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A N T H O N Y S T I M O L A ± M FA P O R T F O L I O
P M A — P O S I T I V E M E N T A L A T T I T U D E
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PMA—POSITIVE MENTAL ATTITUDE
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I gOT THAT AT TITUDE.
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“NOw wE ArE ThE MASTErS Of OUr fATE. ThE TASk whIch hAS bEEN SET bEfOrE US IS NOT AbOVE OUr STrENgTh. ThAT ITS PANgS AND TOILSArE NOT bEyOND OUr ENDUr-ANcE. AS LONg AS wE hAVEfAITh IN OUr cAUSE AND ANUNcONqUErAbLE wILL–POwEr.SALVATION wILL NOT bE DENIEDUS. wE ArE ThE MASTErS OfOUr fATE. LONg AS wE hAVEfAITh, AN UNcONqUErAbLEwILL–POwEr. SALVATION wILLNOT bE DENIED US.”IN
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P R O J E C T S
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— WINSTON CHURCHILL
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WHO I AM.
I am a designer. I think. Sometimes I over think. I ask questions and constantly self-editing. I watch documentaries, TV shows and read about every random thing I can get my hands on as it all intrigues me—it all becomes part of my arsenal of knowledge and thought. I go to gallery events and conferences, or even just walk the streets of the city because my mind craves social interac-tion. I love talking, and most of all, inspiring a lively conversation. I am from New Jersey and as child I can remember dreaming of running away to Manhattan—even as a child I loved being in the middle of madness. It's a place where I thrive. I have now realized it's my mind at work craving the challenge—to make sense out of the chaos around me. I am a designer. I grew up with Attention Deficit Disorder (ADD). After years of trying to fit a triangle peg, into a hexagonal hole; I have found my place in this world. My mind allows me to brainstorm in a flurry of thoughts, images and concepts with avid enthusiasm. I run loops and circles, touching corners of ideas most people avoid, only to come back and find the answer. I am non-linear. After years of not being OK with ADD, I see it now as my greatest strength as a designer and ulti-mately as a creative problem solver.
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My
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PrOcESS,MIND, ATTITUDE.
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TAbLE OfcONTENTS.
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Dystopia.
Rolling Stone.
Trojan.
Oliver Stone.
The Many Faces.
Sure.
GQ.
Louboutin.
Urbanis ± MFA Thesis
Acknowledgements
Colophon.
COLOPHON
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“I wOULD PUT My MONEyON ThE SUNAND SOLArENErgy.”
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C O U R S E Ty p o gr a p h ic H i e r a r c h y V a r i o u s S o u r c e s *P H O T O g R A P H Y
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—THOMAS EDISON
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PEAk OIL ANDThE cOLLAPSEOf SOcIETy.
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PEAk OIL ANDThE cOLLAPSEOf SOcIETy.
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PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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NOVEMBER 11 – 13 2012 Our society is dependent on oil and the petrochemical industry. It reaches deeply into our everyday life. So what happens when we hit Peak Oil and our society's infrastructure crumbles? Peak Oil is the point when we will no longer discover any new oil reserves on the planet. From that point forward we will be in a pattern of decline. This means that as we come down the back side of the bell curve the prices of oil will sky rocket. Governments will restrict a large quantity of oil in order to keep emergency vehicles, military and other government serves. The biggest hit will be that there be no fuel in order to ship goods and food into major city centers. There will be a point that we will all be given the option of what direction to take in the face of this impending social collapse. The duality of man kind will be obvious as some decide to take the Positive Path while others take the Negative Path.
AT THE DYSTOPIA CENTER
HOLY CROSSNEW ORLEANS
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Our society is dependent on oil and the petrochemical industry. It
reaches deeply into our everyday life. So what happens when we hit Peak
Oil and our society’s infrastructure crumbles? Peak Oil is the point
when we will no longer discover any new oil reserves on the planet. From
that point forward we will be in a pattern of decline. This means that
as we come down the back side of the bell curve the prices of oil will
sky rocket. Governments will restrict a large quantity of oil in order
to keep emergency vehicles, military and other government serves. The
biggest hit will be that there be no fuel in order to ship goods and
food into major city centers. There will be a point that we will all be
given the option of what direction to take in the face of this impending
social collapse. The duality of man kind will be obvious as some decide
to take the Positive Path while others take the Negative Path.
