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catalogue 01.2015 paladino music

paladino music – sheet music catalogue 1/2015

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Page 1: paladino music – sheet music catalogue 1/2015

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paladino music

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popper@paladino

David Popper (1843–1913)

Outside of the musical world of cellists, David Popper has nearly been forgotten, even if he was as famous as Franz Liszt or Joseph Joachim in his time. Popper‘s compositions were much-loved by all cello virtuosos of the 19th and early 20th centuries – a fact that made George Bernard Shaw talk of the “inevitable Popper“ while in the same article praising his compositional skills. Probably it was David Popper‘s modesty and the self-awareness of his own strengths especially in regards to his own instrument that made him write almost exclusively for the cello. His music is characterised by sensitive emotion, taste, great knowledge and a very human kind of humor.

popper@paladino aims to bring you Popper’s complete extant works in clean, modern scores containing his own performance directions as well as suggestions reflecting today‘s style and technique of cello playing. The editors of the series are celllists Alexander Hülshoff and Martin Rummel, who simultaneously will be recording a series of CDs with Popper‘s works for paladino music.

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popper@paladino

ISMN 979-0-50207-009-0

David Popper: Five Songs op. 2

edited by Martin Rummel

soprano | piano

pm 0009vocal score

RRP (Europe): EUR 12,95

Popper wrote these five songs in 1865, using poems by Eichendorff, Heine and Bötger. They are dedicated to the opera singer Eliabeth Metzdorff and

appear in modern print for the first time.

ISMN 979-0-50207-034-2

David Popper: Suite op. 16 (with an alternative Finale)

edited by Alexander Hülshoff, Martin Rummel and Michael Weiss

2 violoncellos

pm 0034score and parts

RRP (Europe): EUR 16,95

The edition contains a score (with Popper‘s own fingerings and bowings) as well as two parts with the editors‘ suggestions.

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popper@paladino

David Popper: Waltz Suite op. 60

edited by Martin Rummel

violoncello | piano

pm 0036score and partsRRP (Europe): EUR 17,95

For the first time, Popper‘s Op. 60, a charming sequence of concert waltzes for cello and piano, is presented in modern print. Popper‘s own fingerings and markings are printed in a separate cello part.

ISMN 979-0-50207-036-6

David Popper: Suite op. 16bis (with an alternative Finale)

edited by Alexander Hülshoff and Michael Weiss

violoncello | piano

pm 0035score and partsRRP (Europe): EUR 17,95

This piece is Popper‘s own arrangement for cello and piano of his famous Suite for two violoncellos. One cello part has Popper‘s own fingerings and bowings, one those of editor Alexander Hülshoff.

ISMN 979-0-50207-035-9

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popper@paladino

David Popper: Ten Grand Etudes of Moderate Difficulty

op. 76

violoncello

pm 0001 RRP (Europe): EUR 9,95

Popper published these studies as a preparation to his Opus Magnum, the High School of Violoncello Playing Op. 73. This edition is based on the first

edition and has only Popper‘s markings of fingerings and bowings, but was adapted to modern printing conventions both visually and in syntax.

ISMN 979-0-50207-012-0

ISMN 979-0-50207-039-7

David Popper: Suite op. 69

edited by Alexander Hülshoff

violoncello | piano

pm 0039score and parts

publication: 2nd quarter 2015 – RRP (Europe): EUR 19,95

Popper‘s Op. 69 is the longest of his suites for cello and piano. It clearly reflects Popper‘s collaboration with Brahms in both style and proportions

and is herewith presented in modern print for the first time.

Page 6: paladino music – sheet music catalogue 1/2015

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ensemble paladino is a mixed group of string, wind and keyboard players based throughout Central Europe. All its players being renowned soloists, recording artists and pedagogues in their own right, ensemble paladino draws upon the rich experiences of each player, making it both a democratic and organic structure.

The edition ensemble paladino series features original works and arrangements from the repertoire of ensemble paladino. It presents music from the 16th century to the very contemporary. Most of these editions directly correspond with the ensemble‘s recordings or concert programs. They have the aim of making the ensemble‘s repertoire playable for professionals, students and amateurs alike.

Editors and/or arrangers are the members of ensemble paladino. For more information, please visit www.ensemble-paladino.org.

content

Niccolò Paganini: Cantabile op. 17

arranged and edited by Martin Rummel

violoncello | guitar

pm 0006score and partRRP (Europe): EUR 8,95

In 1824, at the peak of his career, Niccolò Paganini (1782–1840) wrote his Cantabile Op. 17, possible even as an antipode to the famous Capricci Op. 1 that created his devlish image.

