrippina

Rome 54 A.D.: Nero must become Emperor! Agrippina is intent on installing her son at the centre of power, come what may. When rumour reaches her that her husband Caesar Clau-dius has died in a shipwreck, Agrippina thinks her moment has come. And even when the news of Claudius’ death turns out to be untrue, she will not relent. She makes false accusa-tions against Otto, who saved Claudius from the depths, and sows discord between him and his beloved Poppea.Will Agrippina emerge triumphant or will her adversaries manage to cut through the jungle of political conspiracy? George Frideric Handel wrote this, one of his most impressive works, in Venice in 1709, achieving with the tale about Rome’s great female schemer his first truly resounding success as an opera composer.Agrippina could be heard for the first time in the new critical edition of the Halle Handel Edi-tion at the Göttingen Handel Festival in 2015. The performance was received enthusiastically by the press and public alike.

ACC26404

FESTPIELoRcHESTER gÖTTINgEN - cUMMINgS, LAURENcE - ScHNEIDER, ULRIKE - FERNANDES, JoAo

Trios for Fortepiano & Viola da Gamba

For this second recording in duo, Lucile Boulanger and Arnaud de Pasquale propose a jour-ney to 18th-century Germany, in the marvellous setting of the Sans Souci palace where Fre-derick II of Prussia had established his court.This disc, reflecting the extraordinary conjuncture experienced by the court of Berlin under Frederick II, brings together some of the virtuosic works for viola da gamba and fortepiano by Carl Philipp Emmanuel Bach, Johann Gottlieb Graun or Ludwig Christian Hesse and attesting to the results of fruitful collaborations between the composers at that court.

ALPhA202

BoULANgER, LUcILE - DE PASQUALE, ARNAUD


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Alpha


PPd : 29,00€

3 Cd

Accent

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Jos van Immerseel is one of the leading representatives of historical performance practice today. Alongside his great commitment to Renaissance and Baroque mu-sic, he has consistently broadened his view of the classical and romantic repertoire as well. With the Ensemble Anima Eterna, founded by him in 1987 and performing on historical instruments, he has set new standards with recordings of the works of Mozart, Beethoven, Ravel, Rimsky-Korsakoff, Poulenc and, most recently, Orff.On the occasion of Jos van Immerseel’s 70th birthday in November 2015, the pre-sent box offers a backward glance at the time when Jos van Immerseel, as the winner of many international competitions and prizes, still focussed primarily on keyboard instruments. During the late 1970s the pupil of Flor Peeters, Eugène Traey and Kenneth Gilbert began his collaboration with the Belgian label Accent, resulting in a series of solo piano recordings with works of Clementi, Mozart and Beethoven which can still stand any comparison today. Alongside this purely soloistic contribution, Jos van Immerseel was also much in demand as a chamber music partner for Octophorus, the oboist Paul Dombrecht and the countertenor René Jacobs. This retrospective is rounded off with a final Accent recording from 1986 with Rossini’s «Petite Messe Solennelle» (in the chamber-music version), directed by Immerseel from the piano.

ACC24311

The Accent Recordings 1979 - 1986

vAN IMMERSEEL, JoS - vARIoUS ARTISTS Acce

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8 Cd

PPd : 23,50€

#happybirthdayjos

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Romanus Weichlein Opus I, 1695

After a first disc devoted to Schmelzer, enthusiastically hailed by the critics (‘Editor’s Choice’ Gramophone, ‘Choc’ of Classica), the ensemble Masques, conducted by Olivier Fortin, re-turns to Alpha with a programme combining works by Muffat, Kerll and Pachelbel along with those of a composer who has remained largely unknown and totally forgotten: Romanus Weichlein (1652–1706).Benedictine monk, prefect and official composer of the Benedictine abbey of Säben, Roma-nus Weichlein left several collections of sonatas and masses as well as large chaconnes, ma-gnificent works in the tradition of his compatriots Biber, Johann Heinrich Schmelzer, Pavel Josef Vejvanovský and Georg Muffat.In this new programme, Masques presents both ensemble pieces and others for solo or two harpsichords (the second harpsichord being played by Skip Sempé), always featuring the expressiveness, eloquence and profound interpretation for which it is known.

Alpha212

ENSEMBLE MASQUES - FoRTIN, oLIvIER Alpha212LISZT / SCHUBERT - The Sound of Weimar

Alpha Productions pursues its collaboration with conductor Martin Haselböck and the Or-chester Wiener Akademie in a disc devoted to Liszt’s transcriptions of works by Schubert. The Viennese conductor, a reputed Lisztian, sets great store by performance on period ins-truments (or faithful copies) as well as performance in venues full of history and of which the composer was fond. This volume, in the continuity of the ‘Sound of Weimar’ series, initiated in 2011 by Martin Haselböck, was thus recorded in Raiding, Franz Liszt’s birthplace.Music lovers who have appreciated the fantastic piano transcriptions of orchestral works re-corded by Yuri Martynov for Outhere, will henceforth be able to discover transcriptions for orchestra of Schubert piano works.

Alpha471

oRcHESTER wIENER AKADEMIE - HASELBÖcK, MARTIN


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Alpha

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Alpha

Anna Vinnitskaya has now joined Alpha Classics. her first recording for the label is devoted to one of her repertories of choice: the concertos of shostakovich.

‘When I performed the Second Piano Concerto for the first time at the age of eleven, his music seemed very optimistic to me. Only later did I understand everything else that is concealed behind the “façade” of Shostakovich’s music.’[The Russian pianist reveals two facets of the composer’s music on this disc by juxtaposing the First Piano Concerto in C minor op. 35, an ‘insolent’ composition with a kaleidoscope of atmospheres and stylistic registers (Russian Romanticism, American jazz, neoclassi-cism) that constantly surprise the listener, and the more traditional Concerto in F major, which radiates youthful high spirits.]A pupil of Sergey Ossipenko at the Serge Rachmaninoff Conservatory, then of the great Evgeni Koroliov at the Musikhochschule in Hamburg, Anna Vinnitskaya won the Leonard Bernstein Prize, but it was her First Prize at the Queen Elisabeth Competition in Brussels in 2007 that launched her career.For this recording, Anna Vinnitskaya is surrounded by partners of the front rank: the famous Kremerata Baltica, regarded as one of the most creative ensembles on today’s mu-sical scene, and the prestigious wind players of the Staatskapelle Dresden.

‘Anna vinnitskaya displays a dazzling, indeed olympian technique, combined with a par-ticularly bold aste for differentiating sonic textures. . . . Stubborn, virtuosic, possessive and possessed, Anna vinnitskaya is a musician who never cheats. That was bound to bring her

luck.’Marie-Aude roux, Le Monde, 2009.

ALPhA203

SHOSTAKOVICH, DMITRI - Piano Concertos

vINNITSKAYA, ANNA - KREMERATA BALTIcA


PPd : 12,95€

1 CdTour dATEs

28/10/15 Gent, Festivalhall Bijloke 29/10/15 Antwerpen, de singel31/10/15 Maastricht, sint-Janskerk 07/11/15 Papendorf, Villa Papendorf11/11/15 City of Birmingham 13/11/15 Karlsruhe, Konzerthaus17/11/15 Tokyo 20/11/15 Kyushyu symphony orchestra 23/11/15 saitama 29/11/15 opernhaus Zürich 21/02/16 Brussels, Flagey 10/03/16 Munich05/04/16 Cologne Philharmonie 24/04/16 Berlin Philharmonie (grand hall)

happy Birthday, Mister Jos!

Jos Van Immerseel is celebrating his 70th birthday with three important releases that will punctuate the end of the year at Alpha: a symphonic programme (Jana-cek, Dvorak), a chamber music programme (Schubert) and a set grouping the rereleases of his recordings of French music. These anthologies will once again demonstrate everything the pianofortist brings to the interpretation of the sym-phonic and chamber repertoires.With his musicians and companions from Anima Eterna, he has created a veri-table musical troupe, in turn students, orchestral players, soloists... Together, they carefully select the most appropriate instrument to interpret a given piece, pre-pared to wait several months if necessary for the instrument to be ready before programming it. And together, they seek the sound and style corresponding to their ideal. The autumn of 2015 will therefore be placed under the magic of Jos’s fortepiano, the original colours of the brass section in Janacek’s Sinfonietta, the magnificent voices of Thomas Bauer and his schoolmates...

ALPhA206

JANACEK / DVORAK - Sinfonietta / Symphony «From the New World»

ANIMA ETERNA BRUggE - vAN IMMERSEEL, JoS

Alpha


PPd : 12,95€

1 Cd

ALso AVAILABLE CoMInG soon

#happybirthdayjosALPhA216ZZT358

http://www.outhere-music.com/en/albums/sonata-for-solo-violin-fantaisie-fugue-bwv-542-suite-bwv-822-aecd-1101

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STRADELLA, ALESSANDRO - San Giovanni Crisostomo

The reputation of San Giovanni Battista – by far Alessandro Stradella’s best-known and most recorded work – has hitherto overshadowed the rest of his surviving oratorio output, amounting to a total of six works. Unlike that masterwork, San Giovanni Crisostomo (here released for the first time) was conceived for more intimate resources, but it expresses perfectly the modernity of the oratorio genre as it appeared in the second half of the seventeenth century. Sacred and moral themes are combined with political, social, and sometimes even erotic ones, while subject, libretto, and music interact with amazing boldness and freedom on many different levels. Masterfully Stradella presents the age-old conflict between lust for power and the vanity of life, using awide variety of expressive means and a refined dramatic and psychological depiction of the two prota-gonists, St John Chrysostom and the empress Eudoxia.

A389

ENSEMBLE MARE NoSTRUM - DE cARLo, ANDREA


PPd : 12,95€

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Arcana

FRESCOBALDI, GIROLAMO - Toccate d’intavolatura di cimbalo et organo. Libro primo.

On the occasion of the 400th anniversary of the publication of Primo Libro di Toccate (1615), Arcana is proud to make this reference recording of Girolamo Frescobaldi’s most popular work available again.Here, Rinaldo Alessandrini shows to full advantage his well-known skills as keyboard vir-tuoso as well as his familiarity with the madrigal repertoire of the time, so important for a proper approach to this revolutionary book, whose basic elements are the affetti and where rhetoric became the interpretive key.Two period Italian instruments are used here, making it possible to rediscover the colours appropriate to Frescobaldi’s music: a harpsichord attributed to Celestini – the latest research apparently proves that it is not by this builder and that its construction dates from around 1650 – preserved in the Gemeentemuseum in The Hague; and the restored organ (c.1630), in the church of S. Maria del Carmine in Brescia.

A388

ALESSANDRINI,RINALDo

TCHAIKOVSKY, PIOTR ILYICH - Pique Dame

In its history as a concert orchestra, the Symphonieorchester des Bayerischen Rundfunks has also devoted itself on numerous occasions to opera, under such eminent conductors as Rafael Kubelik and Leonard Bernstein. Chief conductor Mariss Jansons also maintains the tradi-tion, for example with concert performances of Russian operas such as «Eugene Onegin». BR-KLASSIK now presents the 2014 live recording in Munich’s Philharmonie im Gasteig of the semi-staged performance of Tchaikovsky’s late masterpiece «The Queen of Spades». With great connoisseurship, Mariss Jansons has brought together a group of singers for this perfor-mance in original Russian who are all native speakers of the language, and very familiar with the work. They include Misha Didyk as Herman, Tatiana Serjan as Lisa, and Alexey Markov as Prince Yeletsky.

900129

JANSoNS, MARISS - cHoR UND SYMPHoNIEoRcHESTER DES BAYERIS-cHEN RUNDFUNKS


PPd : 24,00€

3 Cd

BR Klassik


PPd : 17,50€

2 Cd

Arcana

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ALPhA 300 / 2Cd

PPd : 6,95€

BACH - Brandenburg Concertos

cAFE ZIMMERMAN

ALPhA 301 / 2Cd

PPd : 6,95€

BACH - Cello Suites

BRUNo cocSET

ALPhA 302 / 1Cd

PPd : 6,95€

BACH - Missae breves BWV234 & 235ENSEMBLE PYg-MALIoN - PIcHoN, RAPHAËL

ALPhA 303 / 1Cd

PPd : 6,95€

BACH - Goldberg Variations FRIScH, cÉLINE - cAFÉ ZIMMERMAN

ALPhA 304 / 1Cd

PPd : 6,95€

C.P.E. BACH - Concerti a flauto traverso obligatoKoSSENKo, ALEXIS - ARTE DEI SUoNAToRI

ALPhA 305 / 1Cd

PPd : 6,95€

Love is Strange. Works for Lute Consort LE POÈME HARMO-NIQUE - DUMESTRE, VINCENT

ALPhA 306 / 1Cd

PPd : 6,95€

MONTEVERDI/ MA-RAZZOLI-Combattimenti!LE POÈME HARMO-NIQUE - DUMESTRE, VINCENT

ALPhA 307 / 1Cd

PPd : 6,95€

Nobody’s Jig. 17-th Century Dances from the British Isles

LES wITcHES

ALPhA 308 / 1 Cd

PPd : 6,95€

PERGOLESI - Stabat Mater, Marian musici from Naples LE PoÈME HARMoNIQUE - DUMESTRE, vINcENT

ALPhA 309 / 2Cd

PPd : 6,95€

RAMEAU - Harpsi-chord Pieces

RANNoU, BLANDINE

ALPhA 310 / 1 Cd

PPd : 6,95€

VALENTINI - Concerti grossi, Op. 7ENSEMBLE 415 - BAN-cHINI, cHIARA

ALPhA 311 / 1 Cd

PPd : 6,95€

VIVALDI - Concertos for Four Violins, Op.3ENSEMBLE 415 - BAN-cHINI, cHIARA

ALPhA 312 / 1 Cd

PPd : 6,95€

VIVALDI - The Four Sea-sons & Other Concertos, Op.8

gLI INcogNITI - BEYER, AMANDINE

ALPhA 313 / 1 Cd

PPd : 6,95€

VIVALDI - Cello Sona-tascocSET, BRUNo - LES BASSE RÉUNIES

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Mahler Symphonie Nr.6

Daniel Harding follows his first CD recording on the BR-KLASSIK label (Schumann’s FaustScenes, BR-KLASSIK, 900122) with this live recording of Gustav Mahler’s Sixth Symphony.Counting Sir Simon Rattle and Claudio Abbado among his teachers, since 2005 he has constantly made a name for himself with spectacular concerts with the Symphonieorchesterdes Bayerischen Rundfunks as a guest conductor. In this live recording of 2014 from Munich’s Philharmonie im Gasteig, BR-KLASSIK presents one of Mahler’s most unusual symphonies. Its dark and complex score contrasts starkly with what appeared on the surface to be a happy and carefree phase of the composer’s life when he wrote it. The world-class conductor Daniel Harding demonstrates great artistic flexibility here; and with the Symphonieorchester des Bayerischen Rundfunks, he encounters an ensemble that has been among the pioneers of Mahler performance ever since the Kubelík era of the 1960s.

900132

HARDINg, DANIEL - SYMPHoNIEoRcHESTER DES BAYERIScHEN RUND-FUNKS

Beethoven Symphony No.3

The Symphonieorchester des Bayerischen Rundfunks has already performed Beethoven sym-phony cycles on several occasions. Mariss Jansons has now extended the cycle concept in two respects: with works specially commissioned from contemporary composers, who have contributed their own musical reflections on Beethoven symphonies, and by presenting theseoutstanding concert events on the record market as a series of live recordings. Following theexcellent response from critics and audiences for the award-winning Complete Edition (BRKLASSIK, 900119), BR-KLASSIK now presents the symphonies on individual CDs. The first of these is the Symphony No 3 in E Flat, op 55, in a live recording made in 2012 in Munich’s Herkulessaal, accompanied by a work of the Russian composer Rodion Shchedrin (born 1932). For his symphonic fragment «Beethoven’s Heiligenstadt Testament» Schedrinhas selected the devastating document – written around the same time as the Eroica.

