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VCE Music Prescribed list of notated solo works: Voice Contemporary popular For use from 1 January 2014. Annual updates are published at www.vcaa.vic.edu.au Page 1 of 29 Voice – Contemporary popular This list may be used to select: a program of works for VCE Music Performance Units 3 and 4 Outcome 1 and end-of-year performance examination where the student has selected to perform as a soloist one work that will be used as the starting point for a Focus Area in VCE Music Investigation where the student has selected to perform as a soloist. This work must be performed in the Music Investigation end-of-year performance examination. 2014 Update Works identified for deletion from 2014 are no longer on the list No works have been added to this list for 2014 Please note that for most works on this list the editions are ‘recommended’ editions rather than ‘required’ editions. Before using an alternative edition students and teachers should check that it is in fact an edition of the listed work; that is, it is not a simplified version or an arrangement of the work. Editorial changes to the listed edition, such as phrasing or dynamics, are acceptable The Voice Contemporary popular list is reviewed on a regular basis. Suggestions of works for inclusion or deletion should be sent to [email protected] with the subject line ‘Attention Performing Arts Manager, Voice – Contemporary popular list’. For suggestions of works to be included on the list please - Provide a copy of the sheet music, publication details and, as appropriate, a description of the lines/parts to be performed - Indicate which category the work should be listed in - Briefly describe why the work should be included on the list General information All works/arrangements on this list were composed after 1910. Study design requirements Music Investigation Compliance requirements: For students who select to perform the end-of-year performance examination as a soloist, the Focus Area selected for Unit 3 Outcome 1 must be based on, and, the examination program must include, one work selected from either the Prescribed list of notated solo works for the instrument selected or Section A of the Prescribed list of group works. Other information This list must be used in conjunction with information provided in the: Introduction to the VCE Music Prescribed list of notated solo works VCE Music study design, Music Investigation Units 3 & 4 - Selection of instrument and program - Unit 3, Outcome 1 and Outcome 3 - Unit 4, Outcome 3 - End-of-year performance examination, description and conditions for students who have selected to perform as a soloist

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Page 1: Prescribed List of Notated Works('14)

VCE Music Prescribed list of notated solo works: Voice – Contemporary popular For use from 1 January 2014. Annual updates are published at www.vcaa.vic.edu.au Page 1 of 29

Voice – Contemporary popular

This list may be used to select:

a program of works for VCE Music Performance Units 3 and 4 Outcome 1 and end-of-year performance examination where the student has selected to perform as a soloist

one work that will be used as the starting point for a Focus Area in VCE Music Investigation where the student has selected to perform as a soloist. This work must be performed in the Music Investigation end-of-year performance examination.

2014 Update

Works identified for deletion from 2014 are no longer on the list

No works have been added to this list for 2014

Please note that for most works on this list the editions are ‘recommended’ editions rather than ‘required’ editions. Before using an alternative edition students and teachers should check that it is in fact an edition of the listed work; that is, it is not a simplified version or an arrangement of the work. Editorial changes to the listed edition, such as phrasing or dynamics, are acceptable

The Voice – Contemporary popular list is reviewed on a regular basis. Suggestions of works for inclusion or deletion should be sent to [email protected] with the subject line ‘Attention Performing Arts Manager, Voice – Contemporary popular list’. For suggestions of works to be included on the list please

- Provide a copy of the sheet music, publication details and, as appropriate, a description of the lines/parts to be performed

- Indicate which category the work should be listed in

- Briefly describe why the work should be included on the list

General information

All works/arrangements on this list were composed after 1910.

Study design requirements

Music Investigation

Compliance requirements:

For students who select to perform the end-of-year performance examination as a soloist, the Focus Area selected for Unit 3 Outcome 1 must be based on, and, the examination program must include, one work selected from either the Prescribed list of notated solo works for the instrument selected or Section A of the Prescribed list of group works.

Other information

This list must be used in conjunction with information provided in the:

Introduction to the VCE Music Prescribed list of notated solo works

VCE Music study design, Music Investigation Units 3 & 4

- Selection of instrument and program

- Unit 3, Outcome 1 and Outcome 3

- Unit 4, Outcome 3

- End-of-year performance examination, description and conditions for students who have selected to perform as a soloist

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Music Investigation examination criteria and sample examination material

Music Performance

Compliance requirements

For students who select to perform as a soloist for Units 3 and 4 and select Voice – Contemporary popular as their instrument, all solo works performed for Units 3 and 4 Outcome 1 and all works performed in the end-of-year performance examination must be selected from this list or be approved as alternative works.

The program for the end-of-year Performance examination for Voice – Contemporary popular must consist of at least six (6) works from six (6) different categories. The program must include at least:

one work from the Vocalise category

five (5) other songs each from five (5) other categories

two works accompanied by a single instrument such as piano, keyboard, guitar, bass or synthesiser

at least one work performed unaccompanied – suitable works are marked with an asterisk. Works that are not marked with an asterisk may also be performed unaccompanied

no more than three works accompanied by pre-recorded backing track

Other information

This list must be used in conjunction with information provided in the:

Introduction to the VCE Music Prescribed list of notated solo works

VCE Music 2011-2015 study design, Music Performance Units 3 and 4

- Selection of instrument and program

- Unit 3, Outcome 1

- Unit 4, Outcome 1

- End-of-year performance examination, description and conditions for students who have selected to perform as a soloist

Current Music Performance 2011-2015 examination criteria and sample examination material.

Performance of songs

The entire ‘Music Performance: Solo, Voice – Contemporary popular’ performance examination must be performed from memory.

All works must be performed in a key appropriate to the voice and vocal development of the student. This may involve transposing the work from the original key.

Songs may be performed by students of either gender. Minor changes may be made to the lyrics to accommodate the gender of the vocalist.

Sections of songs without voice, such as introductions and instrumental breaks, should be kept to a minimum length. These sections may be deleted.

Repeat verses are optional. When repeating a verse, students may embellish or ornament the melody in a way that is appropriate to the style of the song.