ISMN 979-0-50207-006-9

edition ensemble paladino

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edition ensemble paladino

Johann Sebastian Bach: (re)inventions

arranged and edited by Eric Lamb and Martin Rummel

flute | violoncello

pm 0037score

RRP (Europe): EUR 19,95

Besides the 15 Two-Part Inventions, this edition has arrangements of keyboard pieces by J.S. Bach, such as little pieces from the Notenbüchlein

für Anna Magdalena Bach or works from the Well-Tempered Clavier.

Wolfgang Amadeus Mozart: (re)inventions

arranged and edited by Eric Lamb and Martin Rummel

flute | violoncello

pm 0029score and parts

publication: 2nd Quarter 2015 – RRP (Europe): EUR 19,95

The two violin/viola duos K 423 and 424 are the key works of this edition, which also has transcriptions of famous piano pieces such as the Minuet

K 1 or selected gems from the London Sketchbook.

ISMN 979-0-50207-037-3

ISMN 979-0-50207-029-8

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arrangements@paladino

Joseph Haydn: Der Greis Hob. XVc:5

arranged and edited by Martin Rummel

2 violins | viola | violoncello

pm 0012score and partsRRP (Europe): EUR 12,95

“All my strength is gone, I am old and weak.“ This text was printed on Haydn‘s last calling card and is also one of his most famous choir songs. This version for string quartet is the perfect encore for a concert.

ISMN 979-0-50207-002-1

Isaac Albéniz: Tango op. 165/2

arranged and edited by Martin Rummel

violoncello | piano

pm 0008score and partRRP (Europe): EUR 8,95

Since its composition this short virtuoso piece has been transcribed for a large number of different instrumentations and might today be the most famous tango of the entire concert repertoire.

ISMN 979-0-50207-008-3

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arrangements@paladino

Franz Schubert: Fantasie D 940

arranged by Firmian Lermer, edited by Michael Weiss

2 violins | 2 violas | 2 violoncellos

pm 0020score and parts

RRP (Europe): EUR 32,95

The string sextet medium captures and intensifies at once the intimacy and power, the grace and complexity, the sweetness and seriousness of

this immortal masterpiece.

ISMN 979-0-50207-000-7

ISMN 979-0-50207-007-6

Niccolò Paganini: Cantabile op. 17

arranged and edited by Martin Rummel

violoncello | piano

pm 0007score and part

RRP (Europe): EUR 8,95

In 1824, at the peak of his career, Niccolò Paganini (1782–1840) wrote his Cantabile Op. 17, possible even as an antipode to the famous Capricci

Op. 1 that created his devlish image.

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George Frideric Handel: Messiah HWV 56

Version for full symphony orchestraby Sir Eugene Goossens(1959)

Orchestration:3 flutes (3rd also piccolo) | 4 oboes (4th also cor anglais) | 2 clarinets | 2 bassoons | contrabassoon | 4 horns | 2 trumpets | 3 trombones | tuba | timpani | percussion (3 players) | harp | soloists | choir | strings

conducting score and orchestra material for hire

Sir Eugene Goossens‘ orchestration of Handel‘s Messiah was composed in 1959, and the score is in his and his companion Pamela Main‘s handwriting. The initiative for this venture came from Goossens’ former mentor Sir Thomas Beecham, who wished to record the work with a twentieth-century symphony orchestra. He chose Goossens as a composer of symphonies, operas and oratorio who was also an internationally celebrated conductor. He was to orchestrate the main body of the work but not to include those numbers known as Appendix, which are usually omitted in performance.

It would seem that Beecham had miscalculated the overall timing, and presumably had to introduce the Appendix in order to make a reasonably-filled concluding vinyl disc. But there were no matching orchestrations available, and time was pressing. Whatever the reason, Sir Thomas regrettably resorted to a sublimely concealed hotch-potch, using some Ebenezer Prout orchestrations, and also Straussian songs written for him in 1947 by the then-young conductor Norman Del Mar. This was all passed off as being by Goossens who was completely ignorant of the circumstance, as indeed was Del Mar.

arrangements@paladino

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Sir Eugene Goossens

(1893–1962)

Born in London as the son of the Belgian violinist Eugène Goossens, he also first trained as a violinist and played in Sir Thomas Beecham’s Queens Hall Orchestra before changing to conducting. He conducted the British premiere of Le Sacre du Printemps and subsequently lived in the US and Australia until 1956. After being caught at the Sydney airport with what was considered to be “pornographic material” (photos, books, rubber masks and such) in connection with his intense love affair with Rosaleen Norton, the so-called “Witch of Kings Cross”, he was forced to resign from all public positions. Goossens died in England in 1962.