900134

JANSoNS, MARISS - SYMPHoNIEoRcHESTER DES BAYERIScHEN RUND-FUNKS

Beethoven Symphonies Nos. 4 & 5

The Symphonieorchester des Bayerischen Rundfunks has already performed Beethoven sym-phony cycles on several occasions. Its chief conductor Mariss Jansons has now extended the cycle concept in many respects, with concerts from the Tokyo Suntory Hall with its excellent acoustics, specially assigned commissions from contemporary composers providing their own musical reflections on Beethoven symphonies, and also presentation of the outstanding concert events in live recordings for the music market. The live recordings of Symphonies Nos. 4 and 5 by Ludwig van Beethoven were made in 2012 in the Suntory Hall in Tokyo. The orchestral work Fires by the Lithuanian composer Raminta Šerkšnytes (born 1975) refers to the «con brio» tempo marking of the first movement of Bee-thoven’s Fifth, which can also mean «with fire» It was also recorded in 2012, but in Munich’s Herkulessaal.

900135


BR Klassik

BR Klassik

BR Klassik

DJ SPOOKY - Rebirth of a Nation

Paul D. Miller is probably most well-known under his “constructed persona” as DJ Spooky That Subli-minal Kid. He has recorded a huge volume of music and collaborated with a wide variety of musicians and composers, among them Iannis Xenakis, Ryuichi Sakamoto, Kronos Quartet, Pierre Boulez, Steve Reich, Yoko Ono, Thurston Moore and many others. Conceived as a reimagining of director D.W. Griffith’s infamously racist 1915 silent film The Birth of a Nation, Rebirth of a Nation, recorded with Kronos Quartet, is a controversial and culturally signi-ficant project that examines how “…exploitation and political corruption still haunt the world to this day, but in radically different forms.” Originally commissioned in 2004 by the Lincoln Center Festival, Spoleto Festival USA, Weiner Festwochen, and the Festival d’Automne a Paris, the project was Miller’s first large-scale multimedia performance piece, and has been performed around the world, from the Sydney Festival to the Herod Atticus Amphitheater, more than fifty times.“In an era where whistleblowers like Julian Assange and Edward Snowden have shown us that pers-pective can truly alter global events,” Miller says, “we need more than ever to see the context that early cinema offers us. As my old friend Saul Williams likes to say: Another World Is Possible.

CA21110

KRoNoS QUARTET


PPd : 11,50€

1 Cd

Cantaloupe

BRAHMS, JOHANNES - Die Symphonien

This three CD Box Set presents the complete cycle of Brahms’ symphonies, as performed by the Symphonieorchester des Bayerischen Rundfunks under the direction of Mariss Jansons. It puts the finishing touch on the complete performance of Johannes Brahms’ symphonic works, compositions oriented around the creativity of his great role model, yet in many ways also forward looking and innovative.The beauty of Brahmsian symphonic creativity comes to full fruition in these live recordings from the Musikverein in Vienna and the Herkulessaal in Munich under the direction of Ma-riss Jansons.

900140


WOLFE, JULIA - Anthracite Fields

Haunting, poignant and relentlessly physical, Julia Wolfe’s Anthracite Fields is a lovingly detailed ora-torio about turn-of-the-20th-century Pennsylvania coal miners, and a fitting recipient of the 2015 Pulitzer Prize for Music. NPR Music’s Tom Huizenga describes the piece as “...almost a public history project and a music project at the same time,” which hints at the work’s universal appeal.Weaving together personal interviews that she conducted with miners and their families, along with oral histories, speeches, rhymes and local mining lore, Wolfe sought to honor the working lives of Pennsylvania’s anthracite region. “It’s not necessarily mainstream history,” she told NPR shortly after she received word of winning the Pulitzer. “The politics are very fascinating—the issues about safety, and the consideration for the people who are working and what’s involved in it.But I didn’t want to say, ‘Listen to this. This is a big political issue.’ It really was, ‘Here’s what happened. Here’s this life, and who are we in relationship to that?’ We’re them. They’re us. And basically, these people, working underground, under very dangerous conditions, fueled the nation. That’s very impor-tant to understand.” Featuring the always adventurous Bang on a Can All-Stars and the renowned Choir of Trinity Wall Street, Anthracite Fields merges multiple styles with classical themes.

CA21111

BANg oN A cAN ALL-STARS


PPd : 11,50€

1 Cd

Cantaloupe


PPd : 24,00€

3 Cd

BR Klassik

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Luthers - Laute

As a child, Martin Luther already received intensive musical training at the schools in Magdeburg and Eisenach. He sang not only in the school choirs during the church services, but also for wealthy citizens. During his studies in Erfurt, Luther studied the music theory of both the Middle Ages and antiquity and engaged in musical practice.Luther had an intimate relationship with the music of his time: He was an admirer of the works of Senfl, Finck und Josquin and wrote a number of melodies of his own. Luther’s pastoral and almost intimate text “Frau Musica singt” (Ms. Musica Sings) to the nigthingale – which embodies music, whose song sounds forth in praise of God – makes one thing clear: music also provided Luther with solace and a place of refuge.At his own request, Martin Luther learnt to play the lute whilst suffering from an illness in 1503. He not only studied the lute, but also the technique of intabulation, which is the arrangement of a polyphonic vocal piece for the plucked instrument.The present selection of pieces by Luther and composers from his immediate environment, performed here by the countertenor Franz Vitzthum accompanied by the lute, could have been performed at an evening of domestic music-making at Martin Luther’s house, although this cannot be proven by contemporary sources.

Chr77388

BEHR, JULIAN - vITZTHUM, FRANZChris

tophorus

Thomas Kingo’s Sacred Song Books

The Danish Baroque theologian and poet Thomas Kingo (1634-1703) created his ground-breaking hymnals ‘Aandelige Siunge-Koor ’ to encourage the religious faith of his countrymen through domestic devotions in their native language.Today, Kingo’s hymns with their rich Baroque imagery are still at the heart of Danish com-munal church singing. On this release, however, Phemius Consort presents a selection of the most beautiful Kingo hymns as they were originally intended: as songs with accompani-ment, here supplemented by instrumental music by closely related European composers of the period.

8.226121

PHEMIUS coNSoRT - ToRP, ELSE - BLocH JESPERSEN, JAKoB


PPd : 11,50€

1 Cd

Dacapo

MOLLER, LARS - ReWrite of Spring

“ReWrite of Spring” is a tribute to Igor Stravinsky’s “Rite of Spring” – one of the iconic modern mas-terpieces of music with decisive influence on the development of jazz music. “ReWrite of Spring” by internationally renowned saxophonist, composer and conductor Lars Møller, is the first major project from his pen as director of the Aarhus Jazz Orchestra.With melodic, rhythmic and dramatic inspiration from Stravinsky, “ReWrite of Spring” spans transpa-rency and ambiguity, virility and funk, exploiting the full expressive palette of one of northern Europe’s best big bands and topped by contributions from two world-class musicians, saxophonist David Lieb-man and percussionist Marilyn Mazur.While deeply rooted in American and European orchestral traditions, “ReWrite of Spring” is a vital artistic statement representing a creative voice in the quest for a personal big band sound. The work is the temporary zenith of many years award-winning work within the big band format. Previous releases include “Episodes” (Cope Records), which featured his “hit”, Folk Song No.1, winner of first prize for Best Big Band Composition at the 2007 International Jazz Composers Symposium in Tampa, Florida, USA.

8.226117-18

AARHUS JAZZ oRcHESTRA - MoLLER, LARS - LIEBMAN, DAvID - MAZUR, MARILYN

STATKOWSKI, ROMAN - Piano Music

Roman Statkowski was born in 1859 and studied with Rubinstein and Rimsky-Korsakov. He became a teacher and inspired a great many of the 20th century’s leading Polish musicians. As a composer his taste was for the late Romantic style; he wrote operas and chamber worksbut his large piano music output excels, sparkling in the best tradition of Chopin. Statkowski gave up composition in 1904, and wrote nothing for the next 21 years of his life, being de-voted to teaching.His music is brilliant, melodic and catches the attention at once. Barbara Karaskiewicz gra-duated from the University of Music in Katowice, Poland then completed her Ph.D at the University of Warsaw. She has performed all over Europe and South America with a broad repertoire and is a champion of rarely-heard composers. Her affinity with the music of Stat-kowski is perfect. This is her fourth album and her second recording of several of the pieces.

ddA25129

KARASKIEwIcZ, BARBARA


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Divine Art

PPd : 23,00€

2 Cd

Dacapo

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Cypres

A treasure-house of the grand master of sixteenth-century musical calligraphy, the choirbooks of Petrus Alamire contain some stupendous and hitherto unpu-blished polyphonic works. Through the hand of the fantastical humanist that was Alamire – famous as a “guardian of the books” and as a spy within the most influential courts of the Renaissance, including those of Marguerite of Austria in Malines, Henry VIII of England and Charles V – the Huelgas Ensemble and Paul Van Nevel trace a portrait of this brilliant humanist in a programme that will take you to the very heart of the secrets of Renaissance polyphony. From among these gems that are the prestigious choirbooks, the voices of Paul Van Nevel portray The Legacy of Petrus Alamire through the Sanctus and Agnus Dei of such exceptional composers as Sticheler in an echo of the divine Josquin.

CYP1673l’héritage de petrus alamire

HUELgAS ENSEMBLE - vAN NEvEL, PAUL

Paul Van nevel & huelgas Ensemble @ Cypres

La oreja de Zurbarán | CYP1669

The title chosen by Paul Van Nevel to illustrate the programme of this disc is a clear indication of his intention: to bring to life the music that the Spanish painter Francisco de Zurbarán (1598-1664) would have heard in the course of a career that led him from Seville to Madrid. Bearing as it does the imprint of the Counter Reformation, the artistic production of this contemporary of Velázquez and Murillo shares with the musical repertory of the time the same desire: to make accessible to all the faithful the mystical ideas – albeit toned down – of religious figures such as Saint Teresa of Avila and Saint John of the Cross. Barcode: 5412217016692

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USTVOLSKAYA, GALINA - The Complete Solo Piano Music

Galina Ustvolskaya (1919-2006) is becoming a cult figure in her native Russia and beyond. A person of intense humility, shyness and introspection, her music is the opposite: dramatic, often aggressive, with pounding rhythms that make it totally unique. “Any page of Ustvolskaya’s music is as recognisable as a Picasso brushstroke, and as deep in cultural and emotional resonance.” (Andy Hamilton, International Piano). This recording contains her entire output for solo piano. Russian pianist Natalia Andreeva has taken a special interest in the work of Ustvolskaya, beginning her ‘life-project’ in Chicago in 2006 and her PH.D thesis in Piano Performance was based on the interpretation of Ustvols-kaya’s music – she remains in close touch with the composer’s widower and has developed a special affinity with this unique soundworld. Natalia currently works as Lecturer in Piano at the Sydney Conservatorium, Australia and regularly performs and broadcasts both there and in her native Russia.

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ANDREEvA, NATALIA

VIVALDI, ANTONIO - Di trombe guerriere

Vivaldi’s vocal and instrumental works with trumpet are not only very interesting from a musical point of view but also brilliantly written.This is the first recording that makes available virtually all of these compositions, which are still rather little-known and which encompass the entire career of the Venetian composer.In the first half of the 1700s, the aria with concertante trumpet was one of the ingredients that the public of the numerous Venetian theatres appreciated the most. Spurred by his innate curiosity for any type of instrument, Vivaldi has left us about ten very fine examples of ope-ratic aria with trumpet. The oldest ones date from his Mantua period (1718-1720), while the most recent ones belong to the last phase of his operatic career (1732-1737). Inspired by an instrument that the collective imagination associated with the idea of war and triumph, Vi-valdi shaped a type of writing that gives the greatest care for details and particularly brilliant, characterized by an original syncretism of vocal and instrumental stylistic features.

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ENSEMBLE PIAN & FoRTE - FANNA, FRANcESco

ROSSINI, GIOACHINO - Otello

The second postwar period saw the beginnings of the Rossini Renaissance, so called because of the rediscovery and staging of a great number of Rossini operas, particularly of the serious genre, which had long ceased to be performed. The Rossini Renaissance corrected the misconception that Rossini only excelled in comic opera, when in fact Rossini’s serious output was not only of very high quality in general, but also extremely original.Otello is one of the finest of Rossini’s serious works, and indeed the composer himself thought highly of it. The opera marked one of the first encounters between a composer and Shakespeare’s theatre in the history of Italian opera.In its original version, the opera had a tragic ending envisioned by the English playwright, but Rossini later wrote a new finale in which Otello ends up believing in his wife’s fidelity and gives up his murde-rous intentions. This production, recorded live in 2014 at Antwerp’s Vlaanderen Opera, is based on the critical edition by the Rossini Foundation and features the original tragic Shakespearean finale.

Cds7711/1-3

ZEDDA, ALBERTo - SYMPHoNY oRcHESTRA AND cHoRUS oF oPERA vLAANDEREN ANTwERP/gHENT

Divine Art

Dynamic

Dynamic

This is My Verdi

Amarilli Nizza defined Verdi as her “best friend”. And it is truly so, because although she owes a lot to Puccini – her “first great love” –, her international career took flight with Verdi.She came on the scene as a lyrical soprano, but with time and thanks to her solid technique and a wise choice of repertoire, she has developed dramatic accents and nuances and has become a true Verdi heroine. The Italian soprano Amarilli Nizza was born in Milan and grew up in a musical family as the fourth generation of professional singers. As a child, she studied piano before voice studies with her grandmother Claudia Biadi, who has been her most formative teacher. In 1993, while still very young, she won the “Mattia Battistini” competition and had her debut as Cio-Cio-San in Puccini’s “Madama Butterfly” at Rieti’s Flavio Vespasiano theatre.Her agile voice and solid technique, together with fine acting skills, have granted her access to the most important venues and International Festivals, among them the Wiener Staatsoper, Fondazione Arena di Verona, Teatro del Maggio musicale Fiorentino, Teatro San Carlo di Napoli, Teatro dell’Opera di Roma, Berlin’s Deutsche Opera, Moscow’s Kremlin Palace, Tokyo’s New National Theatre and Bunka Kaikan.

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NIZZA, AMARILLI - MARTINENgHI, gIANLUcA - JANAcEK PHILHARMo-NIc


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Félicien David was already famous through his ‘ode-symphonie’ Le Désert (1844) when his opera Herculanum was first staged at the Paris Opéra in 1859. This am-bitious work, later to gain him entrance to the Opéra-Comique and the Institut de France, also played a part in earning him the Légion d’Honneur.Leaving behind the Middle Eastern inflections of his earlier scores, Herculanum is a remarkably strong composition (vast, intensely dramatic scenes), impressive in the diversity of its style (including Verdian influences) and its vocal variety (including the rare coloratura contralto voice often used by Rossini).There is also a fantastic vein, as made popular by Boieldieu (La Dame blanche, 1825) and Meyerbeer (Robert le Diable, 1831); but the supernatural is used here to serve an openly stated mysticism: the eruption of Vesuvius brings a spectacu-lar, cataclysmic ending, signifying the decadence of the ancient world and the triumph of Christianity.

