Prima FullLine List 2009 093

8/8/2019 Prima FullLine List 2009 093

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2/10

Recoil StabilizerMonitor Isolation Mount

I really dont know the science behind all this but all I can say is that my NS10s are still here. I can now hear

the bottom end on the NS10s the same way I hear it on my Auxbergers. How amazing is that? I use to have

a harder time molding the lower end of my mixes, but the Recoil Stabilizers have cleared it all out. I just cant

listen without them anymore.

~ Paul Boutin Engineer/Composer - Babyface, Michael Jackson, Whitney Houston, Mariah Carey, The Roll-

ing Stones, Madonna, Janet Jackson, Stevie Wonder, Phil Collins, Celine Dion, Paul McCartney, Sheryl Crow,

Fall out Boy, Usher, TLC, Backstreet Boys, *NSYNC, Pink, Anita Baker, Patti LaBelle, Melissa Etheridge,

Rihanna, Jamie Foxx...

My nearfield speakers sound better on the Re-

coil Stabilizers than they did without them. The

bottom is solid, the vocals are clear and my

speakers dont fall down. Its a great product.~ Daniel Lanois Engineer/Producer - U2,

Bob Dylan, Peter Gabriel, Emmylou Harris,

Ron Sexsmith, Robbie Robertson

The Recoil Stabilizers are great! A huge dif-

ference from regular foam pads. They sound

more stationary and connected. Im quite

happy with them.

~ Elliot Scheiner, Engineer/Producer- Steely

Dan, Fleetwood Mac, Sting, The Eagles,

Queen , REM, Faith Hill

When I began using the Primacoustic Recoil

Stabilizer I immediately noticed improvements

in the low end clarity of my nearfield monitors,

to the point that I no longer needed to use aseparate subwoofer. Incredibly, the detail of

high frequencies and image localization were

also improved.

~ Chuck Ainlay, Producer / Engineer - Dire

Straits, Vince Gill, George Strait, Lyle Lovett,

Sheryl Crow, Dixie Chicks

When I got them installed, I did not expect to

hear much of a difference. I was wrong. The

bass and kick drum were the most obvious

differences, but overall the image became less

smeary and the low end was to die for.

~Roger Nichols, Engineer/Producer- Steely

Dan, John Denver, Bela Fleck, Yo-Yo Ma,

Reba McIntyre, Natalie Cole, Rosanne Cash,

Donald Fagen, Cher, Placido Domingo, Mark

Knopfler, Crosby Stills & Nash, Frank Sinatra,

Joe Cocker, Diana Ross, Stevie Wonder,

Frank Zappa, Larry Carlton, John Lee Hooker

Since adding Recoil Stabilizers to my system,

I feel that I am getting better balances plus a

low end that, when I take the recording out

of my room and listen to it somewhere else,

is more representative of what I am hearing

when I record. With Recoils, the speakers

are now decoupled from the console and I am

really enjoying the balances. Consider me a

satisfied user.

~ Ed Cherney with Jann Arden, Engineer/

Producer- The Rolling Stones, Bonnie Raitt,

Jackson Browne, Eric Clapton, Buddy Guy

I was suspect at first, but after a few minutes

with the Recoil Stabilizers I realized how much

difference they made. Especially on the low

end. Im keeping these. They work.

~ Al Schmitt, Engineer/producer - Barbra

Streisand, Steely Dan, Ray Charles, Quincy

Jones


3/10

RX5 RX7 RX9 RX12 RX20RX17

Recoil Stabilizers Are Available In Six Sizes

ISO PADS MONITOR PLATFORM

IsoPlaneThe IsoPlane is a multi purpose isolation kit for use with monitor speakers, turntables, CD player/burners and other devices. Each k

contains 4 pieces of high-density low compression foam. Each piece measures 12 x 4.5 x 1.5. IsoPlane pads are placed unde

the device that you want to acoustically isolate or provide vibration protection for. Color- Light Charcoal.

