Ozma Realbook Part 2

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��(Module 1)

(De) Kabouterdans ............................ Studio 100 ......................................................5 Kansas City........................................ Fats Domino ...................................................6 Karma Chameleon............................. Culture Club ...................................................7 Kayleigh ............................................. Marillion ..........................................................8 Kiss .................................................... Prince .............................................................9 Knocking on heaven’s door ............... B. Dylan ........................................................10 Kom van dat dak af............................ Koelewijn, Peter ...........................................11 (Eén) Kopje koffie .............................. V.O.F. De Kunst ...........................................12 Kronenburg Park ............................... Frank Boeijen ...............................................13 Kryptonite........................................... 3 doors down................................................14 Lady Jane .......................................... The Rolling stones........................................15 (The) Lady is a tramp ........................ Frank Sinatra................................................16 La Fiesta ............................................ The Pogues ..................................................17 Last dance with Marie Jane............... Tom Petty .....................................................18 Lay down Sally................................... Erik Clapton..................................................19 Legalize it........................................... PeterTosh.....................................................20 (she’s got) legs .................................. ZZ Top ..........................................................21 Le monde tourne Mal......................... Axelle Red ....................................................22 Let her cry.......................................... Hootie and the Blowfish ...............................23 Let’s stick together............................. Roxy Music ...................................................24 Let’s twist again ................................. C. Checker....................................................25 (The) Letter ........................................ The boxtops..................................................26 Light my fire ....................................... The Doors.....................................................27 Live is life ........................................... Opus .............................................................28 Living next door 2 Alice ..................... Smokie..........................................................29 Lodi .................................................... CCR..............................................................30 Long tall Sally .................................... Little Richard ................................................31 Losing my religion.............................. R.E.M............................................................32 Louise ................................................ Clouseau ......................................................33 Love is all ........................................... Roger Glover ................................................34 Love Hurts ......................................... Nazareth .......................................................35 Love is all around .............................. Wet wet wet ..................................................36 Lucille................................................. Little Richards...............................................37 Make me smile................................... Steve Harley.................................................38 Manic Monday ................................... The Bangles .................................................39 Man, I feel like a woman.................... Shiana Twain................................................40 Maria .................................................. Blondie..........................................................41 Maria .................................................. Raymond Van het Groenewopud.................42 Message in a bottle ........................... The police.....................................................43 Met de wijven niks als last................. Katastroof .....................................................44 Midnight Special ................................ Ledbeeter, Huddie........................................45 Monday Monday ................................ Mamas and the papas..................................46 Moeder, wat ben ik bang ................... Ria Valk ........................................................47 Mustang Sally .................................... Joe Cocker ...................................................48 My old man’s a dustman ................... Lonnie Donegan...........................................49

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New years day................................... U2 .................................................................50 Nobelprijs........................................... Clouseau ......................................................51 Nobody’s Wife.................................... Anouk ...........................................................52 Non Rien a change............................ Les Poppies..................................................53 Nowhere ............................................ Therapy ........................................................54 Nu of nooit ......................................... De Kreuners .................................................55 Nutbush City Limits............................ Turner, Tina..................................................56 Oerend Hard ...................................... Normaal ........................................................57 Old time Rock & Roll ......................... Bob Seger.....................................................58 Ol ‘ 55................................................. Tom Waits ....................................................59 One bourbon, one scotch, one beer.. J.L. Hooker ...................................................60 Opzij................................................... Herman Van Veen........................................61 Pa....................................................... Doe Maar......................................................62 Passenger.......................................... I. Pop ............................................................63 Paper Plane ....................................... Staus Quo.....................................................64 Pearl’s a singer.................................. Ralph Dino....................................................65 Perfect................................................ Fairground attraction ....................................66 Perfect day......................................... Lou Reed......................................................67 Per spoor ........................................... Guust Meeuwis.............................................68 Poesje Stoei....................................... Urbanus ........................................................69 Pretty woman..................................... R. Orbison ....................................................70 Raindroms keep falling on my head.. B.J. Thomas .................................................71 Red sails in the sunset ...................... Cole, Nat King ..............................................72 Rhiannon ........................................... Stevie Nicks..................................................73 (By the) Rivers of Babylon................. Boney M .......................................................74 Rocking all over the World ................ Fogety...........................................................75 Rocking in the free world................... Neil Young....................................................76 Roll over, lay down ............................ Status Quo....................................................77 (The) Rose......................................... Bette Middler ................................................78 Runaway train.................................... Soul Asylum .................................................79 Safety dance...................................... Men without hats ..........................................80 Saterday night.................................... Herman Brood ..............................................81 Save tonight....................................... Cherry, Eagle Eye ........................................82 Shake, rattle and Roll ........................ Bill Haley.......................................................83 She goes nana................................... The Radio’s ..................................................84 Show me the Way ............................. Peter Frampton ............................................85 Since you’ve been gone .................... Rainbow........................................................86 Sisters of Mercy................................. Leonard Cohen.............................................87 Some kind of wonderful ..................... Dana .............................................................88 Something 's got a hold on me.......... ......................................................................89 Son of a Preacher.............................. Springfield, Dusty .........................................90 Stagger Lee ....................................... Lloyd Prince..................................................91 Steamy Windows............................... Tina Turner...................................................92 Stir it up.............................................. Bob Marley ...................................................93 Stop.................................................... Sam Brown...................................................94 Stray Cats strut .................................. The stray Cats ..............................................95 Stumblin’ in ........................................ Suzy Quatro .................................................96 Stop dragging my heart around......... Stevie Nicks..................................................97

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Strong enough to be my man ............Sheryl Crow ................................................. 98 Suicide Chump...................................Frank Zappa................................................. 99 Summer of 69.....................................Brian Adams .............................................. 100 Summertime.......................................Gerswin...................................................... 101 Summertime Blues.............................The Who .................................................... 102 Sunny .................................................Boney M..................................................... 103 Suzanne .............................................L. Coghen .................................................. 104 Sweet home Alabama........................Lynard Skynard.......................................... 105 Sweet little 16.....................................Chuck Berry ............................................... 106 Sweet nothing ....................................Lee, Brenda ............................................... 107 Swimming inthe pool ..........................The Radios................................................. 108 Sympathy for the Devil .......................The Rolling Stones .................................... 109 Tele-Romeo .......................................K-3.............................................................. 110 These boots are made 4 walkin’ ........Sinatra, Nancy ........................................... 111 The Wind cries Mary ..........................J. Hendrix................................................... 112 This ole house....................................Clooney, Rosemary ................................... 113 Time after time ...................................Cindy Lauper.............................................. 114 't Is weer voorbij die mooie zomer ..... ................................................................... 115 That don't impress me much..............Shiana Twain ............................................. 116 Tomorrow ...........................................Martin Charmin .......................................... 117 Total eclips of the heart......................Bonnie Tyler............................................... 118 Tumbling Dice ....................................Rolling Stones............................................ 119 32 jaar (ze is van mij) .........................Doe Maar ................................................... 120 Twilight Zone......................................Golden earing ............................................ 121 Unchain my heart ...............................J. Cocker.................................................... 122 Underneath your cloths......................Shakira....................................................... 123 Vanavond ga ik uit..............................R; Van het Groenewoud ............................ 124 Verdammt, ich lieb' dich .....................Reim, Matthias ........................................... 125 Verdronken vlinder .............................B. De Groot ................................................ 126 Vlaanderen boven..............................Raymond Van het Groenewoud ................ 127 Walk of Life.........................................Dire Straits ................................................. 128 (The) Wanderer..................................Status Quo ................................................. 129 Wand’rin star ......................................Lee Marvin ................................................. 130 Wasted years .....................................Iron Maiden ................................................ 131 Way to your heart...............................Soulsister ................................................... 132 (The) Weight ......................................J.R. Robertson........................................... 133 (De) Werkmens ..................................Ivan Heylen ................................................ 134 We’ll meet again.................................Vera Lynn................................................... 135 Wonderful world .................................L. Armstrong .............................................. 136 What’s a woman.................................Vaya Con Dios........................................... 137 Whatever you want ............................Status Quo ................................................. 138 What’s up ? ........................................4 non Blondes............................................ 139 Weather with you ...............................Crowded House ......................................... 140 Whenever, wherever ..........................Shakira....................................................... 141 When you’re gone..............................Adams, B/Melanie C .................................. 142 When the lady smiles.........................Golden Earing............................................ 143 Where the wild roses grow.................Nick Cave / Kylie Minogue......................... 144 While my guitar ..................................Eric Clapton ............................................... 145

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White Room .......................................Clapton, Erik .............................................. 146 Who'll stop the rain.............................C.C.R. ........................................................ 147 Why don’t you do right .......................Rasputina................................................... 148 Why don’t you try me .........................Ry Cooder / Frankie Miller......................... 149 Whiskey in the jar...............................Traditional .................................................. 150 (The) Wild rover .................................The Dubliners............................................. 151 Wind of changes ................................Scorpions ................................................... 152 (the) Wind beneath my wings ............Bette Middler.............................................. 153 Wonderful tonight ...............................E. Clapton .................................................. 154 Wonderwall.........................................Oasis .......................................................... 155 Wrong impression ..............................Natalie Imbruglia........................................ 156 You .....................................................Ten Sharp .................................................. 157 You can leave your hat on .................Joe cocker.................................................. 158 You can sleep while I drive ................Melissa Etheridge ...................................... 159 You’ll be in my heart ..........................Collins, Phil ................................................ 160 Your love ............................................the outfields................................................ 161 Zij heeft stijl ........................................De Kreuners............................................... 162 De zotte morgen.................................Jef Vanuytsel ............................................. 163

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Kabouterdans Intro : II: BbM I :II

II: BbM I :II Iedereen goed opgelet, want dit is je grote kans Luister goed naar wat ik zeg, want hier komt de kabouterdans. Elke jongen kiest nu eerst, een kaboutermesje uit, Neem haar vast bij de hand en doe een stap vooruit

Thema (X2)

II FM I EbM BbM I Draai een keer in het rond, stamp met je voeten op de grond zwaai je armen in de lucht, ga nu zitten met een zucht I Gm EbM I FM BbM II Stap nu rond als een gans, zo gaat de kabouterdans

Thema (X2)

II: BbM I :II

Ja, dat ging al reuzegoed, maar we zijn nog lang niet klaar Wij doen gewoon die dans opnieuw, maar twee keer na elkaar

Refrein (X2)

Thema (X2)

II: BbM I :II

Jullie dansen echt heel mooi, Ploppertjes, geloof me maar Daarom doen we’t nog een keer, nu drie keer na elkaar Refrein (X3) Thema (X2)

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CD 07

Kansas City (Antoine Domino)

Intro: II G7 I F7 I C7 I II I'm going to

II: C7 I F7 I C7 I I I F7 I I C7 I I I G7 I F7 I C7 I :II

Kansas City, Kansas City here I come. Kansas City, Kansas City here I come. They got some pretty little women there, I'm gonna get me one.

I’ll be standing on the corner, of 12th street and five. I’ll be standing on the corner, of 12th street and five. With my Kansas city baby and a bottle of kansas city wine.

II C7(break) I I I I Well I might take a plane, might take a train, If I have to walk I’m gonna do the same. I’m going to Kansas City, Kansas City here I come. They got some pretty little women there, I'm gonna get me one.

Solo (no IVth on 2nd bar)

II C7(break) I I I I Well I might take a plane, might take a train, If I have to walk I’m gonna do the same. I’m going to Kansas City, Kansas City here I come. They got some pretty little women there, I'm gonna get me one. They got some some II: G7 I F7 I C7 I :II crazy little women there, I'm gonna get me one. They got some

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Karma Chameleon (Culture Club)

Intro : II: BbM I :II II: BbM I FM I BbM I :II Desert love in your eyes all the way, if I listen to your lie would you say II EbM I I FM I :II I'm a man with out conviction, I'm a man who doesn't know II EbM I I FM I I EbM I I Gm I FM II How to sell a contracdiction, You come and go, You come and go II: BbM I FM I Gm I I Cm I I BbM I FM :II Karma Karma Karma Karma Karma Chameleon, you come and go, you come and go Loving would be easy if your colours were like my dream, red, gold and green, red, gold and green Didn't hear your wicked words every day, and you used to be so sweet I heard you say That my love was an addiction, when we cling our love is strong When you go you're gone forever, you string along, you string along Refrein IIEbM I I Dm I I EbM I I Gm I II Every day is like a survival, you're my lover not my rival I EbM I I Dm I I EbM I I Gm I FM II Every day is like a survival, you're my lover not my rival Solo : II: BbM I FM I BbM I :II II EbM I I FM I :II I'm a man whith out conviction, I'm a man who doesn't know II EbM I I FM I I EbM I I Gm I FM II How to sell a contracdiction, you come and go, ou come and go Refrein (X3—2de keer a capella )

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Kayleigh (Marillion)

Intro :

Do you remember, chalk hearts melting on a playground wall? Do you remember, dawn escaped from moonwashed college halls? Do you remember, the cherry blossom in the market square? Do you remember, I thought it was confetti in our hair By the way, didn't I break your heart? Please excuse me, I never meant to break your heart. So sorry I never meant to break your heart; but you broke mine. II:DM /C# I GM/B DM/A I GM /B I DM :II Kayleigh is it too late to say I'm sorry, Kayleigh could we get it together again. I can't go on pretending that it came to a natural end. Kayleigh I never thought I'd miss you, and Kayleigh I'd hoped that we'd always be friends. We said our love would last forever, so how did it come to this bitter end. Instrumentaal + Solo (intro) II DM AM I F#m DM I CM /B I AM II (ritme intro) II C#m BM :II II: C#m BM I G#m AM :II Do you remember, barefoot on the lawn with shooting stars Do you remember, loving on the floor in Belsize Park Do you remember, dancing in stilletos in the snow Do you remember, you never understood I had to go. By the way, didn't I break your heart ? Please excuse me I never meant to break your heart So sorry, I never meant to break your heart, but you broke mine. Kayleigh, I just want to say I'm sorry, but Kayleigh I'm too scared to pick up the phone. To find you've found another lover to patch up our broken home. Kayleigh, I'm still trying to write that love song, Kayleigh it's more important to me now you're gone. Maybe it'll prove that we were right or it will prove that I was wrong.

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Kiss (Prince)

Intro : I G9sus4 I II CM I I I II Uh! I CM I I I I U don't have 2 be beautiful 2 turn me on I just need your body, baby, from dusk till dawn I FM I I I I U don't need experience 2 turn me out I CM I I I I U just leave it all up 2 me, I'm gonna show U what it's all about I GM I I

U don't have 2 be rich 2 be my girl I FM I I U don't have 2 be cool 2 rule my world I GM I I Ain't no particular sign I'm more compatible with I FM I G9sus4 I I just want your extra time and your . . . . . kiss

U got 2 not talk dirty, baby, if U wanna impress me U can't be 2 flirty, mama, I know how 2 undress me (Yeah) I want 2 be your fantasy, maybe U could be mine U just leave it all up 2 me, we could have a good time Refrein Solo II: CM I I I :II Women, not girls, rule my world, I said they rule my world Act your age, mama, not your shoe size, maybe we could do the twirl U don't have 2 watch dynasty 2 have an attitude, uh U just leave it all up 2 me, my love will be your food (Yeah)

Refrein

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Knocking on heaven's door (Bob Dylan)

II:GM DM I Am I Mama take this badge from me I GM DM I CM :II 'Cause I can't use it anymore It's getting dark, too dark to see feels like I'm knocking on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's do-o-or Mama put those guns to the ground 'Cause I can't shoot them anymore That cold black cloud is comin' down Feels like I'm knockin' on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's door knock, knock, knocking on heaven's do-o-or.

CD 05

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Kom van dat dak af (P. Koelewijn)

Intro : Hey…….Hey….. II CM I I I Kom van dat dak af, ‘k waarschuw niet meer I I FM I Nee nee nee nee nee nee van dat dak af. I I CM I I GM I FM I ‘k Waarschuw niet meer, kom van dat dak af I CM I G7 II Dit is de laatste keer II: CM I :II Lange Jansen z’n vrouw , dat was een koorddanseres Maar bij gebrek aan een touw klom ze op het bordes II FM I I Het eten werd koud en Lange Jansen werd heet I GM I II En in de straat weerklonk zijn kreet Kom van dat dak af, ‘k waarschuw niet meer Nee nee nee nee nee nee van dat dak af ‘k Waarschuw niet meer, kKom van dat dak af Dit is de laatste keer Lange Jansen werd kwaad en hij riep : “ Aan is de boot”. Kom van dat dak af of je gaat in de goot” Z’n lieve vrouw schrok zich wild , was ten einde raad Toen weerklonk het in de straat Kom van dat dak af, ‘k waarschuw niet meer Nee nee nee nee nee nee van dat dak af ‘k Waarschuw niet meer, kom van dat dak af Dit is de laatste keer Hey baberiba … ( ad lib over schema ) Kom van dat dak af, ‘k waarschuw niet meer Nee nee nee nee nee nee van dat dak af ‘k Waarschuw niet meer, kom van dat dak af Dit was de laatste keer

CD 20

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Kopje koffie (V.O.F. De Kunst—origineel in ‘G’)

Intro : II: AM I :II II AM I I I I Ik sta op, nog niet wakker, ik wankel door het huis als een stakker, I I I EM I I Maar ondanks alles haal ik mijn doel, op het gevoel I Bm I EM I Bm I EM I Ja, ik ben een gebruiker, het pure spul, dus zonder de suiker I Bm I EM II (AM) Ik giet het zwarte goud in een kom, en ik leef weer op II GM I II Eén kopje koffie En de markt wordt stabieler, de grote winkels werken als dealer Een Angolees of Braziliaan, levert het aan Het bevat cafeïne, ik loop erop alsof was het benzine Expresso, super, altijd loodvrij, dus doet U mij Eén kopje koffie, één kopje koffie I F#m I Bm I AbM I Dbm I Over de verzuiling heen, is er troost voor iedereen I DM I AM I EM I In de uren van nood, onontbering, neem er nog een Eén kopje koffie, één kopje koffie (X2) Al die lui op kantoren, je mag ze in principe niet storen Maar als de koffiejuffrouw het wil, ligt alles stil En de school, de fabrieken, de universiteit, de klinieken, Al die tenten drijven vol lof, nog steeds op Eén kopje koffie, één kopje koffie Solo : II: EM :II (X8) Eén kopje koffie Sterke drank, sigaretten, we slippen langzaam dicht en vervetten En al relexent gaan we kapot, aan ons genot Maar ik hou van beschaving, ik wil een keurig, nette verslaving Na al die jaren weet ik het wel, en ik bestel Eén kopje koffie (zonder de suiker), Eén kopje koffie (ik ben een gebruiker) ……………..

CD 16

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Kronenburg Park ( Frank Boeijen)

Intro : II: F#m DM I AM Bm :II II: F#m DM I AM Bm :II Ik weet niet wat jou zover heeft gebracht Als ik jou zie 's nachts in het park. I DM AM I Bm EM I De autolichten beschijnen je lichaam I EM I Bm C#M I Zonder ogen, zonder herinnering. Ik neem aan dat jij nooit liefde hebt gehad Ook niet toen dat zo belangrijk voor je was. De woorden die bij jou horen zijn goedkoper dan ik dacht, In één seconde ging het regenen vannacht. II²/4 C#M II II: F#m EM I AM F#m I EM Bm :II Ga die wereld uit, één seconde en rij snel door die wereld uit. Ga die wereld uit, één seconde en kijk goed rond in ons paradijs I C#m I I En vraag niet de weg, want iedereen is de weg kwijt. II: F#m DM I AM Bm :II Op zoek naar geluk in Kronenburg Park Thuis wacht een vrouw onwetend op haar man Ze heeft nooit iets gevoeld van zijn ontevredenheid En alles blijft bij het oude, als hij weer naar huis toe rijdt. Refrein Solo (akkoorden van strophe) Refrein II: F#m DM I AM Bm :II (ad lib)

CD 26

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Kryptonite (3 doors Down)

Intro : II: Bm I I GM I AM :II (X4) II: Bm I I GM I AM :II I took a walk around the world to ease my troubled mind I left my body lying somewhere in the sands of time I watched the world float to the dark side of the moon I feel there is nothing I can do, …….yeah II: Bm I I GM I AM :II I watched the world float to the dark side of the moon After all I knew it had to be something to do with you I really don't mind what happens now and then As long as you'll be my friend at the end If I go crazy then will you still call me Superman If I'm alive and well, will you be there holding my hand I'll keep you be my side with my superhuman might Kryptonite II: Bm I I GM I AM :II You called my strong, you called me weak, but still your secrets I will keep You took for granted all the times I never let you down You stumbled in and bumped your head, if not for me then you would be dead I picked you up and put you back on solid ground Refrein Solo (X4) Intro (X2) Refrein (tokkel) Refrein Instrumentaal einde

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Lady Jane (The Rolling Stones)

Intro : II: CM9 I I GM I :II DM I II II: CM I I GM I DM :II My sweet Lady Jane, when I see you again Your servant am I and will humbly remain I E7 /G# I Am I D7 I GM I Just hear this plead, my love, on bended knees my love I CM I D7 I Am I DM II I pledge myself to ...Lady Jane II DM II II: CM I I GM I DM :II My dear Lady Anne I've done what I can I must take my leave for promised I am I E7 /G# I Am I D7 I GM I This play is run my love, your time has come my love I CM I D7 I Am I DM II I've pledged my troth to Lady Jane II DM I II II: CM I I GM I DM :II I E7/G# I Am I D7 I GM I I CM I D7 I Am I DM II II DM II II: CM I I GM I DM :II Oh my sweet Marie, I wait at your ease The sands have run out, for your lady and me I E7 /G# I Am I D7 I GM I Wedlock is nigh my love, her station's right my love I CM I D7 I Am I DM II Life is secure with Lady Jane II DM II

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Lady is a tramp (Frank Sinatra—origineel in ‘C’)

II: DM I Dm7 I Em7 I A7 :II She gets too hungry for dinner at eight, She likes the theater and never comes late

II DM I DM7 D9 I GM I Gm I She never bothers with people she'd hate I DM /C# I GM A7 I DM Bm I Bb7 A7 II That's why the lady is a tramp

Doesn't like crap games with barons or earls, Won't go to Harlem in ermine and pearls

Won't dish the dirt with the rest of the girls That's why the lady is a tramp

II GM7 I A7 I F#m I Bm I She likes the free, fresh wind in her hair I Em7 A7 I DM I B7 E7 I A7 II Life without care, she's broke, and it's "oke"

Hates California, it's cold and it's damp That's why the lady is a tramp

She gets too hungry to wait for dinner at eight She loves the theater but never comes late She'd never bother with people she'd hate That's why the lady is a tramp

She'll have no crap games with sharpies and frauds And she won't go to Harlem in Lincolns or Fords And she won't dish the dirt with the rest of the broads That's why the lady is a tramp She'd love the free, fresh wind in her hair Life without care, she's broke, but it's "oke" Hates California, it's so cold and so damp II Bm7 E7 I AM I That's why the lady I C#m7b5 F#7 I Bm I That's why the lady I E7 Gdim I A7 I DM I II That's why the lady is a tramp

CD 43

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La Fiesta (The Pogues)

Intro : II: GM I DM I DM I GM I GM I CM I DM I GM :II II GM I DM I DM I GM I I am Francisco Vasquez Garcia, I am welcome to Almeria We have sin gas and con eche, we have fiesta and feria I CM I GM I CM I DM I We have the song of the chochona, we have brandy and half corona I GM I DM I DM I GM II And Leonardo and his accordione, and calamari and macaroni II CM I GM I DM I GM I Come all you rambling boys of pleasure, and ladies of easy leisure I CM I GM I DM I GM II We must say Adios! until we see, Almeria once again Intro (X1) II DM I DM I GM I GM I DM I DM I GM I II (drum break) There is a minstrel, there you see, and he stoppeth one in three He whispers in this one's ear, "Will you kindly kill that doll for me" Now he has won chochona in the bingo, all the town has watched this crazy gringo As he pulls off the doll's head laughing, And -miraldo! throws its body in the sea Refrein Intro (X1) II DM I DM I GM I GM I DM I DM I GM I II (basgitaar break) El vienticinco de agosto, abrio sus ojos Jaime Fearnley Pero el bebe cinquante Gin-campari, Y se tendio para cerrarlos Y Costello el rey del America, Y suntuosa Cait O Riordan Non rompere mes colliones, Los gritos fuera de las casas Refrein Intro (X1) laatste maat vertragen, dan weer uptempo II DM I DM I GM I GM I DM I DM I GM I II

CD 20

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Last Dance With Mary Jane (Tom Petty)

Intro: II: Am9 GM I DM Am :II (X4)

II Am GM I She grew up in an Indiana town, had a I DM Am :II good lookin' mama who never was around

But she grew up tall and she grew up right, with them Indiana boys on an Indiana night

Instrumentaal : II: Am9 GM I DM Am :II

Well she moved down here at the age of 18 She blew the boys away, it was more than they'd seen

I was introduced and we both started groovin' She said, "I dig you baby but I got to keep movin'" ...on, keep movin' on


II Em I I AM I I Last dance with Mary Jane, one more time to kill the pain I Em I I AM I GM II I feel summer creepin' in and I'm tired of this town again


Well I don't know but I've been told You never slow down, you never grow old

I'm tired of screwing up, I'm tired of bein' down I'm tired of myself, I'm tired of this town

Oh my my, oh hell yes Honey put on that party dress

Buy me a drink, sing me a song, Take me as I come 'cause I can't stay long

Refrein

Instrumentaal : II: Am9 GM I DM Am :II (X4)

There's pigeons down in Market Square She's standin' in her underwear

Lookin' down from a hotel room Nightfall will be comin' soon

Oh my my, oh hell yes You've got to put on that party dress

It was too cold to cry when I woke up alone I hit the last number, I walked to the road Refrein Instrumentaal : II: Am9 GM I DM Am :II (ad lib)

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Lay down Sally (Erik Clapton)