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Choosing a program

The selected program should provide the student with an opportunity to demonstrate the highest level of performance. Care must be taken to choose an appropriate program that ensures the health of the student’s developing voice.

Using the list

The following information is provided for each song on the list, the composer/arranger, publication details for sheet music and, except for Vocalises, a reference recording. Both the notation and the recording may be used to develop an interpretation of the song.

Developing interpretations of songs

Students should use the examination assessment criteria as a guide when making decisions about how they will interpret each work in their program. Other considerations include the following:

songs should be interpreted in a way that is consistent with the conventions of the listed style, for example, a song listed in the ‘Jazz Ballad’ category should be interpreted as a Jazz Ballad

It has been recognised that the notation for many contemporary works is lacking in detail and in many cases does not accurately reflect the style of the work.

Using the sheet music and reference recording in combination allows students to make decisions about how they will interpret specific elements of music. The reference recording should be used as a guide in determining the form and style in which the student performs the work. Students should not directly copy the recording, but should find their own interpretation of the work. An alternative reference recording may be used if the track is identical to that listed. For example, the same recorded track is often found on numerous recordings of the same artist, such as a compilation album. Some identical CDs are distributed with different catalogue numbers but have the same CD title. Use the catalogue number as a guide for selection. Students may also listen to other recordings of the work to enhance their understanding of interpretive possibilities for the song.

Improvisation as appropriate to the style the student has chosen for the interpretation may be incorporated into the performance of songs. Where a student chooses to incorporate improvisation, the original material should be presented first, for example in the first verse followed by improvisation in the second verse. The assessment will be based on performance skills demonstrating an understanding of styles rather than the nature of the musical ideas arising within the improvised sections. The improvised material should embellish the performance rather than demonstrate an open-ended concept of improvisation.

Works from the Vocalise category must be performed as ‘expressive songs’. Students may use sounds (vowels/diphthongs) in the print music or other sounds as appropriate. The vocalise may be accompanied by a single instrument or a backing track (without melody line) may be used. Performing a vocalise without accompaniment is not recommended.

Accompaniments

The accompaniment may be provided live by a single instrument such as piano, guitar, bass, synthesiser, or another keyboard. Different works in the program may be accompanied by a different instrument. Alternatively, students may use a recorded accompaniment. A maximum of three (3) works may be presented with pre-recorded accompaniment. The content of the accompaniment will not be assessed in the performance. Students may accompany themselves, for example, using guitar, keyboard/piano or a percussion instrument. When they are deciding whether to accompany themselves or not, students should consider whether or not their focus as a singer will be disrupted by their focus on performing the accompaniment.

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The accompaniment must not include the melody line being performed by the student. Accompanists may need to omit this line from the accompaniment provided in sheet music. For backing tracks, it may be necessary to use a ‘pan’ function on the play-back equipment to ensure that the melody line cannot be heard. Some backing-track CDs offer a choice – one track with the melody line that can be used for learning and another without the melody, which should be selected for the performance.

The notation of accompaniments in some editions is lacking detail and in many cases does not accurately reflect the style of the work. The accompanying instrumentalist should provide a suitable accompaniment within the style of the composition. The accompanist should present an interpretation of the work that is consistent with the interpretation being presented by the singer. The reference recording may assist accompanists to develop an appropriate accompaniment for the song.

Recorded accompaniments may include the sounds of one or more instruments. These may be purchased as a pre-recorded backing track or students may present their own pre-recorded accompaniment. Students should ensure that all backing tracks are of a high quality, altering the volume to suit the acoustics of the room. All backing tracks including click tracks used during the recital performance must be audible to assessors.

Categories

Vocalise (compulsory0

Blues

Gospel, R’n’B and Soul

Swing

Jazz Ballad

Latin

Contemporary Ballad

Rock/Pop

Country

Folk

Music Theatre and Film

Sample programs

Sample programs are provided as advice only. The works need not be performed in the order listed. Sample programs for Voice – Contemporary popular are provided at the end of this list.

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Voice – Contemporary popular

Vocalise (compulsory) The program must contain at least one work from this category. Students may use sounds (vowels/diphthongs/words) in the print music or other sounds as appropriate.

Composer/Arranger Title Publisher

GEORGE, L and VERTIGAN, S Any of two of the following works to count as ONE work:

‘Looking Up’, CD 1, Track 2

‘Don’t Forget to Call’, CD 1, Track 10

‘Out of the Blue’, CD 1, Track 24

‘I Got the Looks’, CD 2, Track 1

or

‘Evolution’, CD 2 Tracks 39 or 42

or

‘What’s More’, CD 2 Track 56

From The Greatest Ever Improve Your Singing Book … For Contemporary Vocalists with CD including backing tracks

Students may use a different vowel sound to the one used in the sheet music when performing these vocalises.

Encore Music

PECKHAM, Anne Vocal Workouts for the Contemporary Singer, any one of

Jazz Ballad Etude (page 98),

R&B Pentatonic Workout (page 92)

Latin Vocalise (page 76)

Berklee Press

STOLOFF, Bob Blues Scatitudes, any one of:

‘Blues for the Bean’

‘Blues for Mr. Hardy’

‘Columbo Blues’

‘Blues for Mr Mason’

Gerard & Sarzin Publishing Co

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Blues

Works marked with an asterisk (*) are suitable to be performed unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘A Sunday Kind of Love’

BELLE, B, PRIMA, L, LEONARD, A and RHODES, S

Etta James, Etta James: Her Best, Geffen Records

Digital download, www.musicnotes.com

‘Backwater Blues’ SMITH, B Bessie Smith, Woman’s Trouble Blues, Recall Records

George Melly, The Ultimate Melly, Candid Production

Real Book of Blues, Music Sales

‘Before You Accuse Me’

McDANIEL, E Eric Clapton Unplugged, WEA/Warner Brothers

Eric Clapton, Unplugged, Wise Publications,

‘Drown in My Own Tears’

CHARLES, R Aretha Franklin, Respect, Warner/BMG Digital download, www.onlinesheetmusic.com/ill-drown-in-my-own-tears-p383390.aspx