Es1020DAVID, FéLICIEN - Herculanum

NIQUET, HERvÉ - FLEMISH RADIo cHoIR - BRUSSELS PHILHAR-MoNIc - gENS, vÉRoNIQUE - DESHAYES, KARINE - MoNTvIDAS, EDgARAS - coURJAL, NIcoLAS - vÉRoNÈSE, JULIEN

ConTEnTs oF ThE BooK

Ralph P. Locke, Félicien David : not satellite but starétienne Jardin, ‘Herculanum’ in David’s output

Hector Berlioz, An account of the premièreAlexandre Dratwicki, ‘Herculanum’ in a time of change in French ‘grand opéra’

Gunther Braam, The reception in the contemporary pressJoseph Méry, To Lilia

+ complete libretto in French and English

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BELLINI, VINCENZO - I Capuleti e i Montecchi

For many years Fabio Biondi has been investing Italian scores with his own form of imagi-native and deeply-considered musicality, and it is no real surprise to find him extending his reach past the Baroque and Classical eras and into the early Romanticism with this Glossa release of Vincenzo Bellini’s opera I Capuleti e i Montecchi. Bellini’s masterpiece, first perfor-med in 1830 – to Felice Romani’s story of love confronted by struggles for power – seamlessly incorporates large sections from a previously unsuccessful opera and, as did Rossini before him, Bellini calls for a mezzo-soprano in the male lead role. Vivica Genaux is Romeo in Bion-di’s production with Europa Galante (made in Rieti) and she is joined by Valentina Farcas as Giulietta and supported by Davide Giusti (Tebaldo), Fabrizio Beggi (Lorenzo) and Ugo Guagliardo (Capellio). Fabio Biondi clearly aspires for his version of I Capuleti e i Montecchi to allow listeners to discover new details in and new perspectives on the musical score. In his notes he talks about his careful attention to questions of original acoustical conditions for an opera like this, how modern-day orchestral sizes are much larger than in Bellini’s time, the particular importance of score markings, and tempi choices.

GCd923404

EURoPA gALANTE - BIoNDI, FABIo

Arias for Luigi Marchesi

Recapturing the impact made by the colourful figure of the castrato Luigi Marchesi at the turbulent and revolutionary end of the eighteenth century has been a project embracing an exhibition, symposia, the publication of scores associated with the divo and this fabulous new recording performed by Ann Hallenberg, Stile Galante and conductor Stefano Aresi. It has been possible, through painstaking work, to identify not just the principal operatic arias com-posed with Marchesi in mind, but also his special and astonishing brand of ornamentation and worked-out cadenzas, developed in the course of a career spanning five decades. Possessed of a vast vocal range – some three octaves – Marchesi, called the “Apollo of his times”, was courted allover Europe, from St Petersburg to Vienna, London to Milan, Munich, Naples and Warsaw. He even rebuffed Napoleon Bonaparte’s entreaties to hear him sing in 1796.The Swedish mezzo Ann Hallenberg ventures wholeheartedly into the musical mind of this extraordi-nary star of late opera seria in a vivid recreation backed not just by a meticulous attention to the origi-nal instruments and the ensemble configurations as used by orchestras in accompanying Marchesi, but by access to some two hundred contemporary accounts of the singer’s music-making.

GCd923505

HALLENBERg, ANN - gALANTE, STILE - ARESI, STEFANo

KOZELUCH, LEOPOLD - Complete Keyboard Sonatas 5

A native of Bohemia, Leopold Koželuch made his name in Vienna, a thriving musical centre dubbed ‘the land of the Clavier’ by Mozart. The sonatas in this volume all appeared in 1784, meeting the challenge of Mozart’s popu-larity head-on. Koželuch was singularly adept at producing what was considered the ideal fortepiano sonata of the time, his high reputation making him an influential supporter of a new instrument capable of accommodating ‘the clarity, the delicacy, the light and shade he demanded in music’.

GP646

ENgLISH, KEMP

Glossa

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GLASS, PHILIP - Glassworlds 2 / Complete Etudes 1-20

Two decades of musical evolution and discovery lie behind Philip Glass’ 20 Etudes. They explore a variety of textures, tempi, and techniques and distil intensely intimate perso-nal statements to their purest elements. Providing new music for his solo concerts, they challenged and enhanced Glass’ own piano technique and also provided an unintended but compelling self-portrait of the composer

GP690

HoRvATH, NIcoLAS


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AUBERT, LOUIS - Sillages / Violin Sonata / Habanera

A pupil of Fauré, Louis Aubert moved in the same circles as Ravel, Debussy, Koechlin and others and was considered in his day to be one of the most original French composers.With its evocatively impressionistic images of seascapes, the night and Spain, Sillages is amongst the most significant French piano works of the early 20th century. The intensely expressive and impassioned Violin Sonata is Aubert’s only large-scale work in abstract Classical form and the distinctive Feuille d’images is a varied collection of educatio-nal pieces.The fiery Habanera, Aubert’s most frequently performed orchestral work, is heard in the composer’s own transcription for piano four hands.

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ARMENgAUD, JEAN - FAgIUoLI, ALESSANDRo - cHAUZU, oLIvIER

BARTOK, BELA - Complete Works for Piano Solo Vol. 2

With this latest release (volume 2 of a projected 5 volumes) of his recording of the complete piano works of Béla Bartók, Andreas Bach focuses on Bartók’s romantic roots; those pieces that originated in his early period, and based primarily on the German Romantic tradition. These include the Funeral March from “Kossuth”, arranged by Bartók himself for piano, the Rhapsodie Sz. 26, 2 Elegies and 4 Piano Pieces. Andreas Bach has quickly established himself as a masterful interpreter of Bartók‘s music, with enthusiastic reviews praising the edition‘s success: “... a project, that when complete, will be the most comprehensive presentation of Bartók‘s legacy as a keyboard composer ever available. (...) Of all the recordings and concert performances of these furious, earth-shattering, primitive works known to me, only my Philips recording with Zoltán Kocsis offers these fantastic key-board scenes with comparable nuance, and sense of drama.” Klassik Heute)

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BAcH, ANDREAS


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Transfigured Brahms

In this fifth and last episode of the “transfigured” series, Petronel Malan dedicates herself, following Bach, Beethoven, Tchaikovsky and Mozart to the works of Johannes Brahms. Once again the South African born and by choice New Yorker convinces with an extraordinary program full of interesting works. Composers such as Lowell Liebermann, Ludwig Stark or Ignaz Friedman put Brahms’s four-handed chorales, tunes and works into a piano solo made mode.The world premiere of Brahms’s Haydn variations Op 56a, originally composed for the or-chestra, which has been modified by Ludwig Stark, completes this diversified portrait of a composer.Petronel Malan belongs without a doubt to one of the well-respected pianists of her age, which is impressively proven by the variety of many international awards, she has won.

98.051

MALAN, PETRoNEL

MOZART, WOLFGANG AMADEUS - Quintets for Piano and Winds

The Staatskapelle Dresden unquestionably belongs to the international elite of orchestras, so when the outstanding wind soloists of this vaunted orchestra, together with the Munichbased pianist Margarita Höhenrieder perform two special works from the Viennese classical reper-toire by Mozart and Beethoven, the results promise to be extraordinary.And that is precisely what happens: Mozart’s Quintet for oboe, clarinet, horn, bassoon and piano in E flat major, K. 452, and the Quintet in E flat major, Op. 16 by Beethoven seldom have sounded as fresh and rousing as they do in this unique formation. As a very special encore, oboist Bernd Schober has edited the beloved Andante from Mozart’s Piano Concerto No. 21 for wind quintet and piano. Together, these six musicians have suc-ceeded in producing a musical homes-run with this recording, with hopefully others soon to follow.

98.055

BLÄSERSoLISTEN DER STAATSKAPELLE DRESDEEN - HÖHENRIEDER, MAR-gARITHA

BACH, CARL PHILIPP EMANUEL - Flötensonaten

The flute became a highly fashionable instrument in the 18th century, and CPE Bach used the its in his compositions throughout his life, from early works written in his teens through a fruitful period at the court of Frederick the Great to his time in Hamburg. His works for this instrument frequently betray the influence of Friedrich II, yet the distinc-tive traits of a composer as great as CPE Bach often surface. Again and again you encounter surprising twists and new compositional approaches. The sensitivity and expressiveness of CPE Bach’s highly personal musical language are beau-tifully realized on Dorothea Seel’s copy of a late-Baroque Transverse flute made by Jacob Denner, with vivid accompaniments provided by Christoph Hammer on a period fortepiano.

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SEEL, DoRoTHEA - HAMMER, cHRISToPH

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French Reflections

For his second recital harpist Sivan Magen performs some of the greatest French masterpieces written for harp at the turn of the last two centuries.Since the 1900s French composers have advanced the harp to new levels of virtuosity and expression, with growing technical demands.Caplet’s Divertissements features some of the most unique and perfectly executed writing in the harp’s entire literature; great technical poise is required to deliver the bold pedal glissandi.Tournier and Debussy established the harp as a crucial exponent of the dreamy impressionist style; its colours and sonority are key. A century later Mantovani utilises a breath-taking spectrum of attacks and techniques: furious scalic motives, nail sounds, bisbigliandi, and sudden, shrill fortes which makes Tocar a testament to the harp’s more virile characteristics.Schoeller’s Esstal is in sharp contrast; its delicate figurations create a more peaceful mood and demons-trate another side to this versatile instrument.The programme closes with Fauré’s Impromptu which makes use of harmonics, glissandi, cross finge-rings and rich arpeggios.

CKd473

MAgEN, SIvAN


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Linn Rec.

Volume 9 of the Schumann Cycle

Already at its 9th installment, Florian Uhlig continues his explorations as he draws near theconclusion of the first truly complete edition of the two-handed piano music of Robert Schu-mann.With the Kinderszenen op. 15 and the Novelletten op. 21, as well as hitherto largely neglected contemporaneous pieces, Uhlig explores the musical relationship of Robert and Clara. This most famous of musical couplings was of course - gorgeous! Hardly any other pianist has such a feeling for the hidden undercurrents of Schumann’s scores, and no other pianist can send the sparks flying from the surface of Schumann’s music with as much enthusiasm. A true discovery for the Schumann connoisseur. Joachim Draheim’s entertaining booklet notes are once again a treasure trove of knowledge that will delight both the Schumann scho-lar and the casual listener.

98.059

UHLIg, FLoRIAN

SCHUMANN, ROBERT - Song Cycles

James Gilchrist’s latest recording for Linn encompasses three of the greatest examples of the song cycle genre. Moving away from English song into the core Germanic Lieder repertoire, James’s expressive tenor voice is ideally suited to showcase the emotional nuances of Schu-mann’s vocal writing.Liederkreis shows Schumann at his most lyrical and deeply romantic; incredibly Op. 24 was his first published vocal composition. Dichterliebe, Schumann’s best-known song cycle, is regarded as one of the finest in the German language, notable for its perfect pairing of Hein-rich Heine’s poetry with Schumann’s music.A prolific and versatile recitalist James has frequently performed Lieder repertoire, most re-cently Schubert’s Schwanengesang and Beethoven’s An die Ferne Geliebte at Wigmore Hall.James will return to Wigmore Hall in January 2016, to begin a threeconcert recital series spanning two years, performing the Schumann song cycles Liederkreis and Dichterlieb.

CKd474

gILcHRIST, JAMES - TILBRooK, ANNA


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HAYDN, JOSEPH - Symphonies Nos. 34,70 & 101

This recording is the first of two which sees Robin Ticciati and the Scottish Chamber Orchestra present an overview of Haydn’s symphonic repertoire.Ticciati’s approach takes the best elements of authenticity present in period performances, but with the dynamic range, space, colour andlife that modern performance practice brings.Ticciati beautifully highlights the lines, clarity and shape of the music, a skill he brought to bear in his Schumann symphonies recording which garnered several five star reviews and accolades upon release.Always popular with symphony orchestras Haydn has occasionally been treated a little too ‘tidily’, but these performances are alive and excitingly fresh.From Haydn’s early period the Baroque influenced ‘Horn Signal’ has an almost Gothic tinged feel with highly contrapuntal elements. Comparatively, the first of Haydn’s famous ‘London’ Symphonies, ‘The Clock’, has its focus firmly on the future.Due for release in 2016, the second recording in the series will include three further ‘London’ sympho-nies from Haydn’s late period.

CKd500

TIccIATI, RoBIN - ScoTTISH cHAMBER oRcHESTRA

Silver Bow

Silver Bow sees flautist Katherine Bryan present a fresh view on some much-loved works, together with the Royal Scottish National Orchestra conducted by Jac van Steen.All the works, originally written for violin, feature captivating melodies that Katherine belie-ves were crying out to be explored from the perspective of a different instrument.The recording opens with Vaughan Williams’ The Lark Ascending; this favourite from the classical repertoire is a perfect fit for flute, an instrument often used to depict birdsong.There are dazzling showpieces from Saint-Saëns and Sarasate plus Paganini’s 24th Caprice which features flutter tongueing (Variation 5), and pop tongueing (Variation 7).Katherine’s beautiful tone is showcased on works such as Kreisler’s Liebesleid and Massenet’s Meditation from Thaïs.All the solo violin parts have been transcribed and adapted for flute by Katherine herself.

CKd520

RoYAL ScoTTISH NATIoNAL oRcHESTRA - BRYAN, KATHERINE - vAN STEEN, JAc

Violin Concertos

Firma Melodiya presents recordings of Johannes Brahms’s and Pyotr Tchaikovsky’s violin concertos performed by Leonid Kogan.“No one has ever played the violin like that,” exclaimed Jackques Thibaud when he heard the violinist play. “Leonid Kogan doesn’t play the violin, he creates music on it”, said another pro-minent violinist Isaac Stern. Kogan’s artistic activities was incredible, just like the geography of his concert performances – from the United States to New Zealand, and his all-embracing repertoire – from Bach and Paganini to Shostakovich and Berg. Whatever Leonid Kogan played, his inspired artistry and emotional energy carried the listeners away making them give in to the power of impression and deeply feel a living pulse of each composition. That is why the violinist preferred live performances to studio recordings. There’s no contemporary violinist who would go past the Brahms and Tchaikovsky violin concertos now – nor did Leo-nid Kogan who performed them on a number of occasions with different orchestras.

MELCd1002328

KogAN, LEoNID - BoSToN SYMPHoNY oRcHESTRA - MoNTEUX, PIERRE

Linn Rec.

Linn Rec.

Melodiya PROKOFIEV, SERGEI - The Story of a Real Man

Firma Melodiya presents a unique recording of Sergei Prokofiev’s last opera The Story of a Real Man.This work is arguably the least known one in Prokofiev’s musical theatre legacy. Finished in 1948, it was never staged in the composer’s lifetime (its “private” performance led to banning the opera and accu-sing the composer of formalism). Only many years later it saw spotlights, but none of the production lasted long. The opera, so uncommon in terms of plotline and musical drama, seemed incredible even for an innvator like Prokofiev. The composer who had brought to the stage the characters of Tolstoy, Dostoyevsky and Bryusov was carried away with Boris Polevoy’s novel about pilot Alexei Meresiev (he lost his legs as a result of a severe injury, but at the cost of unbelievable efforts and exercising he returned to the battle ranks). The main character is shown crawling from a shot down plane, in a hos-pital ward and mastering his artificial limbs at hospital. The dramatic concept of the opera is built on a frame-like sequence of short scenes set off with moving lyrical episodes. The musical language of the opera predominantly consists of declamation and recitative and is full of songful intonations.The only recording of The Story of a Real Man that now exists was made by the company of the USSR Bolshoi Theatre in 1961 and conducted by young maestro Mark Ermler.