Intro : II AM I I I :II II AM I I I I DM I I There is nothing that is wrong, wanting you to stay here with me , I AM I I I I I know you got somewhere to go, but won't you make yourself at home and I DM I EM II stay with me, and don't you ever leave II: AM I I DM I I Lay down Sally, rest here in my arms I EM I I AM I :II Don't you think you'd want someone to talk to. Lay down Sally, no need to leave so soon I've been trying all night long just to talk to you II AM I I I II Sun ain't nearly on the rise, we still got the moon and stars above. I don't need the velvet skies, love is all that matters, won't you stay with me, don't you ever leave. Refrein Solo ( AM) I long to see the morning light, coloring your face so dreamily Don't you go and say good-bye, you can lay your worries down and stay with me, don't you ever leave Refrein (X2)

CD 38

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Legalize It [P. Tosh]

II: GM I FM :II Legalize it don't criticize it Legalize it and I will advertise it Some call it tampee, some call it the weed Some call it Marijuana, some of them call it Ganja Refrein Singers smoke it, and players of instruments too Legalize it, yeah, yeah, that's the best thing you can do Doctors smoke it, nurses smoke it Judges smoke it, even the laywers too Refrein It's good for the flu, it's good for asthma Good for tuberculosis, even umara composis Refrein Birds eat it, and they love it Fowls eat it, goats love to play with it Refrein

CD 33

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(She’s got) legs (ZZ-top)

Intro : II EM I I I I I I I DM I I I EM I I I II I EM I I I I She's got legs, she knows how to use them. I C#m I I I I She never begs, she knows how to choose them. I EM I I I I She's holdin' leg wonderin' how to feel them. I C#m I I I II Would you get behind them if you could only find them? II AM I I BM I I She's my baby, she's my baby, I EM I I I II yeah, it's alright. She's got hair down to her fanny. She's kinda jet set, try undo her panties. Everytime she's dancin' she knows what to do. Everybody wants to see if she can use it. She's so fine, she's all mine, girl, you got it right. Solo : II: C#m I I I I F#m I I (BM) I (BM) :II (BM 2de keer) II EM I I I II She's got legs, she knows how to use them. She never begs, she knows how to choose them. She's got a dime all of the time, stays out at night movin' through time. Oh, I want her, said, I got to have her, the girl is alright, she's alright. Outro = solo II C#m I II

CD 17

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Le monde tourne mal (Axelle Red)

Intro : II: C#m I I F#m I :II II: C#m I I F#m I :II Le monde tourne mal, y a quelque chose de bancal, dans son tempo, Le monde tourne mal, dans la grande sono mondiale, ca sonne faux Y a des milliards de personnes, qui le squattent qui le zonent, qui dansent Dessus. Mais chacun marque son rythme, chacun veut chanter son hymne, on ne s'entend plus II: C#m (EM F#M) I C#m I F#m I :II Qu'est-ce qu'on peut faire, let's dance (X2) Le monde tourne mal, y a des parfums de scandales, sur sa peau Le monde tourne mal, il veut jouer les étoiles, dans les journeaux Y a des milliards de personnes, qui lui pompent son ozone, dui tapent dessus Qui le prennent pour une cible, qui lui balancent leurs missiles, on ne s''entend plus Qu'est ce qu'on peut faire, let's dance (X2) II BM I I C#m I I Tu crois tout voir, tu crois savoir, tu regardes la télé aux infos du soir I BM I I AM I G#M II Mais dans ces mots, dans ces photos, qui peut juger ce qui est vrai, ce qui est faux II: C#m I I F#m I :II (X8) Let's dance Alors on suit la tendance, On se moove dans la mouvance, pour sauver les appa-rences Et quand on a fait le tour, on essaie d'parler d'amour, avant le compte à rebours Quatre, trois, deux, un Solo (over chorus) Qu'est ce qu'on peut faire, let's dance (X2)

CD 40

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Let her cry (Hootie and the Blowfish)

II: GM I DM I CM I GM :II She sits alone by a lamppost, trying to find a thought that's escaped her mind. She says dad's the one I love the most, but Stipe's not far behind. She never lets me in, only tells me where she's been, When she's had too much to drink I say that I don't care I just run my hands through her dark hair Then I pray to God you gotta help me fly away II CM I GM I And just let her cry, if the tears fall down like rain I CM I Em GM DM I Let her sing If it eases all her pain I CM I GM I Let her go, let her walk right out on me I DM/A I CM I GM I DM I CM I GM II And if the sun comes up tomorrow, let her be, let her be This morning I woke up alone, found a note standing by the phone Saying baby, maybe I'll be back someday. I wanted to look for you, you walked in I didn't know just what I should do So I sat back down and had a beer and felt sorry for myself Saying let her cry, ………... Solo II: GM I DM I CM I GM :II Let her cry…………….. Last night I tried to leave, cried so much I could not believe She was the same girl I fell in love with long ago She went in the back to get high, I sat down on my couch and cried yellin' Oh momma, please help me, won't you hold my hand and... Let her cry……………... Turnaround on I DM/A I GM I Let her cry, ………………; End : II DM/A I CM I GM I II oh, let her be.

CD 12

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Let's Stick Together (Wilbert Harrison sung by Bryan Ferry)

12-bar blues schema II: AM I I And now the marriage vow is very sacred I I I The man has put us together now I DM I You ought to make it stick together I I AM I I Come on, come on and stick together I EM I DM I AM I E7 :II You know we made a vow to leave one another never But now you never miss your water till your well is dry Come on now baby give our love a try Let's stick together, c'mon c'mon let's stick together You know we made a vow to leave one another never Then if you're stuck for a while consider our child How can it be happy without its ma and pa Let's stick together, c'mon c'mon let's stick together You know we made a vow to leave one another never

CD 20

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Let’s twist again (Chubby Checker)

II CM I I Am I I Let’s twist again, like we did last Summer, I FM I I GM I I yeah, let’s twist again, like we did last year, I CM I I Am I I Don’t cha remember when thing were realy hummin’ ? I FM I GM I C I C7 II Yeah, Let’s twist again, twistin’ time is here. II FM I I CM I I Eaah roun’ ‘n around ‘n a up ‘n down we go again, I FM I I G7 II Oh baby, make me know you love me so, an’ then Let’s Twist again, like we did last Summer, yeah, let’s Twist Again, like we did last year, Don’t cha remember when thing were realy hummin’ ? Yeah, Let’s Twist again, twistin’ time is here.

CD 20

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CD 26

(The) Letter (The Boxtops)

II: Am I FM I Gimme a ticket for an aeroplane I GM I DM I Ain’t got time to take the fast train I Am I FM I Lonely days are gone , I am going home I E7 I Am :II My baby just wrote me a letter I don’t care how much money I gotta spend Gotta get back to my baby again Lonely days are gone , I am going home II E7 I Am I II My baby just wrote me a letter I CM GM I FM CM I GM I GM CM GM I Well she wrote me a letter , said she couldn’t live without me no more I CM GM I FM CM I GM I Listen , mister , can’t you see I’ve gotta get back to my baby once more I E7 II Anyway , yeah ... Gimme a ticket for an aeroplane Ain’t got time to take the fast train Lonely days are gone , I am going home My baby just wrote me a letter Well she wrote me a letter , said she couldn’t live without me no more Listen , mister , can’t you see I’ve gotta get back to my baby once more Anyway , yeah ... Gimme a ticket for an aeroplane Ain’t got time to take the fast train Lonely days are gone , I am going home My baby , she wrote me a letter

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Light my Fire (The Doors)

II: Am7 I F#m7 :II You know that it would be untrue you know that it would be a lie if i was to say to you girl we couldn't get much higher II: GM AM I DM :II Come on baby light my fire Come on baby light my fire II GM AM I EM II Try to set the night on fire The time to hesitate is through no time to wallow in the mire try now we can only loose and our love become a funeral pyre Come on baby light my fire Come on baby light my fire Try to set the night on fire II: FM I CM :II try to set the night on fire try to set the night on fire

CD 20

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Live is life (Opus)

Chords : II: Am Dm I GM :II Nanananana Nanananana ( All together now ) Nanananana Nanananana Live ( Nanananana ), Live is life ( Nanananana ) Labedapapap live ( Nanananana ), Live ( Nanananana ) II: Am FM I Dm GM :II When we all give the power , we all give the best Every minute of an hour , don’t think about the rest And you’ll all get the power , you’ll all get the best And everyone gives everything and every song ... everybody sings Live is life( Nanananana ), Live is life ( Nanananana ) Live ... is live ( Nanananana ), Labedapapap live ( Nanananana ) II: CM I Dm GM :II Live is life , when we all feel the power Live is life , come on stand up and dance Live is life , that’s the feeling of the people Live is life , it’s the feeling of the band , yeah II: Am FM I Dm GM :II When we all give the power , we all give the best Every minute of an hour , don’t think about the rest And you’ll all get the power , you’ll all get the best And everyone gives everything and every song ... everybody sings Live is life( Nanananana ), Live is life ( Nanananana ) Labedapapap live ( Nanananana ), Live is life ( Nanananana ) With chords : Nanananana, Nanananana, Nanananana, Nanananana Live ( Nanananana ), Live is life( Nanananana ) Labedapapap live ( Nanananana ), Live is life( Nanananana ) II: Am FM I Dm GM :II And we’re all glad it’s over , you call it should last Every minute of the future is a memory of the past ‘Cause we all gave the power , we all gave the best And everyone gave everything and every song ... everybody sings I Am II Live is life

CD 23

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Living next door to Alice (Smokie)

II: AM I I DM I I Sally called when she got the word, she said : “ I suppose you’ve heard I EM DM I AM :II . . . about Alice “ Well , I rushed to the window and I looked outside, and I could hardly believe my eyes as a big limousine rolled up into Alice’s drive. II AM I I Oh , I don’t know why she’s leaving or where she’s gonna go I DM I I I guess she’s got her reasons but I just don’t wanna know I EM IDM I AM I I ‘Cause for 24 years I’ve been living next door to Alice I AM I I DM I I 24 years just waiting for a chance to tell her how I feel and maybe get a second glance I EM I DM I AM I II Now I gotta get used to not living next door to Alice We grew up together , two kids in the park, carved our initials deep in the bark . . . me and Alice Now she walks to the door with her head held high, just for a moment I caught her eye As the big limousine pulled slowly out of Alice’s drive Oh , I don’t know why she’s leaving or where she’s gonna go I guess she’s got her reasons but I just don’t wanna know ‘Cause for 24 years I’ve been living next door to Alice 24 years just waiting for a chance to tell her how I feel and maybe get a second glance Now I gotta get used to not living next door to Alice Then Sally called back and asked how I felt, and she said : “ I know how to help . . . get over Alice “ She said : “ Now Alice is gone , but I’m still here, you know I’ve been waiting for 24 years ” And the big limousine disappeared Oh , I don’t know why she’s leaving or where she’s gonna go I guess she’s got her reasons but I just don’t wanna know ‘Cause for 24 years I’ve been living next door to Alice 24 years just waiting for a chance to tell her how I feel and maybe get a second glance No , I ‘ll never get used to not living next door to Alice II EM I DM I AM I II No , I’ll never get used to not living next door to Alice

CD 24

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Lodi (J.C. FOGERTY)

II: BbM I I EbM I BbM I Just about a year ago I set out on the road I BbM I Gm I EbM I FM I Seeking my fame and fortune lookin' for a pot of gold I BbM I Gm I Things got bad and things got worse I EbM I BbM I I guess you will know the tune I BbM I FM EbM I BbM I :II Oh Lord stuck in Lodi again Rode in on the Grey Hound I'll be walkin' out if I go I was just passin' through must be seven months or more Ran out of time and money. Looks like they took my friend Oh Lord stuck in Lodi again The man from the magazine said I was on my way Somewhere I lost connection I ran out of songs to play I came into town a one night stand Looks like my plans fell through Oh Lord stuck in Lodi again II CM I I FM I CM I If I only had a dollar for every song I've sung I CM I Am I FM I GM I And everytime I've had to play while people sat there drunk I CM I Am I FM I CM I You know I'd catch the next train back to were I live II: CM I GM FM I CM I :II Oh Lord I'm stuck in Lodi again Oh Lord I'm stuck in Lodi again

CD 33

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LONG TALL SALLY (Little Richard)

II I I I I I I IV I I I I I I V I IV I I I II Gonna tell Aunt Mary 'bout Uncle John, he says he has the blues but he has a lotta fun. Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight. Well, long tall Sally has, a lot on the balland nobody cares if she's long and tall. Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight. Well, I saw Uncle John with long tall Sally, he saw Aunt mary cummin' and he ducked back in the alley. Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight. Solo (schema) Well, long tall Sally has, a lot on the balland nobody cares if she's long and tall. Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight. Well, I saw Uncle John with long tall Sally, he saw Aunt mary cummin' and he ducked back in the alley. Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight. We're gonna have some fun tonight, gonna have some fun tonight. We're gonna have some fun tonight, everything will be alright. We're gonna have some fun, gonna have some fun tonight.

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Losing My Religion (R.E.M.)

Intro : II FM I I Am I I FM I I Am I GM II II: Am I I Em I :II (X3) Life is bigger, it's bigger than you, and you are not me The lengths that I will go to, the distance in your eyes I Dm I I GM I I Oh no I've said too much, I set it up II: Am I I Em I :II (X3) That's me in the corner, That's me in the spotlight, losing my religion, trying to keep up with you, and I don't know if I can do it, Oh no I've said I Dm I I GM I I too much, I haven't said enough II FM I I Am I I I thought that I heard you laughing, I thought that I heard you sing I FM I I Am I GM I I think I thought I saw you try Every whisper of every waking hour I'm choosing my confessions Trying to keep an eye on you, like a hurt lost and blinded fool Oh no I've said too much, I set it up Consider this, consider this, the hint of the century, consider this, the slip that brought me to my knees failed What if all these fantasies, come flailing around Now I've said too much I thought that I heard you laughing I thought that I heard you sing I think I thought I saw you try Instrumentaal : II Am I I I II I CM I I I I But that was just a dream, that was just a dream Refrein

CD 10

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Louise (Clouseau)

Intro : II: EM I G#mI AM I BM :II II: EM I G#m I AM I BM :II Wie gaat er nou nog voor me zorgen, als jij er niet meer bent, Louise. Hoe moet het met mij verder morgen, als ik nu ook nog jou verlies. II C#m /B I AM /B I C#M /B I AM I Kijk me aan, ik sta te grienen, ik kan nergens meer verdienen, I C#m /B I AM I BM I B7 II Het is heet, maar ik bevries….. Jij zegt ik wil op_nieuw beginnen, ok, maar waarom niet met mij. We kunnen toch wel wat verzinnen, ‘t is toch niet allemaal voorbij. Kijk me aan, ik sta te huilen, open je armen, ik wil schuilen, Ik heb je nodig hier, Louise….. II: C#m AM I BM I C#m AMI BM :II Mijn lieve Louise (Louise), Louise (Louise) Louise (Louise), Louise (Louise)… En hoe kan ik praten tegen muren, waar moet ik mijzet mijzelf naartoe ? Hoelang moet ik dit nog verduren, wanneer ben jij die man weer moe ? Kijk me aan, ik lig te janken, Clouseau ligt languit op de planken. Kom t’rug, c’ill te plait, alsjeblief, oh, please…. Refrein II EM I II (Gitaar + vocal) En hoe kan ik praten tegen muren, waar moet ik mijzet mijzelf naartoe ? Hoelang moet ik dit nog verduren, wanneer ben jij die man weer moe ? Kijk me aan, ik lig te janken, Clouseau ligt languit op de planken. Kom t’rug, c’ill te plait, alsjeblief, oh, please…. Refrein II: C#m AM I BM :II

CD 03

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Love is all (Roger Glover)

Intro : II:CM GM/D I CM/E /F /G I CM GM/D I CM/E /F /G I Everybody's got to live together, all the people got to understand I CM GM/D I CM/E /F /G I GM I :II So, love your neighbour, like you love your brother, come on and join the band Well, all you need is love and understanding, ring the bell and let the people know We're so happy and we're celebratin', come on and let your feelings show II: Am I DM I GM I CM :II Love is all, well love is all, love is all, can't you hear the call Oh, love is all you need, love is all you need at the Butterfly Ball II BM I EM I AM I DM II Ain't you happy that we're all together, at the ball in nature's countryside And although we're wearing different faces, nobody wants to hide Love is all and all is love and, it's easy, yes it's so easy At the Butterfly Ball where love is all, and it's so easy II:3/4 Bm I I EM I I AM I I DM I :II (X4 > laatste DM = GM) II4/4 GM II All you need is love and understanding, hey, ring the bell and let the people know We're so happy and we're celebratin', let your feelings show Love is all, yes love is all at the Butterfly Ball Love is big, love is small, love is free, love is all, at the Butterfly Ball When you back's to the wall, when you're starting to fall, you got something to lean on, Love is everything, it can make you sing at the Butterfly Ball Love is all, I say love is all, yes love is all, at the Butterfly Ball

CD 37

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Love Hurts (Nazareth)

Intro : II: AbM I I GbM Db/F :II II: AbM I Fm I DbM I EbM :II Love hurts, Love scars, Love wounds and mars Any heart not tough or strong enough I AbM CM I Fm I To take a lot of pain, take a lot of pain I DbM I EbM /Db II Love is like a cloud, it holds a lot of rain II AbM I GbM DbM I AbM II Love hurts, Ooo- oo Love hurts I'm young, I know, But even so I know a thing or two - I learned from you I really learned a lot, really learned a lot Love is like a flame It burns you when it's hot Love hurts, Ooo-oo Love hurts II DbM I CM Fm I CM Fm I CM Fm I Some fools think of happiness, blissfulness, togetherness I BbM I I Some fools fool themselves, I guess II EbM I AbM I Fm They're not foolin' me, I know it isn't true I know it isn't true I DbM I EbM II Love is just a lie made to make you blue Love hurts, Ooo-oo Love hurts Ooo-oo Love hurts Solo (chords on strophe) I AbM CM I Fm I I know it isn't true I know it isn't true I DbM I EbM /Db I Love is just a lie made to make you blue Love hurts, Ooo-oo Love hurts Ooo-oo, Love hurts Ooo-oo

CD 09

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Love Is All Around (wet wet wet)

II: DM Em I GM AM I DM Em I GM AM :II I feel it in my fingers, I feel it in my toes Well, love is all around me, and so the feeling grows It's written on the wind, it's everywhere I go So if you really love me, come on and let it show II GM I Em I You know I love you, I always will I GM I DM I My mind's made up by the way that I feel I GM I Em I There's no beginning, there'll be no end I GM I AM II Cos on my love you can depend I see your face before me as I lay on my bed I kinda get to thinking of all the things you said You gave your promise to me and I gave mine to you I need someone beside me in everything I do You know I love you, I always will My mind's made up by the way that I feel There's no beginning, there'll be no end Cos on my love you can depend It's written on the wind, it's everywhere I go So if you really love me, come on and let it show Come on let it show, Come on let it show Come on let it show, Come on let it show Come on let it show, Come on let it show Come on let it show, Come on let it show

CD 17

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LUCILLE (Little Richard)

�

II: I I I I I I IV I I I I I I V I IV I I I V :II �

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Lucille, won't you do your sister's will? Oh, Lucille, won't you do your sister's will? Well, you ran away and left, I love you still. Lucille, please, come back where you belong. Oh, Lucille, please, come back where you belong. I been good to you, baby, please, don't leave me alone. (break) I woke up this morning, Lucille was not in sight. I asked her friends about her but all their lips were tight. Lucille, please, come back where you belong. I been good to you, baby, please, don't leave me alone. Solo over schema I woke up this morning, Lucille was not in sight. I asked her friends about her but all their lips were tight. Lucille, please, come back where you belong. I been good to you, baby, please, don't leave me alone. Lucille, baby, satisfy my heart. Oh, Lucille, baby, satisfy my heart. I slaved for you, baby, and gave you such a wonderful start.��

CD 21

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Make me Smile (Steve Harley and Cockney Rebel)

II FM I CM I GM I FM I You've done it all, you've broken every code and pulled the I CM I GM I I I rebel to the floor (pa pa pa pa pa pa pa pa), you spoilt the I FM I CM I GM I FM I game, no matter what you say, for only I CM I GM I II metal - what a bore!

II FM I CM I FM I CM I GM I II Blue eyes, blue eyes, how come you tell so many lies? II: Dm I FM I CM I GM :II Come up and see me, make me smile Or do what you want, run on wild

II I II

There's nothing left, all gone and run away Maybe you'll tarry for a while (pa pa pa pa pa pa pa pa), it's just a test, a game for us to play, win or lose, it's hard to smile Resist, resist, it's from yourself you have to hide

Refrein

II 6/4 II

Solo :

II FM/A I GM I FM I /A I I Em I I GM I I II: Dm I FM I CM I GM :II

II I II

There ain't no more, you've taken everything from my believe in Mother Earth (pa pa pa pa pa pa pa pa), how can you ig- -nore my faith in everything, ’cause i know what faith is and what it's worth

Away, away, and don't say maybe you'll try

Refrein

II II II FM I CM I FM I CM I GM I II oh, oooh, la la la, ooh, oooh, la la la….oeaaah

Refrein + II II

II FM I CM I FM I CM I GM I II oh, oooh, la la la, ooh, oooh, la la la….oeaaah

Refrein (X2)

CD 42

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Manic Monday (The Bangles)

Intro : II: DM I Em I DM I Em :II DM II II: DM I Em I DM I Em :II Six o'clock already, I was just in the middle of a dream I was kissin' Valentino, by a crystal blue Italian stream But I can't be late, 'cause then I guess I just won't get paid II DM I AM I DM I II These are the days, when you wish your bed was already made II AM I DM I GM I DM I GM I

It's just another manic Monday, I wish it was Sunday I DM I GM I DM I

'Cause that's my funday, my I don't have to runday I AM I DM I II

It's just another manic Monday Have to catch an early train, Got to be to work by nine And if I had an air-o-plane, I still couldn't make it on time 'Cause it takes me so long, Just to figure out what I'm gonna wear Blame it on the train, But the boss is already there Refrein II Bm I I EM I E7 I All of the nights, why did my lover have to pick last night to get down I GM I AM I Bm I I Doesn't it matter, that I have to feed the both of us, employment's down I GM I EM I AM I(no chords) I He tells me in his bedroom voice, c'mon honey, let's go make some noise II C7 (no chords) I I I II Time it goes so fast, when you're having fun Refrein (X2)

CD 04

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CD 40

Man, I Feel Like A Woman (Shania Twain—origineel in Bb)

Intro: > (Transpose +2) Let's Go Girls II CM I I I II II: CM I I I FM CM :II I'm going out tonight, I'm feelin' alright, gonna let it all hang out, Wanna make some noise, really raise my voice, yeah, I wanna scream and shout, Intro lick No inhibitions, make no conditions, get a little, outta line, Ain't gonna act, politically correct, I only wanna have a good time, II BbM I I CM I II Best thing about being a woman, is the prerogative to have a little fun and... II GM I I I I Oh, oh, oh, go totally crazy - forget I'm a lady, men's shirts- short I I Em I CM I GM I skirts, oh, oh, oh, really go wild - yea, doin' it in style, oh, oh, I GM I I I oh, get in the action - feel the attraction, color my hair - do what I I I Em I CM I Am I dare, oh, oh, oh, I wanna be free - yea to feel the way I feel, I I 2/4 I (lick) II Man! I feel like a woman! Intro lick (X2) II I CM I I FM II The girls need a break - tonight we're gonna take, the chance to get out on the town We don't need romance - we only wanna dance, we're gonna let our hair hang down Bridge Refrein Solo : II: BbM I FM I CM I :II Bridge II II Refrein (2 maten Am ) Lick : II: CM I I BbM I FM :II (X4)

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Maria (Blondie)

Intro : II AM I EM I F#m I DM I AM I EM I DM I DM II II:AM I EM I F#m I DM I She moves like she don't care, Smooth as silk, cool as air I AM I EM I DM :II Ooh, it makes you wanna cry She doesn't know your name, and your heart beats like a subway train Ooh, it makes you wanna die II DM I EM I F#m I :II Ooh, don't ya wanna take her Ooh, wanna make her all your own II AM I EM I F#m I DM (*) I Maria, you've got to see her I AM IEM I DM I :II Go insane and out of your mind Latina, ave Maria A million and one candle lights I've seen this thing before, in my best friend and the boy next door Fool for love and full of fire Won't come in from the rain, she's oceans running down the drain Blue as ice and desire Don't you wanna make her Ooh, don't you wanna take her home Refrein Ooh, don't you wanna break her Ooh, don't you wanna take her home She walks like she don't care, walking on imported air, Ooh, it makes you wanna die 2 bars drums only Refrein Solo : I DM I EM I F#m I F#m I I BM I I F#m I I I BM I I DM I EM I Refrein (ad lib)

CD 05

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Maria (R. Van het Groenewoud)

Intro : I /E /F /F# II: GM I GM /E /F /F# :II II GM I GM I GM I / A / Bb / B /A I Ze kan zo lekker lopen, ze kan zo lekker koken, ze kan wat ik wil dat ze kan ICM I CM I GM I GM II Ze kan zo mooi bewegen, ze maakt me zo verlegen, ze zet me in vuur en vlam II DM I CM I Maria, maria, ik hou van jou I GM I II voor jou sta ik uren in de kou ‘k Weet niet hoe ‘t uit leggen, ik durf het haar niet zeggen, want als ze nee zegt ga ik kapot. Dus zit ik hier te wachten, ik zit hier te versmachten, o, heer, ik wordt helemaal zot. Refrein Solo Oh, was ze toch maar bij me, ik wou dat ‘k haar kom lijmen, want zo is er geen hou-den meer aan. Waarom die harde tijden, waarom moet ik zo lijden, Ambrosia die vloeit me aan…. Refrein (X2)

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Message In A Bottle (Police—Origineel in E)