VIRGIN AMERICA agrees to offer an exclusive low rate for DYSTOPIA attendees. This special fare will offer a five percent discount off First
Class and any published US Airways promotional round trip fares. A 10% discount off unrestricted coach fares will apply with seven day
advance reservations and ticketing required.
Plan ahead and receive an additional five percent discount by ticketing 60 days or more prior to departure. These discounts are valid
providing all fare rules and restrictions are met. The offer is extended for travel from the Continental United States, Bahamas, Bermuda,
Canada and San Juan, Puerto Rico. Meeting discounts are not combinable with other discounts or promotions. Additional restrictions
may apply on international travel.
For Reservations Call VIRGIN AMERICA Meeting and Convention Reservation Office
1-800-334-8644
HOuRs: 8:00 a.m. - 9:00 p.m. (Eastern Standard Time)
Refer to GOLD FILE NUMBER #34200049
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DYSTOPIAAT THE DYSTOPIA CENTER
HOLY CROSSNEW ORLEANS
The opening day of DYSTOPIA will be started off by the well known author, Paul Roberts. Paul Roberts will be bringing you up to spead with the core issues of Peak Oil. Opening up the conference with a strong insightful look at the basis for the entire purpose of DYSTOPIA. We want you to know exactly what the issues are before we move forward. The first day will also be a time for visitors to explore the grounds that the conference is being held on. 01
02The second day of the conference will be bringing the reality of the corporate infrastructure and cultural attachment to petroleum. The longest of the three days looking at the American Dream and how we are sold what we want. In the midst of a transitional generation it is about you and how you precieve the importance of petroleum. We again invite you to explore the conference grounds to see just what our dystopic future will look like.
The third and final day of the conference will be concentrating on the fall out and social collapse that could come from Peak Oil. The day looks like there is less going on however the final discussion board is slated to be a far more indepth conversa-tion with a large panel that will be involving the audience. The final day of the confer-ence is about rolling out the real downside of our countries attachment to petroleum. How will this all play out in the end...? 03
FILMStHe corPoratIontHe enD oF suBurBIa escaPe From suBurBIa
Joel BaKanmarK acHBar and JennIFer aBBot GreGory Greene
SPEAKERS
FILMScollaPse
mIcHael ruPPertPaul roBertsBasIl GelPKe ray mccormacK
SPEAKERS
FILMSa cruDe awaKenInG
Paul roBertscraIG smItHBasIl GelPKemIcHael ruPPert
SPEAKERS
The body of this conference is composed of informative documentaries. Utilizing the most effective
format of communicating the message allows for the audience to absorb the content efficiently.
The directors and writers of these films will be present to speak about their perspective of the
issues at hand. With a good group of well informed individuals with many different takes on the
same topic there will be discussion boards that will vehemently examine the issues of Peak Oil and
social collapse.
FEAT
URE
D D
OCU
MEN
TARI
ES
COLL
APS
ESitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and
spells out the crises he sees ahead. He draws upon the same news reports and data available to any
Internet user, but he applies a unique interpretation. He is especially passionate about the issue
of “peak oil,” the concern raised by scientists since the seventies that the world will eventually
run out of fossil fuel. While other experts debate this issue in measured tones, Ruppert doesn’t
hold back at sounding an alarm, portraying an apocalyptic future. Listening to his rapid flow of
opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway
back and forth on what to make of the extremism. Smith lets viewers form their own judgments.
A C
RUD
E AW
AKE
NIN
GA Crude Awakening: The Oil Crash explores key historical events, data and predictions regarding
the global peak in petroleum production through interviews with petroleum geologists, former OPEC
officials, energy analysts, politicians, and political analysts. The film contains contemporary
footage interspersed with news and commercial footage from the growth heyday of petroleum production.