MELCd1002353

ERMLER, MARK - cHoIR AND oRcHESTRA oF THE USSR STATE AcADEMIc BoLSHoI THEATRE


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From the History of the Tchaikovsky CompetitionPhonodocuments

Firma Melodiya presents a boxed set titled “International Tchaikovsky Competition. Phonographic Documents (1958–1986)”.The first ever Soviet music tournament instantly became one of the world’s most prestigious competitions. The piano jury was chaired by Emil Gilels for many years, while David Oistrakh and Mstislav Rostropovich headed the violin and cello juries, respectively. Alexander Sveshnikov, an outstanding choirmaster and chancellor of the Moscow Conservatory, was a chairman of the vocal jury. For the fifty years of its existence, the Tchaikovsky Competition discove-red numerous distinguished performers such as Van Cliburn, Vladimir Ashkenasi, Grigory Sokolov, Eliso Virsaladze, John Lill, Michail Pletnev, Viktor Tretiakov, Gidon Kremer, Vladimir Spivakov, Oleg Kagan, Natalia Gutman, Elena Obraztsova, Maria Gulegina, Vladimir Atlantov, Yevgeny Nesterenko and Paata Burchuladze to name but a few. The set captures the brightest moments of eight Tchaikovsky Competi-tions in all categories. The recordings, including a number of never-be-fore-released ones, were made immediately during the competition audi-tions and at the prize-winners’ recitals. The release is dedicated to the 175th anniversary of the great Russian com-poser.

PPd : 35,30€

10 Cd

Boris PergamenschikowNatalia ShakhovskayaTamara SinyavskayaVladimir AshkenazyYevgeny NesterenkoPaata BurchuladzeElena ObraztsovaVladimir KrainevAndrey GavrilovVladimir AtlantovVictoria MullovaNathaniel RosenViktor TretiakovKarine GeorgianMikhail PletnevMario BrunelloElmar OliveiraBoris GutnikovDavid Geringas

Raphael OlegSergei StadlerVan CliburnJohn OgdonKyrill RodinIlya GrubertJane MarshIlya KalerJohn LillNaum ShtarkmanMikhail KhomitserVladimir OvchinnikovViktoria Postnikova

Arthur Moreira LimaVladimir SpivakovMyung-whun ChungPascal DevoyonStefan RuhaLev VlasenkoViktor PikaisenEliso VirsaladzeNina BeilinaNatalia GutmanDaniel PollackMaria BieşuOleg Kagan

Valentin FeiginGlenn DicterowLiana IsakadzeTatiana GrindenkoZurab SotkilavaCyprien KatsarisIvan MonighettiYouri EgorovAndrás SchiffChristian BlackshawMaria GuleginaAndré LaplanteVladimir Chernov

Peter DonohoeTerence JuddSylvia SassRoger Muraro

Conductors: Kirill Kondrashin, Boris Khai-kin, Gennady Rozhdestvensky, Valery Gergiev etc.

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GIACOMO, PUCCINI - Tosca

Firma Melodiya presents a rare recording of Giacomo Puccini’s Tosca.One of the most popular operas of the world repertoire, Tosca was finished in the last year of the 19th century. It was based on the French playwright Victorien Sardou’s drama written for Sarah Bernhardt. The premiere of the opera that took place in 1900 in Rome was not accepted with much enthusiasm, and only the performance at La Scala under Arturo Toscanini became a true triumph. The story of singer Floria Tosca and her beloved painter Mario Cavaradossi who fell victim to bloody despot Baron Scarpia on the background of the revolutionary events in Italy of the early 19th century is still able to move to the innermost of one’s heart as the heat of dramatic fervour is masterfully captured in the music.Numerous audio and video recordings of the opera featuring the world’s best singers and conductors were made in the previous century.This recording was realized by the USSR Bolshoi Theatre in 1974. The celebrated internationally reco-gnized soloists of the opera company of the 1970s Tamara Milashkina, Vladimir Atlantov, Yuri Ma-zurok and others perform the opera in the original language under the prominent conductor Mark Ermler.

MELCd1002359

BoLSHoI THEATRE oRcHESTRA - ERMLER, MARK

Isn’t This a Time

The composers on this album range from the iconic John Cage to specialists working with new clarinet techniques such as Eric Mandat, via the great William O. Smith (also known as jazz legend Bill Smith).There is a lot of variety here, within the context of a generally provocative and avant-garde collection; some of the Smith works have narrative; two are extensions of works by Peter War-lock and Merle Travis, and in some Mitchell plays the Double Clarinet, a rare beast indeed.IanMitchell has become one of Europe’s foremost clarinettists, performing, recording and broadcasting regularly, and specialising in contemporary works. He is Director of the en-semble Gemini (with three Métier CDs to their name) and has played with the BBC Sym-phony Orchestra, London Sinfonietta, Michael Nyman Band and several other ensembles. He has received over 40 dedications and given world premieres of major works.

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MITcHELL, IAN - ATKINSoN, LYNToN - SZRAM, ALEKSANDER - TRINITY LABAN cLARINET cLASS oF 2013

Moores Symphony Orchestra

Four major world premieres – two from American composers, one by a Swiss and one Ame-rican orchestration of a well loved Percy Grainger fantasy – includes the Second Symphony of Thomas Fortmann, inspired by the Tuscan landscape but enlivened by jazz, rock rhythms, and pastoral idylls within a traditional four movement work in Fortmann’s typically unres-trained way. Peter Lieuwen and Robert Nelson’s works are very much of today but speak to a wide au-dience and the Australian Percy Grainger’s so-English ‘Lincolnshire Posy’ is given an Ameri-can makeover in its new orchestration by Merlin Patterson.The orchestra of theMoores School of Music at the University of Houston, Texas, is one of the leading student bands today, and its concerts and previous recordings reveal an ensemble of superb professionalism and high standards of performance, necessary in these not-to-easy works. Soloist in the Capriccio is acclaimed violinist Andrzej Grabiec.

MsV28554

gRABIEc, ANDRZEJ - MooRES SYMPHoNY oRcHESTRA oF HoUSToN - KRAgER, FRANZ ANToN

Melodiya

Metier

Metier

SCHUBERT, FRANZ - Piano Sonatas Volume 2

Schubert has been described as the last ‘classical’ and as the first ‘romantic’ composer, but it is reallyimpossible to pin a meaningful label on him. He was and still is a very special case, a lonely figure in musical history, a dreamer who brought into music a degree of intimacy, despair, hope and disappoint-ment previously unknown. Schubert was a sincere, shy and vulnerable man (though he did not lack confidence in himself as an artist) and his personality is clearly reflected in his music.Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musi-cians of our time. His vast repertoire encompasses music from the Baroque to 20th-century compo-sers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world.Mr. Feltsman’s extensive discography has been released on the Melodiya, Sony Classical, and Nimbuslabels. His discography includes eight albums of clavier works of J.S. Bach, recordings of Beethoven’s last five piano sonatas, solo piano works of Schubert, Schumann, Chopin, Liszt, Brahms, Messiaen andSilvestrov, as well as concerti by Bach, Brahms, Chopin, Tchaikovsky, Rachmaninoff, and Prokofiev.

nI6298

FELTSMAN,vLADIMIR


PPd : 11,50€

1 Cd

Nimbus A

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Missa Transfigurationis

Shortly after the second world war, the archivists at the cathedral of Tournai noted with regret the disappearance of a musical manuscript made up of plainchant and polyphony, written between the 15th century and 1602. It unexpectedly resurfaced in November 2006 and was re-entered in the cathedral’s archives and library. An inscription on the back flyleaf gives the work the title Libellus confraternitatis Transfigurationis Domini in ecclesia Tornacensi (Little book of the friars of the Brotherhood of the Lord’s Transfiguration at the Cathedral of Tournai). Various studies have revealed the exceptional interest of this manuscript in both its historical and musical aspects. The recording by the Ensemble Psallentes, directed by Hendrik VandenAbeele, enables listeners to discover all the beauties of this jewel.

MEW1576

PSALLENTES - vANDEN ABEELE, HENDRIK

BRAHMS / GUBAIDULINA / HINDEMITH / VASKS - The Sonatas for Double Bass

“I search for new frontiers in music. The double bass is a fantastic and unique vehicle! My goal is trans-cending my instrument. In performing, I always feel more a musician as a double bassist.’’Niek de Groot is a leading classical double-bassist. In 2010 he found the supreme instrument to give his style voice in the A mati double bass made in Cremona, 1680 . Niek has been given the lifelong privilege to play this famous and only remaining double bass from that era.The style Niek has developed allows him to also use the double bass as an integral solo instrument. At the same time, in working closely with modern composers like Kurtàg and Stockhausen, he contribu-ted to the development of new and contemporary double-bass repertoire.Until 2006 Niek held principal double bass positions in many ensembles throughout Europe. Among them a 10 year tenure as principal with the Royal Concertgebouw Orchestra. Since then he has dedica-ted his career to performing chamber music and solo performances and plays the Amati to a growingworldwide audience. From 1996 Niek has been teaching as a senior professor at the Folkwang Univer-sity of Arts in Essen, Germany. He teaches master classes regularly, with many of his students currently holding positions in Europe’s finest orchestras.

nI6312

DE gRooT, NIEK - KLIPFEL, cATHERINE


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Musique en

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Masterworks & Miniatures: Organ & Harpsichord

This programme explores Italian keyboard music of the sixteenth century with works by Gi-rolamo Diruta, Claudio Merulo, Andrea and Giovanni Gabreli, Gioseffo Guami, and Antonio Mortaro. As Richard Lester explains in his extended liner note, his own study of contem-porary performance treatise, particularly that of Diruta, for correct period fingering, orna-mentation and registration for these works, informs his performances of these pieces and ex presses their unique character.

nI5931

LESTER, RIcHARDNimbus R

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TCHAIKOVSKY, PYOTR ILYICH - Sämtliche Symphonien

Dmitrij Kitajenko will celebrate his 75th birthday on 18 August. On this occasion, Oehms-Classics is presenting the complete Tchaikovsky symphonies in a deluxe box in quality audio. The SACDs are still individually available, as before.

oC027

gÜRZENIcH oRcHESTRA oF coLogNE - KITAJENKo, DMITRIJ

PPd : 27,35€

8 Cd

Oehms

The Complete OehmsClassics Recordings

Cd 1schumann · Kreisleriana, Op. 16 / Ravel · MiroirsCd 2Zemlinsky · Serenade for violin and piano in A major *Schubert · Fantasy in C major D 934, Op. 159*Brahms · Sonata No. 3 in D minor, Op. 108*Cd 3Lachenmann · Fünf Variationen über ein Thema von FranzSchubert · Guero / Schubert · Piano Sonata G major D 894Piano Sonata A minor D 537Cd 4Schumann · Nachtstücke / Holliger · Elis – Drei Nachtstücke, Op. 23 / Skriabin · Sonata No. 9, Op. 68 Messe noireRavel · Gaspard de la nuit / Mozart · Adagio in B minor KV 540Cd 5Schumann · Variations on a Theme by Schubert

oC012

ScHUcH, HERBERT

STRAUSS, JOHANN - A Night in Venice

Punctually as always, on time for the premiere in Morbisch in Burgenland/Austria, Oehms-Classics proudly present the new recording of this piece. This time the Night in Venice by Johann Strauss (son) performed by extremely renowned artists!

oC450

MÖRBIScH FESTIvAL oRcHESTRA

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Oehms

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usic nMP1015Masterworks & Miniatures Organ & Harpsichord Music from Renaissance Venice

LESTER, RIcHARD

Compiled and edited by harpsichordist Richard Lester this 90 page volume of music contains 17 complete works by Giro-lamo Diruta, Claudio Merulo, Andrea and Giovanni Gabreli, Gioseffo Guami, and Antonio Mortaro.In an extended preface Richard examines the contemporary performance treatise and based on them suggests possibilities for correct period fingering, ornamentation and registration for these works.The publication includes a 48 minute DVD Video, ‘Venetian Reflections’ in which Richard demonstrates the practical considerations of period fingering and ornamentation and includes several complete performances on both harpsichord and organ. The publication also includes the Nimbus CD re-cording NI 5931 of works featured in the publication perfor-med by Richard Lester at the organ and harpsichord.

CoMPosErs FEATurEd In ThE sCorEGirolamo Diruta (c 1554-c 1610)

Claudio Merulo (1533-1604)Andrea Gabrieli (1532/33-1585)

Gioseffo Guami (1542-1611)Antonio Mortaro (fl 1587-1610)Giovanni Gabrieli (c 1555-1612)

CoMPosErs FEATurEd on ThE CdAdrian Willaert (c 1490-1562)

Jacques Buus (c 1500-1565)Annibale Padovano (1527-1575)Andrea Gabrieli (1532/33-1585)

Claudio Merulo (1533-1604)Gioseffo Guami (1542-1611)

Giovanni Gabrieli (c 1555-1612)

PPd : 31,00€

PrInTEd sCorEd, Cd & dVd VIdEo

Sehnsuchtswalzer-Variationen / Papil-lons, Op. 2 · Intermezzi, Op. 4 · Carna-val, Op. 9Cd 6Czerny · Variationen über den beliebten Wiener Trauer-Walzer von Franz Schu-bert, Op. 12 / Schubert · Eight DancesWeber · Aufforderung zum Tanze, Op. 65Cd 7Ullmann · Piano Concerto, Op. 25 **Beethoven · Piano Concerto No. 3 **in C minor, Op. 37Cd 8Schubert · Wanderer-Fantasie / Piano Sonata A major D 664 / Janácek · Sonata 1. X. 1905 / Z ulice (From the street)

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MENDELSSOHN, FELIX - Songs Without Words

Michael Endres was the piano partner of the legendary baritone Hermann Prey for many years, and performed in such venues as the Berlin Philharmonie, the Vienna Musikverein and Suntory Hall in Tokyo. He has already recorded Schumann, Schubert, Weber and Gershwin for OehmsClassics.

oC452

ENDRES, MIcHAEL

STRAUSS, RICHARD - Symphonie f-Moll / Don Juan

Don Juan is the second tone poem by Richard Strauss – inspired by the dramatic poem by Nikolaus Lenau.The second work on this CD is the Symphony in F minor (actually No. 2), premiered in 1884 in New York.

oC890

FRANKFURT oPERA AND MUSEUM oRcHESTRA - wEIgLE, SEBASTIAN

STRAUSS, RICHARD - Die Frau ohne Schatten

The Woman Without a Shadow was the admission ticket for Sebastian Weigle as Chief Music Director of the Frankfurt Opera; what could be more appropriate, then, than to issue this opera on CD.Strauss specialist Weigle has brought both established singers and role debutantes to the stage, including Terje Stensvold, who made his farewell from the Frankfurt stage in this series in 2014.

oC964

ENSEMBLE oF THE FRANKFURT oPERA - cHoIR oF THE FRANKFURT oPE-RA - FRANKFURT oPERA AND MUSEUM oRcHESTRA - wEIgLE, SEBASTIAN

Oehms

Oehms

Oehms

DVORAK, ANTONIN - Cello Concerto / Dumky Trio

For his third CD für OehmsClassics, Sebastian Klinger, solo cellist of the Bavarian Radio Symphony Orchestra, has chosen a programme made up exclusively of works by Dvorák.In the so-called Dumky Trio he is accompanied by Lisa Batiashvili and Milana Chernyavska.

oC1828

KLINgER SEBASTIAN - DEUTScHE RADIoPHILHARMoNIE SAARBRÜcKEN KAISERSLAUTERN, gAUDENZ, SIMoN - BATIASHvILI, LISA - cHERNYAvS-KA, MILANA


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Oehms

Adrien Boisseau & Gaspard Dehaene Plays Schumann

At the age of 23, Adrien Boisseau (viola) became the youngest member of the renowned Quatuor Ebene.Beginning in January 2015, he replaced Mathieu Herzog, who wishes to devote himself more to conducting. At almost the same time, he is presenting his debut album with works of Robert Schumann available from OehmsClassics. He was named Young Artist of the Year in April 2014 by the renowned jury at the “International Classical Music Awards“(ICMA) in Warsaw.During the course of his international concert activity, he has already worked with such conductors as Manfred Honeck, Pierre Boulez,Vladimir Ashkenazy, Kazushi Ono and Myun-Whun Chung.

oC1819

BoISSEAU, ADRIEN - DEHAENE, gASPARD

DOPPLER / PAGANINI / SHOSTAKOVICH - Souvenirs

Rudens Turku is the artistic director of the Starnberg Music Days and of the Music Days of the Olympic Region of Seefeld, which will take place in August for the seventh time.It is therefore fitting to have a CD with many friends of Rudens Turku ready for release. The programme is challenging and the artists are of the highest calibre.

oC1832

TURKU, RUDENS - vARIoUS ARTISTS


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CHAUSSON / BERLIOZ / DUPARC - Poème d’amour et de la mer / Nuits d’été / Songs

Soprano Soile Isokoski is singing orchestral songs by three different French composers in her new recording. The recording includes two major works in the French song repertoire – Ernest Chausson’s Poème de l’amour et de la mer and Hector Berlioz’s Nuits d’été. The disc ends with three finely-crafted miniature songs by Henri Duparc, which are no less of artistic value.Soile Isokoski is recognized as one of the world’s finest lyric sopranos and regularly appears on the most renowned stages. Isokoski made her début at the Finnish National Opera as Mimi in Puccini’s La Bohème and has since delighted audiences and critics alike at opera houses in Vienna, Berlin, Munich, Hamburg, London, Milan, Paris, and New York, and at the festivals of Salzburg, Savonlinna, Ravi-nia, Tanglewood, Edinburgh, and Orange. Soile Isokoski has worked with numerous distinguished conductors. Isokoski has an extensive concert repertoire, and she regularly gives recitals in the most renowned stages

odE1261

ISoKoSKI, SoILE - HELSINKI PHILHARMoNIc oRcHESTRA - SToRgARDS, JoHN

Ondine

Ondine ODE1273BACH, JOHANN SEBASTIAN - Goldberg Variations

vogT, LARS

PPd : 11,50€

1 Cd

Pianist Lars Vogt presents one of the classic works of the Baroque reper-toire – Johann Sebastian Bach’s (1685–1750) famous Goldberg Variations.Originally written for the harpsichord the Goldberg Variations, published in 1741, embody an Aria with 30 variations and a coda. Bach wrote the work for Johann Gottlieb Goldberg, who, as the narrative says, often played music as a cure for Count Kaiserling’s insomnia. Apparently the work was one of the successes that Bach had during his lifetime and it was also published during his lifetime.Lars Vogt was appointed the first ever “Pianist in Residence” by the Berlin Philharmonic in 2003/04 and enjoys a high profile as a soloist and cham-ber musician.