Intro: II: Am FM I GM Dm :II II: Am Fm I GM Dm :II (X8) Just a castaway, an island lost at sea Another lonely day, no-one here but me More loneliness, any man could bear Rescue me before I fall into despair II: FM I BbM CM :II I'll send an sos to the world, I'll send an sos to the world II: Dm I BbM :II I hope that someone gets my, I hope that someone gets my II Dm I BbM I Am I FM I Am I FM I I hope that someone gets my, message in a bottle I Am I FM I Dm I II message in a bottle, yeah…. A year has passed since I wrote my note I should have known this right from the start Only hope can keep me together Love can mend your life, but love can break your heart II: FM I BbM CM :II I'll send an sos to the world, I'll send an sos to the world II: Dm I BbM :II I hope that someone gets my, I hope that someone gets my II Dm I BbM II: Am I FM :II I hope that someone gets my, message in a bottle II: Am I FM I Am I FM :II message in a bottle, message in a bottle II Am I FM I Dm I I I II message in a bottle Walked out this morning, don't believe what I saw A hundred billion bottles, washed up on the shore Seems I'm not alone in being alone A hundred billion castaways, looking for a home Refrein ( zoals refrein 2—> Dm 2 maten) Intro (X4) II: Am FM I GM Dm :II Sending out an sos (ad lib)

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Met de wijven niks as last (Katastroof)

Intro : II: GM I GM DM I DM I DM GM :II II: GM I GM DM I Met de wijven niks as last, met de wijven niks as last I DM I DM GM :II Met de wijven niks as troubels, met de wijven niks as last II GM I GM DM I Toen Adam was geschapen, zonder zorgen aan z'n been I DM I DM GM I Riep hem naar God de Vader, Pa, ik lig hier zo alleen I GM I GM CM I Godverdoeme, sprak toen god, alle vooruit maar opgepast I CM GM I CM DM GM II Achteraf niet komen blijten, met de wijven niks as last Refrein (X2) Jozef en Maria, hun verhaal is echtig waar Jozef kon er niks van, maar toch kwam den ooievaar Maria zei 'Jozef, den heilige geest heeft mij verast' en Jozef zei 'miljarde, Met die wijven niks as last' Refrein (X2) Toen Romeo Julietje, zag liggen op de grond Toen pakten hem een fles vergif, en hij zette z'aan zijne mond Hij nam ne ferme sloek, en hij had z'n fles nog vast en zijn letste woorden waren, Met de wijven niks as last Refrein (X2) De koning van de Belgen, had een stuk in zijne frak de koningin was boos, en ze maakte van heuren tak Caramba, gijse zatlap, pour un roi da's ongepast maar de koning die sprak, 'Potverdek, met de wijven niks as last' Refrein (X2) Refrein (X2)

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Midnight Special (Huddie Ledbetter)

II GM I CM I I GM I Well, you wake up in the morning, hear the ding dong ring. I (GM) I D7 I I GM I You go marchin’ to the table, you see the same damn thing. Well it’s on one I CM I I GM I I table, knife and fork and pan. And if you say a thing I D7 I I GM II about it, you’re in trouble with the man. Let the midnight II CM I I GM I I special, shine its light on me, Let the midnight I D7 I I . . GM I GM II special, shine her ever loving light on me. If you ever go to Houston, boy’s you betterwalk right. And you better not stagger, and you better not fight. The sheriff will arrest you, and he’ll carry you down. And if the jury finds you guilty, your penitentiary bound. Chorus Yonder comes Miss Rosie, how in the world do you know, I can tell by her apron, and the dress she wore. Umbrella on her shoulder, piece of paper in her hand, She goes a-marching to the captain, says, ‘I want my man’. Chorus

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Monday, Monday (The Mamas And The Papas )

Intro : Ba-da ba-da-da-da, ba-da ba-da-da-da

II F#M I F#sus F#M F#sus I Ba-da ba-da-da-da

Monday, Monday (ba-da ba-da-da-da) So good to me (ba-da ba-da-da-da) II: F#M I F#sus F#M I EM I I Monday mornin', it was all I hoped it would be I AM A6 I AM7 A6 I C#M I I Oh Monday mornin', Monday mornin' couldn't guarantee (ba-da ba-da-da-da) I F#M I F#sus I F#M I :II That Monday evenin' you would still be here with me

Monday, Monday, can't trust that day Monday, Monday, sometimes it just turns out that way Oh Monday mornin' you gave me no warnin' of what was to be Oh Monday, Monday, how could you leave and not take me

II GM I I EM I I Every other day (every other day), every other day, every other day of the week is fine, yeah I GM I I But whenever Monday comes, but whenever Monday comes I F#M I D#M II A-you can find me cryin' all of the time

II AbM I Absus AbM Absus I Monday, Monday (ba-da ba-da-da-da) So good to me (ba-da ba-da-da-da) I AbM I Absus AbM I F#M I I Monday mornin', it was all I hoped it would be I BM B6 I Bmaj7 B6 I D#M I Oh Monday mornin', Monday mornin' couldn't guarantee I AbM I Absus I AbM I I That Monday evenin' you would still be here with me

II AM I I F#M I I Every other day, every other day, every other day of the week is fine, yeah I AM I I But whenever Monday comes, but whenever Monday comes I EbM I AbM I /Gb II You can find me cryin' all of the time

II F#M I II

II: AbM I Absus AbM Absus :II Monday, Monday (ba-da ba-da-da-da), It just turns out that way (ba-da ba-da-da-da) Whoa, Monday, Monday, won't go away (ba-da ba-da-da-da) Monday, Monday, it's here to stay (ba-da ba-da-da-da), Oh Monday, Monday (ba-da ba-da-da-da) Oh Monday, Monday (ba-da ba-da-da-da)…...

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Moeder wat ben ik bang (Ria Valk)

Intro : /G /A /G II CM I FM I GM I II

II: CM I FM CM I GM I CM :II Toen ik vier was hoorde ik een muis op zolder (hoempapa, pa—pa, hoempapa, pa) Ik rende naar beneden, holder de bolder (hoempapa…...) En ik dook als een paling onder mama’s rokken (hoempapa, ……...) Tsjonge, tsjonge, tsjonge wat was Riaatje geschrokken (hoempapa, ……...)

II GM /B I /D I /B /D I GM II En hoor ik nou wat in een donkere hoek dan doe ik bijna in mijn broek…

II CM I I GM I I Moeder, wat ben ik bang (bang, bang, mama, zo bang) I GM I I CM I I Moeder, wat ben ik bang (bang, bang, mama, zo bang) I CM I I GM I I Moeder, wat ben ik bang (bang, bang, mama, zo bang) I GM I I CM I FM I Moeder, wat ben ik bang, wat ben ik bang, wat ben ik I CM I GM I GM II bang, wat ben ik bang II: CM I FM CM I GM I CM :II Op mijn zeventiende kuste mij mijn eerste jongen (hoempa….) En van schrik zijn mijn veters uit mijn schoenen gesprongen (hoempa….) Want hij zei : ‘in het donker gaat het stukken beter’ (hoempa….) En hij kwam op mij af als een menseneter (hoempa….)

II GM /B I /D I /B /D I GM II En hij deed zijn jasje uit, in het donker en ik riep luid :

Refrein

II : CM I FM GM :II (X3) Oh, ik ben al bang (wat ben ik bang), van paars behang (wat ben ik bang) En van een schaduw op straat (wat ben ik bang), II CM I FM GM I GM II en van een klok die slaat (wat ben ik baaaang),

II: CM I FM CM I GM I CM :II En nou ben ik getrouiwd, maar voordat ik in bed kruip (hoempa….) Kijk ik eerst of er niemand onder mijn bed sluipt (hoempa….) En elke nacht wil ik het licht aanhouden (hoempa….) Maar gisteren liep het wat uit de klauwen (hoempa….)

II GM /B I /D I /B /D I GM I G#° II Er beet iets in mijn grote teen, het was de kat, maar ik gilde meteen Refrein (X2—halve toon hoger) II G#M I I I II (ad lib—fade out)

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Mustang Sally (Joe Cocker)

Intro : II: CM I :II II CM I I I I Mustang Sally, yes, guess you’d better slow your Mustang down I FM I I I I CM I I Mustang Sally, baby, I guess you’d better slow your mustang down I GM I I You binna running all over town I CM I II I guess I’d better put your big feet on the ground .. yes I will II: CM I I I :II All you wanne do is ride around, Sally ... Ride Sally, ride All you wanne do is ride around, Sally ... Ride Sally, ride II FM I I I I All you wanne do is ride around, Sally ... Ride Sally, ride I CM I I I I All you wanne do is ride around, Sally ... Ride Sally, ride I GM I FM I CM I II One of these mornings, you’re gonna be wiping your weeping eyes. I thought you were betage your Mustang, it might be your sixty-five Now you go ‘round stealing my woman, no, you don’t wanne let me ride Mustang Sally, I guess you’d better slow your Munstang down Run into town, I’m gonna put your big fat feet on the ground. Refrein Solo (bluesschema in C)

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My Old Man's A Dustman (Lonnie Donegan)

II: GM /F# Em I Am D7 :II Now here's a little story to tell it is a must, about an unsung hero that moves away your dust, some II Em Am I Em Am I Em Am I Am D7 II people make a fortune other's earn a mint, my old man don't earn much In fact....he's flippin'.....skint

II: GM I GM DM I Oh! my old man's a dustman, he wears a dustman's hat, he I DM I DM GM I wears cor blimey trousers and he lives in a council flat, he I GM I GM CM I looks a proper narner in his great big hob nailed boots, he's I DM I DM GM :II got such a job to pull em up that he calls them daisy roots

II GM I GM II

Some folks give tips at Christmas and some of them forget, so when he picks their bins up he spills some on the steps, now one old man got nasty and to the council wrote, next time my old man went 'round there he punched him up the throat

Oh! my old man's a dustman he wears a dustman's hat He wears cor blimey trousers and he lives in a council flat II : GM ad lib) :II I say I say Duncan! I 'er...I found a police dog in my dustbin. (How do you know he's a police dog?) He had a policeman with him

Though my old man's a dustman he's got a heart of gold. He got married recently though he's 86 years old. We said 'Ear! Hang on Dad you're getting past your prime' He said 'Well when you get to my age it helps to pass the time'

Refrein

II : GM ad lib) :II

I say I say I say! My dustbins full of lillies (Well throw 'em away then) I can't Lilly's wearing them

Now one day while in a hurry he missed a lady's bin. He hadn't gone but a few yards when she chased after him. 'What game do you think you're playing' she cried right from the heart. 'You've missed me...am I too late?' 'No... jump up on the cart'

Refrein

II : GM ad lib) :II

I say I say I say (What you again!) My dustbin's absolutely full with toadstools (How do you know it's full) 'Cos there's not much room inside

He found a tiger's head one day, nailed to a piece of wood. The tiger looked quite miserable but I suppose it should. Just then from out a window, a voice began to wail He said (Oi! Where's me tiger head) Four foot from it's tail

Oh! my old man's a dustman he wears a dustman's hat He wears cor blimey trousers and he lives in a council flat Next time you see a dustman looking all pale and sad Don't kick him in the dustbin it might be my old dad

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New Year's Day (U2) Intro :

II: Abm I BM I Ebm I :II II Abm I BM I GbM I I I EM I I Abm I I I GbM I I EM I I

II Abm /B /Ab I BM /D# /BI Ebm /Gb /Eb I II

II: Abm /B /Ab I BM /D# /B I Ebm /Gb /Eb I :II (X4) Yeah, all is quiet on New Year's Day, a world in white gets underway I want to be with you, be with you night and day Nothing changes on New Year's Day, on New Year's Day II GbM I I Abm I I GbM I EM I II I will be with you again, I will be with you again II Abm /B /Ab I BM /D# /BI Ebm /G /Eb I II Under a blood red sky, a crowd has gathered in black and white Arms entwined, the chosen few, the newspapers says, says Say it's true it's true...and we can break through Though torn in two, we can be one I, I will begin again, I, I will begin again II: Abm /B /Ab I BM /D# /B I Ebm /G /Eb I :II Intro (+solo) : II: Abm /B /Ab I BM /D# /BI Ebm /G /Eb I :II (X6) Oh, Maybe the time is right, oh maybe tonight I will be with you again, I will be with you again II Abm /B /Ab I BM /D# /BI Ebm /G /Eb I II And so we're told this is the golden age And gold is the reason for the wars we wage Though I want to be with you, be with you night and day Nothing changes, on New Year's Day II: Abm /B /Ab I BM /D# /B I Ebm /G /Eb I :II On New Year's Day

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Nobelprijs (Clouseau)

Intro : II: F#m EM I BM :II II F#m EM I BM I F#m EM I BM :II Jouw zachte ogen in de ochtendzon, zijn zoveel mooier dan ik dromen kom Dit komt maar eenmaal in een leven voor, we gaan er vandoor…. II: AM EM I F#m DM :II Jij begrijpt wie ik ben, wat ik voel en wat ik wil bereiken. Enkel jij bent mijn doel, en al de rest zal wijken, I C#m I EM I Laat ze maar kijken naar ons raar gedoe… II AM EM I F#m I Laat me proeven van de hemel, laat me zweven van geluk. I DM AM I BM EM I Ik wil jou de wereld geven, die van ons kan niet meer stuk. I AM EM I F#m I ‘k neem je mee naar warme oorden, op een eindeloze reis. I DM AM I DM EM I Dit zijn meer dan mooie woorden, jij verdient, …… de nobelprijs… II: F#m EM I BM :II Wat zou ik doen indien ik jou niet had, ik zou verdwalen in een dode stad. Jij houdt mijn leven op het juiste spoor, we gaan er vandoor….. Jij begrijpt wie ik ben, wat ik voel en wat ik wil bereiken. Enkel jij bent mijn doel, en al de rest zal wijken, Laat ze maar kijken naar ons raar gedoe… Refrein II BM F#M I G#m II I EM BM I C#M F#M I Ik wil jou de wereld geven, die van ons kan niet meer stuk. I C#M G#M I A#M I ‘k neem je mee naar warme oorden, op een eindeloze reis. I F#M C#M I F#M I G#M I Dit zijn meer dan mooie woorden, jij verdient, ja, jij verdient ……..de nobelprijs… Instrumentaal II: C#M G#M I A#m :II

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Nobody's Wife (Anouk)

Intro : II: Em CM9 I Am GM /F# :II I'm sorry for the times that I made you scream For the times that I killed your dreams For the times that I made your whole world rumble For the times that I made you cry For the times that I told you lies II Em CM9 I FM I II For the times that I watched and let you stumble II: Em CM I Am GM /F# :II It's too bad, but that's me What goes around comes around, and you'll see II: Am Dm I GM CM :II That I can carry the burden of pain 'cause it ain't the first time that a man goes insane And when I spread my wings to embrace him for life I'm sucking out his love, 'cause I, I'll never be nobody's wife Intro I'm sorry for the times that I didn't come home Left you lyin' in that bed alone Was flying' high in the sky when you needed my shoulder You're like a stone hanging around my neck, see Cut it loose before it breaks my back, see I've gotta say what I feel before I grow older I'm sorry but I ain't gonna change my ways You know I've tried but I'm still the same II Em CM9 I FM I II I've got to do it my way Refrein Solo (refrein) Refrein

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Non, non, rien a changé (Les Poppys)

II: Am I I C'est l'histoire d'une trêve, que j'avais demandée, c'est l'his- I CM I I -toire d'un soleil, que l'avais espéré, c'est l'his- I Dm I I -toire d'un amour, que je croyais vivant, c'est l'his- I Am I :II -toire d'un beau jour, que moi petit enfant Je voulais être heureux, pour toutes la planète, je voulais, j'espérais, que la paix règne en maître en ce soir de Noël, mais tout a continué, mais tout a continué, mais tout a continué II: FM I CM I GM I DM :II Non, non, rien a changé, tout, tout a continué (X2) II: Am /E /C I Am :II Hé ! Hé ! Hé ! Hé ! Et pourtant bien des gens, ont chanté avec nous, et pour- -tant bien des gens, se sont mis à genoux, pour prier ……. oui pour prier, pour prier ……..oui pour prier, Mais j'ai vu tous les jours a la télévision, même le soir de Noël, des fusils, des canons, j'ai pleuré, …...oui j'ai pleuré, j'ai pleuré, qui pourra m'expliquer que ... Refrein Moi je pense à l'enfant, entouré de soldats, moi je pense à l'enfant, qui demande pourquoi, tout le temps, oui tout le temps, tout le temps, oui tout le temps….. Moi je pense à tout ça, mais je ne devrais pas, toutes ces choses-là, ne me regardent pas, et pourtant, oui et pourtant, et pourtant, je chante, je chante … Refrein (he he ….. Ad lib)

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Nowhere ( Therapy? )

Intro : II: EM I F#m I DM I :II Heaven kicked you out You wouldn't wear a tie II C#m I BM I GM I I Staring at some pictures by yourself I C#m I BM I DM I I At something that you wanna have but will never get II: AM I EM I F#m I DM :II (intro) Going nowhere, going nowhere Going nowhere, going nowhere You get drunk every night You can't get drunk on life Shouting at the world you'll never change But it's what's inside you've got to rearrange Going nowhere, going nowhere Going nowhere, going nowhere II: EM I F#m I DM I :II Heaven kicked you out Heaven kicked you out Solo (Intro) II C#m I BM I GM I I Making up for what you never had C#m I BM I DM I I Losing every single thing you've ever had Going nowhere, going nowhere Going nowhere, going nowhere Going nowhere, going nowhere Going nowhere, going nowhere

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Nu of nooit (Tröckner Kecks / De Kreuners)

Intro : II: AM I Asus4 I AM I Asus4 :II II AM I I I I Het schemert in de kamer, en Marvin Gay zingt zacht I AM I /G# I /F# I /G# I Ze schenkt wat wijn in, en ze lacht naar mij I AM I I I I We zitten samen op de bank, ik schuif wat dichterbij I AM I /G# I /F# I /G# I EM II En ik praat over voetbal, maar zij weet waar ik op wacht Instrumentaal : II: AM I I I :II Ik wilde eerst niet komen, ik dacht weer zo'n zelfde feest Vol saaie mensen, Ik drink wel alleen Maar ik kwam toch, Ik zag jou, mensen gingen één voor één En ik kreeg dat gevoel weer, dat zolang was weggeweest II AM I I DM I I Wij tweëen, hier samen, dit kon wel eens het begin zijn van I AM I I DM I EM I ons tweëen, wij samen, het hangt in de lucht, als nu maar I AM I I DM I EM I Eën van ons, ons tweëen, zegt wat er gezegd moet worden I F#m I I EM I II Hier, nu of nooit Instrumentaal : II: AM I I I :II Ik zoek wanhopig naar de woorden die ik zeggen wil En ik weet dat jij hetzelfde doet De tijd verstrijkt, we weten dat het nu gebeuren moet Toch zeg ik niets en het blijft angstig stil Refrein (X2) (akoorden van strophe) Nu of nooit, nu of nooit……. Refrein II AM I AM I ……… (ad lib) I Nu of nooit, nu of nooit…….

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Nutbush city limits (Tina Turner )

Intro : II: AM A13 AM A13 I A7 A13 AM A13 :II (X3) I CM I I GM I I I AM A13 AM A13 I A7 A13 AM A13 I II AM I I Church-house, gin-house, school-house, out-house On highway number nineteen, the people keep the city clean I CM I I GM I I They call it Nutbush, oh, Nutbush I AM I I Call it Nutbush city limits Twenty-five was the speed limit, a motorcycle not allowed in it You go to school on Fridays, to go to church on Sundays They call it Nutbush, oh, lovely town, oh, Nutbush Call it Nutbush city limits You're gonna feel on weekdays, and have a picnic on Labour Day You go to town on Saturdays, But go to church every Sunday They call it Nutbush, oh, Nutbush Call it Nutbush city limits Instrumental (Strophe & Refrein) There's no whiskey for sale, you get caught no bail Soft port and molasses, is all you get in jail They call it Nutbush, oh Nutbush Yeah, they call it Nutbush city, Nutbush city limits Little old town in Tennessee, that's called a quiet little old community A one-horse town, you have to watch what you're putting down Oh Nutbush They call it Nutbush...

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Oerend hard (Normaal)

Intro : II AM I E7 II I AM I I I I Oehoe oehoerend hard kwamen zij doar angescheurd I AM I I E7 I I Oehoe oehoerend hard want zie hadden van de motocross geheurd I E7 I I I I Langzaam rijen dat dejen ze nooit dat vonden zij toch moar tied verknooit I I I AM I I Bertus op zien Norton en Tinus op zien BSA I DM I I AM I I Noar de motocross op 't Hengelse zand , de hoender en de vrouwluu stoaven an de kant IE7 I FM I AM I I Bertus op zien Norton en Tinus op zien BSA I DM I AM I E7 I AM I Zie gingen oe , Oeh oehoe Oehoeoe oeoehoerend hard Zie gingen oeoeh oehoe oehoeoe oeoehoerend hard Oehoe oehoerend hard scheurden zij noar de cross noar huus Oehoe oehoerend hard want dan waren zij eerder thuus Zij hadden alderbastend gein gehad, zij waren allebei een heel klein betjen zat Bertus op zien Norton en Tinus op zien BSA An 't gevoar hadden zij nog nooit gedacht, zie waren koning op de weg en dachten : "Alles mag" Bertus op zien Norton en Tinus op zien BSA Refrein I DM I GM I DM I I Moar zoas altied kwam an dat gejakker een end I DM I GM I A7 I I Deur 'n zat'n keal die de snelheid van een motor niet kent I DM I GM I DM I I Bertus reej veurop en Tinus kwam der vlak achteran I DM I E7 I AM I I Iedereen die zei: "van die leu heur ij nooit meer wat van ". Zie gingen nooit, nee nee nooit, nooit meer oerend hard ……... Moar wij goat oeh Oehoe oehoe Oeoeoehoerend hard ………….. Refrein

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Old Time Rock & Roll (Bob Seger & The Silver Bullet Band)

Intro : II : FM I I BbM I I I CM I I FM I :II Just take those old records off the shelf, I'll sit and listen to 'em by myself Today's music ain't got the same soul, I like that old time rock n' roll Don't try to take me to a disco, you'll never even get me out on the floor In ten minutes I'll be late for the door, I like that old time rock n' roll Still like that old time rock n' roll, that kind of music just soothes the soul I reminisce about the days of old, with that old time rock n' roll Solo Won't go to hear them play a tango, I'd rather hear some blues or funky old soul There's only one sure way to get me to go, start playing old time rock n' roll Call me a relic, call me what you will, say I'm old-fashioned, say I'm over the hill Today's music ain't got the same soul, I like that old time rock n' roll Still like old time rock n' roll, that kind of music just soothes the soul I reminisce about the days of old, with that old time rock n' roll Solo—Modulatie naar E Still like old time rock n' roll, that kind of music just soothes the soul I reminisce about the days of old, with that old time rock n' roll (a capella) Still like old time rock n' roll, that kind of music just soothes the soul I reminisce about the days of old, with that old time rock n' roll Still like old time rock n' roll, that kind of music just soothes the soul I reminisce about the days of old, with that old time rock n' roll Still like old time rock n' roll……….. (Instrumentaal)

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Ol’ 55 (Tom Waits)

Intro : II F#M I Bbm I BM C#M I F#M F#sus4 F#M II

II F#M I Bbm I BM /C# I F#M (sus4) I Well my time went so quickly, I went lickety-splickly out to my ol' 55 I F#M I Bbm I BM /C I C#M (sus4) II As I pulled away slowly, feeling so holy, god knows I was feeling alive

II: F#M Bbm I BM C#M :II Now the sun's coming up, I'm riding with Lady Luck, I F#M Bbm I BM I C#M I F#M sus4 IC#M I F#M (sus4) I freeway cars and trucks, stars beginning to fade, and I lead the parade I C#M I D#m I Just a-wishing I'd stayed a little longer I G#M I C#M (sus4) I II Oh lord, let me tell you that the feeling getting stronger

II F#M I Bbm I BM /C# I F#M (sus4) I And it's six in the morning, gave me no warning; I had to be on my way I F#M I Bbm I Well there's trucks all a-passing me, and the lights are all flashing I BM /C I C#M (sus4) I I'm on my way home from your place

II: F#M Bbm I BM C#M :II And now the sun's coming up, I'm riding with Lady Luck, I F#M Bbm I BM I C#M I F#M sus4 IC#M I F#M (sus4) I freeway cars and trucks, stars beginning to fade and I lead the parade I C#M I D#m I Just a-wishing I'd stayed a little longer I G#M I C#M (sus4) I II Oh Lord, let me tell you the feeling getting stronger II F#M I Bbm I BM /C# I F#M (sus4) I And my time went so quickly, I went lickety-splickly out to my ol' 55 I F#M I Bbm I BM /C I C#M (sus4) II As I pulled away slowly, feeling so holy, god knows I was feeling alive II: F#M Bbm I BM C#M :II And now the sun's coming up, I'm riding with Lady Luck II: F#M Bbm I BM :II (X3) Freeway cars and trucks, freeway cars and trucks, freeway cars and trucks II C#M I F#M F#sus4 F#M II

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One Bourbon, One Scotch, One Beer

(John Lee Hooker) Chords : II: G7 I I I I I C9 I I G7 I I I D7 I C9 I G7 I :II One bourbon, one scotch, and one beer One bourbon, one scotch, and one beer Hey mister bartender come here I want another drink and I want it now My baby she gone, she been gone two night I ain't seen my baby since night before last One bourbon, one scotch, and one beer (spoken:) And then I sit there, gettin' high Mellow, knocked out Feeling good, and by the time I look on the wall, at the old clock on the wall By that time it was ten thirty daddy I looked down the bar, at the bartender He said "Now what do you want Johnny?" One bourbon, one scotch, and one beer Well my baby she gone, she been gone two night I ain't seen my baby since night before last I wanna get drunk till I'm off of my mind One bourbon, one scotch, and one beer (spoken:) And I sat there, gettin' high Stoned, knocked out And by the time, I looked on the wall At the old clock again, and by that time 'T was a quarter to two, last call For alcohol, I said "Hey mister bartender!" "Well what do you want?" One bourbon, one scotch, and one beer One bourbon, one scotch, and one beer ... (fade)

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Opzij (Herman van Veen)