“messiah“ for full orchestra

One passing-off often presages another, and whilst he was about it, Sir Thomas also substituted for Goossens the two remaining 1947 Del Mar orchestrations, specifically Nos 32 and 38, which he therefor did not have to learn anew. Goossens’ No 38 was even excised from photocopies supplied for performances in Australia in 1980, but having been recently printed is now restored to the present score. Goossens never heard his orchestration: hence his unawareness of Beecham’s shadowy shenanigans.

Goossens’ manuscript and orchestral material were for many years kept unseen in an attic by Beecham’s widow. Even when Karajan tried to obtain the orchestral parts for performance, “they were nowhere to be found”, according to his biographer Osborne, and a Japanese choral society asking to perform this orchestration even received a solicitor’s letter refusing any sight of the score. As the actual copyright had been inherited by Pamela Main, this was indeed curious! The manuscript was then mysteriously sold to the University of Sheffield and subsequently published by Meriden Music. In 2013, paladino media acquired the publisher’s copyright to the work. The eventual aspiration is to print the complete score exactly as Goossens intended.

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arrangements@paladino

John Dowland: An Englishman in New York

arranged and edited by Joe Brent and Alon Sariel

2 mandolins

pm 0033scoreRRP (Europe): EUR 19,95 – publication: 2nd Quarter 2015

22 famous lute songs by John Dowland, amongst them all-time favorites such as Lachrymæ or Come away (come again) were arranged for two mandolins by the editors.

ISMN 979-0-50207-033-5

George Frideric Handel: Messiah HWV 56

arranged by Sir Eugene Goossens

soloists | choir | symphony orchestra (see pp 10–11)

pm 0038study scoreRRP (Europe): EUR 29,95 – publication: 3rd Quarter 2015

For the very first time, Sir Eugene Goossens‘ version of Handel‘s Messiah for full symphony orchestra is available in print. The study score is for sale, conducting score and orchestra material are available for hire.

ISMN 979-0-50207-038-0

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classics@paladino

Wolfgang Streiber: Trio

edited by Martin Rummel

flute | violin | viola

pm 0019score and parts

publication: 3rd Quarter 2015 – RRP (Europe): EUR 19,95

German Composer Wolfgang Streiber (1934–1959) died at the tender age of 25 and was portrayed by Frank Schroeder in his Book König für einen

Tag (King for one day). Streiber‘s Trio is published for the first time.

ISMN 979-0-50207-019-9

ISMN 979-0-50207-028-1

Johann Joachim Quantz: Eight Caprices and other works

edited by Eric Lamb

flute

pm 0028RRP (Europe): EUR 19,95

This edition contains 15 rare pieces (Fantasies, Minuets, Sarabandes etc) as well as the eight Caprices as they were preserved in a manuscript in

the Royal Library in Copenhagen under the title Fantasier og Preludier. // 8 Capricier og andre Stykker til Øvelse for Flöÿten af Quantz.

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music of our time

Fridolin Dallinger: Sonata (1978/2009)

edited by Martin Rummel

violoncello

pm 0022RRP (Europe): EUR 9,95

Compositionally sophisticated yet technically manageable for performers and confident students, this sonata is a strikingly effective solo piece. Though written for one instrument, it exploits the polyphonic capacities of the cello to produce compound melody and self-accompaniment figures.

Michael Csányi-Wills: Sharakan (2000)

edited by Martin Rummel

violoncello

pm 0013RRP (Europe): EUR 9,95 – publication: 2nd Quarter 2015

Sharakan is the Armenian word for “Hymn“. The piece is based on the sound of the Duduk, a kind of oboe that is usually played together with a second Duduk. Three lyrical parts frame two virtuoso passages, which makes this piece a diverting gem for the player and the audience.

ISMN 979-0-50207-013-7

ISMN 979-0-50207-004-5

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music of our time

Fridolin Dallinger: Sonatina (1974/2008)

edited by Martin Rummel

violoncello | harpsichord

pm 0004publication: 3rd Quarter 2015 – RRP (Europe): EUR 12,95

Since the era of the Baroque, the combination of cello and harpsichord has been neglected. In 2008, Fridolin Dallinger produced an arrangement

of his Sonata for barytone and harpsichord from 1974, which is an original additon to the small repertoire for cello and harpsichord.

