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Perception Chapter 6

Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

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Page 1: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perception

Chapter 6

Page 2: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

PerceptionSelective Attention

Perceptual Illusions

Perceptual Organization Form Perception

Motion Perception

Perceptual Constancy

Page 3: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

PerceptionPerceptual Interpretation Sensory Deprivation and

Restored Vision

Perceptual Adaptation

Perceptual Set

Perception and Human Factor

Page 4: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

PerceptionIs there Extrasensory Perception? Claims of ESP

Premonitions or Pretensions

Putting ESP to Experimental Test

Page 5: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

PerceptionThe process of selecting, organizing, and interpreting sensory information, which

enables us to recognize meaningful objects and events.

Page 6: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Selective AttentionPerceptions about objects change from moment to moment. We can perceive different forms of

the Necker cube; however, we can only pay attention to one aspect of the object at a time.

Necker Cube

Page 7: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Selective Attention The focus on one’s consciousness

on a particular stimulusImportant for self-regulationEx: driving, cocktail party effect

-must focus on road rather than hunger or feelings about argument.

Page 8: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

x

Page 9: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Awareness Test

Page 10: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Inattentional Blindness

Inattentional blindness refers to the inability to see an object or a person in our midst.

Simmons & Chabris (1999) showed that half of the observers failed to see the gorilla-suited assistant in a ball passing game.

Dan

iel S

imon

s, U

nive

rsit

y of

Ill

inoi

s

Page 11: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Change BlindnessChange blindness is a form of inattentional blindness in which two-thirds of individuals giving directions failed to notice a change

in the individual asking for directions.

© 1998 Psychonomic Society Inc. Image provided courtesy of Daniel J. Simmons.

Page 12: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual IllusionsIllusions provide good examples in understanding how perception is

organized. Studying faulty perception is as important as studying other

perceptual phenomena.

Line AB is longer than line BC.

Page 13: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Tall Arch

In this picture, the vertical

dimension of the arch looks

longer than the horizontal

dimension. However, both

are equal.

Rick F

riedman/ B

lack Star

Page 14: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Illusion of a Worm

The figure on the right gives the illusion of a blue hazy “worm” when it is nothing else but blue lines identical to the figure on the left.

© 1981, by perm

ission of Christoph R

edies and L

othar Spillmann and Pion L

imited, L

ondon

Page 15: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

3-D Illusion

It takes a great deal of effort to perceive this figure in two dimensions.

Reprinted w

ith kind permission of E

lsevier Science-NL

. Adapted from

H

offman, D

. & R

ichards, W. Parts of recognition. C

ognition, 63, 29-78

Page 16: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual OrganizationWhen vision competes with our other

senses, vision usually wins – a phenomena called visual capture.

How do we form meaningful perceptions from sensory information?

We organize it. Gestalt psychologists showed that a figure formed a “whole”

different than its surroundings.

Page 17: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual OrganizationWhen vision competes with our other senses,

vision usually wins – a phenomena called visual capture.

How do we form meaningful perceptions from sensory information?

We organize it. Gestalt psychologists showed that a figure formed a “whole” different than

its surroundings.“The whole is greater than the sum of its parts”

Page 18: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Organization of the visual field into objects (figures) that stand out from their

surroundings (ground).

Form Perception

Tim

e Savings S

uggestion, © 2003 R

oger Sheperd.

Page 19: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

GroupingAfter distinguishing the figure from the

ground, our perception needs to organize the figure into a meaningful form using

grouping rules.

Page 20: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Depth Perception

Visual Cliff

Depth perception enables us to judge distances. Gibson and Walk (1960) suggested that human

infants (crawling age) have depth perception. Even newborn animals show depth perception.

Inne

rvis

ions

Page 21: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Binocular Cues•Stimuli suggestive of depth that involve simultaneous perception by both eyes

• Ex: close one eye and bring fingertips together

• Ex: roll up paper and you will see a hole in your hand

Page 22: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Binocular CuesRetinal disparity: Images from the two eyes differ. Try looking at your two index fingers

when pointing them towards each other half an inch apart and about 5 inches directly in front of your eyes. You will see a “finger sausage” as

shown in the inset.

Page 23: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Binocular CuesConvergence: Neuromuscular cues. When two eyes move inward (towards the nose)

to see near objects and outward (away from the nose) to see faraway objects.