II: Cm I I Opzij, opzij, opzij, maak plaats, maak plaats, maak plaats I Cm I Fm Cm :II We hebben ongelofelijke haast Opzij, opzij, opzij, want wij zijn haast te laat We hebben maar een paar minuten tijd II: EbM I I Cm I :II We moeten rennen, springen, vliegen, duiken, vallen, opstaan en weer doorgaan We kunnen nu niet blijven, we kunnen nu niet langer blijven staan Een andere keer misschien, dan blijven we wel slapen En kunnen dan misschien als 't echt moet Wat over koetjes, voetbal en de lotto praten Nou dag, tot ziens, adieu, het ga je goed We moeten rennen, springen, vliegen, duiken, vallen, opstaan en weer doorgaan We kunnen nu niet blijven, we kunnen nu niet langer blijven staan Een andere keer misschien

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CD 05

Pa (Doe Maar )

Intro: II Em GM I I I II I Em GM I Em GM I Em GM I Em GM I Zoals je daar nu zit, je haren bijna wit, de rimpels op je handen Zo vriendelijk en zacht, wie had dat ooit gedacht, je bent zoveel veranderd ! I CM Bm7 I CM Bm7 I CM Bm7 I AM I Ik werd niet wat je wou, waar papa luister nou, ik doe de dingen die ik doe, met m'n ogen dicht ! I Em GM I I Je was heel wat van plan, maar daar kwam weinig van, ik lever geen prestaties Ik heb niet veel geleerd, deed alles net verkeerd, heb moeite met relaties ! Ik loop niet in de rij, ik breek en vecht me vrij en doe de dingen die ik doe Met m'n ogen dicht ! I Em GM I I I Em/G I DM I CM I DM I Knoop je jas dicht, doe 'n das om, was eerst je handen Kam je haren, recht je schouders, denk aan je tanden I Em I DM I CM I Bm I Blijf niet hangen, recht naar huis toe, spreek met twee woorden I CM I D7 I Em GM I Em GM I Stel je netjes voor, eet zoals 't hoort en zeg U !!! II Em GM I II Ik sta hier en ik zing, ik doe gewoon mijn ding, dat moet je accepteren Maar luister nou toch pa, er is nog niets te laat, want leven kun je keren Ik weet niet waar ik sta, loop niemand achterna, maar doe de dingen die ik doe Met mijn ogen dicht. Refrein

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(The) Passenger (Iggy Pop)

Intro: II: Am FM I CM GM :II II: Am FM I CM GM :II I am the passenger and I ride and I ride, I ride through the city's backsides I see the stars come out of the sky, yeah the bright and hollow sky you know it looks so good tonight I am the passenger, I stay under glass, I look through my window so bright I see the stars come out tonight I see the bright and hollow sky over the city's ripped backside and everything looks good tonight. Singing la la la la la la la la... (3x) La la Get into the car, we'll be the passenger, we'll ride through the city tonight, we'll see the city's ripped backsides, we'll see the bright and hollow sky we'll see the stars that shine so bright stars made for us tonight O the passenger, how how he rides O the passenger, he rides and he rides He looks through his window, what does he see ? He sees the sign and hollow sky He sees the stars come out tonight. He sees the city's ripped backsides He sees the winding ocean drive and everything was made for you and me all of it was made for you and me 'cause it just belongs to you and me so let's take a ride and see what's mine... Refrein O the passenger, he rides and he rides, he sees things from under glass he looks through his window side, he sees the things he knows are his he sees the bright and hollow sky, he sees the city sleep at night he sees the stars are out tonight and all of it is yours and mine and all of it is yours and mine so let's ride and ride and ride and ride... Refrein

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Paper Plane (Rossi / Young )

Intro : /Eb /D /C II: BbM I BbM /Eb /D /C :II (X4) II BbM I I I /Eb /D /C II Riding on a big white butterfly II BbM I I I I I turned my back away towards the sky I EbM I I I /Eb /D /C I I closed my eyes to look for something, saw myself as really nothing I BbM I I I I Then I realised my butterfly I FM I I Wasn't really up there with me I EbM I I We all make mistakes, forgive me I BbM I I I /Eb /D /C II Would you like to ride my butterfly

Intro (X2)

Riding on a long blue paperplane Getting seasick, sorry once again Landing strip is getting nearer, hope the foglifts, make it clearer Then I realised my paperplane Wasn't really up there with me We all make mistakes, forgive me II BbM I I I FM II Would you like to ride my paperplane

Solo :

II: BbM I I I :II I EbM I I I I I BbM I I I I I FM F F I F F E Eb I EbM Eb Eb I Eb Eb D Db I II BbM I I I FM II Riding in a three grand Deutche car A to B is often very far Home is near, but such a long way, legs and heads all feel the wrong way Then I realised my Deutche car Is only there to get me somewhere Even so I really do care Would you like to ride my Deutche car Solo (Stropfe)

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Pearl's A Singer (Leiber/Stoller/Dino/Sembello/Vescoli)

II: CM I I I FM I CM G11 I Pearl's a singer, she stands up when she plays the piano in a nightclub I CM I I I I FM I Pearl's a singer, she sings songs for the lost and the lonely I GM I I FM I Her job is entertaining folks, singing songs and telling jokes I I CM FM/C I CM :II In a nightclub Pearl's a singer, and they say that she once was a winner in a contest Pearl's a singer, and they say that she once cut a record They played it for a week or so, on the local radio It never made it II GM I FM I CM I GM/B I She wanted to be Betty Grable, I Am I DM I G11 GM I G11 FM II but now she sits there at that beer-stained ta ble I EM I I Am GM I Dreaming of the things she never got to do I FM I D7 I G11 I CM FM/C II All those dreams that never came true Pearl's a singer, she stands up when she plays the piano in a nightclub Pearl's a singer, she sings songs for the lost and the lonely Her job is entertaining folks, singing songs and telling jokes In a nightclub Pearl's a singer, she stands up when she plays the piano in a nightclub Pearl's a singer, she sings songs for the lost and the lonely Her job's entertaining folks singing songs, telling jokes In a nightclub

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Perfect (Fairground Attraction)

II: GM I AM I DM GM AM I DM :II I don't want half hearted love affairs, I need someone who really cares. I GM I AM I Bm I I GM I AM I DM GM AM I Life is too short to play silly games, I've promised myself I won't do that again. II DM D7 II II: GM I AM I AM DM6 I DM :II It's got to be perfect, It's got to be worth it, yeah. I GM I DM/F# I Bm AM I GM I Too many people take second best, but I won't take anything less II GM I AM I GM I DM II It's got to be, yeah, pertect. Young hearts are foolish, they make such mistakes They're much too eager to give their love away, well I have been foolish too many times, now I'm determined I'm gonna get it right. Refrein Solo II: GM I I DM I :II Young hearts are foolish, they make such mistakes They're much too eager to give their love away, well I have been foolish too many times, now I'm determined I'm gonna get it right. Refrein II GM I AM I GM I DM II It's got to be, yeah, worth it it's got to be perfect.

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Perfect Day (Lou Reed)

Intro : II 6/8 EM I Am I EM I Am I Am I DM I II II: Am DM I GM CM I Just a perfect day, drink Sangria in the park, I FM Dm I EM I :II And then later, when it gets dark, we go home. Just a perfect day, feed animals in the zoo Then later, a movie, too, And then home. II AM DM I C#m DM /C# /B I Oh it's such a perfect day, I'm glad I spent it with you. I AM EM I F#m EM I DM I Oh such a perfect day, you just keep me hanging on, I F#m EM I DM II You just keep me hanging on. Just a perfect day, Problems all left alone, Weekenders on our own. It's such fun. Just a perfect day, you made me forget myself. I thought I was someone else, Someone good. Oh it's such a perfect day, I'm glad I spent it with you. Oh such a perfect day, You just keep me hanging on, You just keep me hanging on. Instrumentaal : II: F#m EM I DM :II II: C#m GM I DM /C# /B AM :II You're going to reap just what you sow, You're going to reap just what you sow, You're going to reap just what you sow, You're going to reap just what you sow,

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Per Spoor (Guust Meeuwis)

Intro : /E /F# /G# II AM I I C#m I I Bm I I EM I II II: AM I I C#m I I kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng I Bm I I EM I :II kedeng kedeng kedeng kedeng oe oe. kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng oe oe. II: AM I I C#m I I Bm I I EM I :II En kilometers spoor schieten onder mij door. Ik ben op weg naar jou, want ik ben weg van jou. Vanochtend vroeg vertrokken in de luwte na de nacht en tien minuten op de trein gewacht. II DM I I EM I I Want die had wat vertraging mijn god daar baal ik van omdat ik I DM I I /C# I /B I EM I II Nu tien minuten minder bij je blijven kan. Refrein II: AM I I C#m I I Bm I I EM I :II De trein raast almaar verder van station naar station. Ik kom op plaatsen waar ik nooit ben geweest. Er rammelt plots een kar roept een juffrouw; ‘Koffie, thee’. Ik heb wel dorst toch zeg ik nee. II DM I I EM I I Want de trein verminderd vaart terwijl mijn hart steeds sneller gaat. Ik I DM I I /C# I /B I EM I II kijk uit het raam om te zien of zij daar staat Refrein (vertragen) II: AM I I C#m I I Bm I I EM I :II Ik stap uit, kijk om me heen, even voel ik mij alleen, want ik zie haar niet staan. Maar van (versnellen) achter een pilaar verschijn haar lachende gezicht. Voor mijn gevoel lijkt alles langzamer te gaan. II DM I I EM I I En ik ren op haar af zij komt mij tegemoet en achter ons vertrekt de trein, I DM I I /C# I /B I EM I II Omdat de trein nou eenmaal verder moet. Refrein II: AM I I C#m I I Bm I I EM I :II En ik blijf bij jou slapen want jij woont bij het spoor en 's nachts oelala gaat het ritme door. Refrein

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Poesje stoei (Urbanus) Intro : II DM I GM AM I DM II

II DM I I 'k Heb m'n slaapkamer behangen met spiegeltjespapier I DM I DM AM I Want ik heb maar één verlangen, lief stoeipoesje kom hier I AM I I 'k Heb de schemerlamp doen branden, de gordijnen dicht gedaan I AM I AM DM II 'k Heb zeven dozen Kleenex op m'n nachtkastje staan I GM I GM DM I Hoor 't tromgeroffel en het bazuingeschal I DM AM I GM DM II Ik lig helemaal gereed en mijn fascistje staat al pal II: DM I I I AM I Poesje stoei, poesje stoei, kom hier dat ik je vermoei I AM I I I DM :II Poesje stoei, poesje stoei, kom en haal me uit de knoei Poesje stoei, poesje stoei, mijne selder staat in bloei Poesje stoei, poesje stoei, alles mag en niks is foei

II DM II II DM I I I DM AM I AM I I I AM DM II (chords on strophe)

Wat zit je daar te prutsen in die badkamer zolang, Straks plakken m'n erfgenamen tegen het behang Hou toch op met scheren, je bent al bloot genoeg, Laat dat eksternest maar hangen of scheer je morgenvroeg II GM I GM DM I DM AM I GM DM II Trek die stomme ladyshave uit het stopcontact, vooraleer m'n Eiffeltoren in de Seine zakt Refrein

II DM I GM AM I DM II II DM I I I DM AM I AM I I I AM DM II (chords on strophe)

Spuit niet zoveel parfum, mijne neus krult daarvan op Dieen muskus die daarin zit maakt me dwaas in mijnen kop M'n wildste fantasieën gaan met me op de loop 'k Zie twintig negerinnen met hun borsten in de knoop II GM I GM DM I DM AM I GM DM II Zeg ga je bijna komen of ben je misschien doof, Ik lig hier weer te krimpen gelijk een zeemvel op een stoof Refrein

II: DM I GM AM I DM :II

'k Ben de massageolie aan 't schudden gelijk ne zot Zo rijdt m'n Lamborghini je garage niet kapot Ik zal je laten blinken gelijk een kikker in z'n dril Ja, liefde kan esthetisch zijn als men het maar wil II GM I GM DM I DM AM I GM DM II Maar kom me nu bevrijden want ik zit met m'n kanon, helemaal gekneld tussen 't bed en het plafond Refrein (laatste zin = - Poesje stoei, poesje stoei, en als 't nie mag zeg je maar ……...oei

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Pretty Woman (Roy Orbison)

Intro : II AM I F#m I AM I F#m I Pretty woman walking down the street, pretty woman the kind I like to meet I DM I DM EM I EM I EM I Pretty woman, I can't believe it, you must be true, no one could I EM I EM II look as good as you Intro (2de deel X4) Pretty woman won’t you pardon me, pretty woman couldn't help but see Pretty woman, you look lovely as can be, are you lonely just like me? Intro (2de deel X4) II: Dm I GM I CM I Am I Pretty woman walk a while, pretty woman talk a while I Dm I GM I CM I (/C#) :II Pretty woman give your smile to me Pretty woman yeah, yeah, yeah, pretty woman look my way Pretty woman say you'll stay with me II F#m I DM I EM I Cause I need you, I'll treat you right I AM I F#m I DM I EM(*) II Come on baby, be mine tonight (*)Intro (2de deel X4) II AM I F#m I AM I F#m I Pretty woman don't walk on by, pretty woman don't make me cry I DM I DM EM I EM I I Pretty woman, don't walk away, hey, I EM I I I I I I II it's okay, if that's the way it must be okay I I I I I I'll just go on home it's late, there'll be another night but wait (Intro X6) What do I see? She's walking up to me... Now she's walking next to me... oh pretty woman

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Raindrops keep falling on my head (B.J. Thomas—origineel in FM)

Intro: II CM GM I FM GM II II CM I CM7/B I C7/Bb I Raindrops keep falling on my head, and just like the guy whose feet are I FM I Em7 A7 I Em7 A7 I too big for his bed, nothin' seems to fit, those I Dm7 I I G7sus4 M I raindrops are falling on my head, they keep falling……….so I just…. …..did me some talkin' to the sun, and I said I didn't like the way he got things done, he s sleepin' on the job, those raindrops are falling on my head, they keep falling…...but there is one IICM I CM7 F#7 I FM I GM G7 I Em7 I thing I know, the blues they sends to meet me won't defeat me, I I A9 I Dm7 II: G7sus4 GM :II it won't be long till happiness steps up to greet me. Raindrops keep falling on my head, but that doesn't mean my eyes will soon be turnin' red, crying's not for me, cause I'm never gonna stop the rain by complainin', because I’m …. II CM CM7 I Dm7 G7sus4 I CM II free, nothing's worrying me. Instrumentaal : IICM I CM7 F#7 I FM I GM G7 I Em7 II II Em7 I A9 I Dm7 II: G7sus4 GM :II it won't be long till happiness steps up to greet me. Raindrops keep falling on my head, but that doesn't mean my eyes will soon be turnin' red, crying's not for me, cause I'm never gonna stop the rain by complainin', because I’m ….. II CM CM7 I Dm7 G7sus4 I CM II free, nothing's worrying me.

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Red Sails In the Sunset (Nat King Cole)

Intro : IIFm7/Ab BbM7 I EbM7 AbM7 I I Dm7b5 G7 I CM II II CM I FM I CM I I Red sails in the sunset, way out on the sea I FM I I CM I I Oh, carry my loved one home safely to me ICM I FM I CM I I She sailed at the dawning, all day I've been blue I GM I I CM I II Red sails in the sunset, I'm trusting in you II FM I CM I FM I CM I Swift wings you must borrow, make straight for the shore I FM I CM I D7 I G7 II We marry tomorrow, and she goes sailing no more Red sails in the sunset, way out on the sea Oh, carry my loved one home safely to me Solo : II CM I FM I CM I I I GM I I CM I II Swift wings you must borrow, make straight for the shore We marry tomorrow, and she goes sailing no more Red sails in the sunset , way out on the sea (ooh-wee-ooh, wee-ooh) Oh, carry my loved one, home safely to me

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Rhiannon (Stevie Nicks)

Intro : II:Am (lick) I I FM I :II Rhiannon rings like a bell thru the night and wouldn't you love to love her? Takes to the sky like a bird in flight and who will be her lover? II: CM I I FM I :II All your life you've never seen a woman taken by the wind Would you stay if she promised you heaven? Will you ever win? She is like a cat in the dark and then she is the darkness She rules her life like a fine skylark, when the sky is starless All your life you've never seen a woman taken by the wind Would you stay if she promised you heaven? Would you even win... II FM I II will you even win? Instrumentaal + Solo (lick X4) Rhiannon..... Rhiannon..... Rhiannon.....Rhiannon..... She rings like a bell thru the night ,wouldn't you love to love her? Takes to the sky like a bird in flight and who will be her lover? All your life you've never seen a woman taken by the wind Would you stay if she promised you heaven? Would you even win....… II FM I II Will you even win? Instrumentaal + Solo (lick ad lib) Rhiannon..... Rhiannon..... Rhiannon.....Rhiannon.....

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Rivers Of Babylon (Boney M)

II: CM I I

By the rivers of Babylon, there we sat down I G7 I I CM :II Ye-eah we wept, when we remembered Zion.

By the rivers of Babylon, there we sat down Ye-eah we wept, when we remembered Zion

II CM I I When the wicked, carried us away in captivity I FM I CM I Required from us a song I CM I I G7 I CM II Now how shall we sing the lord's song in a strange land When the wicked, carried us away in captivity Required from us a song Now how shall we sing the lord's song in a strange land II: CM I G7 I CM IG7 I Let the words of our mouth and the meditations of our heart I CM I G7 I CM :II Be acceptable in thy sight here tonight Let the words of our mouth and the meditations of our heart Be acceptable in thy sight here tonight

By the rivers of Babylon, there we sat down Ye-eah we wept, when we remembered Zion.

By the rivers of Babylon, there we sat down Ye-eah we wept, when we remembered Zion.

By the rivers of Babylon (dark tears of Babylon) There we sat down (You got to sing a song) Ye-eah we wept, (Sing a song of love) When we remember Zion. (Yeah yeah yeah yeah yeah) (X2)

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75

Rockin' All Over The World (Fogerty / Status Quo)

Chords : II: AM I AM I DM I DM I I AM I EM I AM I AM :II Oh here we are and here we are and here we go All aboard and we're hittin' the road Here we go Rockin' all over the world Well gidy up gidy up and get away We're goin' crazy and we're goin' today Here we go Rockin' all over the world And I like it, I like it, I like it, I like it I li-li-li-like it, li-li-li-like it Here we go Rockin' all over the world I'm gonna tell your mama what you're gonna do So come on out with your dancing shoes Here we go Rockin' all over the world And I like it, I like it, I like it, I like it I li-li-li-like it, li-li-li-like it Here we go Rockin' all over the world And I like it, I like it, I like it, I like it I li-li-li-like it, li-li-li-like it Here we go Rockin' all over the world And I like it, I like it, I like it, I like it I li-li-li-like it, li-li-li-like it Here we go Rockin' all over the world And I like it, I like it, I like it, I like it I li-li-li-like it, li-li-li-like it Here we go Rockin' all over the world

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Rocking in a free world (Neil Young)

INTRO:

II: Em I DM CM :II (x4) There's colors on the street, red, white and blue People shufflin' their feet, people sleepin' in their shoes

But there's a warnin' sign on the road ahead There's a lot of people sayin', we'd be better off dead

Don't feel like satan, but I am to them So I try to forget it, any way I can II: GM I DM I CM I CM Em :II Keep on rockin' in the free world Keep on rockin' in the free world Keep on rockin' in the free world Keep on rockin' in the free world II: Em I DM CM :II (x4) I see a woman in the night, with a baby in her hand Under an old street light, near a garbage can

Now she puts the kid away, and she's gone to get a hit She hates her life, and what she's done to it

That's one more kid, that will never go to school Never get to fall in love, never get to be cool Refrein Solo (akkoorden van strofe) We got a thousand points of light, for the homeless man We got a kinder, gentler, machine gun hand

We got department stores, and toilet paper Got styrofoam boxes for the ozone layer

Got a man of the people, says keep hope alive Got fuel to burn, get roads to drive Refrein Solo (akkoorden van strofe)

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77

Roll over, lay down (Status Quo)

Intro : II: DM I I I :II (X3—vanaf 5de maat gitaarlick) II: GM I DM :II (X4) II: DM I DM /E /F :II When I got home that night early one morning, seeing the note written in ink, pinned to the door. Taking a drink from the fridge, from the table, I drank a toast, you were the most the night before. II: FM I DM :II (X4) Roll over, lay down and let me in, roll over, it´s a long way, where I´ve been, roll over, lay down and let me in, roll over lay down. II DM I I II When I get home tomorrow night, after this morning, show me the care you showed in the note the night before. Maybe I won´t take a drink from the table, reckon I´ll lay me straight down the floor. Refrein Solo : II: DM I I I :II (X4) II GM I I DM I I II: FM I GM /F /E I DM I :II (X12) - cresendo II: DM I DM /E /F :II When I got home that night early one morning, seeing the note written in ink, pinned to the door. Taking a drink from the fridge, from the table, I drank a toast, you were the most the night before. Refrein II DM I I I II Solo : II: DM I DM /E /F :II (ad lib)

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(The) Rose (Bette Midler)

II: C I G7 I FM I GM CM :II Some say love, it is a river, that drowns the tender reed Some say ove, it is a razor, that feads your soul to bleed II Em I Am I FM I G7 I Some say love it is a hunger, and endless aching need II CM I GM I FM I CM II I say love it is a flower and you its only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of waking that never takes a chance It's the one, who won't be taken who cannot seem to give And the soul afraid of dying that never learns to live When the night has been too lonely and the road has been too long And you find that love is only for the lucky and the strong Just remember in the winter for 'neath the bitter snow Lies the seed that with the sun's love, in the spring becomes the rose

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Runaway Train (Soul Asylum)

II: CM I I Em/B I I Call you up in the middle of the night. Like a fire without a light I Am I I GM I :II You were like a blow torch burning, I was a key that could use a little turning So tired that I couldn't even sleep, so many secrets I couldn't keep Promised myself I wouldn't weep, one more promise I couldn't keep II FM I GM I CM I I It seems no one can help me now I'm in too deep I Am I FM I Em I GM II There's no way out, this time I have really led myself astray II CM I I Runaway train never going back I Em/B I I Wrong way on a one way track I Am I I Seems like I should be getting somewhere I GM I II Somehow I'm neither here nor there Can you help me remember how to smile. Make it all somehow seem worthwhile How on earth did I get so jaded? Life's mystery seems so faded I can go where no one else can go, I know what no one else knows Here I am just drownin' in the rain, with a ticket for a runaway train Everything is cut and dry, day and night earth and sky Somehow I just dont believe it Runaway train never going back Wrong way on a one way track Seems like I should be getting somewhere Somehow I'm neither here nor there solo (strophe) Bought a ticket for a runaway train Like a madman laughing at the rain A little out of touch a little insane Its just easier than dealing with the pain Runaway train never going back, wrong way on a one way track Seems like I should be getting somewhere, somehow I'm neither here nor there Runaway train never coming back, Runaway train tearing up the track Runaway train burning in my veins, Runaway but it always seems the same.

CD 25

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80

(The) Safety dance (Men Without Hats—Bb)

Intro (X4) I I D M I CM GM I We can dance if we want to, we can leave your friends behind I GM CM I 'Cause your friends don't dance and if they don't dance well they're, I DM AM :II no friends of mine

Say we can go where we want to, a place where they will never find And we can act like we come from out of this world, leave the real one far behind

II: GM I CM I FM BbM :II(X2) And we can dance, we sing

We can go when we want to, the night is young and so am I. And we can dress real neat from our hats to our feet and surprise them with the victory cry

Say we can act if we want to If we don't nobody will And you can act real rude or totally removed and I can act like an imbecile II: GM CM I FM BbM :II Say we can dance, we can dance, ev'rything's out of control We can dance, we can dance, they're doing it from pole to pole We can dance, we can dance, ev'rybody look at your hands We can dance, we can dance, ev'rybody's taken the chance ah II: DM AM I EM BM :II (Safety dance, oh safety dance Yes safety dance)

Intro (X4)

We can dance if we want to, we've got all your life and mine As long as we abuse it we're never gonna lose it and ev'rything will work out right

Say we can dance if we want to, we can leave your friends behind 'Cause your friends don't dance and if they don't dance well they're no friends of mine

Refrein

Safety dance, it’s safe to dance……...

CD 12

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81

Saturday night (Herman Brood)

Intro : II: DM FM I GM DM :II (X4) The neon light, of the "Open all night", was just in time replaced by the magic appearance of a new day-while, a melancholic Reno was crawling on his back just in, front of the supermarket door-way child II: AM GM I F#m AM :II Hey girl, on a cold summernight, as we stood on the corner, as a man passed by and asked us, what we were doing what we need, as he pointed his big fat finger to the people hangin round at the corner of the - other side of street , Oh well doin' nothing, just hanging around, what do you mean doin' nothing Sir. So we had to hit him to the ground, doin' nothing just hanging around. His head all busted lookin' just a lttle to wise child I just can't wait , I just can't wait for saturday night for saturday night, for saturday night saturday night , saturday night saturday night , saturday night I just can't wait , I just can't wait (saterday night………;) The neon light, of the "Open all night", was just in time replaced by the magic appearance of a new day-while, a melancholic Reno was crawling on his back just in, front of the supermarket door-way child

CD 40

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82

Save tonight (Eagle Eye Cherry)

Intro : II: Am FM I CM GM :II (same chords throughout song) Go on and close the curtains 'cause all we need is candlelight You and me and the bottle of wine and hold you tonight Well, we know I'm going away and how I wish, I wish it weren't so so take this wine and drink with me let's delay our misery...