‘Heartbreak Hotel’* PRESLEY, E, DURDEN, T and AXTON, MB

Elvis Presley, Number One Hits BMG/RCA

Jill Johnson, Heartbreak Hotel, Lionheart Records

100 Greatest Hits, Music Sales

‘I Ain’t Gonna Let You Break My Heart Again’

RAIT, B Nick of Time, Capitol Nick of Time, HL02507958

‘I’d Rather Drink Muddy Water’

MILLER, E Lou Rawls, Live (Remastered), Blue Note Records

Digital download, www.onlinesheetmusic.com/id-rather-drink-muddy-water-p291339.aspx

‘Since I Fell For You’

JOHNSON, B Renee Geyer, It’s a Man’s Man’s World, Mushroom

Digital download, www.onlinesheetmusic.com/since-i-fell-for-you-p113276.aspx

‘Walkin’ Blues’ JOHNSON, R, DIXON, Eric Clapton, Unplugged, WEA/Warner Bros. Eric Clapton, Unplugged, Wise

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Title Composer/Songwriter Reference Artist/s and Recording/s Notation

W, HOPKINS, L Bonnie Raitt, Bonnie Raitt (Remastered), Warner Brothers

Publications, AM91067

‘When Love Comes to Town’

Bono and U2 U2 and BB King, Rattle and Hum, Island BB King Anthology, Music Sales

www.musicnotes.com

‘Work Song’ ADDERLEY, N and BROWN, O Junior

Nina Simone, The Essential Nina Simone, EMI

Feeling good, (The Very Best of Nina Simone), Faber Music

or

The Real Easy Book, Vol. 1 Chuck Sher

‘You Better Watch Yourself’

GUY, G Eric Clapton, 24 Nights, WEA/Warner Bros

Dave Thomas with Wallace Coleman, Repossession Blues, Blonde on Blonde Direct Ltd.

The Concise Eric Clapton Hal Leonard. 306020

or

The Busker’s Fake Book

Gospel, R ’n’ B and Soul

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter

Reference Artist/s and Recording/s

Notation

‘Ain’t No Mountain High Enough’

ASHFORD, N and SIMPSON, V

Diana Ross and the Supremes, The Number 1’s, UTV Records, 2004

Marvin Gaye and Tammi Terrell, Marvin Gaye: Gold, Motown/UMG

Single sheet, EMI

or

Even More Songs of the Seventies, Hal Leonard

or

The Best Fake Book Ever, first or second editions, Hal Leonard

‘Ain’t No Sunshine’ WITHERS, Bill The Best of Bill Withers Sony; 2000

Audition Songs Australian Idol, Warner Bros.

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Title Composer/Songwriter

Reference Artist/s and Recording/s

Notation

Eva Cassidy, Time after Time, Blix Street

‘Georgia On My Mind’*

Note: Begin with verse 1 (omitting opening bars)

CARMICHAEL, H and GORRELL, S

Ray Charles, Ultimate Hits Collection, Rhino, 1999

Ray Charles, Gold Classics, Wise Publications, AM74998

Hal Leonard, Play Along Series, Vol. 34

‘Heading in the Right Direction’

PUNCH, M and PAIGE, G

Renee Geyer, Renee Geyer: Best Of, Mushroom, B000008813

Great Australian Songbook, Expanded Ed., Music Sales

‘His Eye is on the Sparrow’

GABRIEL, Charles Hutchinson

Marvin Gaye, Gold, Motown Records

Lauren Hill, Sister Act 2, Hollywood records

Digital download, www.musicnotes.com

‘I Heard it Through the Grapevine’

WHITFIELD, Gladys Knight and The Pips 20th Century Masters: Best of Soul volume 2, 2006, Universal International

Marvin Gaye, I Heard It Through the Grapevine, Motown

Big Book of Motown, Hal Leonard 311061

‘If You Don’t Know Me By Now’

GAMBLE, K and HUFF L

Harold Melvin, Harold Melvin and The Blue Notes, Sony

Simply Red, It’s Only Love, Warner

The Love Songs Big Book, Alfred 27698

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Title Composer/Songwriter

Reference Artist/s and Recording/s

Notation

‘Precious Lord Take My Hand

DORSEY, Rev. Thomas A

Aretha Franklin, Aretha Gospel, Geffen Records

Digital download, www.musicnotes.com

‘River Deep – Mountain High’

BARRY, J, GREENWICH, E and SPECTOR, P

Tina Turner, Simply the Best, Capitol

Or

Jimmy Barnes, Soul Deep, Liberation

Digital download, www.musicnotes.com

‘Signed Sealed Delivered’

WONDER, S Stevie Wonder, Signed ,Sealed and Delivered PGD/Motown 3746 5176 2

Best of Stevie Wonder, Hal Leonard 306420

‘Someday We’ll All Be Free’

HATHAWAY, D and HOWARD, E

Donny Hathaway, Extension of a Man, Atlantic Records

Digital download, www.sheetmusicplus.com/title/Someday-We-ll-All-Be-Free/19410100

‘Something’s Got A Hold on Me’

KIRKLAND, L, and WOODS, P

Etta James, Etta James: Her Best, Geffen Records or

Christina Aguilera, Burlesque, soundtrack, Screen Gems

Digital download, www.sheetmusicdirect.com/se/ID_No/78358/Product.aspx

‘The Night Time is the Right Time’

HERMAN, Lou Aretha Franklin, Respect: Very Best of Aretha Franklin, Warner

Ray Charles, The Birth of Soul, Atlantic

Ray – Music from the motion picture soundtrack, Hal Leonard

‘Stop’ BROWN, S, SUTTON, G and BRODY, B

Sam Brown, Stop!, A&M Digital download, www.musicnotes.com

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Title Composer/Songwriter

Reference Artist/s and Recording/s

Notation

‘Up to the Mountain’ (MLK Song)

GRIFFIN, Patty Patty Griffin, Live from the Artists Den, Artists Den Records

Digital download, www.musicnotes.com

‘What’s Going On?’ BENSON, R, CLEVELAND, A and GAYE, M

Marvin Gaye, What’s Going On?, Motown/UMG

What’s Going On, Hal Leonard HL.351385, single sheet

‘You Send Me’ COOKE, S Sam Cooke, Portrait of a Legend 1951–1964, Abcko, B00009N1ZV

Aretha Franklin, Aretha Now, Atlantic

Sam Cooke, Portrait of a Legend 1951–1964, Warner Bros.

