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Photography

Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

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Page 1: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Photography

Page 2: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

THE BASICS1. Focus

2. Exposure

3. Composition

Page 3: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

A. Focus

-focused & unfocused areas of a photo

-can be somewhat corrected (i.e. sharpening tools on computer to sharpen pixels)

-unfocused areas in a photo are not always bad

Page 4: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

B. Exposure

-amount of light which affects the SD card, film or paper (affected by aperture size and shutter speed)

-overexposed or underexposed

Page 5: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

C. Composition

- arrangement of elements within a photograph

- you need this to create a photograph rather than a snapshot

Page 6: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

PHOTOGRAPHIC TIPS:Obvious but important pointers to taking good photos!

Page 7: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Choose a Centre of Interest!

Identify the Centre of Interest in your Photograph

- ask yourself, “What is the most important part of my composition?”

Page 8: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Keep it simple!

• “Less is More” attractive• Centre of Interest becomes more clearly defined • Consider shooting a series of photos rather than fitting

everything into a single photo

Page 9: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Get Closer!

• Move Closer to the Subject Matter• Minimizes any unnecessary negative space• Eliminates any possible distracting background

Page 10: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Turn your camera!

• Horizontal view (also known as landscape view)• Vertical view (also known as portrait view)

Page 11: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Posed or Candid!

• Posed: subject is aware of photo being taken• Candid: unposed subject, going about his/her activity without

being interrupted, not looking at photographer• Can create different moods within your composition.

Page 12: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Compositional Strategies

Page 13: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

COMPOSITIONAL STRATEGIES:

POINT OF VIEW:1. Bird’s Eye View

2. Worm’s Eye View

3. Extreme Close-Up

LIGHTING:4. Front Lighting

5. Back Lighting

6. Side Lighting

COMPOSITION:7. Overlapping Subject

8. Leading Lines

9. Natural Border

10. Selective Focusing

11. Rule of Thirds / Spiral Composition

12. Repetitive Patterns (Regular or Irregular)

Page 14: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

POINT OF VIEW:How do you frame your subject in the photo?

Page 15: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

1. Bird’s Eye View• Photo is taken from ABOVE the subject (looking down)

Page 16: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

2. Worm’s Eye View• Photo is taken from BELOW the subject (looking up)

Page 17: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

3. Extreme Close-Up

• Get close to your subject and don’t be afraid to crop (cut out parts of your subject).

• Eliminate unnecessary distraction.

Page 18: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

LIGHTING:How do you “shed light” on your subject?

Page 19: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Flash or no Flash?

• In most cases, a camera’s flash can only travel 1 metre • Consider the distance of the COI in relation to your camera in

order for the flash to be effective• Consider other ways of ‘lighting up a scene’• Consider the various options you have when using a flash• Lighting can create a mood within your photo

A

Page 20: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

4. Front Lighting

• Light source is behind the photographer & shining directly on the subject

• Gives your subject a flat appearance eliminating texture

Page 21: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

5. Side Lighting

• Light source is coming from the side of your subject • Helps define shapes & forms within a photograph

Page 22: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

6. Back Lighting

• Lighting subject from behind. • This creates a silhouette effect.

Page 23: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

COMPOSITION:How do you arrange things within your photo?

Page 24: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

7. Overlapping Subject• Creates perspective and depth within composition

Page 25: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

8. Leading Lines• Leads the viewer’s eye toward the centre of interest

Page 26: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

9. Natural Frame

• Leads the viewer’s eye toward the centre of interest• Natural frame should not distract from COI• Simple forms or unfocused objects work best

Page 27: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

10. Selective Focusing

• Unfocused areas within a Photograph can be a good thing to draw attention to the COI

• Unfocused areas may represent movement/speed within a composition

Page 28: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

11. Rule of Thirds

• Assists in moving the centre of interest away from the middle of the photograph

• Can create a more interesting composition

Page 29: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

11. Spiral Composition

• Assists in moving the centre of interest away from the middle of the photograph

• Can create a more interesting composition

Page 30: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

12. Regular Patterns

• Such as rectangles, squares & triangles lend to the composition since they interact with the rectangular photo frame

• Can also be used as natural border

Page 31: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

12. Irregular Patterns

• If pattern & repetition is obvious within the composition, photographers can use them to draw attention to Centre of Interest

Page 32: Photography. THE BASICS 1.Focus 2.Exposure 3.Composition

Some final pointers…

• ANYTHING can be photographed to create a good or bad photo.

• The Centre of Interest DOES NOT need to be in the centre of the photograph.

• Subject matter in your photo is LESS IMPORTANT than the composition you create.

• Watch for good photographic opportunities in the most unlikely places.