ALso AVAILABLE

odE1271-2 odE1204-2odE1205-2

PhiLPh017Cantigas de Santa Maria

BLAžíKová, HANA - KABáTKová, BARBoRA - MARgIT, ÜBELLAc-KER - NováK, MARTIN

PPd : 12,95€


1 Cd

The Cantigas de Santa Maria come from the imposing collection of the court of Alfonso X el Sabio, which offers us one of the most precious sources of mediaeval Spanish music. The Cantigas take us to the end of the Recon-quista of the Iberian peninsula and to the very heart of the culture where Christian, Muslim and Jewish traditions mingle.These songs are interesting not only for their absolutely unique musical lan-guage but also for their Portuguese and Galician texts in which are combi-ned poetry, popular stories and hymns, most of them praising miracles of the Virgin Mary.Starting from illuminated manuscripts that give us an idea of the instru-ments used at the king’s court, Hana Blažíková and her partners perform these works like a dialogue between two women’s voices, enriching it with two harps, a dulce melos and percussion. Whether using the whole consort or putting the instruments aside, this subtle interpretation has its source in plainchant and the music of the troubadours, with a touch of Arabizing ornaments and improvisation.

ALso AVAILABLE

LPh014

LPh015 LPh016

https://soundcloud.com/outhere-music/cantigas-de-santa-maria-hana-blazikova-barbora-kabatkova-margit-ubellacker-martin-novak

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BACH, JOHANN SEBASTIAN - Me-Su-Bach

This is Stern’s 8th album, and her previous releases have won awards including the Diapason Decouverte.Bach is one of Stern’s favourite composers and this album comprises some of her favourite pieces by him:

Partita No. 1 in B flat major, BWV 825Partita No. 2 in C minor, BWV 826Partita No. 6 in E minor, BWV 830

orC100050

STERN, EDNA

POULENC, FRANCIS - Chamber Music

Francis Poulenc’s Violin and Flute Sonatas and his Sonata for Two Pianos are some of the most popular chamber works of the 20th century. This exciting new recording by four of Germany’s foremost musicians highlights both theirsimilarities and their differences.

pmr0049

LESSINg, KoLJA - wIESE, HENRIK - MAY, EvA-MARIA - wIENAND, ALEXAN-DER

STARK, ROBERT - Clarinet Concertos

Robert Stark (1847–1922) is one of those composers history seems to have left by the wayside – this despite the fact that clarinettists (or at least the professionals among them) will tend to know his name.The pieces on this recording are not only elegant, inventive and appealing, but honest music.

pmr0064

ASHKENAZY, DIMITRI - HAMBURgER SYMPHoNIKER - cURTIS, DAvID

Orchid Cl.

Paladino

Paladino

BIBER, HEINRICH IGNAZ - Mystery Sonatas

Heinrich Ignaz Franz Biber’s Rosary Sonatas (or Mystery Sonatas) were written about 1678 and dedi-cated to his employer the Archbishop of Salzburg. They are really unlike anything else in the vio-lin literature. Scordatura, or unconventional tuning of an instrument’s strings, was common enough during the Baroque era, but Biber’s cycle of 15 pieces for violin and continuo explores the technique exhaustively: each of the 15 sonatas uses a different tuning.The result is music of fearsome difficulty for the player, and technical complexity generates spiritual intensity. Each sonata represents one of the Mysteries of the Catholic Rosary, which are divided into five Joyful Mysteries (the Annunciation …), five Sorrowful Mysteries (Christ’s crucifixion …), and five Glorious Mysteries (centered on the Resurrection and on Mary’s Assumption). As the music reaches its spiritual climax in the «Resurrection» sonata, Biber specifies that the violin be played with its two central strings crossed.Lina Tur Bonet is one of the most exciting violinists of the younger generation. She is accompanied by her ensemble Musica Alchemica, with which she recently made an enthralling Vivaldi CD (PC 10314).

PC10329

MUSIcA ALcHEMIcA - TUR BoNET, LINA


PPd : 19,20€

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Pan Cl.

SCHEIN, JOHANN HERMANN - Musica boscareccia

The «villanella» was originally a plain, three-part strophic song in the manner of folkloristic tunes of Italy’s rural population,intentionally simple in its manner of setting and usually with coarse texts. By the time Johann Her-mann Schein had published his 50 villanellas of the «Musica boscareccia» in the 1620s, the genre had long become an art form. These «little forest songs» enjoyed immense popularity during the first half of the 17th century. Their three volumes were reprinted no fewer than eight times by 1651.Schein’s great success is particularly due to the fact that he understood perfectly well how to fuse the modern Italian attainments of his time with the conservative stylistic legacy of his Central German environment. In particular, it was the revolutionary Italian novelty of thoroughbass - the chordal ac-companiment of songs by lutes and keyboard instruments - that made these pieces very modern and in great demand. Their texts, all written by Schein himself, are full of strongly expressive imagery, charm and wit. An entire host of forest spirits, mythological figures and gods whirl and tumble here.

PC10326

UNITED coNTINUo ENSEMBLE - JoHNSEN, THoR-HARALD - voN LANDS-BERg, JULIA - REMBEcK, cHRISTINE MARIA

HUPPERTZ, GOTTFRIED - Die Nibelungen

The film director Fritz Lang cast Gottfried Huppertz (1887-1937) in several of his films before asking him to write the original score for “Die Nibelungen” (1924), which he composed using the shooting script as a silent libretto. Huppertz wrote in a lush, late-Romantic idiom. With “Die Nibelungen”, he evokes Wagner’s take on Teutonic mythology through a highly lyrical and orchestrally expansive score that resists being imitative. The music echoes Wagner without attempting to mimic it. At the same time, Huppertz’s musical language resembles Alexander von Zemlinsky, Franz Schreker, Walter Braunfels and Eugene D’Albert.The present 4-CD-set offers Huppertz’s complete original score for Lang’s “Die Nibelungen”, in total four and a half hours of music, performed by the hr-Sinfonieorchester (Frankfurt Ra-dio Symphony) under the baton of Frank Strobel, Germany’s leading film music conductor.

PC10345

FRANKFURT RADIo SYMPHoNY - STRoBEL, FRANK


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WOLF, HUGO - Mörike Lieder

This album contains 18 of the 53 Mörike Lieder by Hugo Wolf, performed by legendary artists Dietrich Fischer-Dieskau and Sviatoslav Richter. The Gedichte von Eduard Mörike is one of the five major song cycles that brought great recognition to the nineteenth-century composer, Hugo Wolf. The 18 songsincluded in this recording rank amongst the composer’s most outstanding works. Despite Wolf ’s own regret of being recognised as a great lied composer, he developed the Lieder genre to its highest level. The undeniable influence of Wagner and, to some extent the “Second Viennese School”, is self-evident in Wolf ’s music. By pushing the boundaries of tonality and dramatic effect, Wolfwas able to achieve an unprecedented level of tension in the Lieder genre.The epic collaboration between Fischer-Dieskau and Richter began in 1965 at the Aldeburgh Festival. Their great mutual respect has been well documented. According to Richter, their collaboration with Hugo Wolf ’s Lieder was the most creative and satisfying. These legendary artists bring their uncompromising attention to detail and unity of vision to produce musicmakingof great power and beauty.This re-release of the 1973 Deutsche Gramophone recording of the Mörike Lieder allows us to expe-rience the work of these 20th century musical giants in an unprecedented way and to enjoy the Mörike Lieder like never before.

PTC5186219

FIScHER-DIESKAU, DIETRIcH - RIcHTER, SvIAToSLAv

HAYDN, JOSEPH - Violin concerto No.1 in C Major

The latest flower to unfurl its petals is this SACD of Joseph Haydn’s Violin Concerto No. 1 in C major and his Sinfonia Concertante in B flat major. The pieces are performed by one of the 20th century’s leading violinists, Pinchas Zukerman, former Principal Cellist of the Los Angeles Philharmonic Ronald Leonhard, oboist Barbara Winters and bassoonist David Breidenthal, together with the Los Angeles Philharmonic Or-chestra. These are outstanding performances of often neglected repertoire by the great Classical mas-ter, finally realised in the finest sound quality.

PTC5186224

LoS ANgELES PHILHARMoNIc - ZUKERMAN, PINcHAS

BRAHMS / SCHÖENBERG - Brahms Piano Quartet Op. 25

Composer Arnold Schönberg considered it vitally important to study the techniques of other compo-sers in order to thus penetrate more deeply into the true content of their music and he believed the best way to do this was by arranging the original compositions. And thus between May and September 1937, Schönberg penned an orchestral version of the Piano Quartet in G minor by Johannes Brahms. His first reason was personal: “I like the piece.” But the other two were more of a practical nature. “It is seldom played.It is always very badly played, because the better the pianist, the louder he plays, and you hear nothing from the strings. I wanted for once to hear everything, and this I have achieved.”In this regard, conductor Marc Albrecht and Netherlands Philharmonic Orchestra prevail, with indi-vidual instruments and sections coming forward in carefully drawn sections.this album also features Schönberg’s own work, Begleitmusik zu einer Lichtspielscene (which trans-lates as ‘Accompaniment to a cinematic scene’). Although the work reflected the customs of silent movies, Schönberg’s original score could not be used for film as it was not possible to adapt the music to the length of the scenes.

PTC5186398

NETHERLANDS PHILHARMoNIc oRcHESTRA - ALBREcHT, MARc

Pentatone

Pentatone

Pentatone

GETTY, GORDON - The Little Match Girl

As is often the case in the vocal compositions of distinguished American composer Gordon Getty, many of the pieces collected in The Little Match Girl are based on, or inspired by, poetry from the nineteenth and early-twentieth centuries. This SACD starts with “A prayer for my daughter” for chorus and orchestra, based on the poem by William Butler Yeats which is, according to Getty, “…one of the most admired works by one of the most admired poets of the age”. It is followed by “Poor Peter” for tenor, chorus and orchestra, with lyrics by Getty himself inspired by Poe and again Yeats. Then follows the titular “The little match girl”; the heart-breaking fairy tale by Hans Christian Andersen, put to music more or less word-for-word in a challenging setting for the orchestra and particularly the chorus. The disc concludes with “Joan and the bells”.This recording by the Münchner Rundfunkorchester and the Chor des Bayerischen Rundfunks was conducted by Asher Fisch and Ulf Schirmer respectively. It features magnificent soloists such as tenor Nikolai Schukoff (“Poor Peter”), soprano Melody Moore (“Joan and the Bells”) and baritone Lester Lynch (“Joan and the Bells”).

PTC5186480

MÜNcHENER RUNDFUNoRcHESTER - cHoR DES BAYERIScHEN RUND-FUNKS - ScHIRMER, ULF

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PEnTATonE’s ArTIsT oF ThE sEAsonJohannes Moser

German-Canadian international soloist Johannes Moser recently signed an exclusive recording contract with PENTATONE. He regularly performs with the world’s leading orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony, London Symphony, Royal Concer-tgebouw, NHK Symphony, Philadelphia and Cleveland Orchestras as well as the leading conductors of our time including Mariss Jansons, Valery Ger-giev, Zubin Mehta and Gustavo Dudamel. He has received many accolades for his recordings including two ECHO Klassik awards as well as the Preis der Deutschen Schallplattenkritik.For his debut album with PENTATONE Johannes chose to record the pin-nacle of the repertoire for cello and orchestra, the concerto by Antonín Dvořák. In this monumental work Dvořák explores the entire spectrum of human emotion, very much inspired by his own experiences, ranging from exhilarating bursts of life in New York City to the devastating tragedy of his unfulfilled love. In preparation for the recording, made with the PKF - Prague Philharmo-nia, Johannes Moser and conductor Jakub Hrůša had Dvořák’s own manus-cript at hand in order to come closer to the composer’s intention rather than relying on unquestioned traditions and acquired habits, while paying tribute to the concerto’s nickname, «Dvořák’s 10th Symphony».Moser completes his debut album with the Cello Concerto by édouard Lalo. It is a work of great verve which fully embodies Spanish flair combined withromantic spirit.Besides being staples of the Romantic cello repertoire the two works have a lot in common. Johannes Moser says about the two concerti: “The unifying motif between these two Cello Concertos is a sense of yearning: From Ame-rica, Dvořák yearned for his homeland and an unfulfilled love, whereas Lalo yearned for the typically Spanish flair and the Mediterranean temperament”.

PTC5186488Dvorak & Lalo Concertos

MoSER, JoHANNES - PKF PRAgUE PHILHARMoNIA - HRUSA, JAKUB

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TCHAIKOVSKY, PETER ILYICH - The Symphonies and Manfred

Tchaikovsky defined the symphony as being “the most lyrical of musical forms. After all, is it not meant to express that for which there are no words, but which forces itself out of the soul, impatiently waiting to be uttered?” With these words, the composer makes us aware of the special nature of his symphonies. They primarily provided him with a musical outlet for the expression and elaboration of his emotions, his mental and spiritual processes.Between February 2011 and March 2014, PENTATONE released a highly acclaimed cycle of recordings of the complete symphonies by Peter Ilyich Tchaikovsky, as well the Marche Slave, the Festival Coro-nation March, Romeo and Juliet, Francesca da Rimini, Capriccio Italien and the Manfred Symphony. All recordings are performed by the world class Russian National Orchestra under the direction of Mikhail Pletnev. This majestic cycle, with Symphony No. 5 selected as CD of the Month by BBC MusicMagazine, is now presented in a magnificent 7 SACD box set. A wonderfully complete collection to fully enjoy the unsurpassed lyrical mastery of Tchaikovsky in optimal sound quality.