Swing

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘Basin Street Blues’

WILLIAMS, S Dean Martin – 100 Greatest Vocal Classics, Classic Music International

Ray Charles, The Genius Hits the Road, Rhino/WEA

Eva Cassidy, Live at Blues Alley, Blix Street

Digital download, www.sheetmusicdirect.com

‘Blue Skies’ BERLIN, I Ella Fitzgerald Gold, Universal Classics & Jazz Blue Skies, Hal Leonard, 5014

‘Don’t Get Around Much Anymore’

ELLINGTON, D and RUSSELL, B

Mose Allison, Mose Allison Sings, Concord

Nat King Cole, Unforgettable, Capitol

Definitive Jazz Collection, PVG, Hal Leonard 359571

‘How High the Moon’

ELLINGTON, D Pure Ella – The very Best of Ella Fitzgerald, Verve, B00000690N

Sarah Vaughan, Diva, Verve/UMG

All Woman Jazz, PVG, International Music Publishers

Definitive Jazz Collection, PVG, Hal Leonard 359571

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‘I’m Beginning to See the Light’

JAMES, HODGES, GEORGE, ELLINGTON

Natalie Cole, Take a Look, WEA/Electra Entertainment B000002HCV

Ella Fitzgerald, The Best of the Songbooks – The Collection, Verve/UMG

Big Book of Swing, Hal Leonard 310359

‘Let’s Get Away From it All’*

ADAIR, T and DENNIS, M

Frank Sinatra, Come Fly With Me, Capitol The Jazz Music Collection, Warner Bros.

‘Lullaby of Birdland’

SHEARING, George

Ella Fitzgerald, The Ultimate Ella Fitzgerald, Verve/UMG

Jazz and Blues Greats 100, Music Sales, 0801714066

‘Nice Work if You Can Get it’ (to be performed without introduction)

GERSHWIN, George

Frank Sinatra, The Frank Sinatra Collection, Capitol

The Gershwin Collection, Warner Bros.

‘The Frim Fram Sauce’

RICARDEL, J Diana Krall, The Very Best of Diana Krall, Verve Music Group

The Frim Fram Sauce, Amsco/Hal Leonard

Jazz Ballad

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘Angel Eyes’* BRENT, E and DENNIS, M

Frank Sinatra, Sings for Only the Lonely, Capitol

Ella Fitzgerald, Verve Unmixed, Vol. 2, Verve /UMG

Classic Jazz Standards, Hal Leonard 310310

‘Bewitched, Bothered and Bewildered’

RODGERS, R and HART, L

Ella Fitzgerald, Ella Fitzgerald Sings the Rodgers and Hart Songbook, Verve

Rufus Wainwright, Rufus Does Judy, Geffen/Dreamworks

Digital download, www.onlinesheetmusic.com/bewitched-bothered-and-bewildered-p111811.aspx

‘Blame It On My Youth’

HEYMAN, E Kurt Elling, Flirting with Twilight, Blue Note Records

www.sheetmusicplus.com/title/Blame-It-On-My-Youth/19576792

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‘Cry Me a River’ HAMILTON, Arthur Patti Austin, The Real Me, Qwest Records Definitive Jazz Collection, PVG, Hal Leonard 359571

The Jazz Standard: Songs of the Fifties, arranged for PVG, Hal Leonard 359571

‘God Bless the Child’ HERZOG, A Junior and HOLIDAY, B

Billie Holiday, God Bless the Child, MCA Special Products 767520254 2

Single sheet copy, Hal Leonard, 357202

‘Lost in the Stars’ WEIL, K and ANDERSON, M

Patti Austin, Best of Patti Austin, Sony, B0000028S8

Tony Bennett, 50 Years – The Artistry of Tony Bennett, Sony/BMG

20th Century Broadway Hal Leonard 310693

‘My Funny Valentine’*

RODGERS, R and HART, L

Chet Baker, Best of Chet Baker Sings: Blue Notes Records, B000005HFH

Ella Fitzgerald, Ella Fitzgerald Gold, Universal Classics and Jazz

Rachelle Ferrell, First Instrument, Somethin’ Else Records

150 of the Most Beautiful Songs Ever, Hal Leonard 360735

‘My Romance’ RODGERS, R and HART, L

Emma Pask, Emma, Warner

James Taylor, That’s Why I’m Here, Sony

Ella Fitzgerald Sings the Rodgers and Hart Songbook, Verve

The New Real Book, C and Vocal Version, Vol. 1, Sher Music, ISBN 0-9614701-4-3, page 229

150 of Most Beautiful Songs Ever, third edition, Hal Leonard

‘Orange Blossoms in Summertime’

LUNDY, Curtis and ELLING, Kurt

Kurt Elling, Flirting with Twilight, Blue Note Records

Sing Jazz: Leadsheets for 76 Jazz Vocals, Hal Leonard

‘Round Midnight’ WILLIAMS, Cootie Round Midnight, Linda Ronstadt, Sony, B00005B58W

Julie London, The Ultimate Collection, EMI

100 Jazz and Blues Greats, Music Sales, 0801714066

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‘The Beauty of All Things’

ELLING, Kurt Kurt Elling, The Messenger, Blue Note Records, B000005H6S

All Jazz Real Book, C edition, Sher Music, Hal Leonard

‘Watch What Happens’

LEGRAND, M Frank Sinatra, My Way, WEA/Warner

Carmen McRae, The Art of Carmen McRae, Atlantic

The New Real Book, Vol 1, C and Vocal Version, Sher Music, p. 390

Latin

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘Carnival’ (Theme from Black Orpheus), also known as ‘Manha De Carnaval’ (‘A Day in the Life of a Fool’)

BONFA, L Astrud Gilberto, Silver Collection, Polygram, B0000046W3

Haia, Soya Productions

Adam Lopez, Till the End of Time, Australian Broadcasting Corporation (English)

The New Real Book, Vol. 2, C and Vocal Version, Sher Music

‘Corner of the Earth’

KAY, J and HARRIS, R

Jamiroquai, A Funk Odyssey, Sony Digital download, www.musicnotes.com

‘Desafinado’ JOBIM, Antonio Carlos

Joao Gilberto, Getz/Gilberto, Verve

Gal Costa, Gal Costa Canta Tom Jobim, BMG Brasil

Essential Audition Songs for Female Vocalists: Jazz Standards, Faber

May be sung in English or Portuguese or a combination of both languages.