The documentary focuses on information and testimony that supports the projection of a near-term
oil production peak.
The documentary examines our dependence on oil, showing how oil is essential for almost every facet
of our modern lifestyle, from driving to work to clothing and clean tap water. A Crude Awakening
asks the tough question, “What happens when we run out of cheap oil?” Through expert interviews,
the film spells out in startling detail the challenges we would face in dealing with the possibility
of a world without cheap oil—a world in which it may ultimately take more energy to drill for oil
than we can extract from the oil the wells produce.
THE
CORP
ORA
TIO
NThe documentary shows the development of the contemporary business corporation, from a legal entity
that originated as a government-chartered institution meant to effect specific public functions, to
the rise of the modern commercial institution entitled to most of the legal rights of a person. One
theme is its assessment as a “personality”, as a result of an 1886 case in the United States Supreme
Court in which a statement by Chief Justice Morrison R. Waite [nb 1] led to corporations as “persons”
having the same rights as human beings, based on the Fourteenth Amendment to the United States
Constitution. The film’s assessment is effected via the diagnostic criteria in the DSM—IV; Robert
Hare, a University of British Columbia psychology professor and a consultant to the FBI, compares
the profile of the contemporary profitable business corporation to that of a clinically-diagnosed
psychopath. The documentary concentrates mostly upon North American corporations, especially those
of the United States.
THE
END
OF
SUB
URB
IASince World War II North Americans have invested much of their newfound wealth in suburbia. It
has promised a sense of space, affordability, family life and upward mobility. As the population
of suburban sprawl has exploded in the past 50 years, so too has the suburban way of life become
embedded in the American consciousness.
Suburbia, and all it promises, has become the American Dream.
But as we enter the 21st century, serious questions are beginning to emerge about the sustainability
of this way of life. With brutal honesty and a touch of irony, The End of Suburbia explores the
American Way of Life and its prospects as the planet approaches a critical era, as global demand
for fossil fuels begins to outstrip supply. World Oil Peak and the inevitable decline of fossil
fuels are upon us now, some scientists and policy makers argue in this documentary.
The consequences of inaction in the face of this global crisis are enormous. What does Oil Peak
mean for North America? As energy prices skyrocket in the coming years, how will the populations of
suburbia react to the collapse of their dream? Are today’s suburbs destined to become the slums of
tomorrow? And what can be done NOW, individually and collectively, to avoid The End of Suburbia ?
ESCA
PE F
ROM
SU
BU
RBIA
Suburbia, and all it promises, has become the American Dream. With brutal honesty and a touch of
irony, The END of SUBURBIA explored the American Way of Life and its prospects as the planet enters
the age of Peak Oil.
In ESCAPE From SUBURBIA director Greg Greene once again takes us “through the looking glass” on a
journey of discovery — a sobering yet vital and ultimately positive exploration of what the second
half of the Oil Age has in store for us.
Through personal stories and interviews we examine how declining world oil production has already
begun to affect modern life in North America. Expert scientific opinion is balanced with “on the
street” portraits from an emerging global movement of citizen’s groups who are confronting the
challenges of Peak Oil in extraordinary ways.
The clock is ticking. ESCAPE From SUBURBIA asks the tough questions: Are we approaching Peak Oil
now? What are the controversies surrounding our future energy options? Why are a growing number of
specialists and citizens skeptical of these options? What are ordinary people across North America
doing in their own communities to prepare for Peak Oil? And what will YOU do as energy prices
skyrocket and the Oil Age draws to a close?