Save tonight fight the break of dawn Come tomorrow Tomorrow I'll be gone

There's a log on the fire and it burns like me for you Tomorrow comes with one desire.. to take me away It ain't easy to say goodbye darling please don't start to cry 'cause girl you know I've got to go and Lord I wish it wasn't so Refrein Tomorrow comes to take me away I wish that I, that I could stay but girl you know I've got to go, oh and Lord I wish it wasn't so Refrein

CD 23

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83

Shake, Rattle and Roll (Bill Haley and the Comets)

II I I I I I I IV I I I I I I V I IV I I I II Get out from that kitchen, and rattle those pots and pans, Get out from that kitchen , and rattle those pots and pans. Well, roll my breakfast, 'cause I'm a hungry man. I said Shake rattle and roll, I said Shake rattle and roll, I said Shake rattle and roll, I said Shake rattle and roll; You never do nothin' to save your doggone soul. Wearin' those dresses, your hair done up so right Wearin' those dresses, your hair done up so right; You look so warm, but your heart is cold as ice. Refrein I'm like a one-eyed cat, peepin' in a sea-food store, I'm like a one-eyed cat, peepin' in a sea-food store; I can look at you, till you don't love me no more I believe you're doin' me wrong and now I know, I believe you're doin' me wrong and now I know; The more I work, the faster my money goes. Refrein

CD 23

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84

She goes na na (The Radio’s)

/G /A /C /D II: CM Dm I Em Dm I CM FM I GM /G /A /C /D I She's like a rainbow, I CM Dm I Em Am I FM I GM (/G /A /C /D) :II Sways while she glows Moves like a river, turns while she flows, ooh-ooh, yeah II Em Am I Em CM GM I And then she steels your heart away, she's taking it all some I Em Am I Dsus4 DM I day I'll make her mine, yeah I Em Am I Em FM BM I Em Am I Bsus4 BM II You look into her angel eyes, the cherry-red sun will rise and love will shine II C#m AM I EM BM I When she goes na-na-na-na, na-na-na-na, I EM AM I BM I colours will keep on turning I BM I EM AM I Shimmering by like a rain-butterfly, I EM AM I EM FM II cruising the blue, blue sky Oh, she shines, like a flower, Fades while she growes And then she wipes your tears away, she's holding your hand some day like lovers do You hesitate a while, she's showing her magic smile and dreams come true Refrein (laatste zin : II EM AM I F#m I ) Refrein (laatste zin : II EM AM I F#m I B7 I) II E7 /F# /G#I AM /A /G /F# I Em F#m I Bm I She's on the run, flies on and on I AM DM I EM I She's cruising the sky my friend and I F#m I G#m I in the end she goes na-na-na Refrein (a capella laatste zin : II EM AM I BM II) Refrein (laatste zin : II EM AM I CM DM I EM II)

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85

SHOW ME THE WAY (Peter Frampton)

Intro: II: DM I DM7 I Bm I Bb CM :II II DM I I DM7/C# I I I wonder how you're feeling there's ringing in my ears. I Bm I I BbM I BbM CM I And no one to relate to 'cept the sea. I DM I I DM7 I I Who can I believe in ? I'm kneeling on the floor. I Bm I I BbM I I There has to be a force. Who do I phone ? I A7sus4 I I GM I II The stars are out and shining. But all I really want to know II Bm I I GM I I Oh I want you show me the way I Bm I I GM I GM A7sus4 II I want you show me the way Solo (intro) Well, I can see no reason.. you living on your nerves When someone drop a cup and I submerge I'm swimming in a circle ... I feel I'm going down There has to be a fool to play my part Someone thought of healing.. But all I really want to know Refrein I Bm I I GM A7sus4 II I want you, day after day Solo (Intro) I wonder if I'm dreaming I feel so unashamed I can't believe this is happening to me. I watch you when you're sleeping And then I want to take your love Refrein (1ste X2)

CD 28

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86

Since you’ve been gone (Rainbow)

Intro : II: GM /F# I Em DM I I get the same old dreams, sametime every night I /C /B I /A /B/ /C DM :II I fall to the ground and I wake up. So I get out of bed, put on my shoes and in my head, Thoughts fly back, to the breakup These four walls are closing in, look at the fix you’ve put me in….. Since you’ve been gone, since you’ve been gone I’m out of my head, I can’t take it… Do not be wrong, but since you’ve been gone You’ve cast the spell, so break it…. Oh, oh, oh; oh, oh, oh, oh, oh, oh Since you’ve been gone. So in the night I stand, beneath the backstreet light, I read the words that you’ve sent to me I could take the afternoon, but nighttime comes around too soon, You can’t know what you mean to me. Your poison letter, your telegram, just goes to show you don’t give a damn Refrein Solo If you will come back, baby, you know, you’ll never do wrong II DM II Refrein (transpose +1) Solo (refrein) Refrein

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87

Sisters of mercy (Leonard Cohen)

II 6/8 BM EM I BM F#M I BM Bsus4 I BM I Oh the Sis-ters of Mer-cy they are not de-par-ted or gone I Ebm Bbm I Ebm Bbm I F#M F#sus4 I F#M I They were wait-ing for me when I thought that I just cant go on I EM BM I C#m G#m I F#M F#sus4 I F#M I And they brought me their com-fort and later they brought me their song I BM EM I BM F#M I 3/8 BM I Oh I hope you run into them you who've been trav-ling so long…...

II 3/8 EM I I I I I EM I I BM I BM I I F#M I I I II

II BM EM I BM F#M I BM Bsus4 I BM I Yes you who must leave everything, that you cannot control I Ebm Bbm I Ebm Bbm I F#M F#sus4 I F#M I It begins with your family, but soon it comes round to your soul I EM BM I C#m G#m I F#M F#sus4 I F#M I Well I've been where you're hanging, I think I can see how you're pinned I BM EM I BM F#M I 3/8 BM I When you're not feeling holy, your loneliness says that you've sinned

Instrumentaal

II BM EM I BM F#M I BM Bsus4 I BM I They lay down beside me, I made my confession to them I Ebm Bbm I Ebm Bbm I F#M F#sus4 I F#M I They touched both my eyelids, and I touched the dew on their hem I EM BM I C#m G#m I F#M F#sus4 I F#M I If your life is a leaf, that the seasons tear off and condemn I BM EM I BM F#M I 3/8 BM I They will bind you with love, that is graceful and green as a stem Instrumentaal II BM EM I BM F#M I BM Bsus4 I BM I When I left they were sleeping, I hope you run into them soon I Ebm Bbm I Ebm Bbm I F#M F#sus4 I F#M I Dont turn on the lights, you can read their address by the moon I EM BM I C#m G#m I F#M F#sus4 I F#M I And you wont make me jealous, if I hear that they sweetened your night II: BM EM I BM F#M I BM Bsus4 I BM (F#M) :II We werent lov-ers like that, and besides it would still be all right We werent lovers like that, and besides it would still be all right

CD 35

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88

Some kind of wonderful (Grand Funk Railroad)

Intro : II CM I I I II II: CM I I I :II I don’t need a whole lotta money, I don’t need a big fat car, I’ve got everything that a man could want, I’ve got more than I could ask for. I FM I I I I I don’t have to run around, I don’t have to stay out all night, II CM I I I I ‘cause I’ve got me a sweet lovin’ woman, and she knows how to treat me right. I GM I I FM I II My baby, she’s alright, well, my baby’s clean outta sight, don’t you know that she’s II: CM I F7 I CM I F7 :II Some kind of wonderful, she’s some kind of wonderful ... yes she is .. She’s some kind of wonderful, yeah, yeah, yeah, yeah ...... When I hold her in my arms, you know, she sets my soul on fire, Oh, when my baby kisses me, my heart becomes filed with desire, When she raps her lovin’ arms around me, it drives me out of my mind, Yeah, when my baby kisses me, chills run up and down my spine My baby, she’s alright, my baby, clean out of sight, don’t you know that she’s ..... Refrein Now is there anybody, ‘got a sweet little woman like mine There’s got to be somebody, ‘got a sweet little woman like mine II: CM I I Am I :II Now can I get a witness, can I get a witness, can I get a witness, can I get a witness, I’m talking ‘bout my baby .... Refrein

CD 23

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89

Something gotta hold on me IDM I Oh, sometimes, I get a good feeling, yeah (yeah) I get a feeling that I never, never, ever had before, no, no (yeah) I just wanna tell y'all, right now that uh, (wooh), I believe I said I really do believe that…..

I DM I I DM A7 I DM I Something gotta hold on me, yeah, yeah (Oh, it must be love) I GM I I DM A7 I DM I Something gotta hold on me right now, child (Oh, it must be love)

I DM I I Let me tell ya now, I've got a feeling, I feel so strange, I GM I I Everything about me seems to have changed I DM I I Step by step I got a brand new walk I GM I I I even sound sweeter, when I talk I DM I A7 I DM I GM I I said wooh, (wooh), wooh (wooh), wooh (wooh), wooh (wooh) I DM Bm I Em A7 I DM I A7 DM I Hey, hey, wooh, it must be love (you know it must be love) Let me tell ya now……….. Something gotta hold on me, yeah, yeah (Oh, it must be love) Something gotta hold on me right now, child (Oh, it must be love) Let me tell ya now, I've never felt like this before, Something's got a hold on me and it won't let go Believe I'd fly, if I only could It feels so strange, but it sure is good I said wooh, (wooh), wooh (wooh), wooh (wooh), wooh (wooh) Hey, hey, wooh, it must be love (you know it must be love) Let me tell you now…….. My heart feels happy, my feet feel light, I shake all over, but I feel allright I've never felt like this before, something's got a hold on me and it won't let go Now I've never thought it could happen to me, it got me happy when I was in mysery I've never thought I'd feel this way, Love sure got and put a hurten on me I said wooh, (wooh), wooh (wooh), wooh (wooh), wooh (wooh) Hey, hey, woog, it must be love (you know it must be love) I DM I A7 DM I You know it walked like love (you know it must be love) You know it talked like love (you know it must be love)

CD 23

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90

Son of a preacher (John Hurley - Ronnie Wilkins)

Intro : II EM I I I II II EM I AM EM I Billy Ray was a preacher's son, and when his daddy would visit he'd come along I EM I B7 I When they'd gather 'round and started talking, that's when Billy would take me walking I B7 I I A-through the back yard we'd go walking, then he'd look into my eyes I B7 II Lord knows to my surprise II EM I AM EM I The only one who could ever reach me, was the son of a preacher man The only boy who could ever teach me, was the son of a preacher man I EM BM I AM II Yes he was, he was, mmm, yes he was II EM I II Being good isn't always easy, no matter how hard I'd try When he started sweet-talkin' to me, he'd come and tell me everything is all right He'd kiss and tell me everything is all right, can I get away again tonight Refrein II DM I I (Yes, he was), how well I remember I AM I I The look was in his eyes, stealin' kisses from me on the sly I B7 I I Takin' time to make time, tellin' me that he's all mine I E7 I II Learnin' from each other's knowin', look at us here, how much we've grown II AM I DM AM II And the only one who could ever reach me, was the son of a preacher man The only boy who could ever teach me, was the son of a preacher man I AM EM I D7 II Yes he was, he was, ooh yes he was (The only one who could ever reach me, was the son of a preacher man) He was the sweet-talking son of a preacher man (The only boy who could ever teach me, was the son of a preacher man) A kiss-stealin' son of a preacher man (The only one who could ever move me, was the son of a preacher man) (The only one who could ever groove me, was the son of a preacher man)

CD 01

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91

Stagger Lee (Lloyd Price)

II DM I GM I The night was clear and the moon was yellow I AM I DM AM II And the leaves came tumbling down II: DM I I GM I I I was standing on the corner when I heard my bulldog bark IDM I AM I DM I AM :II He was barkin' at the two men who were gamblin' in the dark It was Stagger Lee and Billy, two men who gambled late Stagger Lee threw seven, Billy swore that he threw eight Stagger Lee told Billy, "I can't let you go with that" "You have won all my money and my brand new stetson hat" Stagger Lee started off goin' down that railroad track He said "I can't get you Billy but don't be here when I come back" Solo (schema) Stagger Lee went home and he got his forty-four Said "I'm goin' to the barroom just to pay that debt I owe" Stagger Lee went to the barroom and he stood across the barroom door He said "Nobody move" and he pulled his forty-four Stagger Lee shot Billy, oh he shot that poor boy so bad Till the bullet came through Billy and it broke the bartender's glass Solo (outro op schema)

CD 24

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92

Steamy Windows (Tony Joe White)

Intro : I Em I I I I II: Em I I GM AM I Em :II I was thinking about parking the other night, we was out on a back road Me and my baby was just getting right, our systems going overload The radio blasting in the front seat, churning out the music fine And we was snuggled up in the back seat, making up for lost time

II: Em I I DM GM I Em :II Steamy windows, zero visibility Steamy windows, coming from the body heat Intro You can wine and dine with the men all night, with good intent But there's something about the confrontation on the back road, breaks down the defense

Steamy windows, zero visibility Steamy windows, coming from the body heat Steamy windows, Ain't nobody can see Steamy windows, coming from the body heat

Intro Solo : II Em I I I II II:GM I AM I Em I :II Intro There's a sound outside the front door, and I know that's just the wind But it makes him snuggle up just a little bit closer, starts things happening again Refrein Outro = intro

CD 30

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93

Stir it up (Bob Marley)

Intro : II: AM I I DM I EM :II Thema (bas & gitaar) : II: A C# I D C# I D F# A I E G# B :II Stir it up little darlin' Stir it up little darlin' , ‘come on baby Stir it up little darlin' Stir it up little darlin', ohhh It's been a long long time, since I’ve had you on my mind Now you are here, I said, it's so very clear, there's so much we could do, baby Just me and you, come on and Refrein I'll push the wood, light the fire Then I'll satisfy your hearts desire Said I will stir it every, every minute All you have to do, girl, is keep it in it Refrein Quench me when I'm thirsty Come on cool me down baby when I'm hot Your recipe is so tasty When you show and stir your pot Refrein Solo

CD 33

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94

Stop (Sam Brown)

Intro : II Em /B /D I Em /B /D I Bm /F# /A I Bm II II Em I I All that I have is all that you've given me, did you never worry that I'd I Bm I I come to depend on you, I gave you all the love I had I Em I Em F#m I in me, now I find you've lied and I I Bm I II can't believe it's true …..wrapped in her arms I see you across the street , and I can't help but wonder if she knows what's going on. you talk of love but you don't know how it feels, when you realise that you're not the only one ..oh you'd better II: GM F#m I Bm E7 :II stop before you tear me all apart , you'd better stop before you go and break my heart II GM AM I Bm /F# /A I Bm II ooh you'd better stop… Time after time I've tried to walk away, but it's not that easy when your soul is torn in two, so I just resign myself to it every day , now all I can do is to leave it up to you ...oh you'd better stop before you tear me all apart, you'd better stop before you go and break my heart II GM Am II ooh you'd better II Em DM I Stop if love me (you will remember), now's the I GM DM I time to be sorry (that day forever) I Em F#m I GM AM I I won't believe that you'd walk out on me, baby...oh you'd better stop before you tear me all apart , you'd better stop before you go and break my heart II GM AM I Bm /F# /A I Bm II ooh you'd better stop

CD 28

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95

Stray Cat Strut (The Stray Cats)

s intro (shuffle) : II: Cm Bb13 IAb13 G7 :II Oooh Oooh Oooh Oooh II: Cm Bb13 I Ab13 G7 :II Black and orange stray cat sittin' on a fence. Ain't got enough dough to pay the rent. I'm flat broke but I don't care, II G7 I II I strut right by with my tail in the air. II: Fm EbM I DbM C7 :II Stray cat strut I'm a ladies cat, I'm a feline Casanova hey man that's that. Get a shoe thrown at me from a mean old man. II Fm i II Get my dinner from a garbage can. Instrumentaal (1ste strofe) II Fm I Fm7 I Cm I I don't bother chasing mice around. I Fm I I I slink down the alley looking for a fight I D7 I G7 I howlin' to the moonlight on a hot summer night. II: Cm Bb 13 I Ab 13 G7 :II Singin' the blues while the lady cats cry. Wild stray cat you're a real gone guy. I wish I could be as care-free and wild, II Cm I II but I got cat class and I got cat style. Solo : (1ste strofe) II: Fm EbM I DbM C7 :II Stray cat strut I'm a ladies cat, I'm a feline Casanova hey man that's that. Get a shoe thrown at me from a mean old man. II Fm I II Get my dinner from a garbage can. Outro = intro

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96

Stumblin` in (Suzy Quatro)

II: Am I DM I GM I Em :II Our love is alive, and so we begin, foolishly laying our hearts on the table, stumblin in. Our love is a flame, burning within, now and then firelight will catch us, stumblin in. (Wherever you…) II: Am I DM I GM I Em :II go, whatever you do, you know, these reckless thoughts of mine are following you. I`ve fallen for II: Am I DM I GM I Em :II you, whatever you do, `cause baby, you`ve shown me so many things, that I never knew. II Am I DM I GM I II Whatever it takes, baby, I ll do it for you. Refrein Solo (X2) II: Am I DM I GM I Em :II You were so young, ah, and I was so free, I may have been young, but baby, that`s not what I wanted to be. II: Am I DM I GM I Em :II Well, you were the one, oh, why was it me, baby, you showed me so many things that I d never see. II Am I DM I GM I II Whatever you need, baby, you ve got it from me. Refrein II: Am I DM I GM I Em :II Stumblin in, stumblin in, foolishly laying our hearts on the table, stumblin in..... Ah, stumblin in, stumblin in ...now and then firelight will catch us, stumblin in. Stumblin in, stumblin in, foolishly laying our hearts on the table, stumblin in..... Ah, stumblin` in, stumblin` in ...now and then firelight will catch us, stumblin in.

CD 15

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97

Stop dragging my heart around (Stevie Nicks)

Intro: II AM I I CM BM CM I CM II Intro 2: II: Em I GM AM :II (X4) II: Em I GM AM :II (X4) Baby you come knocking on my front door, same old line you used to use before Just a girl well what am I s’posed to do, I didn't know what I was getting into II: CM I DM :II So you had a little trouble in town, now you're keeping some demon down II CM I DM I CM I II Stop dragging my, stop dragging my, stop dragging my heart around II: Em I GM AM :II It's hard to think about what you wanted, it's hard to think about what you lost These doors don't have to be the big "get even". These doors don't have to be anything at all I know you really want to tell me goodbye, I know you really want to be your own girl Baby you could never look me in the eye, yeah you buckle with the weight of the world Stop dragging my, stop dragging my, stop dragging my heart around II Em I GM AM II Solo : II: DM I CM :II (X3) II AM I I CM I II II: Em I GM AM :II Theres people running 'round loose in the world, ain't got nothing better to do Make a meal of some bright eyed kid, you need someone looking after you I know you really want to tell me goodbye, I know you really want to be your own girl Baby you could never look me in the eye, yeah you buckle with the weight of the world Stop dragging my, stop dragging my, stop dragging my heart around II: Em I GM AM :II II: Em I GM AM :II (ad lib) Stop dragging my heart around, stop dragging my heart around Stop dragging my heart around, stop dragging my heart around

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98

Strong enough (Sheryl Crow)

Intro: II: 4+2/4 DM GM I Bm AM :II God I feel like hell tonight, the tears of rage I cannot fight I'd be the last to help you understand, are you strong enough to be my man.. II: 4+2/4 DM GM I Bm AM :II (X4) Well, nothing's true, and nothing's right, so let me be alone tonight, 'cause you can't change the way I am, are you strong enough to be my man..my man II:4+2/4 Em /F# I GM /A I Bm /C I GM /A :II Lie to me, I promise I'll believe Lie to me, but please don't leave II: 4+2/6 DM GM I Bm AM :II (X4) I have a face I cannot show, I make the rules up as I go. Just try and love me if you can, are you strong enough to be my man..my man Are you strong enough to be my man.. Are you strong enough to be my man.. Are you strong enough to be my man..When I've shown you that I just don't care, when I'm throwing punches in the air. When I'm broken down and I can't stand, are you man enough to be my man.. Lie to me, I promise I'll believe Lie to me, but please don't leave II DM II

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Suicide Chump (Frank Zappa)

Intro : II EbM I II II: EbM I I You say there ain't no use in livin', it's all a waste of time 'N you wanna throw your life away, well, people that's just fine I AbM I EbM I I Go ahead on 'n get it over with then, find you a bridge 'n take a jump I BbM I AbM I Just make sure you do it right the first time, 'cause nothin's worse than a Suicide I EbM I BbM :II Chump You say there ain't no light a-shinin', through the bushes up ahead 'N we're all gonna be so sorry, when we find out you are dead Go head on and get it over with then, find you a bridge 'n take a jump Just make sure you do it right the first time, 'cause nothin's worse than a Suicide Chump II: EbM I :II Now maybe you're scared of jumpin', 'n poison makes you sick 'N you want a little attention, 'n you need it pretty quick Don't wanna mess your face up, or we won't know if it's you Aw there's just so much to worry about, now what you gonna do? I AbM I EbM I I Go ahead on 'n get it over with then, find you a bridge 'n take a jump I BbM I AbM I Just make sure you do it right the first time, 'cause nothin's worse than a Suicide I EbM I BbM :II Chump Solo (12 bars) II: EbM I :II Now maybe you're scared of jumpin', 'n poison makes you sick 'N you want a little attention, 'n you need it pretty quick Don't wanna mess your face up, or we won't know if it's you Aw there's just so much to worry about, now what you gonna do? Go head on 'n get it over with then, go head on 'n get it over with then Go head on 'n get it over with then, go head on 'n get it over with then Go head on 'n get it over with then, go head on 'n get it over with then You're on the bridge; scared to leap, But a girl walks over, to take a peep... She says: "DON'T DO IT!" , but wouldn't you know... the girl got a head like a buffalo II AbM I I EbM I I With a little red hair, all over the top, an' her breath would make the traffic stop I BbM I AbM I She says "I LOVE YOU... BUT FIRST, LET'S EAT!" I EbM I II And all you can say as you run down the street is...

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Summer Of '69 (Adams Bryan—origineel in ‘CM’)

Intro : II AbM I II II: AbM I I EbM I : II I got my first real six-string, bought it at the five-and-dime Played it till my fingers bled, It was the summer of '69 Me and some guys from school, had a band and we tried real hard Jimmy quit and Jody got married, I shoulda known we'd never get far II Fm I EbM I AbM I DbM I Oh when I look back now, that summer seemed to last forever And if I had the choice, ya - I'd always wanna be there I Fm I EbM I AbM I I EbM I II Those were the best days of my life Ain't no use in complainin', when you got a job to do Spent my evenin's down at the drive-in, and that's when I met you Standin' on your mama's porch, you told me that you'd wait forever Oh and when you held my hand, I knew that it was now or never Those were the best days of my life II AbM I I EbM I II Back in the summer of '69 II BM I EM I F#M I Man we were killin' time, we were young and restless I EM I BM I EM I F#M I F#M I We needed to unwind, I guess nothin' can last forever - forever, no II: AbM I I EbM I :II And now the times are changin', look at everything that's come and gone Sometimes when I play that old six-string, I think about ya wonder what went wrong Standin' on your mama's porch, you told me it would last forever Oh the way you held my hand, I knew that it was now or never Those were the best days of my life II: AbM I I EbM I :II Back in the summer of '69 Solo : II : AbM I I EbM I :II

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101

Summertime (Heyword, George Gershwin, Ira Gershwin)

IIi Am I I I A7#9 I Summertime, and the livin' is easy, I Dm I I Bm7b5 I E7#9 I Fish are jumpin', and the cotton is high; I Am I I I Dm7 G7 I Oh, your daddy's rich, and your ma is good-lookin', I CM7 I Bm7b5 E7 I Am I Bm7b5 E7 :II So hush, little baby, don't you cry. One of these mornings, you're going to rise up singing, Then you'll spread your wings, and you'll take to the sky, But till that morning, there's a-nothin' can harm you, With daddy and mammy standin' by. One of these mornings, you're going to rise up singing, Then you'll spread your wings, and you'll take to the sky, But till that morning, there's a-nothin' can harm you, With daddy and mammy standin' by.

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Summertime Blues (the Who)

Intro : II: EM AM I B7 EM :II II: EM I I lick I :II I'm a'gonna raise a fuss, I'm a'gonna raise a holler I've been working all summer, just to try and earn a dollar IIAM I I Well I went to the boss, said, 'I got a big date. I EM I II 'The boss said "No dice, son, you gotta work late" II AM I I

Sometimes I wonder what I'm a'gonna do I EM I I I I lick X2 I

There ain't no cure for the summertime blues Well my mom and father told me, "son you gotta earn some money, If you want to use the car, to go out next Sunday." Well I didn't go to work, I told the boss I was sick He said "You can't use the car, 'cause you didn't work late."

Sometimes I wonder what I'm a'gonna do ‘Cause there ain't no cure for the summertime blues.

Gonna take two weeks, gonna have a fine vacation Gonna take my problems, to the United Nations Well I went to my congressman, he said: "I'd like to help you son, But you're too young to vote."

Sometimes I wonder what I'm a'gonna do ‘Cause there ain't no cure for the summertime blues.

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Sunny (Boney M)

II: Am I CM I Am I Bm E7 :II Sunny, Yesterday my life was filled with rain Sunny, You smiled at me and really eased the pain II Am I Gm C7 I

Oh the dark days are gone and the bright days are here I Am I Dm I My sunny one is shines sincere I Bm I E7 I Am I E7 II Sunny, one so true, I love you

Sunny, Thank you the sunshine bouquet Woah, sunny, thank you love that you brought my way

Oh now you gave to me your all and all And now i feel like im ten feet tall Sunny, one so true, I love you

Sunny, Thank you for the truth that you made me see Sunny, Thank you for the facts, from A to Z

ML life was torn like a wind-blown sand And then a rock was formed when we held hands Now sunny, one so true, I love you

Sunny, Thank you for the smile thats upon your face Sunny, Thank you for that gleam that flows with grace

Your my spark of natures fire Your my sweet, complete desire Sunny, one so true, I love you

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Suzanne (Leonard Cohen)

II GM I I Suzanne takes you down to her place by the river, I Am I I You can hear the boats go by, you can spend the night beside her, I GM I I And you know that she's half crazy, and that's why you want to be there; I Bm I CM I And she feeds you tea and oranges that come all the way from China; I GM I I And just when you mean to tell her that you have no love to give her, I Am I I She gets you on her wave-length and lets the river answer I GM I II That you've always been her lover. II Bm I CM I And you want to travel with her, and you want to travel blind, I GM I Am I And you know that you can trust her, for you've touched her perfect body I GM I II With your mind. And Jesus was a sailor when he walked upon the water, And he spent a long time watching from a lonely wooden tower, And when he knew for certain only drowning men could see Him, He said, "All men shall be brothers, then, until the sea shall free them," But he himself was broken long before the sky would open, Forsaken, almost human, he sank beneath your wisdom Like a stone. And you want to travel with him, and you want to travel blind, And you think you maybe trust him, for he's touched your perfect body With his mind. Suzanne takes you down to her place by the river, You can hear the boats go by, you can spend the night forever, And the sun pours down like honey, on our lady of the harbour; And she shows you where to look amid the garbage and the flowers. There are heroes in the seaweed, there are children in the morning, They are leaning out for love, and they will lean that way forever, While Suzanne holds the mirror. And you want to travel with her, and you want to travel blind, And you think maybe you'll trust her, fFor you've touched her perfect body With your mind.