‘Mas Que Nada’ BEN, Jorge Elza Soares, Blue Note Trip 2: Sunset/Sunrise, EMI

Digital download, www.musicnotes.com

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‘One Note Samba’ JOBIM, Antonio Carlos

Antonio C Jobim, Herbie Mann and Joao Gilberto, Recorded in Rio de Janiero, Atlantic

Joao Battista, Bossa Lounge Club, Zip Music (Portuguese)

The Jazz Source Book Vol. 1, Amsco Publications The Jobim Collection, Hal Leonard 312477

‘Quizas Quizas Quizas’

FARRES, Oswaldo Doris Day, Perhaps, Perhaps, Perhaps, Replay Records

Digital download, www.musicnotes.com

‘Shaker Song’ BECKENSTEIN, J, LASLEY, D and WILLIS, A

Manhattan Transfer, Extensions, WEA/Atlantic, 7567 19258 2 or Ultradisc, 1755 578 2

The New Real Fake Book, The C and Vocal Version, Vol. 1 Sher Music, ISBN 0-9614701-4-3, page 315

‘The Look of Love’ BACHARACH, Burt Dionne Warwick, Dionne Warwick’s Greatest Motion Picture Hits, Rhino

Dusty Springfield, The Universal Masters, Classic Dusty Springfield, Mercury Records

Digital download, www.onlinesheetmusic.com

‘Watch What Happens’

LEGRAND, M Frank Sinatra, My Way – WEA/Warner Bros, B000002K9T

Carmen McRae, The Art of Carmen McRae, Atlantic Records

The New Real Book, C and Vocal Version, Vol. 1, Sher Music, ISBN 0-9614701-4-3, page 390

‘Wave’ JOBIM, Antonio Carlos

Gal Costa, Gal Costa Canta Tom Jobim (original language), BMG Brasil

Nancy Wilson, The Very Best of Nancy Wilson – The Jazz and Blues Sessions, Capitol

The Jazz Source Book Vol. 1, Wise Publications

or

Antonio Carlos Jobim: Anthology, Hal Leonard 312477

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Contemporary Ballad

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s Notation

Breathe In Now*

*Only select one song by Katie Noonan

NOONAN, K Katie Noonan, Songbook, Kin Music or Skin, Mushroom Records

Katie Noonan, Songbook, katienoonan.com

Emperor’s Box*

*Only select one song by Katie Noonan

NOONAN, K Katie Noonan and The Captains, Emperor’s Box, Sony

Katie Noonan, Songbook, katienoonan.com

‘Grateful’ BUCCHINO, J Michael Feinstein on Grateful – The Songs of John Bucchino, RCA Victor

Grateful – The Songs of John Bucchino, Hal Leonard

‘Home Again’ KING, Carole Carole King, Tapestry, Sony B00007LVB Tapestry, Hal Leonard

‘I Hope I Never’ FINN, N Split Enz, History Never Repeats: the Best of Split Enz, Festival Records, B0000ST07E

Great Australian Songbook, Music Sales

‘Imagine’ LENNON, J John Lennon, Imagine, Capitol, B0000457L2

Eva Cassidy, Imagine, Blix Street Records

Single sheet, HL00354091

‘Love’s My Song for You’

*Only select one song by Katie Noonan

NOONAN, K Katie Noonan, Songbook, Kin Music or Skin, Mushroom Records

Katie Noonan, Songbook, katienoonan.com

‘Natural Woman’ (You Make Me Feel)*

KING, C, GOFFIN, G and WEXLER, J

Carole King, Tapestry, Sony, 7464 34946 2 Ladies of Soul, IMP.

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Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘Never Dreamed You Leave in Summer’

WONDER, S Stevie Wonder, Greatest Hits, Vol. 2, Motown B000009QLX

Stevie Wonder, 33 Songs, Wise Publications, Warner/Chappell

Stevie Wonder: The Stevie Wonder Anthology, Hal Leonard 306447

‘Please Don’t Ask Me’*

GOBLE, G John Farnham, Full House, BMG International, B00000G5W1

Gretchen Barretto, Unexpected, Star Recording

Digital download, www.sheetmusicdirect.com

‘She’s Leaving Home’*

LENNON, J and McCARTNEY, P

The Beatles, Sgt. Pepper’s Lonely Hearts Club Band, EMD/Capitol, B000002UAU

Beatles Complete Scores, Hal Leonard 673228

‘Tenterfield Saddler’*

ALLEN, P Peter Allen, At His Best, PGD/A&M, B000002GIG

Great Australian Songbook, Music Sales

‘The Man with the Child in His Eyes’

BUSH, K Kate Bush, Whole Story, Toshiba EMI, B000BD3620

Tina Arena, Songs of Love and Loss, EMI

Kate Bush Complete, International Music Publishers

‘The Look of Love’ BACHARACH, Burt Dionne Warwick, Dionne Warwick’s Greatest Motion Picture Hits, Rhino

Dusty Springfield, The Universal Masters, Classic Dusty Springfield, Mercury Records

Digital download, www.onlinesheetmusic.com

‘The Sound of White’