PTC5186489

RUSSIAN NATIoNAL oRcHESTRA - PLETNEv, MIKHAIL

December Celebration

December holds in its hands many worlds of celebration as the month unfolds with Hanuk-kah, Winter Solstice, Christmas and the eve of the New Year. Over the centuries a great deal of music has marked this time of year, but very little has been added to the canon in recent decades. Gordon Getty inspired us with his composition of delightful new Christmas carols to invite a group of American composers to celebrate the season in music. The result is a rich and tuneful recording of new holiday classics for you to share with your friends and families. We hope that you enjoy this festive and joyous music throughout the season and for many years to come.

PTC5186537

NEw cENTURY cHAMBER oRcHESTRA - HARMS, DAwN

Orbit

Orbit, a three-disc compilation of music for solo cello, all composed between 1945 and 2014 and per-formed by world-renowned cellist Matt Haimovitz, is the second release in the PENTATONE OXIN-GALE SERIES. In this series PENTATONE joins forces with Grammy Award-winning OXINGALE RECORDS, a trailblazing artist’s label since 2000 which is equally committed to revelatory interpreta-tions of the canonic repertoire as to riveting performances of works by recent and living composers.Alongside his earlier 3-disc compilation on Deutsche Grammophon, Orbit establishes Matt Haimovitz as one of the most prolific exponents of solo cello music in our time.The album documents Matt Haimovitz’s musical journey since the turn of the millennium, together with his partner in life and music, composer Luna Pearl Woolf.This impressive solo cello odyssey offers the listener a fascinating kaleidoscope of musical influences from the past sixty years, encountering a variety of composers who range in musical style from van-guards Elliott Carter and Philip Glass to young, rock ‘n roll-influenced American composers, to the Italian avant-garde of Luciano Berio and Salvatore Sciarrino: a true 20th century Tower of Babel.

PTC5186542

HAIMovITZ, MATT

Pentatone

Pentatone

Pentatone

BRAHMS, JOHANNES - Ein deutsches Requiem

Following the requiem masses of Dvorák and Mozart in previous seasons, this performance of Brahms’s German Requiem would have been the third in a long series of Requiems conduc-ted by Mariss Jansons.Unfortunately the ‘new tradition’ was cut short by Jansons’s departure as the RCO’s chief conductor during the 2014/2015 season. The performance was dedicated to Kurt Sanderling, one of the orchestra’s most beloved guest conductors. He passed away the year before and would have turned 100 that very month. It proved to be a very moving performance, a fitting salute to a great conductor

rCo15003

RoYAL coNcERTgEBoUw oRcHESTRA - NETHERLANDS RADIo cHoIR - JANSoNS, MARISS


PPd : 11,50€

1 sACd

RCO Live

PHILIDOR / PIGNOLET DE MONTéCLAIR - Fil d’argent, fil d’or

For this second recording devoted to French Baroque music for two solo transverse flutes, Marie-Céline Labbé and Marion Treupel-Franck perform the six suites by Pierre Danican Philidor (1681-1731), pieces taken from the three collections published by the composer in Paris in 1717 and 1718. Written in a highly original style in which one senses the spirit of freedom blowing over Versailles and France during the regency of the Duke d’Orléans, these short suites, in addi-tion to the principal dances in vogue at the court of Versailles in the early 18th century, each comprise a fugue. A few brunettes by Michel Pignolet de Montéclair (1667-1737) round out the programme. The brunette, a little rustic song with an evocative title, was a musical genre quite popular in the late 17th and early 18th centuries. The selection proposed here will enable the listener to discover another facet of the work of Montéclair, the composer who was the object of the two flautists’ first recording.

rAM1405

LABBÉ, MARIE-cELINE - TREUPEL-FRANcK, MARIoN

Chamber Music by Members of the Royal Concertgebouw Orchestra

This cd-box has been produced to celebrate the 80th anniversary of The Friends of the Concertgebouw and the Royal Concertgebouw Orchestra and contains a selection of live recordings from the rich archive of chamber music concerts, performed by members of the Royal Concertgebouw Orchestra in the Kleine Zaal of the Concertgebouw in Amsterdam during the last 8 years.This jubileum cd-box was compiled by Daniël Esser (former RCO cellist) en Jan Kouwenho-ven (RCO oboist) and is available in a limited edition of 2000 copies.

rCo15006

MEMBERS oF THE RoYAL coNcERTgEBoUw oRcHESTRA

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4 Cd

RCO Live


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LEKEU, GUILLAUME - Le fleurs pâles du souvenir

In 1994, RICERCAR released a boxed set bringing together nearly all the works of GuillaumeLekeu (1870-1894), this prodigious Belgian composer who died prematurely at the age of 24.Admirer of Beethoven and Wagner, disciple of Franck, and protégé of Ysaÿe, Lekeu had, in his last compositions, opened a new way that was neither French nor Germanic. It is to this journey that this new edition invites you, starting with the earliest works, written at 15, to the masterpieces of 1893. On this occasion, Jérôme Lejeune has completely revised and expanded the introductory text, which proposes a chronological analysis of the works. Listening to the compositions in this order helps to understand the way the composer’s talent developed, and the quotations from his abundant correspondence give an even better idea of the state of mind of this fascinating, highly moving young man who had put this simple phrase as an epigraph to his Adagio for quartet and string orchestra: ‘The pale flowers of memory...’

rIC351

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r rIC359CAVALLI, FRANCESCO - Heroines of the Venetian Baroque

FLORES, MARIANA - REINHOLD, ANNA - CAPPELLA MEDITERRA-NEA - GARCIA ALARCON, LEONARDO

The opening of Venice’s first opera house, the Teatro di San Cassiano, in 1637, was one of the major events in the history of opera. The protagonists of these new operas henceforth represented all the social categories making up this public and who, in fact, had to be able to find themselves onstage. The gods were no longer the only ones to lay down the law, challenged by the Vices and Virtues who preached in the Prologues. The new heroes are kings, emperors, dictators, courtesans, as well as nurses, valets, soldiers, philosopher, and, above all, lovers. Whoever they might be, we find them sympathetic or antipathetic; all are glorified, all are ridiculed.With his 27 existing operas, Francesco Cavalli gives us a fascinating version of this theatre of life. A single main thread runs through the excerpts drawn from each of them by Leonardo García Alarcón: the expression of human passions. They are all there, from ingenuousness to ecstasy, joy to anger, passionate love (and its erotic, sensual expression) to despair. This fascinating programme represents a new contribution to the knowledge of Cavalli’s operas and allows for unveiling part of the mystery still surrounding his works.

ALso AVAILABLE

rIC342 rIC346

PPd : 23,50€

1 Cd + BooK


BACH, JOHANN - Fugue State

Alan Feinberg’s encore album to his celebrated 2013 Steinway release, “Basically Bull”.Alan Feinberg has received four Grammy nominations and has been widely acclaimed for his musical versatility, stylistic breadth of repertoire, and innovative programming.

sTns30034

FEINBERg, ALAN

PPd : 12,95€

1 Cd

Steinway

& Sons

Grzegorz Nowak Conducts Mussorgsky

A celebration of Mussorgsky’s greatest orchestral masterworks, performed with panache by the Royal Philharmonic Orchestra and their Permanent Associate Conductor Grzegorz No-wak.Including a rare recording of Gorchakov’s orchestration of the ever-popular Pictures At An Exhibition - arguably darker and more Russian sounding in tone than the often-performed Ravel interpretation.Grzegorz Nowak has led the Royal Philharmonic Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK.

rPosP039

RoYAL PHILHARMoNIc oRcHESTRA - NowAK, gRZEgoRZ

PEIXUN / RAVEL / RACHMANINOV - Watercolor

Shen Lu has won numerous international piano competitions. His gold prize at the 2014 Hil-ton Head International Piano competition includes this collaboration with Steinway & Sons – a debut recording from an exceptional young artist.A native of Jiangsu, China, Shen Lu has performed concerts at Beijing’s Central Conservatory Music Hall, Culture Center and City Hall, Weill Recital Hall and Carnegie Hall in New York, Jordan Hall in Boston, Severance Hall in Cleveland, The Kennedy Center in Washington DC, The County Museum of Art in Los Angeles, Flagey Concert Hall in Brussels, and the Seymour Centre in Sydney.“Watercolor” highlights Shen Lu’s specialty in contemporary Chinese repertoire and his pas-sion for the great French and Russian piano works of the 20th century.

sTns30039

SHEN, LU

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LISZT / WAGNER / BRAHMS - Siegfried Idyll

This program revolves around the rarely heard solo piano arrangement of Richard Wagner’s glorious Siegfried Idyll, and explores the relationships between Wagner, Liszt and Brahms.David Deveau has performed around the world as soloist with orchestra, recitalist and in chamber music. Among the major symphony orchestras with which he has appeared are those of Boston, San Francisco, Minnesota, Pittsburgh, Houston, St. Louis, Miami, Toulouse and Qingdao.

sTns30051

DEvEAU, DAvID

STRAUSS, RICHARD - Eine Alpensinfonie / Don Juan

Richard Strauss spent nearly a decade and a half on An Alpine Symphony.The Work describes the impressions of a hike in the mountains with such clarity that the score could almost be considered film music without a film.The premiere of «Don Juan» in Weimar, on November 11th, 1898, was huge success. It es-tablished the reputation of the 24-year-old Strauss as the most important composer since Richard Wagner.

93.335

SwR SINFoNIEoRcHESTER FREIBURg BADEN-BADEN - RoTH, FRANcoIS-XAvIER

BACHIANA

Bach, a poet? In our day and age, this statement sounds surreal, and seems to reek of nos-talgia. How could it be otherwise? After all, nearly two centuries have passed from the time Schumann uttered these words, centuries in which a comprehensive exegesis of interpretation has evolved whose discoveries and principles are part and parcel of today’s Bach reception – headed by intensive efforts at keeping faithful to the original and the “correct” performing style, informed by a comprehensive knowledge of Baroque performance practice.From this perspective, the album presented here must appear anachronistic, since its music takes us back to an epoch in which Bach was played in a free, occasionally downright care-free, style. What no one would permit themselves today was modern back then: a sense of theatrical ef-fects, an exuberant dynamic richness and a rather elastic perception of the metrical element, as was simply in accordance with the Romantic attitude toward life.

93.338

DUo D’AccoRD

Steinway

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SWRmusic

SWRmusic

SOMIS, GIOVANNI BATTISTA - Sonate da Camera Opus II

It is safe to say that Giovanni Battista Somis has by now been completely forgotten, despite the great profoundness of his works, which were rather highly regarded up to the first years of the twentieth century, and were included in collections and anthologies of famous violin pieces. This edition unearths his second opus, formed of twelve threepart sonatas, each characterised by an initial slow movement followed by two fast ones.These compositions combine the great cantabile quality of the Italian style with a sparkling virtuoso inventiveness, admirably interpreted by the violinist Roberto Noferini with the bas-so continuo realisation of Chiara Cattani.

TC681908

NUFERINI, RoBERTo - cATTANI, cHIARA


PPd : 10,00€

1 Cd

Tactu

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GHEZZI, IPPOLITO - Oratori / Mottetti / Lamentazioni

The sacred-music production of Ippolito Ghezzi, an Augustinian friar who lived between the seventeenth century and the eighteenth, is collected almost in full in this box set containing the complete edition of his Oratorios, Psalms and Lamentations for the Holy Week. A fresh, inspired writing and a sober, but not austere style are the mainstays of the compo-ser’s approach to the great Biblical episodes (Abrahm and Isaac, David and Goliath, etc.): the intention of this music is to reach the listeners’ understanding in a direct (and sometimes also dramatic) way, unfailingly guiding them towards a conversion to faith. The Cappella Musicale di San Giacomo Maggiore in. Bologna, which has chosen the safe-guard of the sacred-music heritage (particularly the Augustinian one) as its most cherished hallmark, deserves our praise for the rediscovery of such an excellent musician..

TC650770

cAPPELLA MUSIcALE DI SAN gIAcoMo MAggIoRE DI BoLogNA - cAS-cIo, RoBERTo

BELLAFRONTE, RAFFAELE - Guitar Works

The guitar of the young musician Davide di Ienno is the common denominator of this musi-cal journey within the work of Raffaele Bellafronte, a well-known contemporary composer. Many styles are touched on by Bellafronte in his music: lightheartedly borrowing from va-rious traditions of the past, he appropriates dance languages rooted in learned and folk mu-sic, ranging from the tarantella to the tango and waltz, and also pays tribute to exotic dances and Spanish music, symbol par excellence of guitar expression.The exploration of the technical possibilities of the guitar overlaps with that of the marimba, bassoon, flute and string quartet, drawing the listener into a fascinating musical journey in-terspersed with a great variety of rhythms, colours and moods.

TC960203

QUARTETTo gUADAgNINI - DI IENNo, DAvIDE - LATTANZI, FILIPPo - DE RITIS, PATRIcK - FERRANTINI, ALDo


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TELEMANN, GEORG PHILIPP - Harmonischer Gottes-Dienst

This is the sixth CD in the first complete recording of the 72 cantatas from Georg Philipp Telemann’s collection Harmonischer Gottes-Dienst, published in Hamburg in 1726 – the first complete set of cantatas for the liturgical year to be appear in print.Although Telemann wrote an astonishing 1,700 cantatas, 1.400 of which survive, this is the first cycle of his cantatas ever to be recorded in its entirety. The cantatas are designated for voice, an obbligato instrument (recorder, violin, transverse flute or oboe) and basso continuo, and generally take the form of two da capo arias with an intervening recitative. The pursuit of authenticity in these recordings extends to obtaining the correct pronuncia-tion of the German of Telemann’s day: an unusual essay in the booklet details the develop-ment of German as a sung language.

ToCC0180

BARoKK, BERgEN

ZEITLIN, LEO - Yiddish Songs, Chamber Music & Declamation

The Russian-American composer Leo Zeitlin (1884–1930) was known mainly for two clas-sics of Jewish art-music: Eli Zion and Reb Nakhmon’s Nign, published in St Petesburg by the Society for Jewish Folk Music of which Zeitlin was an important member. Zeitlin died only seven years after emigrating to New York, still a young man, and his repu-tation languished until the recent discovery of a trunk full of scores brought his music back to light. This album attempts to remedy decades of neglect, especially for his charismatic Yiddish song-settings for voice, strings and piano. Zeitlin’s powerful declamations – Romantic piano music underscoring spoken Yiddish and Russian poetry – points to a genre that once was popular and is now forgotten.

ToCC0294

vARIoUS ARTISTS

LOPES-GRAÇA, FERNANDO - Complete Music for String Quartet & Piano

The composer Fernando Lopes-Graça (1906–94) was something of a Portuguese Shostako-vich: as a committed socialist, he faced repression from Salazar’s right-wing dictatorship; his works were banned and he was stripped of his official positions. Lopes-Graça responded in music, evolving a feisty, wiry Bartókian style that drew on Portu-guese folk-music. This recording features Lopes-Graça’s own Bechstein piano, played by Olga Prats, who worked closely with him. A Fanfarereview of Vol. 1 in this series said: ‘the disc should be heard by 20th-century-music lovers: It introduces three of the most personally significant works of a strong, individual voice’.

ToCC0254

PRATS, oLgA - QUARTETo LoPES-gRAÇA

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ROSE, GREGORY - Danse macabre

The Danse macabre – the idea that Death comes for everyone regardless of status or impor-tance – has fascinated musicians for centuries. In 2011, inspired by a vast sixteenth-century painting by Bernd Notke in the Niguliste, St Michael’s Church in Tallinn, the English composer Gregory Rose (b. 1948) set the mediaeval German texts which sit below each panel, turning Notke’s terrifying vision into a bleak but grimly humorous ritual. This recording features the world-renowned Estonian Philharmonic Chamber Choir. It was recorded in the very church that houses Notke’s paintings and is conducted by the composer.