ISMN 979-0-50207-024-3

Fridolin Dallinger: Sonata (2000)

edited by Alfred Melichar and Martin Rummel

violoncello | accordion

pm 0003RRP (Europe): EUR 11,95

Fridolin Dallinger‘s sonata is a welcome addition to the growing repertoire for the combination of those two instruments, which enjoys an increasing

concert presence. This edition has the editors markings that reflect their work with the composer.

ISMN 979-0-50207-022-9

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music of our time

Fridolin Dallinger: Quintet (2009)

accordion | 2 violins | viola | violoncello

pm 0024score and partsRRP (Europe): EUR 29,95

This quintet for accordion and string quartet exploits the unusual but striking and beautiful timbres and sonorities that arise from this combination. The interplay between the solo part and the quartet, as well as between members of the quartet, gives this piece excitement and edge. It is perfect for students, and a must-have for professional accordionists.

ISMN 979-0-50207-001-4

Fridolin Dallinger: Dialogues (1966)

edited by Martin Rummel

flute | violoncello

pm 0027scoreRRP (Europe): EUR 8,95 – publication: 2nd Quarter 2015

Not being too demanding in their technical requirements, these three short pieces for flute and cello introduce both players and listeners joyfully to the musical language of Hindemith and his contemporaries.

ISMN 979-0-50207-027-4

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music of our time

ISMN 979-0-50207-010-6

ISMN 979-0-50207-003-8

Florian Feilmair: Notturno (2007)

piano

pm 0015score

RRP (Europe): EUR 8,95

“My Notturno, which is ushered in by twelve chimes, creates a cool, midnight ambience, the grotesque mischief of the witching hour, free of rhythm and tonality and nevertheless as melodious as a framed image.“ – Florian Feilmair. Its elegantly pianistic writing will appeal to advanced

students and performers, and makes it a jewel of an encore piece.

Hannes Raffaseder: Fantasie (1996)

flute

pm 0010 publication: 2nd Quarter 2015 – RRP (Europe): EUR 8,95

Hannes Raffaseder‘s Fantasie for flute is an effective work of moderate difficulty. It is equally ideal as competition repertoire for young flutists and as a bridge between Romantic music and the avant garde in flute recitals

or on a recording.

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music of our time

Hannes Raffaseder: Oh to hell with the birds! (2011)

flute | piano

pm 0041score and partRRP (Europe): EUR 12,95 – publication: 3rd Quarter 2015

Oh to hell with the birds! is composer Hannes Raffaseder‘s humorous reference to the possibilites of imitating bird sounds on the flute. The piece gives both the flutist and the pianist generous opportunities for virtuoso show-off.

ISMN 979-0-50207-041-0

ISMN 979-0-50207-005-2

Helmut Rogl: Drei Miniaturen op. 5

edited by Martin Rummel

violoncello

pm 0014 RRP (Europe): EUR 8,95

Originally intended as stylistic studies, these aphorisms have a potency remiscent of Webern. Though they demand deep concentration from the performer, the technical requirements are quite within the reach of advanced cello students.

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music of our time

ISMN 979-0-50207-016-8

Helmut Rogl: Solo op. 28

edited by Martin Rummel

violoncello

pm 0016 publication: 2nd Quarter 2015 – RRP (Europe): EUR 9,95

With a duration of approximately eight minutes, Helmut Rogl‘s Solo is ideal both as competition repertoire for young cellists and as a diverting addition in a recital program. It combines lyrical and rhythmical virtuoso

passages to an entertaining piece.

Helmut Rogl: Keine Sorgen Fantasie op. 50

alto saxophone | piano

pm 0021score and part

publication: 3rd Quarter 2015 – RRP (Europe): EUR 13,95

Written in 2010 in celebration for the celebration of his 50th birthday, the Keine Sorgen Fantasie is directly connected to Helmut Rogl‘s biography.

The piece is approximately six minutes long and a joyful and sensitive work that fits perfectly into any recital program.

ISMN 979-0-50207-021-2

Page 20: paladino music – sheet music catalogue 1/2015

paladino music is a brand of

paladino media gmbhCustozzagasse 8/2aph +43.1.9414496fax +43.1.94146121030 [email protected]

Design: Brigitte FröhlichLayout: paladino media gmbh

www.paladinomusic.at

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Distribution forCanada, the US and South America

Subito Music Corporation60 Depot StreetVerona, NJ 07044USAph +1 (973) 857-3440fax +1 (973) 857-3442www.subitomusic.com