HIGGINS, Missy Missy Higgins, The Sound of White, Eleven – A Music Company

The Sound Of White, PVG Folio, www.missyhiggins.com/store

‘Up on the Roof’ GOFFIN, G and KING, C

James Taylor, Flag, Columbia/Legacy Digital download, www.musicnotes.com

‘Whenever I Fall at your Feet’

FINN, N Clare Bowditch, She Will Have Her Way, Capitol, EMI

Digital download, www.musicnotes.com

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Title Composer/Songwriter Reference Artist/s and Recording/s Notation

‘Wuthering Heights’ BUSH, K Kate Bush, Whole Story, Toshiba EMI, B000BD3620

Kate Bush Complete, International Music Publishers

‘Yesterday’ LENNON, J and McCARTNEY, P

The Beatles, Beatles 1, Capitol

Paul McCartney, Back in the World, MPL Communications

Eva Cassidy, American Tune, Blix Street Records

‘Yesterday’, single sheet, Hal Leonard HL.355735

Rock/Pop

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Songwriter Reference Artist/s and Recording/s

Notation

‘Bubbly’ CAILLAT, Coby Bubbly, EP, Universal Records Single sheet, Cherry Lane Music

‘Catch My Disease’ LEE, Ben Catch My Disease, EP, Inertia Recordings

The Great Australian Songbook, Music Sales

‘Crazy Little Thing Called Love’

MERCURY, Freddie Queen, Greatest Hits Volume 2, Hollywood Records, 162042, B000000OF6

Best of Queen, Hal Leonard

308244

‘Don’t Speak’ STEFANI, Eric and STEFANI, Gwen

No Doubt, No Doubt: The Singles (1992–2003), Interscope Records

Digital download, www.musicroom.com.au

‘Drop in the Ocean’

POPE, Ron Ron Pope, Daylight, Ron Pope

Digital download, musicnotes.com

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Title Composer/Songwriter Reference Artist/s and Recording/s

Notation

‘He Won’t Go’ ADKINS, A and EPWORTH P

Adele, 21, XL Digital download, www.musicnotes.com

‘Hide and Seek’ HEAP, Imogen Songs for Tibet, The Art of Peace Foundation

Digital download, www.musicnotes.com

‘Hollywood’s Not America

CHRISTY, L, SPOCK, S, EDWARDS, G and ALQUAISI, F

Feras, Hollywood’s Not America

Digital download, www.musicnotes.com

‘In a Little While’

U2 U2, All That You Can’t Leave Behind, Universal-Island Records

U2, All that You Can’t Leave Behind, Guitar tab and lyrics, Wise Publications

‘Just a Girl’ STEFANI, Gwen and DUMONT, Tom

No Doubt, No Doubt: The Singles (1992–2003), Interscope Records

Classic Rock of the ‘90s: Alternative, Modern and Unplugged, Alfred

‘Lego House’ SHERRAN, E Ed Sherran, Lego House, Warner

Digital download, www.sheetmusicdirect.com

‘Love Song’ BAREILLES, Sarah Sarah Bareilles, Little Voice, Sony BMG Music Entertainment

Little Voice, Cherry Lane Music 250 1136

‘More than Words’ EXTREME Extreme, The Best of Extreme – An Accidental Collication of Atoms, A&M Records

More Than Words, Hal Leonard, digital download

‘Moves Like Jagger’

LEVINE, B, LEVINE, A, MALIKE, A and SCHUSTER, J

Maroon 5, Moves Like Jagger, A&M/Octone

Digital download, www.musicnotes.com

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Title Composer/Songwriter Reference Artist/s and Recording/s

Notation

‘No Such Thing’ MAYER, John John Mayer, Room for Squares, Sony Music Entertainment

Single sheet, Hal Leonard 2500543

‘Not Over You’ DEGRAW, Gavin Gavin Degraw, Not Over You, RCA, single

Digital Sheet Music, Hal Leonard

‘One Angry Dwarf’ BEN FOLDS FIVE Ben Folds, Whatever and Ever Amen, Sony BMG Music Entertainment

Digital download, www.musicnotes.com

‘Peachy’ HIGGINS, Missy Missy Higgins, Peachy, EP, Eleven: A Music Company

On a Clear Night, Sasha Music Publishing

‘Prospekt’s March’ BUCKLAND, J, CHAMPION, W, MARTIN, C and BERRYMAN, G

Coldplay, Viva La Vida (March edition)

Prospekt’s March, Hal Leonard

‘Save Tonight’ CHERRY, Eagle-eye Eagle-Eye Cherry, Desireless, Superstudio/Diesel Music AB

Essential Acoustic Playlist, Faber

‘So Beautiful’ MURRAY, Pete Pete Murray, Feeler, Sony Music Entertainment

The Little Black Aussie Songbook, Wise Publications

‘The Horses’ RICKIE LEE JONES Rickie Lee Jones, Flying Cowboys, Geffen Records

The Best of Rickie Lee Jones, Cherry Lane Music

‘This Ain’t Goodbye’

MONAHAN, P and TEDDERM R

Train, Save Me San Francisco, Sony

Digital download, www.sheetmusicdirect.com/se/ID_No/76175/Product.aspx

‘Under the Bridge’ RED HOT CHILLI PEPPERS

Red Hot Chilli Peppers, Red Hot Chilli Peppers – A Tribute, Going for a Song

Single sheet, Hal Leonard

HL. 351204

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VCE Music Prescribed list of notated solo works: Voice – Contemporary popular For use from 1 January 2014. Annual updates are published at www.vcaa.vic.edu.au Page 20 of 29

Title Composer/Songwriter Reference Artist/s and Recording/s

Notation

‘Wish You Were Here’

WATERS, Roger and GILMOUR, Dave

Wish You Were Here, Pink Floyd, Digital remaster 2011

Wish You Were Here, Pink Floyd, Amsco Publications

‘You Were Meant for Me’

JEWEL ‘You Were Meant for Me’, CD single, WEA International, 282522, B000005JXX

More Songs of the 90s PVG, Hal Leonard, 310430

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VCE Music Prescribed list of notated solo works: Voice – Contemporary popular For use from 1 January 2014. Annual updates are published at www.vcaa.vic.edu.au Page 21 of 29

