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Christian Krueger Ripon College ‘15
PONTORMO AT THE CERTOSA:
AN EXPLORATION OF PRINTS AND PASSIONS
Certosa del Galluzzo Monastery
THE PATRON
CERTOSA DEL GALLUZZO MONASTERY
1342 Niccolò Acciaiuoli
THE ARTIST
http://www.abcgallery.com/P/pontormo/pontormo90.html
Jacopo Carucci 1494-1557 Moved to Florence around 1507 Studied under Leonardo da Vinci, Mariotto Albertinelli, Piero
di Cosimo, and Andrea dal Sarto Raphael and Michelangelo’s praises
JACOPO PONTORMO
The Passion Series
THE PRODUCT
1522-1525 Safety, then solitude Prayer in Gethsemane , Christ Before Pilate, Walk to Calvary,
Lamentation Over the Dead Christ, and Resurrection
THE PASSION SERIES
PRAYER IN GETHSEMANE
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
CHRIST BEFORE PILATE
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
WAY TO CALVARY
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
LAMENTATION OVER THE DEAD CHRIST
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
RESURRECTION
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
Directly from Dürer THE BLEND
WAY TO CALVARY CHRIST BEARING THE CROSS
Image from http://www.wga.hu/index1.html
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
LAMENTATION OVER THE DEAD CHRIST THE LAMENTATION FOR CHRIST
Image from http://www.wga.hu/index1.html
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
THE RESURRECTION
Image from http://www.wga.hu/index1.html
Image from http://www.atlantedellarteitaliana.it/index.php?artwork=700&lang=english
Liquidity of the print
“...Dürer [seemed] to have realized early in his adult life that images replicated by the press were his and even society’s way
to the future...” -Talbot
WHY DÜRER?
Broader-scale shift in religious beliefs “whether the Capponi Chapel clearly indicates Pontormo's
inclination toward Catholic Evangelism, it does seem to evidence an artist sensitive to the religious equivocation of his
times.” -Harbison
WHY DÜRER?
Questions? FINE
Giles, Laura M. “‘Christ before Pilate’: A Major Composition Study by Pontormo.” Art Institute of Chicago Museum Studies , 17, no. 1 (1991): 22-40+89-92. http://www.jstor.org.
Harbison, Craig. “Pontormo, Baldung, and the Early Reformation.”
The Art Bulletin , 66, No. 2 (1984): 324-327. http://jstor.org.
“Historical Background.” Cistercensi . Accessed December 12, 2013
http://cistercencsi.info/certosadifirenze/storia.php. Talbot, Charles. “Dürer and the High Art of Printmaking.” In The
Essential Dürer, edited by Larry Silver and Jeffrey Chipps Smith, 35-61. Philadelphia: University of Pennsylvania Press, 2010.
Vasari, Giorgio. The Lives of the Artists. Translated by Julia Conaway and Peter Bondanella. New York: Oxford University Press, 1998. 586.
BIBLIOGRAPHY