DIS
CUSS
ION
BO
ARD
S" D
EA
LIN
G W
ITH
TH
E T
RA
NS
ITIO
N F
RO
M F
OS
SIL
FU
ELS
"
•Pa
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obertsandM
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lRuppert
" CO
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RE
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AN
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' S IM
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N S
OC
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NE
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•GregoryG
reen
ean
dJoelBak
an
" WH
AT
CO
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S N
EX
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BEY
ON
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HE
TR
AN
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)"
•Pa
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obert,M
ichae
lRuppert,Bas
ilGelpke
andRay
McC
orm
ack
SPEA
KERS
PAU
L R
OB
ER
TS
(a
uth
or
of
NO
MO
RE O
IL)
MIC
HA
EL
RU
PP
ER
T
(fro
m C
OLL
APS
E an
d t
he
auth
or
of
CON
FRO
NTI
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CO
LLA
PSE)
CR
AIG
SM
ITH
(d
irec
tor
of
A C
RUD
E AW
AKE
NIN
G)
BA
SIL
GE
LPk
E
(dir
ecto
r o
f A
CRU
DE
AWA
KEN
ING
)
RA
Y M
cCO
RM
AC
k
(dir
ecto
r o
f A
CRU
DE
AWA
KEN
ING
)
JOE
L B
Ak
AN
(w
rite
r o
f TH
E CO
RPO
RATI
ON
)
MA
Rk
AC
HB
AR
(d
irec
tor
of
THE
CORP
ORA
TIO
N)
JEN
NIF
ER
AB
BO
T
(dir
ecto
r o
f TH
E CO
RPO
RATI
ON
)
GR
EGO
RY
GR
EE
NE
(wri
ter/
/dir
ecto
r o
f TH
E EN
D O
F SU
BU
RBIA
an
d E
SCA
PE F
ROM
SU
BU
RBIA
)
EVEN
TSNOVEMBER 11SPEAKER //Paul roBerts 11AM
DOCUMENTARY //a cruDe awaKenInG 1PM
SPEAKERS //craIG smItH and BasIl GelPKe 3PM
DISCUSSION PANEL //mIcHael ruPPert and Paul roBerts "DealInG wItH tHe transItIon From FossIl Fuels" 7PM
NOVEMBER 12DOCUMENTARY //tHe corPoratIon 11AM
SPEAKER //Joel BaKan, marK acHBar and JennIFer aBBot 2PM
DOCUMENTARIES //tHe enD oF suBurBIa and escaPe From suBurBIa 1PM
SPEAKER //GreGory Greene 8PM
DISCUSSION PANEL //Joel BaKan and GreGory Greene "corPorate GreeD's ImPact on our neeD For oIl" 9PM
NOVEMBER 13 DOCUMENTARY //collaPse 1PM
SPEAKER //mIcHael ruPPert 3PM
DISCUSSION PANEL //Paul roBerts, mIcHael ruPPert, BasIl GelPKe and ray mccormacK "wHat comes neXt (BeyonD tHe transItIon)" 5PM
SCHEDULE
10070 3 090602 080 4 0501P R O J E C T S
AN
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0 0 6C O U R S E Ty p o gr a p h ic H i e r a r c h y V a r i o u s S o u r c e s *P H O T O g R A P H Y
10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
AN
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“fAIL, fAILAgAIN, fAILbETTEr.”
0 0 5R
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02
C O U R S E N a t u r e o f I d e n t i t y V a r i o u s S o u r c e s *P H O T O g R A P H Y 0 0 6
10070 3 090602 080 4 0501P R O J E C T S
—SAMUEL BECKETT
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C O U R S E N a t u r e o f I d e n t i t y V a r i o u s S o u r c e s *P H O T O g R A P H Y
10070 3 090602 080 4 0501P R O J E C T S
PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
AN
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03
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E A d v e r t i s in g a n d C o p y W r i t in g V a r i o u s S o u r c e s *P H O T O g R A P H Y
—JAMES VICTORE
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hOw wELL DOyOU rEALLy kNOw hEr?