Page 24: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Depth Perception• Monocular cues:cues that can

be perceived by one eye, to create an illusion of depth

• Perspective:a monocular cue for depth based on the convergence (coming together) of parallel lines as they recede into the distance

Page 25: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesRelative Size: If two objects are

similar in size, we perceive the one that casts a smaller retinal image to

be farther away.

Page 26: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesInterposition: Objects that occlude

(block) other objects tend to be perceived as closer.

Page 27: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesRelative Clarity: Because light from distant

objects passes through more light than closer objects, we perceive hazy objects to

be farther away than those objects that appear sharp and clear.

Page 28: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesTexture Gradient: Indistinct (fine) texture signals an increasing distance. Closer objects appear to have rougher (more

detailed) surfaces©

Eric L

essing/ Art R

esource, NY

Page 29: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesRelative Height: We perceive objects that are higher in our field of vision to be farther away than those

that are lower.

Image courtesy of S

haun P. V

ecera, Ph. D

., adapted from

stimuli that appered in V

ecrera et al., 2002

Page 30: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesRelative motion: Objects closer to a

fixation point move faster and in opposing direction to those objects that are farther away from a fixation point,

moving slower and in the same direction.

Page 31: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Motion Parallax• A monocular cue for depth based

on the perception that nearby objects appear to move more rapidly in relation to our own motion

• Mountains-move with us (greater distances)

• Trees, roadside markers-move rapidly

Page 32: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesLinear Perspective: Parallel lines, such as railroad tracks, appear to converge in the distance. The more the lines converge, the

greater their perceived distance.

© T

he New

Yorker C

ollection, 2002, Jack Ziegler

from cartoonbank.com

. All rights reserved.

Page 33: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Monocular CuesLight and Shadow: Nearby objects reflect more light into our eyes than more distant objects. Given two identical objects, the dimmer one appears to be farther away.

From

“Perceiving S

hape From

Shading” by V

ilayaur S

. Ram

achandran. © 1988 by S

cientific Am

erican, Inc. A

ll rights reserved.

Page 34: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Motion PerceptionMotion Perception: Objects traveling

towards us grow in size and those moving away shrink in size. The same is true when the observer moves to or from an object.

Page 35: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Apparent MotionPhi Phenomenon: When lights flash at a certain speed they tend

to present illusions of motion. Neon signs use this principle to create motion perception.

-a row of lights is switched on, then off, then the next row…-the on-off process is perceived as movement(Ex: electronic scoreboard baseball)

Two lights flashing one after the other.One light jumping from one point to another: Illusion of motion.

Page 36: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perception of Movement

1)Autokinetic effect-the tendency to perceive a stationary point of light in a dark room as moving

2) Stroboscopic motion-a visual illusion in which the perception of motion is generated by a series of stationary images presented in rapid succession (flip book, motion pictures)

Page 37: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy
Page 38: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual ConstancyPerceiving objects as unchanging even as illumination and retinal images change.

Perceptual constancies include constancies of shape and size.

Shape Constancy

Page 39: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Size ConstancyStable size perception amid changing

size of the stimuli.

Size Constancy

Page 40: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Size-Distance RelationshipThe distant monster (below, left) and the top red bar (below, right) appear bigger because of distance cues. Ponzo effect

From Shepard, 1990

Alan C

hoisnet/ The Im

age Bank

Page 41: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Size-Distance RelationshipBoth girls in the room are of similar

height. However, we perceive them to be of different heights as they stand in the

two corners of the room.

Both photos from S. Schwartzenberg/ The Exploratorium

Page 42: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Ames Room

The Ames room is designed to demonstrate the size-distance illusion.

Page 43: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Lightness Constancy

The color and brightness of square A and B are the same.

Courte

sy E

dwar

d A

delso

n

Page 44: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceiving familiar objects as having consistent color even when changing illumination filters

the light reflected by the object.

Color Constancy

Color Constancy

Page 45: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Vision and Balance

• Exercise: stand on one foot, then close your eyes, then try after you spin around a few times

• Maintaining balance depends on visual cues to some extent

Page 46: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual InterpretationImmanuel Kant (1724-1804) maintained that knowledge comes from our inborn ways of

organizing sensory experiences.