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CD 09

Sweet Home Alabama (Lynyrd Skynyrd)

II: DM CM I GM :II Big wheels keep on turning Carry me home to see my kin. Singing songs about the southland I miss'ole' 'bamy once again (and I think it's a sin) Well, I heard Mister Young sing about her Well, I heard ole Neil put her down. Well, I hope Neil Young will remember, A southern man don't need him around anyhow Sweet home Alabama, Where the skies are so blue, Sweet home Alabama, Lord, I'm coming home to you. I FM CM I In Birmingham they love the Gov'nor Boo hoo hoo ! Now we all did what we could do. Now Watergate does not bother me. Does your conscience bother you? (tell the truth) Refrein Now Muscle Shoals has got the Swampers And they've been known to pick a tune or two Lord they get me off so much They pick me up when I'm feeling blue Now how about you? Refrein

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Sweet Little Sixteen (Chuck Berry)

II: GM I GM I CM I CM I I GM I GM I CM I CM I I FM I FM I CM I CM I I GM I GM I CM I CM :II They're really rockin Boston, in Pittsburgh, P. A. Deep in the heart of Texas, and 'round the Frisco Bay All over St. Louis, way down in New Orleans All the Cats wanna dance with, sweet Little Sixteen Sweet Little Sixteen, she's just got to have About half a million, framed autographs Her wallet's filled with pictures, she gets 'em one by one She gets so excited, watch her look at her run Oh mommy mommy, please may I go It's such a sight to see, somebody steal the show Oh daddy daddy, I beg of you Whisper to mommy, it's all right with you ‘Cause they'll be rockin on bandstand, in Philadelphia P.A. Deep in the heart of Texas, and 'round the Frisco Bay All over St. Louis, way Down in New Orleans All the Cats wanna dance with, sweet Little Sixteen Solo (on chords) Sweet Little Sixteen, she's got the grown up blues Tight dress and lipstick, she's sportin' high heal shoes Oh, but tomorrow morning, she'll have to change her trend And be sweet sixteen, and back in class again ‘Cause they'll be rockin on bandstand, in Philadelphia P.A. Deep in the heart of Texas And 'round the Frisco Bay All over St. Louis Way Down in New Orleans All the Cats wanna dance with, sweet Little Sixteen

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Sweet Nothin’s (Brenda Lee)

II: GM I CM I GM I :II My baby whispers in my ear, ummm SWEET NOTHIN'S He knows the things I like to hear, ummm SWEET NOTHIN'S II CM I I GM I I Things he wouldn't tell, nobody else, secret baby, I keep them to myself II DM I CM I GM I II SWEET NOTHIN'S, Ummm SWEET NOTHIN'S II: GM I CM I GM I :II We walk along hand in hand, ummm SWEET NOTHIN'S Yeah we both understand, ummm SWEET NOTHIN'S II CM I I GM I I Sittin' in classroom trying to read my book, my baby give me that special look II DM I CM I GM I II SWEET NOTHIN'S; ummm SWEET NOTHIN'S Solo : II: GM I CM GM I :II I CM I I GM I I I DM I CM I GM I GM II II: GM I CM I GM :II Ah sittin on my front porch, ummm SWEET NOTHIN'S Well do I love you, of course, ummm SWEET NOTHIN'S II CM I I GM I II Mama turned on the front porch light, sayin' "Come here darlin' that' enough for tonight" II: DM I CM I GM I :II SWEET NOTHIN'S, ummm SWEET NOTHIN'S SWEET NOTHIN'S, ummm SWEET NOTHIN'S II DM II SWEET NOTHIN'S

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Swimming in the pool (The Radios)

Intro 1: Intro 2 : II: CM I FM I CM I GM I I was walking with my baby, (walking with my girl). I was walking with my girl (walking with my baby) I CM I FM I GM I CM :II I said maybe, baby, maybe (maybe, maybe, girl), You will like me to the world.

I was talking to my honey (talking like a fool), I was talking realy cool (talking to my honey) I said, wouldn’t it be funny (wouldn’t it be cool), to go swimming in the pool

II FM I GM I CM I I Ah, swimming in the pool, let’s go swimming in the pool, lets go swimming in the I FM I GM I CM II water, let’s go swimming in the pool.(let’s go swimming in the pool)

Instrumentaal (Intro 2)

Must have been the angel Cupid, (could have been the angel cupid) Yes, off coarse it must be him (talking ‘bout the angel Cupid) Cupy realy made me stupid (stupid, so it must be him) I forgot, I couldn’t swim.

So, I terrified my baby (yes, it wasn’t very cool) Yes, I made myself a fool (Lying to my baby) So, we should explain ah, maybe, (why the stone is getting cool) Why I drowned in the pool.

Ah, swimming in the pool, (Yeah, yeah) swimming in the pool, (Ah, ah) lets go swimming in the water, let’s go swimming in the …. II CM I GM CM I CM I GM CM UI Hey, na, na, na , let’s go swimming, hey, na, na, na swimming in the pool I CM /E I /F /E I GM II Hey, na, na, na let’s go swimming ...swimming in the pool Solo: II: CM I I I :II Ah, swimming in the pool, let’s go swimming in the pool, lets go swimming in the water, let’s go swimming in the …. Ah, swimming in the pool, (Yeah, yeah) swimming in the pool, (Ah, ah) lets go swimming in the water, let’s go swimming in the pool (let’s go swimming in the pool) Instrumentaal (Intro 2) ad lib

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Sympathy for the Devil (The Rolling Stones)

IntriI : II: DM I CM I GM :II II: DM I CM I GM I DM :II Please allow me to introduce myself, I'm a man of wealth and taste I've been around for a long, long year, stole many a man's soul and faith And I was 'round when Jesus Christ, had his moment of doubt and pain Made damn sure that Pilate washed his hands and sealed his fate II: AM I AM I DM I DM :II

Pleased to meet you, hope you guess my name But what's puzzling you, is the nature of my game

I stuck around St. Petersberg, when I saw it was a time for a change Killed the Czar and his ministers, anastasia screamed in vain I rode a tank, held a general's rank When the Blitzkrieg raged, and the bodies stank

Pleased to meet you, hope you guess my name, oh yeah What's puzzling you, is the nature of my game, oh yeah

I watched with glee, while your kings and queens, fought for ten decades, for the Gods they made I shouted out : "Who killed the Kennedys?" when after all, It was you and me Let me please introduce myself, I'm a man of wealth and taste And I laid traps for troubadors, who get killed before they reached Bombay

Pleased to meet you, hope you guessed my name, oh yeah But what's puzzling you, is the nature of my game, oh yeah, get down, baby

Solo : II : DM I CM I GM I DM :II

Pleased to meet you, hope you guessed my name, oh yeah But what's confusing you, is just the nature of my game

Just as every cop is a criminal, and all the sinners Saints As heads is tails, just call me Lucifer, 'cause I'm in need of some restraint So if you meet me, have some courtesy, have some sympathy, and some taste Use all your well-learned politesse, or I'll lay your soul to waste, um yeah

Pleased to meet you, hope you guessed my name, um yeah But what's puzzling you, is the nature of my game, um baby, get down Woo, who, oh yeah, get on down Oh yeah, oh yeah!

Tell me baby, what's my name, tell me honey, baby guess my name Tell me baby, what's my name, tell you one time, you're to blame

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Tele Romeo (K3)

II: Cm I Fm I Wie heb ik aan de lijn, hallo, hallo ? I BbM I EbM I Waar ben je dan, waarom verlang ik zo ? I AbM I Fm I Om dicht bij jou te zijn, hallo, hallo ? IGM I Cm GM :II Mijn Tele-Romeo Liefde op het eerste gehoor, alle stoppen slaan plots door Niemand die mij helpen kan, daar ben je plots, mijn ideale man. Leg die hoorn nu niet meer neer, zeg niet : ‘’t nummer is verkeerd!’ Want ik hoor je lieve stem, en weet dat jij het bent. Wie heb ik aan de lijn, hallo, hallo ? Waar ben je dan, waarom verlang ik zo ? Om dicht bij jou te zijn, hallo, hallo ? Mijn Tele-Romeo Fluister zachtjes in m’n oor, ‘liefste schat, we gaan ervoor’ Ook al weet ik niks van jou, ‘k denk dat ik van je hou Wie heb ik aan de lijn, hallo, hallo ? Waar ben je dan, waarom verlang ik zo ? Om dicht bij jou te zijn, hallo, hallo ? Mijn Tele-Romeo Voor je mij je nummer zei, was het plots voorgoed voorbij Een bliksemschicht verbrak de lijn, ik was alleen, vol vragen en vol pijn Als het moet ga ik op zoek, draai elk nummer uit dat boek Op een dag ben jij het echt, en hoor ik hoe je zegt : II: Dm I Gm I C’est qui a l’appareil, allo, allo I CM I FM I Je n’entend rien que ta voix, est-tu si beau I BbM I Gm I J’suis amoureuse de toi, allo, allo I AM I Dm AM :II Mon tele-romeo Wie heb ik aan de lijn, hallo, hallo ? Waar ben je dan, waarom verlang ik zo ? Om dicht bij jou te zijn, hallo, hallo ? Mijn Tele-Romeo

X2

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These boots are made for walkin’

(Nancy Sinatra) Intro : II DM /C# I /B /A I /G /F I DM II II: DM I I I :II You keep saying you got something for me Something you call love but confess II GM I I I I You've been a'messin' where you shouldn't 've been a'messin' I DM I I I II And now someone else is getting all your best I FM I DM I FM I DM I

Well, these boots are made for walking, and that's just what they'll do I FM I FM I I Intro II

One of these days these boots are gonna walk all over you You keep lyin' when you oughta be truthin' You keep losing when you oughta not bet You keep samin' when you oughta be a'changin' What's right is right but you ain't been right yet

These boots are made for walking, and that's just what they'll do One of these days these boots are gonna walk all over you

You keep playing where you shouldn't be playing And you keep thinking that you'll never get burnt (HAH) Well, I've just found me a brand new box of matches (YEAH) And what he knows you ain't had time to learn

These boots are made for walking, and that's just what they'll do One of these days these boots are gonna walk all over you

DM Are you ready, boots? Start walkin'

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The Wind Cries Mary (Jimi Hendrix)

Intro II: Eb E F I Eb E F :II II: CM BbM I FM :II After all the jacks are in their boxes And the clowns have all gone to bed You can hear happiness staggering on down the street II GM BbM I EbM (E F) I Footsteps dressed in red I GM BbM I EbM (E F) (Eb E F) II And the wind whispers Mary A broom is drearily sweeping Up the broken peices of yesterday's life Somewhere a queen is weeping Somewhere a king has no wife And the wind cries Mary Solo over: II: FM EbM I BbM AbM :II (3x) I GM I BbM I DbM I FM I FM I The traffic lights turn blue tomorrow And shine the emptyness down on my bed The tiny island sags downstream Cause the life that lived is dead And the wind screams Mary Will the wind ever remember The names it has blown in the past With its crutch, its old age, and its wisdom It whispers no, this will be the last And the wind cries Mary

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This Ole House (Rosemary Clooney)

Intro : II: Em A7 :II II DM I GM I This ole house once knew his children, this ole house once knew his wife I A7 I DM I This ole house was home and comfort, as they fought the storms of life I DM I GM I This old house once rang with laughter, this old house heard many shouts I A7 I DM II Now he trembles in the darkness, when the lightnin' walks about II GM I DM I Ain't a-gonna need this house no longer, ain't a-gonna need this house no more I A7 I DM I Ain't got time to fix the shingles, ain't got time to fix the floor I GM I DM I Ain't got time to oil the hinges, nor to mend the windowpane I A7 I DM II Ain't a-gonna need this house no longer, he's a-gettin' ready to meet the saints This ole house is a-gettin' shaky, this ole house is a-gettin' old This ole house lets in the rain, this ole house lets in the cold On his knees I'm gettin' chilly, but he feel no fear nor pain 'Cause he see an angel peekin', through a broken windowpane Refrein This ole house is afraid of thunder, this ole house is afraid of storms This ole house just groans and trembles, when the night wind flings its arms This ole house is gettin' feeble, this old house is needin' paint Just like him it's tuckered out, but he's a-gettin' ready to meet the saints Refrein This ole house dog lies a-sleepin', he don't know I'm gonna leave Else he'd wake up by the fireplace, and he'd sit there and howl and grieve But my huntin' days are over, ain't gonna hunt the coon no more Gabriel done brought in my chariot, when the wind blew down the door Refrein

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Time after Time (Cyndi Lauper)

Intro: II: GM I AM I F#m I GM9 :II II: Em DM :II Lying in my bed I hear the clock tick and think of you. Caught up in circles confusion is nothing new. II GM AM I F#m GM I GM AM I F#m I Flashbacks, warm nights. Almost left behind I GM AM I F#m GM I GM GM9 II Suitcase of memories, time after Sometimes you picture me, I'm walking too far ahead. You're calling to me I can't hear what you've said. Then you say go slow, I fall behind. II GM AM I F#m GM II The second hand undwinds. II: AM I Bm7 I GM GM9 I DM :II If you're lost you can look and you will find me. Time after time. If you fall I will catch you I'll be waiting. Time after time. If you're lost you can look and you will find me. Time after time. If you fall I will catch you …...I'll be waiting. Time after time. Intro (X2)

After my picture fades and darkness has turned to grey. Watching through windows, you're wondering if I'm ok. Secrets stolen from deep inside. II GM AM I F#m GM II The drum beats out of time.

Refrein (1ste 2 zinnen)

Instrumentaal (laatste 2) II GM AM I F#m GM I GM AM F#m I You said go slow, I fall behind. II GM AM I F#m GM II The second hand unwinds. Refrein II: GM GM9 I DM :II Time after time...Time after time...Time after time.

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't is weer voorbij

I DM I I AM I I GM I DM/F# I Em A7 I DM I II Na, na, na, naa, na, na, na, na, na, na, na, naa, na, na…. I DM I AM I DM I I Je hebt er maandenlang naar uitgekeken I DM/F# I GM I AM I I De koude winter wou maar eerst niet om I DM I AM I Bm I I Traag en langzaan kropen langs de beken, I GM I AM I DM I I Maar eindelijk, daar was ie dan, de zon I DM/F# I I I I De nachten kort, de dagen lang, de ochtend vol van vogelzang I AM I I EM I I Het scherpe hoge zoemen van een mug I Bm I I DM/F# I I Dan denk je, ha, daar is ie dan, dit wordt minstens een zomer I AM I I DM I I van een eeuw, maar lieve mensen, wat gaat het vlug. I GM I AM I DM I I 't is weer voorbij, die mooie zomer I DM/F# I GM I AM I I die zomer die begon zo wat in mei I DM I AM I Bm I I ha, je dacht dat er geen einde aan kon komen I GM I AM I DM I I maar voor je 't weet is heel die zomer al weer lang voorbij. Na, na, na, naa, na, na, na, na, na, na, na, naa, na, na…. Herfst verkleurt weer langzaam alle bomen 'k 's nachts allang weer mijn pyjama aan Dan had je eens in juli moeten komen Toen sliepen we 's nachts buiten op het strand En 's morgens vissen in de zon, en zwemmen zover als je kon Voerden met een boot een eind op zee 't Is jammer dat het overging, 't is allemaal herinnering Daar doen we het de hele lange winter maar weer mee Refrein Na, na, na, naa, na, na, na, na, na, na, na, naa, na, na….

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That Don't Impress Me Much (Shania Twain)

�

Intro :II Bbm I I I II II: Bbm AbM I AbM :II �

II: Bbm F#M I (AbM) :II I've known a few guys who thought they were pretty smart But you've got being right down to an art You think you're a genius--you drive me up the wall You're a regular original, a know-it-all II: EbM BbM I AbM :II Oh-oo-oh, you think you're special Oh-oo-oh, you think you're something else II I II Okay, so you're a rocket scientist II:F#M C#M I AbM BbM :II That don't impress me much, so you got the brain but have you got the touch Don't get me wrong, yeah I think you're alright, but that won't keep me warm in the middle of the night, that don't impress me much I never knew a guy who carried a mirror in his pocket, and a comb up his sleeve--just in case And all that extra hold gel in your hair oughtta lock it Cause Heaven forbid it should fall outta place Oh-oo-oh, you think you're special Oh-oo-oh, you think you're something else Okay, so you're Brad Pitt Refrein Instrumentaal: II Bbm I I I II You're one of those guys who likes to shine his machine You make me take off my shoes before you let me get in I can't believe you kiss your car good night C'mon baby tell me--you must be jokin', right! Oh-oo-oh, you think you're special Oh-oo-oh, you think you're something else Okay, so you've got a car Refrein You think you're cool but have you got the touch Don't get me wrong, yeah I think you're alright But that won't keep me warm on the long, cold, lonely night That don't impress me much Okay, so what do you think you're Elvis or something...whatever � Refrein

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Tomorrow (Martin Chamin / Charles Strouse—origineel in C)

II DM DM7 I GM7 F#m7 I The sun'll come out, tomorrow, bet your bottom dollar that to I Bm Bm7 I GM7 AM II -morrow, there'll be sun! Just II DM DM7 I GM7 F#m7 I thinkin' about, tomorrow, clears away the cobwebs, and the I Bm Bm7 I GM7 A7sus II sorrow, 'til there's none! When I'm stuck a II Dm Dm7 I BbM CM I day, that's gray, and lonely, I just stick out my I FM FM7 I A7sus I II chin, and grin, and say, oh! The II DM DM7 I GM7 F#m7 I sun'll come out, tomorrow, so ya gotta hang on 'til to- I Bm Bm7 I EbM7 A7sus II -morrow, come what may.To- II DM DM7 I D7 GM I -morrow! Tomorrow! I love ya tomorrow! You're I DM A7sus I AM I II always a day a way!

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Total eclipse of the heart (Bonnie Tyler)

Intro : II: Bbm/F (Db-C-Bb) :II II: Bbm I AbM :II Turn around ! Every now and then I get a little bit lonely, and you're never coming round. Turn around ! Every now and then I get a little bit tired, of list'ning to the sound of my (tears). II: DbM I BM :II Turn around ! Every now and then I get a little bit nervous, that the best of all the years have gone (by). Turn around ! Every now and then I get a little bit terrified, and then I see the look in your (eyes). (-) II EM AM I 2/4 AM I EM AM Turn around, bright eyes ! Every now and then I fall a(part). Turn around, bright eyes ! II AM /G# II Every now and then I fall apart.And I... II Fm I C#M EbM I 2/4 AbM I …. need you now tonight and I need you more than ever, and if you I 2/4 Fm I C#M I EbM I AbM II only hold me tight we'll be holding on forever. And we’ll II Fm C#M I2/4 EbM I …..only be making it right 'cause we'll never be wrong. To ... I C#M EbM I Fm BbM I2/4 BbM II ...gether we can take it to the end of the line. Your love is like a shadow on me all of the time. I AbM EbM I Fm BbM I2/4 BbM II I don't know what to do and I'm always in the dark, we're living in a powder keg and giving off sparks. I AbM EbM I C#M EbM I 2/4 AbM II I really need you tonight, forever's gonna start tonight, forever's gonna start tonight. II: (AbM) Fm I C7 DbM /C#/C I Once upon a time I was falling in love but now I'm only falling apart, Bbm EbM I AbM Fm I C#M EbM :II there's nothing I can do, a total eclipse of the heart. Once upon a time there was light in my life, but now there's only love in the dark, nothing I can say, a total eclipse of the heart. II AbM I II Instrumentaal : II: Bbm I AbM :II: C#M I BM :II (*) Turn around, bright eyes ! Every now and then I fall a(part). Turn around, bright eyes ! Every now and then I fall apart. And I need you now tonight and I need you more than ever and if you only hold me tight we'll be holding on forever. And we'll only be making it right 'cause we'll never be wrong. Together we can take it to the end of the line, your love is like a shadow on me all of the time. I don't know what to do and I'm always in the dark. we're living in a powder keg and giving off sparks. I really need you tonight, forever's gonna start tonight, forever's gonna start to(night). Once upon a time I was falling in love, but now I'm only falling apart, there's nothing I can say, a total eclipse of the heart. a total eclipse of the heart, a total eclipse of the heart.

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Tumbling Dice (Rolling Stones/Linda Ronstadt)

Intro : II EbM I II II EbM I :II People try to rape, always think I’m crazy And make me burn the candle right down II BbM EbM I BbM EbM I But ba by, I can’t stay I AbM I BbM II I don't need no jewels in my crown Now all you women are low down gamblers Cheatin' like I don't know how But baby, I go crazy There's fever in the funk house now This low down bitchin', Got my poor feet a itchin' Can’t yousee the deuce is still wind IIBbM EbM I BbM EbM I AbM I Ba by, get it straight, you got to roll me I I EbM I II And call me the tumbling dice Always in a hurry, I never stop to worry Don't you see the time passing by Honey go no money I'm all sixens and sevens and nines Say now, baby, I'm the rank outsider You can be my partner in crime But baby, get it straight, you got to roll me I AbM I And call me the tumbling dice I AbM I EbM I II Roll me and call me the tumbling dice Solo (Strophe) Oh my, my, my, I'm the lone crapshooter Playing the field every night Baby, get it straight, you got to roll me And call me the tumbling dice Roll me and call me the tumbling dice Outro : II: AbM I EbM :II

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32 jaar (Sinds een dag of twee)

(Doe Maar—Bb) Intro : II GM I I I II II GM I I Sinds een dag of twee, vlinders in m'n hoofd Sinds een dag of twee, aangenaam verdoofd I Em Bm I CM DM I GM I II 'k was haast vergeten hoe 't voelt om verliefd te zijn Ik kijk om me heen door een roze bril Veel te lang alleen, 'k stond een beetje stil Hoe kon ik 't weten, m'n wereldje was zo klein I Gm F#5 I BbM/F Edim7 I 't Is wel een beetje raar, tweeëndertig jaar, I EbM7 I I trillend op m'n benen (op m'n benen) I FM I F7 I GM I CM I Als ze is verdwenen (is verdwenen oh la la la la la) I GM I CM I Ze is ze is van mij (oh la la la la la) Ze is ze is van mij (oh la la la la la) Ze is ze is van mij (oh la la la la la) II GM I I I II Mannen bij de vleet, wachtend in een rij Deert me toch geen reet want ze kijkt naar mij Liefde, oh liefde, waar was jij toch al die tijd Alles wat ze zegt slik ik voor zoete koek En m'n scherpe blik Is ook al dagen zoek 't Kan me niet schelen, zolang ze maar met me vrijt A Refrein Solo : II: GM I I I :II II FM I II II: GM I CM :II (X4) (oh la la la la la) ze is ze is van mij I FM I GM I (oh la la la la oh oh oh) ze is van mij

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Twilight Zone (Golden Earring)

Intro : II Bm | | Em | | | F#m | | Bm | II II: Bm I I Em7 I I It's 2 A.M. the fear has gone, I'm sitting here waiting the gun still warm I F#m I I Bm I :II Maybe my connection is tired of taking chances Yeah there's a storm on the loose, sirenes in my head Wrapped in silence all circuits are dead, cannot decode my whole life spins into a frenzy II:Bm I I AM I I Help I'm stepping into the twilight zone, place is a madhouse feels like being cloned I GM I I F#M I :II My beacon's been moved under moon and star, where am I to go now that I've gone too far, Help I'm stepping into the twilight zone, place is a madhouse feels like being cloned my beacon's been moved under moon and star, where am I to go now that I've gone too far II: GM I Em I Bm I :II So you'll come to know, when the bullet hits the bone So you'll come to know, when the bullet hits the bone I'm falling down a spiral destination unknown, double crossed messenger all alone Can't get connection, can't get through where are you Well the night weighs heavy on his guilty mind, this far from the border line When the hitman comes he knows damn well, he has been cheated And he says Refrein Solo (Refrein) Refrein Outro : II: G I Em I Bm I :II So you'll come to know, when the bullet hits the bone So you'll come to know, when the bullet hits the bone So you'll come to know, when the bullet hits the bone So you'll come to know, when the bullet hits the bone

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Unchain my heart (Joe Cocker)

II Am I Dm I Am I I Unchain my heart, baby, let me be I Dm I E7 I Am I II ‘cause you don’t care, baby please, set me free II Am I I I I Unchain my heart, baby let me go I Dm I I Am I I Unchain my heart, ‘cause you don’t love me no more II: Dm I Am :II Everytime I call you on the phone, some fellow tells me that you’re not at home, II FM I E7 I Am I II Unchain my heart, set me free Unchain my heart, baby, let me be Unchain my heart, ‘cause you don’t care about me You ’got me sawed up like a pillow cage, but you let my love go away Unchain my heart, set me free II Dm I I Am I I I’m under your spell, like a man in chain I Dm I I E7 I II But you know me damn well, I don’t stand a chance .... Unchain my heart, let me go my way Unchain my heart, you are ...... I’m living through a life of misery, and you don’t care the least for me, unchain my heart, set me free Solo : II: Am | | | | | Dm | | Am | | | FM |E7 | Am | :II I’m under your spell, like a man in chains, But you know damn well, I don’t stand a chance .. Refrein ((1ste)

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Underneath Your Clothes (Shakira)

Intro : II: Fm Cm/Eb I DbM EbM :II You're a song, written by the hands of god, don't get me wrong cause, this might sound to you a bit odd, but you own the place, where all my thoughts go II Fm Cm/Eb I DbM I EbM II hiding, right under your clothes, is where I'll find them

II: AbM Cm/Eb I DbM EbM :II Underneath your clothes, there's an endless story There's the man I chose, there's my territory II Cm Fm I Bbm (EbM *) II And all the things I deserve, for being such a good girl honey

II AbM I DbM II

Because of you, I forgot the smart ways to Lie, because of you, I'm running out of reasons to Cry, when the friends are gone, when the party's Over, we will still belong to each other

Refrein (X2) (*)

II Bbm I II For being such a yeah.....