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10070 3 090602 080 4 0501P R O J E C T S
C O U R S E A d v e r t i s in g a n d C o p y W r i t in g V a r i o u s S o u r c e s *P H O T O g R A P H Y
PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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10070 3 090602 080 4 0501P R O J E C T S
C O U R S E A d v e r t i s in g a n d C o p y W r i t in g V a r i o u s S o u r c e s *P H O T O g R A P H Y
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C O U R S E A d v e r t i s in g a n d C o p y W r i t in g V a r i o u s S o u r c e s *P H O T O g R A P H Y
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—MARTIN LUTHER KINg, JR.
04
0 0 6C O U R S E In te gr a te d C o m m unic a t i o n V a r i o u s S o u r c e s *P H O T O g R A P H Y
10070 3 090602 080 4 0501P R O J E C T S
AN
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10070 3 090602 080 4 0501P R O J E C T S
PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
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C O U R S E In te gr a te d C o m m unic a t i o n V a r i o u s S o u r c e s *P H O T O g R A P H Y 0 0 6
10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
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10070 3 090602 080 4 0501P R O J E C T S
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C O U R S E E x p e r im e nt a l Ty p o gr a p h y A n t h o n y S t i m o l aP H O T O g R A P H Y
PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
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10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
TH
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
TH
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±
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
TH
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LA
±
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
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M
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0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E D e s i gn O u t s i d e th e B ox A n t h o n y S t i m o l aI L L U S T R AT I O N S
AN
TH
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M
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0 0 5
“OPEN yOUrEyES ANDfIND bEAUTywhErE yOUNOrMALLyDON’T ExPEcT.”
gQ
±
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PR
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20
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±
C
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IN S
EB
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EN
AN
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±
M
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PM
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E
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
07
—JEAN PAUL gAULTIER
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
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PM
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fAShION ATyOUr fINgErTIPS.
0 0 5A
NT
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gQ
±
S
PR
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20
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±
C
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EB
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TY
EN
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
07PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5g
Q
±
SP
RIN
g 2
01
2
±
CO
LIN
SE
BE
ST
YE
N
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5g
Q
±
SP
RIN
g 2
01
2
±
CO
LIN
SE
BE
ST
YE
N
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
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L
AT
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E
0 0 5g
Q
±
SP
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01
2
±
CO
LIN
SE
BE
ST
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N
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E I n t r o t o M o t i o n g r a p h i c s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
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L
AT
TIT
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±00:0 3.1
±00:10.3
±00:14 .9
±00:17.2
0 0 5g
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±
SP
RIN
g 2
01
2
±
CO
LIN
SE
BE
ST
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N
±00:17.2 ±00:21.7
±00:2 3.2
±00:30.0
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
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UD
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0 0 5g
Q
±
SP
RIN
g 2
01
2
±
CO
LIN
SE
BE
ST
YE
N
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
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IVE
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EN
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L
AT
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0 0 5g
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±
SP
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01
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±
CO
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BE
ST
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N
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E In t r o to M ot i o n g r a p h ic s V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5L
OU
BO
UT
IN
±
SU
MM
ER
20
11
±
TO
M M
CN
UL
TY
“I LIkE TO SEEThE hUMANTOUch...IT’S ThE IMPrAcTI-cALITy ThAT IADOrE.”
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 6
08
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
—CHRISTIAN LOUBOUTIN
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
hIgh ENDhOMEfUrNIShINgS.