Country

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Arranger/Performer CD Anthology and Publisher

‘Bird on a Wire’ COHEN, L Leonard Cohen, Songs from a Room, Sony Music Entertainment

Jennifer Warnes, Famous Blue Raincoat, BMG

Willie Nelson, Tower of Song, A&M

Leonard Cohen Collection, Amsco Publications, or The Concise Leonard Cohen Music Sales AM037167

‘I Am a Man of Constant Sorrows’

CARTER, Stanley Alison Krauss, Alison Krauss and Union Station – Live, Rounder

Single sheet, Hal Leonard 352483

‘I’ll Fly Away’ BRUMLEY, Albert Alison Krauss, O Brother Where Art Thou? Mercury

Selections from O Brother, Where Art Thou?, PVG, Hal Leonard

‘If I Die Young’ THE BAND PERRY If I Die Young, single Digital download, www.musicnotes.com

‘Landslide’ FLEETWOOD MAC Dixie Chicks, Home, Sony Music Entertainment

Digital download, www.sheetmusicdirect.com

‘Mean’ SWIFT, Taylor Taylor Swift, Speak Now Digital download, www.musicnotes.com

‘Oh Atlanta’ RALPHS, Mick Alison Krauss, Now That I’ve Found You, Rounder

Now That I’ve Found You, Alfred AP.PG9642

‘Somebody Like You’

URBAN, Keith Keith Urban, Keith Urban Greatest Hits, Capitol Records, Nashville

Keith Urban Greatest Hits, Cherry Lane Music

‘The Captain’ CHAMBERS, Kasey Kasey Chambers, The Captain, EMI The Captain, single sheet, Music Sales

‘The Dance’ BROOKS, Garth The Dance – A Tribute to Garth Brooks, Okla-Nash-Vegas

Digital download, www.musicnotes.com

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Title Composer/Arranger/Performer CD Anthology and Publisher

‘The Song Remembers When’

TAYLOR, J Trisha Yearwood, Trisha Yearwood: The Song Remembers When CD, Universal Special Products

The Ultimate Country Fake Book, 4th edition or single sheet digital download from www.musicroom.com.au

‘When I Think About Angels’

DEAN, R, TILLIS, S and O’NEAL, J

Jamie O’Neal, Shiver, Mercury Records Digital download, www.musicnotes.com

‘When You Say Nothing at All’

SCHULTZ, D and OVERSTREET, P

Alison Krauss & Union Station, Now That I’ve Found You: A Collection, Rounder / Umgd, B0000002ME

More Songs of the Nineties, Hal Leonard 310430

‘Where I Come From’

KERNAGHAN, Lee Lee Kernaghan, The New Bush, Mirabi Cool Country Guys, Alfred

‘Witchita Lineman’

WEBB, Jimmy Sheila Southern, Didn’t We, the Jimmy Webb Songbook

www.justsheetmusic.com/sheet-music/jimmy-webb-wichita-lineman/

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VCE Music Prescribed list of notated solo works: Voice – Contemporary popular For use from 1 January 2014. Annual updates are published at www.vcaa.vic.edu.au Page 23 of 29

Folk

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Title Composer/Arranger/Performer

CD Anthology and Publisher

‘All My Trials Soon Be Over’

TRADITIONAL. ARR. BAEZ, Joan

Joan Baez, Vanguard All American Folk, Creative Concepts/Hal Leonard

‘Blowin’ in the Wind’

DYLAN, Bob

Bob Dylan, Essential Bob Dylan, Sbme Import, B00006830PB00004Z3TS

The Definitive Bob Dylan Songbook, AMSCO, AM978923

‘Chelsea Morning’*

MITCHELL, J Joni Mitchell, Clouds, WEA/Warner Bros, B000002K0JB000002K0J

or

Joni Mitchell, Hits, WEA/Warner Bros, 7599 46326 2, 9362 46326 2

The Very Best of Joni Mitchell, Warner Bros*

or

Joni Mitchell: Hits, Warner Bros

or

Joni Mitchell: The New Best of Joni Mitchell, Wise Publications

‘Fast Car’ CHAPMAN, T Tracy Chapman, Tracy Chapman, WEA/ Elektra B000002H5I

Tracy Chapman, Hal Leonard, 356378

‘Like a Rolling Stone’

DYLAN, Bob Bob Dylan, Essential Bob Dylan, Sbme Import, B00006830PB00004Z3TS

The Definitive Bob Dylan Songbook, AMSCO, AM978923

‘Love Will Come to You’

INDIGO GIRLS Indigo Girls, Rites of Passage, SONY B00004Z3TS

Indigo Girls, Rites of Passage, HL308148

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Title Composer/Arranger/Performer

CD Anthology and Publisher

‘Scarborough Fair/Canticle’*

TRADITIONAL Simon & Garfunkel, Parsley, Sage, Rosemary & Thyme, SONY B00005NKKXB00005NKKX

or

Simon & Garfunkel, Greatest Hits, SONY B0000024YL

or

Hayley Westenra, Celtic Treasure, Decca

Paul Simon, Anthology Album, Music Sales

‘Slumber my Darling’*

FOSTER, Stephen Heartland: An Appalachian Anthology, Sony BMG

Digital download, www.traditionalmusic.co.uk/foster-songs/

‘The Circle Game’

MITCHELL, J Joni Mitchell, Joni Mitchell Hits, Warner Ladies of the Canyon, Siquomb Publishing

‘The Water is Wide’

TRADITIONAL Enchantment, Charlotte Church, Sony B00005RGNH

The Joan Baez Songbook, Amsco Publications

From The Greatest Ever Improve Your Singing Book … For Contemporary Vocalists with CD including backing tracks

‘Zebra’ BUTLER, John John Butler Trio, Sunrise Over Sea, Jarrah Records

The John Butler Trio Songbook, Volume 1, Wise Publications

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Music Theatre and Film

Works marked with an asterisk (*) are suitable to be sung unaccompanied.

