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A literary Precis on the critical book, "The Heart Grown Brutal"
Citation preview
Killmer 1
Andrew Killmer
Dave Madden
Engl 240S
11/17/14
Costello, Peter. The Heart Grown Brutal: The Irish Revolution in Literature, from Parnell to the Death of
Yeats (1891-1939). Dublin: Gill and Macmillan, 1977. Print.
The Heart Grown Brutal is an extended piece of Irish historical criticism which argues “that the
cultural revival made possible the political revolution by creating a new ideal of Ireland, and that the
literature of the revival provides what might almost be called ‘the secret history’ of the Irish revolution” (xi).
The book begins by examining the way in which Irish culture has mythologized the revolutionary
years, especially the Easter uprising; a statue of Cuchulain (ancient Irish folk hero of legend) dying in
defense of Ireland stands in memorial to the individuals who rebelled against the British in 1916. From this
starting point, along with some quotations from William Butler Yeats about his influence upon the
revolutionaries, the framework of a symbiotic relationship between the political revolution and the
concurrent revolution of the mind/art or Ireland begins to be exposed.
The first part of the book deals with the history leading up to the revival. Chapter one provides a
description of the society and literature in 19th Century Ireland. The Great Famine (1845) sees a demand for
land reform, and the Anglo-Irish Gentry begins to decline. This is also the century of the first real Irish novel
– Maria Edgeworth’s Castle Rackrent (1800). The literature is realist in nature, concerned with Gaelic social
themes and dilemma, and also the decline of the Big House. Although many ancient Irish texts survived,
Much of the Old Irish was unreadable until 1855, until Grammatica Celtica is published by Johann Zeuss.
From this point, a renewed interest in reclaiming Old Irish becomes prominent in the literature.
Killmer 2
Chapter three gives the account of how the small secret society of the Irish Republican Brotherhood
(IRB) was formed, and how the plot to revolt was formed. The book examines how Yeats’ poetry, which is
heavily patriotic, is tied to the ideals and lionization of the violent uprising. Yeats is shown in the words of
both his poetry and personal communications to have been critical of the violence and suspicious of the
motives behind it. The guilt he felt for the patriotic inspiration towards ultimate death is examined, as well
as the counter-position that poetry did nothing for the cause.
The central part of the argument is that the spirit of revolution continued beyond 1916 by
smoldering in the short stories of writers like Sean O’Faolain and Frank O’Connor, among many others. The
history then follows the swelling of the IRA ranks, and the current leading the nation towards civil war. Here
is where the book gets its title – the Irish heart grows brutal “because it [was] fought by brothers who hate
with the hatred only possible between brothers” (193). After the end of the civil war (1922-1923), public life
was different, and the literature saw a “revised romanticism” take precedence.
The book talks about writers like Liam O’Flaherty, who were actively involved in the war, and how it
later manifested in their art, how living in a state of post-revolution and disappointment leads to a “clear
and horrible account in realism,… doing away with the rhetoric and ideals, facing what it means to die at
dawn for one’s country” (229”. The final sections deal with those artists, like Joyce, who exiled themselves,
and how their mode was a “realistic romanticism,” as well as the continued interest and pursuit of Old Irish
traditions and incorporations of myth in both Irish society and literature on into the future.
This is an excellent resource for any essay on modern Irish literature, as it covers an immense
amount of information. It makes clear the history, order of events, catalysts for each event along the way. It
references dozens of authors and artists, as well as political/revolutionary figures, and all entries are
indexed. As Irish literature is itself concerned with the presence and importance of history upon the
present, this is an essential tool for understanding many modern Irish texts.