ToCC0284

ESToNIAN PHILHARMoNIc cHAMBER cHoIR AND cHAMBER ENSEMBLE - RoSE, gREgoRY


PPd : 10,00€

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FAURE, GABRIEL - Songs for Bass Voice and Piano

This collection of Fauré’s mélodies is the first recording to be conceived for a bass voice. It juxtaposes some of the composer’s best-loved songs with some of his lesser-known works. Going beyond the often arbitrary ordering of early editions, this programme draws out connections of poets and poetic themes, some of which restore the composer’s own original groupings. This is the first recording to be based on the new Peters Edition, which eliminates countless errors in older publications.

ToCC0268

HowAT, RoY - ScHwARTS, JARED

FARKAS, FERENC - Choral Music

Toccata Classics continues its exploration of the music of the Hungarian composer Ferenc Farkas (1905–2000) with this selection from his huge output of choral music. It ranges in mood from the folklike simplicity of the Missa Secunda in honorem Sanctae Mar-garitae and his bright carol settings via the asperity of some late a cappella pieces to the fresh and buoyant Christmas Cantata. This recording is also the first by the new London-based chamber choir Ascolta founded this year by Peter Broadbent.

ToCC0296

AScoLTA cHAMBER ENSEMBLE - BRoADBENT, PETER


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RACHMANINOV / FIRSOVA / SMIRNOV - Russian émigrés

FIRSovA, ALISSA

In December 1917, Sergei Rachmaninov had to flee Moscow in haste, never to return again. Some sixty years later, the composers Elena Firsova and Dmitri Smirnov found themselves blacklisted in Russia (alongside five other composers, including Sofia Gubaidulina); after a difficult decade, and just before the fall of the Soviet Union, they finally left Russia – doing so, like Rachmaninov, with just a couple of suitcases and their two young child-ren in tow. Heading to Great Britain, and on arrival there moving lodgings no fewer than thirteen times, they finally settled in the UK.One of those youngsters was Alissa Firsova, who has since risen to become one of the UK’s brightest stars of the new composing generation. An equally talented pianist, on this, her début solo disc, she performs Rachmaninov’s rarely-heard original 1913 version of his Second Piano Sonata (several mi-nutes longer, and containing many more notes, than the version more nor-mally heard) and the Variations on a Theme of Corelli, together with music by her father (Dmitri Smirnov’s Blake Sonata), her mother (Elena Firsova’s For Alissa) and Alissa’s own Lune Rouge.The release of this disc coincides with Alissa Firsova’s new orchestral com-mission for the Bergen Philharmonic Orchestra, which will be given its world premiere under the baton of Andrew Litton at the BBC Proms on 27 August 2015.Extensive presentation includes 32 page booklet with insightful liner note in three languages (English, French & German), together with copies of manuscripts and session photographs.

PPd : 12,95€


1 Cd

Contents 1-3. Rachmaninov: Sonata No 2, Op. 36 (original version, 1913) [26’31]4. Elena Firsova: For Alissa, Op. 102 (2002) [7’12]5-6. Dmitri Smirnov: Sonata No. 6, ‘Blake Sonata’, Op. 157 (2008) [17’17]7-9. Rachmaninov: Variations on a Theme of Corelli, Op. 42 (1931) [18’52]10. Alissa Firsova: Lune Rouge, Op. 13 (2005) [6’02]

AMBROSETTI, FRANCO - After the Rain

Franco Ambrosetti is the dean of jazz trumpet players in Europe. For over thirty years with the label he recorded with e.g. John Scofield, Mike Brecker, Daniel Humair, the George Gruntz Orchestra, Phil Woods, Geri Allen, Steve Coleman a.o., several of his albums have become modern jazz classics.In Franco Ambrosetti’s words: « “After the rain” is the title of this new CD with the intention to honor the deep influence that the genius of John Coltrane has had on most of the musicians of my generation. His infinite search for new ways of expression, the unorthodox approach to changes with the use of what we call “in and out” which greatly extended the freedom in improvisation, the intensive sometimes obsessive use of intervallic scales, has become stan-dard today. His urge to innovate led to new combinations of sounds, different voicings and strong preference for modal atmospheres, including spirituality as basic inspiration for the music and its surrounding. This new musical adventure has a name: Coltrane Mood.»

EnJ9624

AMBRoSETTI, FRANco

PPd : 12,95€

1 Cd

Enja Rec.

ZOLLER, ATTILA - Message to Attila

The late great guitarist / composer Attila Zoller who passed away in 1998 is honored by his students and friends many of which received their decisive tuition at Zoller’s Vermont Jazz Center (which Pat Metheny thankfully confirms). Attila Zoller is today regarded as a liaison between Europe and the American jazz sce-ne, as a connecting link between the swinging tradition and the explosive avant-garde – and as an instru-mentalist and composer who successfully blended Balkanesque fire with little highbrow nonchalance and plenty of free jazz explosiveness to create vibrant music.The CD is introduced by a very personal message by Ron Carter (voice and bass) talking to Attila in wher-ever he is. Immediately followed by a burning Mike Stern quartet, a fantastic duet between Pat Metheny and Jim Hall and ten more great compositions by Zoller played by fine American and Euro-pean guitarists.Zoller was a risk-taking expressionist, sensitively mastering colors, harmonies and tones and infusing every Jazz Standard melody with his unmistakable thumbprint.This CD will be a highlight of our catalog.

EnJ9620

vARIoUS ARTISTS

ALTER, MYRIAM - Cross Ways

After her two highly successful albums for ENJA (ENJ-9451 IF feat. Dino Saluzzi and ENJ-9513 WHERE IS THERE feat. Jacques Morelenbaum) it was time for Myriam’s third production of her unique, sometimes joy-ful, sometimes melancholic but always Mediterranean tinged music.Myriam‘s mother grew up in Saloniki and evidently gave this background to her daughter, a Jewish, Turkish, Italian jazz melange always present in Myriam’s compositions. The ensemble was selected by the sound requirements it should provide, placing the accordion into a central spot which is greatly fil-led by Luciano Biondini, the leading virtuoso of his instrument today. Clarinetist John Ruocco fullfills an important soloist’s role as he did on the previous albums and bassist Nic Thys impresses with his strong acoustic bass foundation. The liquid tuba of Michel Massot will be a discovery for many as will be the creative percussion by young Landers Gyselinck who is making a name for himself right now in both the jazz and the avant-garde rock scene. Michel Bisceglia provides subtle, crisp piano solos and his arrangements support the compositions so well.At the very end of this exciting production Myriam sat down at the piano and played spontaneously a short solo piece dedicated to her old friend Mal Waldron, funky black music. Nothing could end this fantastic session any better. We all think that Crossways is her best recording so far.

EnJ9626

ALTER, MYRIAM - vARIoUS ARTISTS

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Enja Rec.

PPd : 12,95€

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Enja Rec.

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Simpler Times

More jazz records should be like Sophisticated Lady Quartet—relaxed yet focused, tradition-based yet modern, elegant yet conveying a sure sense of swing. The recording is so pure that you almost feel as if you’re eaves dropping on four musicians who seem completely in their element while performing, in a one-take environment, a set that’s evenly split between previously rehearsed arrangements and performances where they had one chance to turn a composition into a memorable piece of music. No splicing or editing here—just a live-in-the-studio recording where the mood, playing and sonics are so solid that that jazz lovers will wish that the mostly-classical label Yarlung wan-dered over to this side of the street more often.

YAr65006

SoPHISTIcATED LADY QUARTET

DORMAN / SCHISSI / TYWONIUK / RAVEL - Smoke & Mirrors

Smoke & Mirrors takes us on many journeys in this album. These are refreshin-gly fully-developed works, each very different from the others, each with its own story. As a whole, these pieces illustrate the breadth of contemporary classical music written for percussionists, as well as the flexibility and virtuosity of Smoke & Mirrors. We recorded each piece live to tape with no editing, to create the most lifelike performance possible. Take heart in Smoke & Mirrors, who actual-ly play this way (and this well) in real life.

«Yarlung Records newly recorded and released Smoke & Mirrors walked away with this year’s top prize! “…This recording’s huge dynamic range (this is not a piece for the weak willed amplifier), instrumental colors and especially cornucopia of percussion instruments including bass drum… will give even a thoroughbred audio system everything it can handle and even a bit more.» Myles Astor

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RAMEAU, JEAN-PHILIPPE - Les indes galantes

For the launch of its DVD collection, Alpha is joining forces with Christophe Rousset’s Les Talens Lyriques in Rameau’s opera-ballet Les Indes galantes, his most famous work, here performed in its 1750 ‘Toulouse’ version. Particularly rich both on the musical level and in atmosphere, scrutinizing love ‘in far-off lands’ (Turkey, Peru, Persia and America), it responds to the infatuation with exoticism that tin-ged all the arts of the century. Rameau’s dance music is always quite suggestive, evocative of a movement or a pictorial atmosphere. As for the staging, Laura Scozzi brings her contemporary vision to these countries and travels.Filmed at the Bordeaux National Opera, this production marked the Rameau celebrations in 2014 and was unanimously hailed by the in-ternational press:

«In creating an extraordinarily amusing and vigorous staging, Laura Scozzi evokes or fustigates some of the dramas and obscurantisms of our era with as much pertinence as humour. [...] It takes the presence and stature of a christophe Rousset to impose the music and singing in face of the tempest of images generated by the staging.»

Raphaël de Gubernatis, Le Nouvel Observateur

«one of the glories of 18th-century music [...]. A cast [...] well nigh per-fect.» Tim Ashkey, The Guardian

ALPhA710 ALPhA713

LES TALENS LYRIQUES - ROUSSET, CHRISTOPHE


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NTSC - DVD9 - 16/9 stereo, 5.1OV: Frenchsous-titres françaisEnglish subtitlesDeutsch Untertitel

Alpha


1 Blu-ray

PPd : 25,00€

BD50 –16/9 stereo, 5.1OV: Frenchsous-titres français - English subtitlesDeutsch Untertitel

Teatro alla scala. The Golden Years Vol.1

Milan’s La Scala theatre as told by the protagonists of its goldenyears.Enzo Biagi was one of Italy’s most famous and beloved journa-lists.His fondness of the prestigious Milanese venue led to the pro-grammes we are now presenting on DVD, made in 1981/82.Documenting the La Scala productions of those years, Biagi entered the theatre during the rehearsals and interviewed the protagonists (conductors, singers and directors), not only the figures of those days but also the great stars of the past.A series originally produced on 16 mm film, now restored and offered to the public at large by Dynamic.

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https://www.youtube.com/watch?v=FUbmBBjZu04&feature=youtu.be

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Teatro alla Scalla. The Golden Years 2

Milan’s La Scala theatre as told by the protagonists of its goldenyears.Enzo Biagi was one of Italy’s most famous and beloved journa-lists.His fondness of the prestigious Milanese venue led to the pro-grammes we are now presenting on DVD, made in 1981/82.Documenting the La Scala productions of those years, Biagi entered the theatre during the rehearsals and interviewed the protagonists (conductors, singers and directors), not only the figures of those days but also the great stars of the past.Originally produced on 16 mm film, this series is now restored and offered to the public at large by Dynamic.


PPd : 12,25€

Dynamic 37729

vARIoUS ARTISTS

1 dVd

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A Gershwin Night

Seiji Ozawa is recognized as one of the supreme Gershwin conductorsMulti award winning blind pianist Marcus Roberts is known as one of the foremost pianists of contemporary jazz.Roland Guerin is not only an instructor for Applied Jazz Bass at the University of New Orleans, he also toured extensively with Jazz greats such as Gerry Mulligan, George Benson and Jimmy Scott and he made recordings with Ellis Marsalis and Allen Toussaint among others.Drummer Jason Marsalis is the son of pianist Ellis Marsalis and the youngest brother of Wynton, Branford and Delfeayo.Together, the four brothers and their father Ellis, comprise New Orleans venerable first family of jazz.Concert includes the three most popular orchestral works by Gershwin Bonus: Seiji Ozawa and Marcus Roberts in conver-sation

“ozawa has energy, fire, excitement, and if I dare bring up this controversial category: glamour.” - Michael Steinberg, The Bos-

ton Globe

“Marcus Roberts demonstrates his technical virtuosity and passionate intelligence in impressive fashion. And yes, with soul.”

– Times Magazine

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oZAwA, SEIJI - MARcUS RoBERTS TRIo


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BRAHMS / SCHOENBERG - Europakonzert 2004

This concert does not only represent the first musical encounter between Simon Rattle and Daniel Barenboim, it was also the first time, that Sir Simon Rattle conducted in his new post as chief conductor of the Berliner Philharmoniker.Johannes Brahms: Piano Concerto No.1 & Piano Quartet No.1 (orchestration: Arnold Schoenberg).This all Brahms programme features the wonderful first pia-no concerto with the romantic Adagio which Brahms wrote in reverence for Clara Schumann and Schoenberg’s successful arrangement of the first Piano Quartet for orchestra.With overwhelming views of the nearby Acropolis and spec-tacular scenery, the state-of-the-art recording brings home a true European musical highlight.Including a behind the scenes feature bonus film: The European Concert in Olympic Athens

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RATTLE, SIMON - BARENBOIM, DANIEL

Shadows & Light - Rodrigo at 90

Rodrigo’s Concierto de Aranjuez can easily be considered the most Spanish of all compositions.The famous Adagio does not only sound from the church bells of Aranjuez, it has also been widely used in commercials, docu-mentaries & feature films immediately evoking images of Spain in the listener’s imagination.The Concierto has also served as the foundation for Miles Da-vis’s Album Sketches of Spain and was interpreted by artists as diverse as Deep Purple, Chick Corea and Paco de Lucia, reflec-ting the all-embracing nature of this composition.Rodrigo at 90 is an intimate portrait of Spain’s best known com-poser.At the age of ninety, he has lived a life filled with as much tragedy as joy, but his music has maintained an outlook which is as sunny as the land whence it comes.The concert recording featured on this disc has gained world-wide attention for being a “reference recording”.Soloist is guitar virtuoso Pepe Romero, a very close personal friend of Rodrigo, who had composed many works for guitar particularly for Romero.

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RoMERo, PEPE - AcADEMY oF ST. MARTIN IN THEFIELDS


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PPd : 18,00€Picture format: 1080/60i Full HD – 16:9 Sound formats: PCM Stereo, DTS HDRegion code: 0 (worldwide) Subtitles (Bonus): English, , FrenchOriginal Language: GermanBooklet notes: English, Ger-man, French

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Composers! - Claude Debussy

«Composers ! Bundles» release with 2 DVDs (Documentary & Concert / Recital)

DVD 1: The French composer Claude Debussy was born in 1862. Today he is one of the most renowned composers of the world. But while a pupil at the Conservatoire, he composed music that did not conform to the theory of the times.The documentary gives deep insights into his life and work based on reports by contemporaries of the great composer.Includes Debussy’s “Children’s corner” performend by Zoltán Kocsis, one of Hungharian’s most distinguished pianists.

DVD 2: Claudio Abbado the unforgettable founder and conduc-tor of the Lucerne Festival Orchestra is performing La Mer, one of the most beautiful works of Claude Debussy.The documentary The History of the Lucerne Festival Orches-tra is featuring some of the most renowned artists as Claudio Abbado, Ernest Ansermet, Ferenc Fricsay, Wilhelm Furtwän-gler, Herbert von Karajan, Rudolf Kempe, Rafael Kubelik, Ye-hudi Menuhin, Sabine Mayer, Victor de Sabata, Arturo Tosca-nini and many others.


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Composers! – Robert Schumann


DVD 1: Robert Schumann – A Portrait is a chronicle of his life from 1828 to his death in 1856 inspired by the book by Ernst Burger. Burger’s focus on Schumann’s biography and persona-lity truly brings him to life.Excerpts from Schumann’s music performed by Leonard Bernstein and the Vienna Philharmonics, Vladimir Ashke-nazy, András Schiff, Zoltán Kocsis, Hermann Prey and Daniel Barenboim with Sergiu Celibidache conducting the Munich Philharmonic give a widespread overview on the work of this genius composer who left us so many masterworks.