0 0 5A
NT
HO
NY
S
TIM
OL
A
±
MF
A P
OR
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OL
IO
PM
A—
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SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
LO
UB
OU
TIN
±
S
UM
ME
R 2
01
1
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
08PROBLEM
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5L
OU
BO
UT
IN
±
SU
MM
ER
20
11
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5L
OU
BO
UT
IN
±
SU
MM
ER
20
11
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5L
OU
BO
UT
IN
±
SU
MM
ER
20
11
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5L
OU
BO
UT
IN
±
SU
MM
ER
20
11
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
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TIT
UD
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0 0 5L
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BO
UT
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±
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MM
ER
20
11
±
TO
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CN
UL
TY
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
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PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
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PM
A—
PO
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M
EN
TA
L
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0 0 5L
OU
BO
UT
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±
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MM
ER
20
11
±
TO
M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
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0 0 5L
OU
BO
UT
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±
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MM
ER
20
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±
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M M
CN
UL
TY
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E P a c k a g e d D e s i gn 3 V a r i o u s S o u r c e s *P H O T O g R A P H Y
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5U
RB
AN
Ag
RIC
UL
TU
RE
±
F
AL
L 2
01
2
±
PH
IL H
AM
LE
TT
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
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FO
LIO
PM
A—
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SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E MFA T h e s i s V a r i o u s S o u r c e s *P H O T O g R A P H Y
MFA—THESIS PROJECT
We are given the opportunity to pro-duce a graduate thesis project that makes a significant contribution to the world of design. This project is what defines an MFA from a BFA.
09
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 5U
RB
AN
Ag
RIC
UL
TU
RE
±
F
AL
L 2
01
2
±
PH
IL H
AM
LE
TT
“bE ThEchANgEyOU wIShTO SEEIN ThEwOrLD.”
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
0 0 6
10070 3 090602 080 4 0501P R O J E C T S
C O U R S E MFA T h e s i s V a r i o u s S o u r c e s *P H O T O g R A P H Y
09
—MAHATMA gANDHI
AN
TH
ON
Y
ST
IMO
LA
±
M
FA
PO
RT
FO
LIO
PM
A—
PO
SIT
IVE
M
EN
TA
L
AT
TIT
UD
E
AgrIcULTUrEfOr UrbANDwELLErS.
0 0 5A
NT
HO
NY
S
TIM
OL
A
±
MF
A P
OR
TF
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IO
PM
A—
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09PROBLEM
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Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pel-lentesque sit amet orci at nisi imperdiet vulpu-tate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
SOLUTION
Lorem ipsum dolor sit amet, consectetur adipisc-ing elit. Nullam vitae velit ante, in dictum mauris. Duis eu risus est. Vestibulum tincidunt, magna eget varius bibendum, arcu lorem varius tellus, eget ultrices lectus ipsum ut erat. Morbi justo est, malesuada sed vehicula sed, malesuada in augue. Integer dignissim euismod orci. Morbi sed mauris vel diam lobortis blandit. Mauris sit amet ligula lectus.
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wE PrOVIDEThE TOOLS fOr grOwTh IN VIbrANTcITy cENTErS.
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wE PrOVIDEThE TOOLS fOr grOwTh IN VIbrANTcITy cENTErS.
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ACKNOWLEDGMENTS
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Vivamus at nisi sapien, sit amet malesuada nulla. Vivamus at purus velit, nec accumsan magna. Donec lectus sapien, eleifend ac dapibus at, sagittis et nibh. Donec tempor lacinia mauris, ut vulputate purus aliquam vitae. Morbi malesuada iaculis lacus, vel imperdiet lacus mattis ac. Pellentesque sit amet orci at nisi imperdiet vulputate. Donec vel diam velit, sed rhoncus magna. Curabitur lobortis dictum libero eget hendrerit.
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NOTES.
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COLOPHON
Academy of Art University, School of Graphic Design
Portfolio Seminar / Grad
Mary Scott
Anthony Stimola
+1 201 638 3805
2130 Fell Street (apt 11) / San Francisco, CA 94117
www.anthonystimola.com
The Key Printing and Binding
5851 Ocean View Drive / Oakland, CA 94618
DD Cheung, Whitney Clark, Anthony Stimola
PMA — Positive Mental Attitude
100 lbs. Cougar Text Paper
DIN
Adobe Creative Suite 6
©2012 All rights reserved. No part of this publication
can be reproduced without express permission from
Anthony Stimola.
COLOPHON
School
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Telephone
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Photography
Title of Book
Text Stock
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“NOw wE ArE ThEMASTErS Of OUrfATE. ThE TASkwhIch hAS bEENSET bEfOrE USIS NOT AbOUT OUrSTrENgTh.”