Composer/Arranger/Performer Title Film/Show/Anthology and Publisher CD

ANDERSSON, B and ULVAEUS, B

‘Heaven Help My Heart’

‘Anthem’ ballad

Chess, Chess Selections, Wise Publications

or

Hal Leonard 123037

1986 London Concept Cast, Decca BroadwayB000002GLR

BROWN, J Robert ‘I’m Not Afraid of Anything’

Songs for A New World, Hal Leonard

313188

1996 Original New York Cast, RCA, Victor Broadway, B000003G5U

‘A Part of That’

‘Still Hurting’

The Last 5 years, Hal Leonard, 313206 2002 Off Broadway Cast, Ghostlight

COLEMAN, Cy ‘Funny’

‘You Can Always Count on Me’

City of Angels, Warner Bros 1990 Original Broadway Cast, Sony, B00000272K

FLAHERTY, Stephen ‘I Was Here’ The Glorious Ones: Vocal Selections, Alfred Music Publishing, AP. 29165

The Glorious Ones (The Lincoln Center Theater Production), Marc Kudisch & Company

FLAHERTY, Stephen ‘Times Like This’

Lucky Stiff, www.musicnotes.com/sheetmusic/

Lucky Stiff, The York Theatre Production, JAY Productions,

HAMMERSTEIN, O and ROMBERG, S

‘Softly as in a Morning Sunrise’ from The New Moon

The Music of Sigmund Romberg, Alfred

Or

Digital download, www.musicnotes.com

The New Moon, Whitehorse Inn and The Girlfriend, Hallmark Essential Operetta

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Composer/Arranger/Performer Title Film/Show/Anthology and Publisher CD

LARSON, Jonathon ‘Take Me or Leave Me’

‘One Song Glory’

‘Out Tonight’

Rent, EMI

or

The Big Book of Broadway, third edition, PVG 311658

1996 Original Broadway Cast, Dreamworks, B00000SALT

LLOYD WEBBER, A ‘One Rock ’n’ Roll Too Many’

Starlight Express Starlight Express, Original Cast Recording, The Really Useful Group

LLOYD WEBBER, A ‘Rum Tum Tugger’

Cats, Hal Leonard 359465 Cats 1981 Original London Cast, Polydor

LOPEZ, R and MARX, J ‘There’s a Fine, Fine Line’

‘Purpose’

Avenue Q, PVG, Hal Leonard 313269 Avenue Q 2003 Original Broadway Cast, RCA Victor Broadway

LOPEZ, R and MARX, J ‘The More You Ruv Someone’

Avenue Q, PVG, Hal Leonard 313269 Avenue Q 2003 Original Broadway Cast, RCA Victor Broadway

MENKEN, A ‘Dentist!’ Little Shop of Horrors, Broadway Cast, DRG Records

Digital download, www.musicnotes.com

MORRISON, G and LAMBERT, L

‘Show Off’ The Drowsy Chaperone, PVG, Hal Leonard 313361

The Drowsy Chaperone (Original Broadway Cast Recording), Sh-K-Boom Records

SCHONBERG, C-M ‘Why God’

‘Now that I’ve Seen Her’

Miss Saigon, Wise Publications 1989 London Cast, Decca USB0000000RS

SCHWARTZ, S ‘Bless the Lord’

‘Alas for You’

Godspell, Hal Leonard 359902 Godspell, Cast Recording, Arista 1971

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Composer/Arranger/Performer Title Film/Show/Anthology and Publisher CD

SCHWARTZ, S ‘Popular’

‘Dancing Through Life’

‘For Good’

Wicked, Piano Vocal Selections, Hal Leonard, 313267

Wicked 2003 Original Broadway Cast, Decca Broadway

SONDHEIM, S ‘I Know Things Now’

or

‘Anyone Can Whistle’

Into the Woods, Warner Bros. 1987 Original Broadway Cast, RCA, BOOOOO2WAB

SONDHEIM, S ‘Everybody Says Don’t’

Everyone Can Whistle, Vocal Selections, Hal Leonard, 312010

Mandy Patinkin Sings Sondheim, Nonesuch Records or

Broadway Cast Recording, Sony BMG, (Harry Guardino)

STYNE, J. and SONDHEIM, S

‘All I Need is the Girl’

Gypsy: Vocal Selections, Alfred Music Publishing AP.30405

Gypsy 2008 Broadway Revival, Time Life Entertainment

WILDHORN, F ‘Someone Like You’

‘This is the Moment’

‘In His Eyes’

Jekyll and Hyde, Cherry Lane 1997 Original Broadway Cast, Atlantic/WEA, B000002JC2

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Sample programs

No 1

Category Work Composer/Performer

Vocalise ‘What’s More’ George & Vertigan

Blues ‘A Sunday Kind of Love’ Belle, Prima, Leonard and Rhodes

Swing ‘I’m Beginning to See the Light’ James, Hodges, George & Ellington

Folk ‘The Water is Wide’ (unaccompanied)

Traditional

Rock/Pop ‘Don’t Speak’ Stefani & Stefani

Music Theatre ‘Home’ from Beauty and the Beast Ashman, Mencken & Rice

No 2

Category Work Composer/Performer

Vocalise ‘Looking Up’ and ‘Don’t Forget to Call’

George & Vertigan

Blues ‘Work Song’ Adderley & Brown

Soul ‘Ain’t No Mountain High Enough’ Ashford & Simpson

Swing ‘Blue Skies’ Berlin

Jazz Ballad ‘Angel Eyes’ Brent & Dennis

Latin ‘One Note Samba’ (unaccompanied)

Jobim

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No 3

Category Work Composer/Performer

Vocalise ‘Evolution’ George & Vertigan

Blues ‘Heartbreak Hotel’ (unaccompanied)

Presley, Durden & Axton

Soul ‘You Send Me’ Cooke

Latin ‘Shaker Song’ Beckenstein, Lasley & Willis

Contemporary Ballad

‘Yesterday’ Lennon & McCartney

Country ‘Bird on a Wire’ Cohen