DVD 2: Beside Franz Schubert, Schumann is the world-famous composer of the German Lied. Cycles such as Dichterliebe or Liederkreis are wellknown and most beautiful works of the composer.Thomas Hampson who is exceptionally passionate about the Lied and for whom song and singing are “the diary of our existence” is performing the cycle “Zwölf Gedichte” Op. 35, poems by Justinus Kerner and “20 Lieder and Gesänge” from “Lyrisches Intermezzo”, poems by Henrich Heine.

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HAMPSoN, THoMAS

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Composers! – Franz Lizst


DVD 1: Franz Liszt was surely the most extraordinary virtuoso in musical history and a real star in his lifetime. The documen-tary concentrates on his earlier years when the young man – scandal-ridden for his elopement with Marie d’Agoult – was travelling across Europe fueling the phenomenon described by Heine as “Lisztomania” and scandalizingpolite society for its unorthodox nature and for its moral dubiety Excerpts from his most famous works, the B minor Sonata and the Dante Sonata.

DVD 2: Daniel Barenboim plays some of the most beautiful and impressive works of the second book, “Années de Pèleri-nage, deuxième année: Italie”, Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, and Après une Lec-ture de Dante. Fantasia quasi sonata From Légendes: St. François d’Assise. La predication aux oiseaux and Aida. Danza sacra e duetto finale Two Paraphrases de Concert: Rigoletto and Miserere du Tro-vatore.

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Composers! – Gustav Mahler


DVD 1: The documentary “Gustav Mahler – Autopsy of a Genius” tells Mahler’s real story, going against any romantic images we may have of the subject. The film is using documents drawing on the latest research and showing the unique sound, the colourfull orchestration of an exceptional composer and gives insight in successes, fanatism and hostilities as Mahler felt Mahler’s portrait comes to life through the places and objects of which he took possession: his conductor’s podium. The film attempts to recreate the soul of a man, rather than of an idol. Some of the most renowned conductors and artists of the last years are performing his wonderful music, amongst them: Claudio Abbado, Pierre Boulez, Daniele Gatti, Thomas Hampson, Daniel Harding.

DVD 2: The charismatic and inspiring Claudio Abbado and the ma-gnificient soprano Magdalena Kožená together with the Lucerne Fes-tival Orchestra hold the audience spellbound in this live recording of Mahler’s 4th Symphony and his Rückert-Lieder.A profoundly moving and rapturously performance of Mahler’s su-blime and deeply personal 4th Symphony with Magdalena Kožená giving a transcendent rendition of the final movement.

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ABBADo, cLAUDIo


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Composers! – Felix Mendelssohn


DVD 1: Mendelssohn unknown, an up-to-date documentary based on the original letters of the composer and his beloved sister Fanny, combined with numerous evocative period images.Some of the most distinguished specialists of today guide viewers through his fascinating life and career including his training, his religious and cultural identity, his journey to Italy and his rediscovering of Bach.As a Bonus: A performance of some of the Songs without words (Op. 19,6 & Op. 30, 6, the Sonata for Violin and Piano in D minor, the Capriccio in E flat Major, the Variations brillante for cello and piano, performed by Roberto Prosseda, Sonig Tchake-rina, violin and Steven Isserlis, cello.

DVD 2: Riccardo Chailly in his inaugural concert as Music Di-rector of the Leipzig Gewandhaus Orchestra Leipzig performs the Overture to A Midsummernight’s Dream in the original 1826 version, Psalm 114 and the Symphony No. 2 “Lobgesang” in the version of 1840 world première. Another world première is the performance of the “Verwandlung” by Wolfgang Rihm.


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Composers! – Frederic Chopin


DVD 1: The documentary Chopin comprehends the vehemence of Fryderyk Chopin’s legacy by revealing entrusted letters written and received by Chopin himself in order to explain the junctures of his lifeIt is a description of the places that provided the impulse for the young composer’s imagination, reaching from the capitol of Poland, Warsaw finally lending in Paris where he were settled in the second half of his life and where he was related to the writer George Sand.Interviews with Charles Rosen, Daniel Barenboim, Alexander Lonquich, Martha Argerich, Vladimir Ashkenazy and many other constitute a narrative path that enters the utmost depths of Chopin’s compositions.

DVD 2: He was one of the most beloved Chopin players of the 20th Century and a real grandseigneur: Arthur Rubinstein.In this exceptional performance he is performing Chopin’s fantastic Piano Concerto No. 2 in F minor together with the Israel Philhar-monic Orchestra under the baton of Zubin Metha. Additionally he is playing the Polonaise No. 6 “Héroique”.Also: Rubinstein in Conversation with Bernard Levin.

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RUBINSTEIN, ARTHUR

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Composers! – Giuseppe Verdi


DVD 1: Va pensiero, sull’ali orate – Fly, Thought, On Golden Wings is a documentary on Verdi’s life. It is also the prisoners’ chorus from Nabucco, he had entered the hearts of his compatriots with Almost seventy years of creative activity lay between his first compositions for Busseto and his corrections of the Falstaff score in 1893.The documentary follows Verdi’s life to the places of origin most im-portant for him. Including four complete Verdi Arias sung by Thomas Hampson from Macbeth, Il Trovatore, La Traviata and I Due Foscari.

DVD 2: Gran Gala di Verdi: Scènes and arias from Aida, Un ballo in maschera, Il Corsaro, Don Carlo, Falstaff, La Forza del Destino, Jéru-salem, Nabucco, Otello, Rigoletto, La Traviata, Il Trovatore.Sung by: Marcelo Álvarez, José Carreras, José Cura, Daniela Dessì, Mariella Devia, Luciana D’Intino, Plácido Domingo, Gianluca Floris, Barara Frittoli, Konstantin Corny, Elisabete Matos, Leo Nucci, Rug-gero Raimondi, Rossana Rinaldi, Cinzia Rizzone, Gloria Scalchi, Ric-cado Zanellato.

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SMETANA, BEDRICH - Má vlast

Including the popular “Moldau”.Is there any more evocative piece of national music than “Ma Vlast” (“My Country”). Smetana’s six orchestral poems – the most famous is “The Moldau” with its instantly recognizable melody and evocation of this great river - tell of Bohemia’s lands and legends.It is performed here by the Czech Philharmonic under the ba-ton of Jirí Belohlávek.“Smetana’s ‘My Country’ had esprit, lightness and was most beautifully melodious,” said the Czech publication MF Dnes of this performance. “The result was an exacting performance in soft and lightweight sound, every poem following on, beco-ming more immediate and intense.”Live from the Prague Spring Festival 2014.

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cZEcH PHILHARMoNIc - BELoHLAvEK, JIRI


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Baroque Christmas

The historic Freiburg Cathedral is the perfect setting for his recording of Baroque Christmas Favorites.Excerpts from Bach’s Christmas Oratorio and many other sea-sonal Bach standards.«Et incarnatus est», Mass in C-minor, KV 427 - W.A. Mozart«He shall feed his flock», Messiah - G. F. Händel.Recorded live in 1999. This recording will be the matching soundtrack for everybody’s Christmas and also makes for a very nice gift.


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BoNNEY, BARBARA - goERNE, MATTHIAS - FREI-BURg BARoQUE oRcHESTRA - gERMAN BRASS - THE FREIBURgER DoMSINgKNABEN

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Barenboim

A unique occasion: The Berliner Philharmoniker at the Staatso-per Unter den Linden, Berlin.Featuring a rare gem of Romantic music: Schumann’s Concert Piece for four horns, the present recording being the only DVD currently available on the market.

repertoire:Beethoven Symphony No. 8 in F major, Op. 93Schumann Concert Piece for four Horns and Orchestra in F major Op. 86Liszt Symphonic Poem No. 3 “Les Préludes”Wagner Ride of the ValkyriesSoloists are Dale Clavenger, Stefan Dohr, Ignacio García, Georg Schreckenberger from CSO.Another rarity: an entirely instrumental performance of Ri-chard Wagner’s «The Ride of the Valkyries».The Staatsoper was the first Royal Court Opera ever to be constructed outside of a royal palace and today ranks among the most outstanding of Berlin’s cultural beacons.

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BERLINER PHILHARMoNIKER AND cHIcAgo SYMPHoNY - oRcHESTRA SoLoISTS - BARENBoIM, DANIEL

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Waldbühne 2005 - French Night

The Waldühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts.With over 20.000 in attendance, they are some of the most po-pular classical music concerts in the world.In 2005 Simon Rattle conducts the Berliner Philharmoniker and the extraordinary pianists Katia and Marielle Labèque.The French born Labèque sisters are known not only for the seamlessness of their playing, but also for their superlative mu-sicianship and extraordinary scope of repertoire.

repertoireHector Berlioz: Overture “Carneval Romain” op.9Claude Debussy: Prélude à l’après-midi d’un fauneFrancis Poulenc: Concerto for 2 pianos and orchestra in D mi-norCamille Saint-Saëns: Carnival of the animals for 2 pianos & orchestraPaul Dukas: Der Zauberlehrling (The sorcerer’s apprentice)Maurice Ravel: BoleroErik Satie: Gymnopedie No. 1

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RATTLE, SIMoN - BERLINER PHILHARMoNIKER - LABÈQUE, KATIA - LABÈQUE, MARIELLE

ROSSINI / SIBELIUS / BACH - Europakonzert 2015 from Athens

The founding of the Berliner Philharmoniker on the first of May in 1882, is annually celebrated in an European city of cultural significance.In 2015 the EUROPAKONZERT takes place for the second time after 2004 in Athens, with Leonidas Kavakos joining the Berliner Philharmoniker for the Sibelius Violin Concerto and Bach’s “Largo” from Sonato No. 3.The concert was a smash hit, stunning the audience on site in Athens.Soloist Leonidas Kavakos won the ECHO Klassik Award in 2013 as ‘Instrumentalist of the Year’.

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BERLINER PHILHARMoNIKER - SIR SIMoN RATTLE - KAvAKoS, LEoNIDAS


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https://www.youtube.com/watch?v=tHX_C14LfrU

https://www.youtube.com/watch?v=EpXyzRc08KM

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Midsummer Night’s Gala 2014

Grafenegg, home to the world’s best orchestras, singers and mu-sicians is set in the gorgeous wine-country landscape of Lower Austria, the historic castle and its beautiful gardens invite to a spectacle of classical music inspired by nature.The Midsummer Nigh’s Gala takes a musical stroll through the romantic landscape of Wachau while lending the German top soprano Angela Denoke, the Mexican tenor Ramón Vargas or renowned pianist Jean-Yves Thibaudet your ear.The Tonkünstler - Orchester is conducted by Juanjo Mena, one of Spain’s most distinguished conductors.Enjoy a musical world tour with popular classics from Opera, Musical, Operetta and Film Music.For the final, the orchestra performs Edward Elgar’s “Pomp and Circumstances”, accompanied by a spectacular firework.With Music from Ravel, Strauss, Puccini, Ciléa, Lehár, Heu-berger, Giménez, Barcelata, Velazquez, Gershwin, Rodgers and Hollaender.


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ToNKÜNSTLER oRcHESTER - MENA, JUANJo - DE-NoKE, ANgELA - vARgAS, RAMÓN - THIBAUDET, JEAN-YvES

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Midsummer Night’s Gala 2015

Grafenegg, home to the world’s best orchestras, singers and mu-sicians is set in the gorgeous wine-country landscape of Lower Austria, the historic castle and its beautiful gardens invite to a spectacle of classical music inspired by nature.The Midsummer Nigh’s Gala takes a musical stroll through the romantic landscape of Wachau while lending the German top soprano Elisabeth Kulman, the tenor Piotr Beczala or renow-ned violinist Julia Fischer your ear.The Tonkünstler - Orchester is conducted by Yutaka Sado, one of Japan’s most distinguished conductors.Enjoy a musical world tour with popular classics from Opera, Musical, Operetta and Film Music. For the final be prepared for a wonderful surprise.With Music from Bizet, Massenet , Saint-Saëns , de Sarasate, Verdi, de Falla, Kálmán, Lehár and Cole Porter.

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ToNKÜNSTLER oRcHESTER - SADo, YUTAKA - KULMAN, ELISABETH - BEcZALA, PIoTR - FIScHER, JULIA

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Mathias Reumert Solo

Our topline release for 2015 is this awesome program which may be the first ‘music DVD’ devoted to contemporary percus-sion works.More than that, it has been produced with amazing graphics and visual enhancements as well as ‘straight’ video of the per-formances thanks to the fine work of top Danish movie director Christian Holten Bonke. Mathias Reumert is one of Europe’s foremost percussionists, and has been awarded the DanishMu-sic Critics’ Prize for 2015.The program includes the most iconic of modern percussion classics, ‘Psappha’ by Iannis Xenakis, together with his much more recent ‘Rebonds’. Works by Henze, Donatoni and Fer-neyhough utilise wide ranges of tuned and unturned instru-ments, while the amazing pieces by Jodlowski and Globokar use different materials altogether. We predict Jodlowski’s ‘Time and Money’ will become a classic and hope to license this and other parts of the video to arts TV and online services. Even for the non-percussion fan, the film is one to watch again and again.

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REUMERT, MATTHIAS

Vincent Van Gogh - A New Way of Seeing

Given complete and unprecedented access to the treasures of Amster-dam’s Van Gogh Museum, this is a major new film about one of the world’s favourite artists.This film provides viewers with the moving and inspiring experience of seeing Vincent’s iconic masterpieces close-up on the screen and presents new insights and interpretations by specially invited guests including V. Willem van Gogh great grandson of Theo van Gogh and contemporary artist Lachlan Goudie.Vincent’s illuminating letters to his family and friends are brought to life by dramatisation which puts flesh on the bones of new biogra-phy. Recent research question the many myths surrounding Vincent’s troubled life.We look closely at the life of a man who reminds us that, “Art is long and life is short.”

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Aspect Ratio: 16:9Format: Region 0Subtitles:English,French Dutch, Japanese, Chinese, Italian


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Booklet notes in EnglishLuxury DVD digipakUniversal play PAL/NTSC disc

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https://www.youtube.com/watch?v=QFbPSEVdrOg

https://www.youtube.com/watch?v=pclH7YRNkjY&list

https://www.youtube.com/watch?v=bF3aSdLvQck

https://www.youtube.com/watch?v=A06NGRK83Ak&feature=em-share_video_user

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Impressionists and the Man Who Made Them

An eagerly anticipated exhibition travelling from the Musee d’Orsay Paris to the National Gallery London and onto the Phi-ladelphia Museum of Art is the focus of the most comprehen-sive film ever made about the Impressionists.The exhibition brings together Impressionist art accumulated by Paul Durand-Ruel, the 19th century Parisian art collector.Degas, Manet Monet, Pissarro, Renoir, Sisley, are among the ar-tists that he helped to establish through his galleries in London, New York and Paris.The exhibition, bringing together Durand-Ruel’s treasures, is the focus of the film, which also interweaves the story of Im-pressionism and a look at highlights from Impressionist collec-tions in 10 prominent American galleries.

‘Fascinating theories and titbits abound, and the way these canvases reflect light renders them newly immersive on the big

screen. An enriching experience.’ Mike McCahill, The Guardian


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GERSHWIN / RAVEL / PROKOFIEV / RAVEL - Works for Violin & Piano

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Atoll ACd615

cHooI, NIKKI - DE PLEDgE, STEPHEN

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Udite amantiBKd005

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VIVALDI, ANTONIO - Concerti

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THE BoYD NEEL oRcHESTRA - LoNDoN cHAMBER oRcHESTRA

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Retrospective