John Locke (1632-1704) argued that we learn to perceive the world through our

experiences.

How important is experience in shaping ourperceptual interpretation?

Page 47: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Restored Vision

After cataract surgery, blind adults were able to regain sight. These

individuals could differentiate figure

and ground relationships, yet they

had difficulty distinguishing a circle

and a triangle (Von Senden, 1932).

Page 48: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Facial RecognitionAfter blind adults

regained sight, they were able to recognize distinct features, but

were unable to recognize faces.

Normal observers also show difficulty in facial recognition when the

lower half of the pictures are changed.

Courtesy of R

ichard LeG

rand

Page 49: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Kittens raised without exposure to horizontal lines later had difficulty

perceiving horizontal bars.

Blakemore & Cooper (1970)

Sensory Deprivation

Page 50: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

The Ganzfeld

• Contours are important• Little sensory change can lead

to:–Dizziness–Fatigue–“snow blindness”

Page 51: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual Adaptation

Visual ability to adjust to an

artificially displaced visual field, e.g., prism glasses.

Courtesy of H

ubert Dolezal

Page 52: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual SetA mental predisposition to perceive one thing and not another. What you see in the center picture is influenced

by flanking pictures.

Page 53: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual Set

Page 54: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual SetF

rom S

hepard, 1990.

Page 55: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perceptual SetF

rom S

hepard, 1990.

Page 56: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

(a) Loch ness monster or a tree trunk; (b) Flying

saucers or clouds?

Perceptual SetOther examples of perceptual set.

Frank Searle, photo Adam

s/ Corbis-Sygm

a

Dick R

uhl

Page 57: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Children's schemas represent reality as well as their abilities to represent what they see.

SchemasSchemas are concepts that organize and

interpret unfamiliar information.

Courtesy of A

nna Elizabeth V

oskuil

Page 58: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Students recognized a caricature of Arnold Schwarzenegger faster than his actual photo.

Features on a FaceFace schemas are accentuated by specific

features on the face.

Kieran L

ee/ FaceL

ab, Departm

ent of Psychology,

University of W

estern Australia

Page 59: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Eye & MouthEyes and mouth play a dominant role in

face recognition.

Courtesy of C

hristopher Tyler

Page 60: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Is the “magician cabinet” on the floor or hanging from the ceiling?

Context EffectsContext can radically alter perception.

Page 61: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

To an East African, the woman sitting is balancing a metal box on her head, while the family is sitting

under a tree.

Cultural ContextContext instilled by culture also alters

perception.

Page 62: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perception RevisitedIs perception innate or acquired?

Page 63: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Perception & Human Factors

Human Factor Psychologists design machines that assist our natural perceptions. “natural mapping”

The knobs for the stove burners on the right are easier to understand than those on the left.

Photodisc/ P

unchstock

Courtesy of G

eneral Electric

Page 64: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Human Factors & Misperceptions

Understanding human factors enables us to design equipment to prevent

disasters.

Two-thirds of airline crashes caused by human error are largely due to errors of perception.

Page 65: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Is There Extrasensory Perception?

Perception without sensory input is called extrasensory perception (ESP). A

large percentage of scientists do not believe in ESP.

Page 66: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Claims of ESPParanormal phenomena include

astrological predictions, psychic healing, communication with the dead, and out-of-body experiences, but most relevant are

telepathy, clairvoyance, and precognition.

Page 67: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Claims of ESP

Telepathy: Mind-to-mind communication. One person sending thoughts and the other receiving them.

Clairvoyance: Perception of remote events, such as sensing a friend’s house on fire.

Precognition: Perceiving future events, such as a political leader’s death.

Page 68: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Premonitions or Pretensions?

Can psychics see the future? Can psychics aid police in identifying locations of dead bodies? What about psychic predictions of

the famous Nostradamus?

The answers to these questions are NO! Nostradamus’ predictions are “retrofitted”

to events that took place after his predictions.

Page 69: Perception Chapter 6. Perception Selective Attention Perceptual Illusions Perceptual Organization Form Perception Motion Perception Perceptual Constancy

Putting ESP to Experimental Test

In an experiment with 28,000 individuals, Wiseman attempted to prove whether or not

one can psychically influence or predict a coin toss. People were able to correctly influence

or predict a coin toss 49.8% of the time.