II BM Bbm I Abm F#M I I love you more than all that's on the planet, movin' talkin' walkin' breathing, you I EM I F#M :II know it's true, oh baby it's so funny, you almost don't believe it, as

every voice is hanging from the silence, lamps are hanging from the ceiling, like a lady tied up to her manners, I'm tied up to this feeling

Solo : II: Fm Cm/Eb I DbM EbM :II (X4)

Refrein (X2) II Bbm EbM E° I Fm II For being such a good girl

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Vanavond ga ik uit (R. Van Het Groenewoud)

Intro : II DM Bm I GM DM I CM GM GM CMI CM GM GM CM I Dit is al één week volgens de regels, I DM Bm I GM DM I CM GM GM I GM GM I Dit is al één week ambtenarij I DM Bm I GM DM I CM GM GM CMI CM GM GM CM I Van losse woorden, vormelijkheden, I DM Bm I GM DM II jezelf zijn, dat is er niet bij II Bm I GM I DM I I En zo wild, wordt het verlangen, I Bm I GM I AM I II Reizen wil ik, reizen tot de nacht I GM I AM I DM I I Vanavond ga ik uit, en niemand houdt mij tegen I GM I AM I Bm I CM I AM I Vanavond ga ik uit, terwijl ik heb gekregen, wat de nacht je geven kan, I DM I GM I als je verzeilt in vuur en vlam I Intro I Vanavond ga ik uit. Dit is het uur om muren te slopen, dat ik toch zo belachelijk was ‘k Ben zelf beter, slimmer te denken, de theorie komt nu niet van pas Zal een dans, de bal is gebroken, geen schoolmeester die hier het leven smoort.. Vanavond ga ik uit, en niemand houdt mij tegen Vanavond ga ik uit, terwijl ik heb gekregen Wat de nacht je geven kan, Als je verzeilt in vuur en vlam II CM I AM I DM I II Bij Koninklijk besluit, vanavond ga ik uit. II: AM I I DM I :II Doorgaan, doorgaan, tot ik niet meer op mijn benen kan staan Doorgaan, doorgaan, tot ik niet meer op mijn benen kan staan Doorgaan, doorgaan, tot ik niet meer op mijn benen kan staan I AM I C C# D I I Doorgaan, doorgaan, …….vanavond

Instrumentaal (‘Vanavond ga ik uit’…) II: GM I AM I DM I :II

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Verdammt ich lieb' dich (Matthias Reim)

II Am I I I I Ich ziehe durch die Strassen bis nach Mitternacht , Ich hab' das früher auch gern gemacht I GM I I Am I II Dich brauch' ich dafür nicht Ich sitze am Tresen trinke noch 'n Bier Früher war'n wir oft gemeinsam Hier Das macht mir, macht mir nichts ! II CM I I GM I I Gegenüber sitz 'n Typ wie 'n Bär , Ich stell' mir vor wenn das dein Neuer wahr I Am I GM I Am I II Das juckt mich überhaupt nicht II CM I I GM I I Auf ein Mal pakt's mich, ich geh'auf ihn zu und mach' ihn an: Laá meine Frau in Ruh' I FM I GM I Am I I FM I I GM I I Er fragt nur: Hast du 'n Stich ? Und ich denke wieder nur an Dich... II CM I I GM I I Verdammt ich lieb' dich, ich lieb' dich nicht I Dm I I Am I GM I Verdammt ich brauch' dich, ich brauch' dich nicht I CM I I GM I FM I Am I Am G Am I II Verdammt ich will dich, ich will dich nicht , Ich will dich nicht verlier'n So langsam fällt mir alles wieder ein, Ich wollt' doch nur 'n bisschen freier sein Jetzt bin ich's - oder nicht Ich passte nicht in Deine heile Welt, Doch die und Du ist, was mir jetzt so fehlt Ich glaub' das einfach nicht Gegenüber steht ein Telefon, Es lacht mich standig an voll Hohn Es klingelt, klingelt aber nicht Sieben Bier - zuviel geraucht, Das ist es, was ein Man so braucht doch niemand, niemand sagt: Höhr' auf ! Und ich denke schon wieder nur an Dich Refrein (X2)

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Verdronken Vlinder (Boudewijn de Groot)

II: CM FM I GM CM :II Zo te sterven op het water met je vleugels van papier Zo maar drijven na het vliegen in de wolken drijf je hier II Am I FM I Met je kleuren die vervagen zonder zoeken, zonder vragen I GM I I Eindelijk voor altijd rusten en de bloemen, die je kuste I CM I Am I Geuren die je hebt geweten, alles kun je nu vergeten I FM GM I CM I Op het water drijf je heen en weer I CM I FM CM II Zo te sterven op het water met je vleugels van papier Als een vlinder, die toch vliegen kan tot in de blauwe lucht Als een vlinder altijd vrij en voor het leven op de vlucht Wil ik sterven op het water, maar dat is een zorg van later Ik wil nu als vlinder vliegen, op de bloemen, blaren wiegen Maar zo hoog kan ik niet komen, dus ik vlieg maar in m'n dromen Altijd ben ik voor het leven op de vlucht Als een vlinder die toch vliegen kan tot in de blauwe lucht Om te leven, dacht ik, je zou een vlinder moeten zijn Om te vliegen heel ver weg van alle leven, alle pijn Maar ik heb niet langer hinder van jaloers zijn op een vlinder Als zelfs vlinders moeten sterven, laat ik niet mijn vreugd bederven Ik kan zonder vliegen leven, wat zal ik nog langer geven Om een vlinder die verdronken die verdronken is in mei

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Vlaanderen Boven (Raymond van het Groenewoud)

Intro : II: GM I I I :II II: GM I Em :II (X3) Waar er mossel met frit is, waar er kip aan het spit is, waar de kerk in 't midden staat Waar de purperen hei bloeit en het geld in het zwart vloeit II AM I D7 II Waar men nauwelijks Nederlands praat

Waar een diploma geen zin heeft en de koning geen kind heeft Waar de schuimwijnkoningin defileert Waar het volk goedlachs is en een vuist zonder kracht is II AM DM I GM I Waar men faalt en aan de toog explikeert (/G /A /B)II: CM I I GM I I Vlaanderen boven, waar men de Heer nog kan loven I DM I I GM I :II Waar de mensen belangrijk zijn en de buiken omvangrijk zijn Vlaanderen buiten, waar de vogeltjes fluiten I DM I I GM I Vlaanderen mijn land, bij het Noordzeestrand Waar de kleurenbuis grijs is en een schroef nog een vijs is, waar de rijkswacht goed functioneert Waar een pik een houweel is en geen pintje te veel is Francis Bay 't orkest dirigeert Waar de g soms een h is AVV-VVK is, waar men ernst zodanig prijst Waar de chiro paraat staat, de vrouw aan de vaat staat II GM I Em I De camera traag gaat, de premier nogal vaag praat I AM DM I GM (lick 1) I De vakantie naar Spanje wijst Refrein Instrumentaal : II CM I GM I CM I GM I De Kemmelberg, het Gravensteen, de Koekelbergbasiliek (ja die van Koekelberg) I CM I GM I AM I DM II De waterzooi, het meisje in 't hooi, de Vlaamse romantiek Vlaanderen boven, waar men een peer nog kan stoven Waar de mensen belangrijk zijn en de pensen omvangrijk zijn Vlaanderen buiten, waar ik de Heer nog zag spuiten Vlaanderen mijn land, bij het Noordzeestrand Outro = Intro

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Walk Of Life (Dire Straits)

Intro : II: CM I :II Here comes Johnny singing oldies, goldies, be-Bop-A-Lua, Baby What I Say Here comes Johnny singing I gotta Woman, down in the tunnels, trying to make it pay II: FM I I CM I :II He got the action, he got the motion, yeah, the boy can play Dedication devotion, turning all the night time into the day II CM I GM I He do the song about the sweet lovin' woman I CM I FM I He do the song about the knife I CM I GM I FM I GM II He do the walk, he do the walk of life Thema (X1) Here comes Johnny and he'll tell you the story Hand me down my walkin' shoes Here come Johnny with the power and the glory Backbeat the talkin' blues He got the action, he got the motion, yeah, the boy can play Dedication devotion, turning all the night time into the day He do the song about the sweet lovin' woman He do the song about the knife He do the walk, he do the walk of life (Thema X2) Here comes Johnny singing oldies, goldies Be-Bop-A-Lula, Baby What I Say Here comes Johnny singing I Gotta Woman Down in the tunnels, trying to make it pay He got the action, he got the motion, yeah the boy can play Decidation devotion, turning all the night time into the day And after all the violence and double talk There's just a song in the trouble and the strife You do the walk, you do the walk of life Thema (X4)

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The Wanderer (Status Quo)

Intro : II EM I I I II II: EM I :II I'm the type of guy who never settles down, where pretty girls are, you'll know that I'm around I I AM I I kiss 'em and I love 'em 'cause to me they're all the same I I EM I I hug 'em and I squeeze 'em, they don't even know my name, they call me the I BM I AM I Wanderer, yeah, Wanderer, I roam I EM I EM BM II round and round and round and round There's Flo on my left and there's Mary on my right and Janie is the girl that'll be with tonight and when she asks me which one I love the best I tear open my shirt and show Rosie on my chest 'Cause I'm Refrein II BM I /A /G# I BM I /A /G# I Well, I roam from town to town, live life without a care. I'm as I BM I I C#M I F#M II happy as a clown, with my two fists of iron but I'm goin' nowhere I'm the type of guy that likes to roam around I'm never in one place; I roam from town to town and when I find myself a-fallin' for some girl I hop right into that car of mine and drive around the world 'cause I'm Refrein Solo (strophe + Refrein) Well, I roam from town to town, live life without a care. I'm as happy as a clown, with my two fists of iron but I'm goin' nowhere I'm the type of guy that likes to roam around I'm never in one place; I roam from town to town and when I find myself a-fallin' for some girl I hop right into that car of mine and drive around the world 'cause I'm Refrein (X2) II AM I I EM I II Refrein (X2)

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Wand’rin star (Lee Marvin)

Intro: Deel 1, 2 en 3 II DbM I I I I I was born under a wand’rin star, I DbM I I AbM I Ebm II I was born under a wand’rin star II GbM I I Wheels are made for rollin’, mules are made to pack I DbM I Ebm AbM II I’ve never seen a sight that didn’t looking better lookin’ back. II DbM I I I I I was born under a wand’rin star I Fm I Cm I Mud can make you prisoner and the planes can bake you dry, Snow can burn your eyes, but only people make you cry. I Ebm I Bbm I Home was made from coming from, for dreams of going to I Ebm I AbM I Which with any luck will never come true… I was born under a wand’rin star I was born under a wand’rin star Do I know where Hell is, Hell is in hello Heaven is goodbye for whenever it’s time for me to go. I was born under a wand’rin star a wand’rin, wand’rin star…. Mud can make you prisoner and the planes can bake you dry, Snow can burn your eyes, but only people make you cry. Home was made from coming from, for dreams of going to Which with any luck will never come true… I was born under a wand’rin star I was born under a wand’rin star When I get to heaven, tie me to a tree, Or I’ll begin to roamence, and you’ll know where I will be I was born under a wand’rin star a wand’rin, wand’rin star…. Instrumentaal (DbM)

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Wasted Years (Adrian Smith- Iron Maiden)

( Tuned down half step) Intro: (zie bijlage) II: E5 I I D5 I :II From the coast of gold, across the seven seas, I'm travelling on, far and wide, But II C5 I I E5 I I now it seems, …..I'm just a stranger to myself, and all the I D4 I I C5 I II things I sometimes do, it isn't me but someone else. I close my eyes, and think of home, Another city goes by, in the night, Ain't it funny how it is, you never miss it til it's gone away, and my heart is lying there and will be til my dying day. II: G5 I C5 A5 I D5 I C5 A5 I So understand, don't I E5 I D5 I C5 I :II waste your time always searching for those wasted years, Face up...make your stand, and realise you're living in the golden years. Too much time on my hands, I got you on my mind, can't ease this pain, so easily, when you can't find the words to say, it's hard to make it through another day, and it makes me wanna cry, and throw my hands up to the sky. Refrein Reprice (intro) (thema X 8) - Basloop 2de keer Solo : II: E5 I I I I I D5 I I C5 I :II Refrein (X2) Outro = intro

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Way to your heart (Soulsister)

Intro : II: /F# I /F# /E /D# /C# :II (X4) II: F#M I /A# I C#M I BM :II Woke up this morning with my heart on fire, held on to what I'd been dreaming Woke up this morning I had one desire, to get back to what I'd been seeing II A#m I I BM I I G#m I I Heaven, it was heaven, I have never know any like this, I C#M I II witnessed anything like this II: F#M I /A# I C#M I BM :II Glowing all over as I started on my feet, I thought that I heard somebody calling Heaven, it was heaven, now I know I've seen the light make it go on shining …. II: EbM I Cm I AbM I BbM :II I keep on searching for the way to your heart, try to believe it's getting better, II EbM I /G I /Ab I /Ab I please, take me all the way to your heart I / Bb I I BbM I II I want you... (ohohoho) All the sweet kisses, all the tenderness, that I'm being shared all around it Only remind me of my only stress, no loving arms to surround me Falling, I am falling, You can help me out of there being mine forever…. Refrein II: BbM I AbM I EbM I Cm I You got it, you got it, there'll be no doubt about it II BbM I AbM I EbM I BbM :II nobody's going keep me from you - oh I want you, I need you, I'll find a way to get through Nobody is going keep me from you - Solo (II: F#M I /A# I C#M I BM :II) uhuh heaven, it was heaven, now I know I've seen the light make it go on shining…. Refrein (X2)

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The Weight (J.R.Robertson)

II: AM IC#m I DM I AM :II I pulled into Nazareth, was feelin' about half past dead; I just need some place where I can lay my head. "Hey, mister, can you tell me where a man might find a bed?" He just grinned and shook my hand, and "No!", was all he said. II AM EM/G# I DM I AM EM/G# I DM I Take a load off Fanny, take a load for free; I AM EM/G# I DM I I I Take a load off Fanny, And (and) (and) you can put the load right on me. I AM EM/G# I DM/F# AM/E I DM I I I picked up my bag, I went lookin' for a place to hide; When I saw Carmen and the Devil walkin' side by side. I said, "Hey, Carmen, come on, let's go downtown." She said, "I gotta go, but m'friend can stick around." Refrein Go down, Miss Moses, there's nothin' you can say It's just ol' Luke, and Luke's waitin' on the Judgement Day. "Well, Luke, my friend, what about young Anna Lee?" He said, "Do me a favor, son, woncha stay an' keep Anna Lee company?" Refrein Crazy Chester followed me, and he caught me in the fog. He said, "I will fix your rack, if you'll take Jack, my dog." I said, "Wait a minute, Chester, you know I'm a peaceful man." He said, "That's okay, boy, won't you feed him when you can." Refrein Catch a cannon ball now, t'take me down the line My bag is sinkin' low and I do believe it's time. To get back to Miss Fanny, you know she's the only one. Who sent me here with her regards for everyone. Refrein

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(De) Werkmensch (Ivan Heylen)

Intro : II GM I II II GM I I I :II Awel, ‘s maandags zijn we ziek, dinsdag zijn we moe, ‘s woensdags ist ‘alfweg, donderdag zijn we ‘ast zot, en Vrijdag ist den loatste en dan drinken we allemaal zat II CM I I GM I I Ier zit ne werkmensch, ne werkmensch I DM I 6/4(break) I GM I II ne werkmensch…….a zit der ‘ier. II CM I I GM I I Moar de logting m’okt al vele goe, pa- I CM I I DM I II -tatten en tomat’en op een ‘roe. Refrein En zaterdag’s sloapen w’iut, en ‘s avonds noar de match, En ‘s zondags eten we friet’n, en dan ook nog soep, En dan tussendeuren nog efkens uit de broek. Refrein Moar de logting m’okt al vele goe, patatten en tomat’en op een ‘roe. Refrein En azoe es’t leven goe, want god ‘eet zo gemoakt, Moar ik ‘en toch al gepeinsd, en ik ‘en toch al gevloekt. ‘k Had toch gern wa meer tijd om te werken op een ‘roe Refrein Moar de logting m’okt al vele goe, patatten en tomat’en op een ‘roe. Refrein

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We’ll meet again (Vera Lynn)

II DM I F#7 I Bm7 I Gm7 I We'll meet again, don't know where, don't know when, but I I Em7 GM/B I A7 Em9 A7 I D6 Fdim I Em7 A7 II know we'll meet again, some sunny day. I DM I F#7 I Bm7 I Gm7 I Keep smiling through, just like you always do, 'til the I Em7 GM/B I A7 I DM GM I DM II blue skies drive the dark clouds far away. So will you II F#7 I Gdim F#7 I please say hello to the folks that I know, tell them I G6 I I I won't be long. They'll be I E7 I I happy to know that as you saw me go, I was I A7 I II singing this song. We'll meet again, don't know where, don't know when, but I know we'll meet again, some sunny day. We'll meet again, don't know where, don't know when, but I know we'll meet again, some sunny day. Keep smiling through, just like you always do, 'til the blue skies drive the dark clouds far away. So will you please say hello to the folks that I know, tell them I won't be long. They'll be happy to know that as you saw me go, I was singing this song. II DM I F#7 I Bm7 I Gm7 I We'll meet again, don't know where, don't know when, but I I Em7 GM/B I A7 Em A7 I D6 GM I DM A7 I DM II know we'll meet again, some sunny day.

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What A Wonderful World (Louis Armstrong)

II DM F#m I GM F#M I I see trees of green, red roses too I Em7 DM I F#7 Bm I I see them bloom, for me and you, I BbM I Em7/A A7 I DM D+ I Gmaj7 A7 II And I think to myself, What a wonderful world I see skies of blue and clouds of white, The bright blessed day, the dark sacred night, II Bb I Em7/A A7 I I DM I GM DM II And I think to myself, what a wonderful world II: A7 I DM :II The colors of the rainbow, so pretty in the sky Are also on the faces of people goin' by II Bm F#m I Bm F#m I I see friends shaking hands, saying, "How do you do?" I Em7 F#°7 I Em7 F#°7 Em7 II They're really saying, "I love you." I hear babies cry, I watch them grow They'll learn much more than I'll ever know, II BbM I Em7/A A7 I DM I F#m7b5 B7 II And I think to myself what a wonderful world II Em7 Em7/A I A7b9 I DM I G13 DM II Yes I think to myself, what a wonderful world

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What’s a woman (Vaya Con Dios)

Intro : II: GM I Em :II II: GM I Em :II What a woman when a man, don’t stand by her side What’s a woman when a man, has secrets to hide I Am DM I Am DM II She’ll be weak, she’ll be strong, struggle hard for so long What’s a woman when a man, (what’s a man without a woman), don’t go by the rules What’s a woman when a man, (what’s a man without a woman), makes you feel like a fool. When right turns to wrong, she will try to hold on to the ghosts of the ... ..past, when love would still last, dreams from the past, fading so fast. All alone, in the dark, she will swear he will never mislead you again I GM I I Solo I Em I GM I Em I GM I I Am DM I Am DM I Am DM I All those dreams from the past, faded so fast, Ghost of the past, when love wiould still last All alone, in the dark, she will swear , cross her heart, II: GM I Em :II never again…Cross my heart, never again (what’s a man without a woman) Cross my heart, ( a woman without a man), never again (what’s a man without a woman) Cross my heart, ( a woman without a man) Repeat

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Whatever you want (Status Quo)

Intro : II: CM GM I DM :II (X4)

II: D7 I I I :II II: DM I I I I I AM I I DM I :II

II: DM I I Whatever you want, whatever you like, whatever you I I I say, you pay your money, you take your choice. I AM I I Whatever you need, whatever you use, whatever you I DM I :II win, whatever you loose.

You´re showing off, you´re showing out, you look for trouble, turn around, give me a shout. I take it all, you squeeze me dry, and now to- -day you couldn´t even say goodbye.

II FM I CM I DM I I I could take you home on the midnight train again. I FM I CM B7 I EM I (break) II I could make an offer you can´t refuse .

Refrein

Solo : II FM I I I G5 I I CM I FM I E5 I G5 AM I AM II

You´re showing off, you´re showing out, you look for trouble, turn around, give me a shout. I take it all, you squeeze me dry, and now to- -day you couldn´t even say goodbye.

II FM I CM I DM I I I could take you home on the midnight train again. I FM I CM B7 I EM I (break) II I could make an offer you can´t refuse .

II DM I I Whatever you want, whatever you like, whatever you I I I say, you pay your money, you take your choice. I AM I I Whatever you need, whatever you use, whatever you I DM I CM I GM I AM I AM (break) II win, whatever you loose, whatever you want, Refrein (1ste—ad lib instrumentaal)

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What's Up? ( 4 Non Blondes)

II: AM I Bm I 25 years of my life and still, tryin' to to get up that great big hill of I DM I AM :II Hope, for a destination. I realized quickly when I knew I should That the world was made up of this brotherhood of Man, for whatever that means. And so I cry sometimes, when I'm lying in bed just to get all out, what's in my head, then I, I am feeling, a little peculiar. And so I wake in the morning, and I step outside And I take a deep breath, and I get real high, and I, scream from the top of my lungs, "What's going on?" And I say, "Hey yeah yeah hey, hey yeah yeah." I said, "Hey, what's going on?" And I say, "Hey yeah yeah hey, hey yeah yeah." I said, "Hey, what's going on?" And I try, oh my god, do I try I try all the time, in this institution. And I pray, oh my god, do I pray I pray every single day, for a revolution. Refrein 25 years of my life and still Tryin' to get up that great big hill of Hope, for a destination

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Weather with you (Crowded House)

Intro : II: Em I AM I Em I AM :II II: Em I AM I Em I AM :II Walking 'round the room, singing "Story Weather", at 57 Mt Pleasant Street Well it's the same room but everything's different.You can fight the sleep but not the dream. II Dm CM I Dm CM I Dm CM I FM I Things ain’t cooking, in my kitchen. Strange afflictions wash over me. I Dm CM I Dm CM I Dm CM I FM I G7 I Julius Caeser and the Roman Empire couldn't conguer the blue sky.... Intro (zonder herhaling) There's a small boat made of china. It's going nowhere on the mantlepiece. II Em I AM I Bm I A11/C# II Well do I lie like a loungeroom lizard, or do I sing like a bird released. II: A11 I DM :II Everywhere you go, you always take the weather with you. Everywhere you go, you always take the weather. II A11 I DM/G I Everywhere you go, you always take the weather, I DM/F# I GM A11 II Everywhere you go, you always take the weather, the weather with you. Intro (met herhaling) II: A11 I DM :II Everywhere you go, you always take the weather with you. Everywhere you go, you always take the weather. II A11 I DM/G I Everywhere you go, you always take the weather, I DM/F# I EM9 I GM A7 II Everywhere you go, you always take the weather, the weather with you. II: DM I I I :II II: A11 I DM :II Everywhere you go, you always take the weather with you. Everywhere you go, you always take the weather. II A11 I DM/G I Everywhere you go, you always take the weather, I DM/F# I EM9 I GM A7 I DM II Everywhere you go, you always take the weather, the weather with you.

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Whenever, Wherever (Shakira)

Intro : II: C#m I F#m G#m :II II: C#m I G#M I Lucky you were born that far away so, so we could both make fun of distance I AM I BM :II Lucky that I love a foreign land for the lucky fact of your existence Baby I would climb the Andes solely to count the freckles on your body Never could imagine there were only too many ways to love somebody I F#m /G# / A I C#m /E I F#m /G# /A I C#m G#M I Lo ro lo le lo le, lo ro lo le lo le, can't you see, I'm at your feet II: C#m AM I EM BM I Whenever, wherever, we'll learn to be together I C#m AM I F#m BM :II I'll be there and you'll be near and that's the deal my dear They're over, you're under, you'll never have to wonder We can always play by ear, but that's the deal my dear Instrumentaal

II II Lucky that my lips not only mumble, they spill kisses like a fountain Lucky that my breasts are small and humble, so you don't confuse them with mountains Lucky I have strong legs like my mother, to run for cover, when I need it And these two eyes, are for no other, the day you leave, we'll cry a river Lo ro lo le lo le, lo ro lo le lo le, at your feet, I'm at your feet Refrein II: F#m /G# / A I C#m /E I F#m /G# / A I BM :II Lo ro lo le lo le, lo ro lo le lo le, we can fly, say it again Lo ro lo le lo le lo le, tell me one more time, that you'll live lost in my eyes II II Whenever, wherever, we'll learn to be together I'll be there and you'll be near and that's the deal my dear They're over, you're under, you've got me head over heels There's nothing left to fear, if you really feel the way I feel Repeat last chorus

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When You're Gone (B. Adams/Melanie C)

Intro : I Dm I FM I CM GM I GM I II: Dm I GM I CM I :II I've been wandering around the house all night, wondering what the hell to do. Yeah, I'm trying to concentrate, but all I can think of is you. Well the phone don't ring 'cos my friends ain't home, I'm tired of being all alone. II Dm I BbM I GM I II Got the TV on cause the radio's playing, songs that remind me of you. II: Dm I FM I CM I GM :II

Baby when you're gone, I realise I'm in love. The days go on and on, and the nights just seem so long. Even food don't taste that good, drink ain't doing what it should. II Dm I BbM I GM I II Things just feel so wrong, baby when you're gone. II: Dm I GM I CM I :II I've been driving up and down these streets, trying to find somewhere to go. Yeah I'm looking for a familiar face, but there's no-one I know. Aww this is torture, this is pain, it feels like I'm gonna, go insane. II Dm I BbM I GM I II I hope you're coming back real soon, ‘cause I don't know what to do. Refrein Hey, don't go Brian, don't go Hey, where ya gone baby? Don't go, don't go Refrein

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When the lady smiles (Golden Earing)

II: BM I I F#M I :II When the lady smiles, you know , it drives me wild, Her lips are warm and resourceful, when her fingertips go drawing circles in the night, And the mood is soft and sensual , hey II BM I I F#M I I BM I I F#M I I And I love it, yeah , I love it, it’s the answer to all my dreams

I EM I I Every time it feels like the earth is shaking , it doesn’t matter I G#m I I EM I I Glass is falling , I hear it shatter, maybe it’s raining , faster and faster I G#m I II Shadow dancing

II G#m I I F#M I I Together roll on, I am betting on the game of love I G#m I I C#M I I Ooh , I , I’m betting that love is gonna come out I C#m I I BM I I When the walls no longer shout, ‘cause it’s me and I’m feeling proud Ii: BM C#m I G#m I C#m II EM I BM (*) When the lady smiles, she holds me in her hand, as a matter of fact she could I C#m G#m I F#M I I always let me down I BM (*) I AM I G#m I When the lady smiles, I can’t resist her call, as a matter of fact I don’t resist at all I EM I F#M I I BM I II ‘cause I’m walking on clouds and she is leading the way My friends tell me she’s the beast inside your paradise I guess you’ve heard it all before A fallen angel that has got you hypnotised And that always needs some more , ooh

And I love it, yeah , I love it, She’s done nothing to mislead me

‘Cause every time we meet the earth is shaking , it doesn’t matter Glass is falling , I hear it shatter, maybe it’s raining , faster and faster Shadow dancing

Together roll on, I am betting on the game of love Ooh , I , I’m betting that love is gonna come out When the walls no longer shout, ‘cause it’s me and I’m feeling proud When the lady smiles, she holds me in her hand As a matter of fact she could always let me down

When the lady smiles, I can’t resist her call As a matter of fact I don’t resist at all ‘cause I’m walking on clouds and she is leading Oh no, Oh no, Oh no ( End solo II: EM I F#M :II) - einde BM

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Where the Wild Roses Grow (Nick Cave)

II 2/4 Gm ICM Gm I Gm I BbM I DM I He called me the wild ro-ose, but my name was Elisa Day I Gm I CM Gm I Gm I Gm FM I Gm II Why he called me that I do not kno-ow, for my name was Elisa Day II Gm I BbM I From the first day I saw her I knew she was the one, I Cm I DM :II she stared in my eyes and smiled Her lips were the colour of the roses That grow down the river all bloody and wild II Gm I BbM I When he knocked on my door and entered the room I Cm I DM I My trembling subsided in his sure embrace I Gm I BbM I He would be my first man and with a careful hand I Cm I DM I D7 II He wiped off the tears that run down my face

Chorus II: Gm I BbM I Cm I DM :II On the second day I brought her a flower She was more beautiful than any woman I'd seen I said "Do you know where the wild roses grow so sweet and scarlet and free?" On the second day he came with a single red rose He said "Give me your lust and your sorrow" I nodded my head as I lay on the bed "If I show you the roses, will you follow?"

Chorus

On the third day he took me to the river He showed me the roses and we kissed And the last thing I heard was a martyr word As he knelt above me with a rock in his fist II: Gm I BbM I Cm I DM :II On the last day I took her where the wild roses grow She lay on the bank going light as a thief And I kissed her goodbye, said all beauty must die And I leant down and planted a rose between her teeth

Chorus (repeat Elisa Day)

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While My Guitar Gently Weeps

(George Harrison) Intro : II Am I Am7/G I Am/F# I FM7 I I Am I GM I DM I EM II II Am I Am/G I Am6 I FM7 I I look at you all see the love there that's sleeping I Am I GM I DM I EM II While my guitar gently weeps IIAm I Am/G I Am6 I FM7 I I look at the floor and I see it needs sweeping I Am I GM I CM I EM II Still my guitar gently weeps II AM I AM7 I F#m I AM I Bm I I EM /F# I /G /G# :II I don't know why nobody told you how to unfold your love I don't know how someone controlled you, they bought and sold you I look at the world and I notice it's turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps Solo (Strophe X2) I don't know how you were diverted, you were perverted too I don't know how you were inverted, no one alerted you I look at you all see the love there that's sleeping While my guitar gently weeps Look at you all... Still my guitar gently weeps Solo (Strophe—ad lib)

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White Room (Eric Clapton)

(Getransponeerd -3) Intro : II: 5/4 EM I DM I BM I AM :II 4/4 F#5 I II: BM I AM IEM/G# I EM GM AM :II

In a white room with black curtains, near the station. Blackroof country, no gold pavements, tired starlings. Silver horses, ran down moonbeams, in your dark eyes. Dawnlight smiles, on your leaving, my contentment. II AM I EM I GM I F#M I I’ll wait in this place, where the sun never shines; I A5 I EM I GM I AM I BM I II

Wait in this place, where the shadowns run from themselves. You said no strings, could secure you, at the station. Platformticket, restless diesels, goodbye windows I walked into, such a sad time at the station, As I walked out, felt my own need just beginning I’ll wait in the queue, when the trains come back Lie with you where the shadowns run from themselves. Intro Solo At the party, she was kindness, in a hard crowd, Consolation, for the old wound, now forgotten Yellow tigers crouched in jungles in the dark eyes She’s just dressing, goodbye windows, tired starlings I’ll sleep in this place, with the lonely crowd, Lie in the dark where the shadows run from themselves. Outro = intro

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WHO'LL STOP THE RAIN (J.C. Fogerty—origineel in ‘G’)

Intro : II: CM I CM GM I Am I Am GM :II II CM I II II: CM I I FM I CM :II Long as I remember the rain been comin' down. Clouds of myst'ry pourin' Confusion on the ground. II FM I CM I FM I CM I Good men through the ages, tryin' to find the sun; I FM I GM I Am I CM I And I wonder, still I wonder, who'll stop the rain. II CM I II II CM I I FM I CM I I went down Virginia, seekin' shelter from the storm. I CM I Em I FM I CM II Caught up in the fable, I watched the tower grow. Five year plans and new deals, wrapped in golden chains. And I wonder, still I wonder who'll stop the rain. Instrumentaal : I FM CM GM I GM I FM CM Am I Am GM I II CM I II II CM I I FM I CM I Heard the singers playin', how we cheered for more. I CM I Em I FM I CM II The crowd had rushed together, tryin' to keep warm. II FM I CM I FM I CM I Still the rain kept pourin', fallin' on my ears. I FM I GM I Am I II And I wonder, still I wonder who'll stop the rain. Outro = intro (X4)

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Why don’t you do right (Rasputina)

Intro : II: Em DM I CM B7 :II II: Em DM I CM B7 :II You had plenty money 1922 You let all the women make a fool of you II Am I B7 I Em I I Why don't ya do right.....Like some of the men do II Am B7 I Am B7 I Em DM I CM B7 II Get out-a here, get me some money too Your sitting down wondering what it's all about If ya ain't got no money they will...put you out Why don't ya do right, like some of the men do Get out-a here, get me some money too Now you had prepared her twenty years ago You wouldn't be wonder'n out from door to door Why don't ya do right, like some of the men do Get out-a here, get me some money too Get out-a here, get me some money too Why don't ya do right Like some of the men.....................do............

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Why don’t you try me (Franky Miller / Sarah Beth)

Intro : II: AM F#m | EM AM :I| II AM I EM I DM I AM :II If your man’s got you on the run, why don’t you try me If you wanne have a little fun, why don’t you try me If you talk more than you can bare, if your troubles are more than your share If things ain’t going just right, why don’t you try me tonight Why don’t you try me tonight, why don’t you try me ..... Why don’t you try me tonight, why don’t you try me ..... Last night I was trying to sleep I heard a record from the room next door, That was you and your woman having a fight, like you did so many nights before.. I ran out of patience, spread the news, that’s when I heard you shout .... So I jumped out of bed, and I opened the door, just as you came running out ... Refrein Solo You see a good looking woman on the strees these days and a better man can be hard to find .. But how a man that would steal your heart, and call good love a crime .. But I ain’t scared if that’s what you mean, and I will tell you, honey, you will be free But I don’t mind if we have a good time, When I say that I want you, you know I ain’t lying ... Refrein (X2)

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Whiskey in the Jar (Traditional)

II: CM I Am I As I was a'going over Gilgarra mountain, I I FM I CM :II spied Colonel Farrell and his money he was counting. First I drew my pistol and then I drew my rapier, saying "stand and deliver for I am your bold deceiver." II G7 I CM I Mu-sha ring-um du-ram da. Whack fol the daddy - o, I Am FM I CM G7 I CM I II whack fol the daddy -o, there's whiskey in the jar. He counted out his money and it made a pretty penny, I put it in my pocket to take home to darling Jenny.She sighed and swore she loved me, and never would deceive me, But the devil take the woman for the always lie so easy.

Refrein

I went into the chamber all for to take a slumber,to dream of gold and girls. And of course it was no wonder, me Jenny took me charges and she filled them up with water called on Colonel Farrell to get ready for the slaughter

Refrein

Next morning early before I rose to travel, a-came a band of footmen and likewise Colonel Farrell, I goes to draw my pistol for she'd stole away my rapier. But a prisoner I was taken I couldn't shoot the water.

Refrein

They put me into jail with a judge all a-writen' robbing Colonel Farrell on Gilgarra mountain. But they didn't take me fists and I knocked the jailer down, and bid a farewell to this tight fisted town.

Refrein

I'd like to find me brother the one that's in the army, I don't know where he's stationed in Cork or in Killerney. Together we'd go roaming over the mountains of Kilkenny, and I swear he'd treat me fairer than me darling sporting Jenny.

Refrein

There's some takes delight in the carriages and rolling some takes delight in the hurley or the bolling. But I takes delight in the juice of the barley, courting pretty maids in the morning, oh so early.

Refrein

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(The) Wild Rover (The Dubliners)

II: 6/8 GM I GM CM I I've been the wild rover for many a year I GM DM I D7 GM :II spent all my money on whiskey and beer but now I'm returning with gold in restore never I'll play the wild rover no more. II DM I DM D7 I And it's no nay never I GM I CM I no nay never no more I GM I CM I will I play the wild rover I D7 I GM II no never no more I went to a chanty I used to frequent Told the landlady my money was spent I asked for her credit she answered me nay saying: customers like you I can get any day. Refrein I drew from my pocket ten sovereigns bright The landlady's eyes opened wide in delight saying: I have the whiskey and wine of the best and the words that I told you were only in jest. Refrein I'll go home to my parents confess what I've done and ask them to pardon their prodigal son and if they do as so often before then I never Shall play the wild rover no more. Refrein (X2)

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Wind of Change (Scorpions)

Intro : II FM I Dm :II Am I Dm Am I 2/4 GM II II: CM I Dm I CM I Dm Am I 2/4 GM II I follow the Moskva down to Gorky Park, listening to the wind of change. An August summer night, soldiers passing by, listening to the wind of change. II: FM I Dm :II Am I Dm Am I 2/4 GM II The world is closing in. Did you ever think, that we could be so close, like brothers? II CM I Dm I CM I Dm Am I4/4 GM II The future's in the air, I can feel it everywhere, blowing with the wind of change. II CM GM I Dm GM I CM GM I Take me to the magic of the moment on a glory night I Dm GM I Am FM I GM II Where the children of tomorrow dream away in the wind of change. II CM I II Walking down the street, distant memories, are buried in the past forever. I follow the Moskva down to Gorky Park, listening to the wind of change. Take me to the magic of the moment on a glory night Where the children of tomorrow share their dream, with you and me. Take me to the magic of the moment on a glory night Where the children of tomorrow dream away in a wind of change. II Am I GM I The wind of change blows straight into the the face of I Am I GM I time, like a stormwind that will ring, like a the freedom bell for peace of I CM I Dm I E7 I II mind. Let your Balalaika sing what my guitar wants to say. Solo: II FM G7 I Em Am I Dm G7 I Am I I FM G7 I E7 Am I Dm I E7 II Take me to the magic of the moment on a glory night Where the children of tomorrow share their dream, with you and me. Take me to the magic of the moment on a glory night Where the children of tomorrow dream away in a wind of change II: FM I Dm :II Am I Dm II

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Wind Beneath My Wings (Bette Middler)

Intro II: BbM I EbM (FM) :II Ohhhh, oh, oh, oh, ohhh. II: BbM /D I EbM :II It must have been cold there in my shadow, to never have sunlight on your face. II: EbM BbM I Cm FM :II You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, while you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. II: Gm FM I BbM /A :II Did you ever know that you're my hero, and everything I would like to be? I can fly higher than an eagle, II Cm FM I BbM II for you are the wind beneath my wings. II EbM II It might have appeared to go unnoticed, but I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Refrein (X2) II 2/4 Cm I 4/4 FM I BbM II 'cause you are the wind beneath my wings. II EbM I Oh, the wind beneath my wings. II BbM I EbM II You, you, you, you are the wind beneath my wings. II BbM I I /D I EbM I Fly, fly, fly away. You let me fly so high. II: BbM /D I EbM :II Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. II BbM I I I EbM II Fly, fly, fly high against the sky, so high I almost touch the sky. II BbM I EbM I FM I BbM II Thank you, thank you, thank God for you, the wind beneath my wings.

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Wonderful Tonight (Eric Clapton origineel in Bb)

Intro : II: AM I EM I DM I EM :II I AM I EM I DM I EM I It's late in the evening, she's wondering what clothes to wear She puts on her make up and brushes her long blonde hair I DM I EM I AM /G# I F#m I And then she asks me, do I look allright I DM I EM I AM I And I say yes, you look wonderful tonight Thema (X1) We go a party and everyone turns to see This beautiful lady, that's walking around with me And then she asks me, do you feel alright And I say yes, I feel wonderful tonight I AM I I DM I EM I AM /G# I F#m I I feel wonderful, because I see the love light in your eyes I DM I EM I DM I And the wonder of it all is that you just don't realize I I AM I How much I love you Thema (X2) It's time to go home now, and I've got an aching head So I give her the car keys, she helps me to bed And then I tell her, as I turn out the light I DM I EM I AM I I I say my darling, you were wonderful tonight I DM I EM I AM I I Oh my darling, you were wonderful tonight Solo (akkoorden van Intro)

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Wonderwall (Oasis)

Intro: II: F#m7 AM I Esus4 B7sus4 :II(X4) II: F#m7 AM I Esus4 B7sus4 :II Today is gonna be the day that there’re gonna throw it back to you, By now you should have somehow realised what you gotta do. I don’t believe that anybody feels the way I do II DM7 Esus4 I B7sus4 II About you now. Backbeat, the word is on the street that the fire in your heart is out, I’m sure you’ve heard it all before but you never really had a doubt. I don’t believe that anybody feels the way I do II F#m7 AM I Esus4 B7sus4 II About you now. II: DM7 Esus4 I F#m7 :II And all the roads we have to walk are winding, And all the lights that lead us there are blinding. II DM7 Esus4 I AM /G# F#m7 I B7sus4 I II There are many things that I would like to say to you but I don’t know how. II: DM7 F#m7 I AM F#m7 :II (X4) Because maybe, you’re gonna be the one that saves me, and after all, you’re my wonder II DM7 F#m7 I 2/4 AM I 4/4 B7sus4 I II wall. Today was gonna be the day but they’ll never throw it back to you, By now you should’ve somehow realised what you’re not to do. I don’t believe that anybody feels the way I do II F#m7 AM I Esus4 B7sus4 II About you now. And all the roads that lead you there were winding, And all the lights that light the way are blinding. There are many things that I would like to say to you But I don’t know how, yes I don’t know how. Refrein (X2) II: DM7 F#m7 I AM F#m7 :II Because maybe, you’re gonna be the one that saves me, you’re gonna be the one that saves me, you’re gonna be the one that saves me, Outro : II: DM7 F#m7 I AM F#m7 ;II

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Wrong Impression (Natalie Imbruglia )

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Intro: I AbM Bbm I BM C# II: BM B13 I BM B13 :II �

II EM I I Calling out, calling out, haven't you wonde- I BM I I -red, why I'm always alone, when you're in my I EM I I dreams, calling out, calling out, haven't you wonde- I BM I I -red, why you're finding it hard, just looking at I EM I II me…….. �

II BM I I I want you, but I want you to under- I EM I I -stand I F#M II I leave you, I love you II EM I Didn't want to leave you with the wrong impression I EM I Didn't want to leave you, with my last confession, I BM I I yeah, ….of love I EM I Wasn't trying to pull you, in the wrong direction I EM I All I wanna do is try and make a connection, I F#M I II yeah, of love II: BM B13 I BM B13 :II Falling out, falling out, haven't you wondered, if this was ever more, than a crazy i- -dea, falling out, falling out, have you ever wondered, what we could've been, if you'd only let me In……... I want you, but I want you to understand I miss you, I love you Refrein II BM Bbm I BM C#M II Have you ever wondered…. II: C#M C#13 I C#M C#13 :II (X4) II C#M I EbM I F#M I AbM I I need you, I love you Refrein (transpose + 1 hele toon)

CD 38

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157

You (Ten Sharp)

Intro : II Bm I EM/B I Em AM I DM F#M/Bb II II: Bm I EM I Em AM I DM F#M/Bb :II It's allright with me, as long as you are by my side. Talk, or just say nothing, I don't mind, your looks never lie II Bm /A I GM Bm/F# I Em AM I DM F#M I …...I was always on the run, finding out, …...what I was looking for and I Bm /A I GM Bm/F# I Em AM I DM BbM II I, was always insecure, just until I found Words often don't come easy, I never learned to show the inside of me, oh no my baby and you, always patient, dragging out, ...what I try to hide …...I was always on the run, finding out …..what I was looking for and I, was always insecure, until I found, Oh oh II DM I GM /F# I You, you are always on my mind, I Em AM I DM I you, you're the one I'm living for II DM I GM I You, you're my ever lasting fire II F#M Bm I GM II You're my always shining star The night, always a good friend, a glass of wine, and the lights down low, and you, lying beside me, full of love, ……….and filled with hope Solo : II Bm AM I GM F#m I EM AM II II: DM I GM /F# I You, you are always on my mind I Em AM I DM : II You, you're the one I'm living for You, you're my ever lasting fire You're my always shining star ………….. always on my mind, you, you're the one I'm living for II DM I GM I You, you're my ever lasting fire II F#M Bm I GM I Gm II ……………….You're my always shining star Outro = intro

CD 40

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X3

You Can Leave Your Hat On (Joe Cocker)

intro : IICM I I I II II: CM I I I :II Baby, take off your coat, real slow Take off your shoes, I'll take off your shoes Take off your dress, yes - yes - yes II CM I EM I You can leave your hat on I FM I BbM II You can leave your hat on You can leave your hat on Go over there, turn on the lights, all the lights Come back you, stand on that chair, yeah, woman, that's right Raise your arms in the air, and I shake 'em You give me reason to live You give me reason to live You give me reason to live You give me reason to live II: Bb I FM I CM I :II Sweet darlin' (You can leave your hat on) Just leave your hat on, baby (You can leave your hat on) Just leave your hat on (You can leave your hat on) (You can leave your hat on) Suspicious minds keep talking, they're trying to tear us apart They don't believe in this love of mine, they don't know what love is (intro) They don't know what love is, they don't know what love is They don't know what love is (break) I know what love is Love's on the way, ooooh (You can leave your hat on) Yes, leave your hat on, sweet woman (You can leave your hat on) Yes, leave your hat on (You can leave your hat on) Do that to me, yeah (You can leave your hat on)

CD 08

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159

You Can Sleep While I Drive (Melisea Etheridge)

II Dm I CM I Come on baby let's get out of this town I got a full tank of gas with the top rolled down I BbM I Am7 I There's a chill in my bones, I don't want to be left alone I BbM FM I CM I II So baby you can sleep while I drive I'll pack my bag and load up my guitar In my pocket I'll carry my harp I got some money I saved, enough to get underway And baby you can sleep while I drive We'll go thorough Tucson up to Santa Fe And Barbara in Nashville says we're welcome to stay I'll buy you glasses in Texas a hat from New Orleans And in the morning you can tell me your dreams II GM I FM CM I You know I've seen it before, this mist that covers your eyes You've been looking for something, that's not in your life I BbM I FM I My intentions are true, won't you take me with you I BbM FM I CM I II And baby you can sleep while I drive Solo : II: Dm I CM :II II Am GM I CM I Oooooh ooooh, is it other arms you want to hold you, the stranger I Dm I CM FM II But lover you're free, can't you get that with me Come on baby let's get out of this town I got a full tank of gas with the top rolled down If you won't take me with you, I'll go before night is through And baby you can sleep while I drive

CD 13 / 31

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You’ll be in my heart (Phil Collins-origineel in F#)

Intro : II AM I II

II AM I I Come stop your crying, it will be all right Just take my hand, hold on tight I DM9 I I I will protect you from all around you Bm I EM I DbM/F II I will be here, don’t you cry

For one so small, you seem so strong My arms will hold you, keep you safe and warm This bond between us can’t be broken I will be here, don’t you cry

I F° I

GbM BM/Gb ‘Cause you’ll be in my heart DbM/F Bbm Yes, you’ll be in my heart Ebm BM EM Db7 From this day on, now and forever more

You’ll be in my heart, no matter what they say Ebm BM EM I Db7 I Db7 /B /Bb /Ab I You’ll be here in my heart always, always

Why can’t they understand the way we feel They just don’t trust what they can’t explain I know we’re different but, deep inside us We’re not that different at all

I F° I And you’ll be in my heart, yes you’ll be in my heart From this day on, now and forever more

EM/B BM Don’t listen to them, ‘cause what do they know We need eachother, to have, to hold Ebm EM DbM They’ll see in time, I know

When destiny calls you, you must be strong I may not be with you, but you’ve got to hold on They’ll see in time, I know, we’ll show them together

AbM/Eb DbM EbM Cm ‘Cause you’ll be in my heart, yes, you’ll be in my heart Fm DbM GbM Eb7 From this day on, now and forever more

Oh, you’ll be in my heart, no matter what they say You’ll be here in my heart, always, always Outro : II: DbM9 I I AbM I :II

CD 24

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Your love (The Outfield)

II: EM I C#m I BM I :II Josie's on a vacation far away, come around and talk it over. So many things that I'd like to say, you know I like my girls a little bit - II AM I C#m I BM I I - older.I just wanna use your love tonight, I C#m I AM I BM I II I don't wanna lose your love tonight I ain't got many friends left to talk to, no-one's around when I'm in trouble You know I'd do anything for you, stay the night - we'll keep it under— - cover, I just wanna use your love tonight, I don't wanna lose your love tonight Instrumentaal : II: GM I AM :II (X4) II: GM I AM I GM I AM :II Try to stop my hands from shakin', somethin' in my mind's not makin' sense It's been awhile since we've been all alone, I can't hide the way I'm feelin' II: EM I C#m I BM I :II As you leave me please would you close the door, and don’t forget what I told you Just 'cause you're right - that don't mean I'm wrong another shoulder to cry upon II: AM I C#m I BM I :II I just wanna use your love tonight, II: C#m I AM I BM I :II I don't wanna lose your love tonight, yeah I just wanna use your love tonight, I don't wanna lose your love tonight I just wanna use your love tonight, I don't wanna lose your love tonight Lose your love Lose your love Lose your love

CD 36

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Zij heeft stijl (De Kreuners)

Intro : II AM I F#m I AM I F#m II II AM I F#m I AM I F#m I Zij is modern, ze weet wel wat ze wil I AM I F#m I EM I II Maar ze houdt het stil, ze zegt enkel ‘oooh’… II DM I AM I DM I AM I Zij heeft stijl, ze zegt ‘ooh, o –oh, ooh’ … I DM I AM I GM I EM II Zij heeft stijl, ze zegt enkel ‘ooh’… Zij is gek op trents, van bij het begin Maar de retro haalt haar in en ze zegt : ‘oooh…’ Refrein Zij is van deze tijd, van wat ze doet, heeft ze nooit spijt Als je haar wat vraagt zegt ze niet ja of niet nee, ….nee, nee, nee, nee Refrein (laatste zin = II DM I AM I GM I EM DM I C#m BM II) Solo : strophe + refrein Zij wordt nooit oud, er is niemand waar zij van houdt, Iedereen wil erop, maar ze is te sterk Refrein (X2) (laatste zin = II DM I AM I GM I EM DM I C#m BM I AM II)

CD 39

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De Zotte Morgen (Jef Vanuytsel)

Intro : II: 3/4 Cm9 I I I :II

II: Cm9 I I I I De nacht sluipt weg de lucht verbleekt de I EbM I BbM I Cm9 I I I :II schimmen vluchten zwijgend

en aan de verre horizon be / gint de zon te stijgen en

II Fm I I I I daar trekt uit de nevel op de klaarte van de dageraad met I I I Cm I I Gm I I in zijn schoot geborgen … I I I Cm9 I I I II ………..de zotte morgen

II Fm I I I I de stad ontwaakt de eerste trein breekt door de stilte en op zijn sig- I I I Cm9 I I I I naal begint de wildedans der dwazen I Fm I I I I de mens kruipt uit zijn ledikant denkt aan zijn werk en met zijn krant I I I Cm9 I I ijlt hij nog halfslaperig door de straten I Gm I I Cm I I de wereld herneemt zijn zotte zorgen het I Gm I I I I Cm9 I II ritme van………………...... de zotte morgen

Intro (X2)

Nu kleurt de einder rood en valt de / kou zacht door de ramen

de stilte vlucht voor al't lawaai / dat opstijgt uit de straten en

daar is dan de morgen weer een schaterlach en elke keer ver- -drijft hij zonder schromen ……...de nacht de dromen de stad wordt wild en auto's razen door zijn poorten en de laatste rust wordt uit zijn schuilhoek gedreven …... vogels vluchten vol verdriet uit zijn torens want hun lied wordt nu door niemand meer begrepen mensen lopen naast elkaar een verre groet een stil gebaar want alles wordt nu door de tijd gemeten de wereld herneemt zijn zotte morgen het ritme van ………...de zotte morgen

Intro (X2)

maar't land zelf slaapt zijn roes nog uit diep / onder't loof verscholen

hier komt geen mens of geen geluid / d'oneindige rust verstoren terwijl de stad nu raast en schreeuwt de morgen zijn bevelen geeft wordt hier bij't ochtendgloren …….de dag geboren en ook de kinderen en de dwazen blijven tussen de rozen slapenver en veilig geborgen voor het ritme van ………..de zotte morgen II: Gm I I Cm I :II i (ad lib) de zotte morgen…. de zotte morgen

CD 42

Documents

Ozma Realbook Part 2