RECOIL STABILIZER MONITOR PLATFORM

The Primacoustic Recoil Stabilizer is a tri-layer nearfield monitor platform. It employs a thick foam isolator to eliminateresonance by decoupling the nearfield from the console meter bridge or shelf. A heavy steel platform adds mass to stabilize the

monitor from the piston movement of the driver. Finally, a soft neoprene top surface securely holds the loudspeaker. Once in place,

transient response is improved, with deeper more natural bass and added clarity at all frequencies. Available in a variety of sizes and

firing angles. Patent Pending. Priced and sold individualy.

Page 1 of 101588 Kebet Way, Port Coquitlam, BC, CANADA, V3C 5M5 Tel: 604-942-1001 Fax: 604-942-1010 [email protected] is a division of Radial Engineering Ltd. Copyright 2009, all rights reserved. Subject to change without notice.

Effective January 2009Subject to change without notice

Horizontal

0

IsoWedgeThe IsoWedge is a monitor speaker isolation kit. Each kit contains 4 pieces of high-density low compression foam. Each piece mea

sures 12 x 4.5 x 2. IsoWedge pads are cut with a 6 degree slope that can provide for effective down- firing placement in elevated

installations (on a meter bridge) or the pad can be reversed for up-firing tabletop installation. Color- Light Charcoal.

Down-fi re


4/10

BROADWAY SCATTER BLOCKS

BROADWAY CONTROL CUBES

BROADWAY CONTROL COLUMNS

BROADWAY BROADBAND

12 x 12

305mm x 305mm

24 x 24

609mm x 609mm

Scatter Blocks 12 x 12Broadway Scatter Blocks are an easy to install acoustic treatment used where you want to control sound, but do not want to

eliminate the natural room ambiance. Scatter Blocks are designed to be randomly spaced on large wall surfaces to create an

effect we call Soft Diffusion, an affordable alternative to quadratic diffusion. By leaving some reflective wall space in between

Scatter Blocks flutter echo and standing waves are controlled while allowing some energy to reflect back into the room. This

approach helps maintain a sense of air or ambience in the room response. Scatter Blocks are an excellent choice for live-

end, dead-end designs such as in studios and home theatres. All panels are made from high density 6lb fiberglass and fully

encapsulated with micromesh. Edges are resin treated to produce sharp-looking architecturally attractive lines. Panels arecovered with acoustic fabric in a choice of three neutral colors to match most room decors.

Color code: xx = Black (00); Beige (03); Grey (08).

Order No. Thickness Edge Box Qty Coverage List

F101-1212-xx 1 Square 24 24 sq-ft 639.00

F102-1212-xx 2 Square 24 24 sq-ft 639.00

12 x 48

305mm x 1219mm

24 x 48

609mmx 1219mm

Control Cubes 24 x 24Broadway Control Cubes present an attractive and easy to install acoustic treatment where you want to control primary reflec-

tions, eliminateflutter echo and reduce standing waves. The panels are typically installed in an array leaving some reflective wall

surface between panels so as not to completely deaden the room. This helps control acoustic problems while leaving a sense of

air or space in the room. The Control Cubes square shape is particularly well suited for large wall surfaces where you need to

reduce the reverberant time. All panels are made from high density 6lbfiberglass and fully encapsulated with micromesh. Edges

are resin treated to produce sharp-looking architecturally attractive lines. Panels are covered with acoustic fabric in a choice ofthree neutral colors to match most room decors. Color code: xx = Black (00); Beige (03); Grey (08).

Control Columns 12 x 48Broadway Control Columns present an attractive and easy to install acoustic treatment used where you want to control primary

reflections, eliminateflutter echo and reduce standing waves. Control Columns are designed to be positioned in arrays to treat

bothersome reflections that exist between the sound source and the listener. The panels are typically spread across a wall

surface leaving some reflective space between panels. This helps control acoustic problems while leaving a sense of air or

natural ambiance. The Control Columns long narrow design is reminiscent of the historic Roman Pillar making it an ideal

compliment to architectural designs. All panels are made from high density 6lbfiberglass and fully encapsulated with micromesh.

Edges are resin treated to produce sharp-looking architecturally attractive lines. Panels are covered with acoustic fabric in a

choice of three neutral colors to match most room decors. Color code: xx = Black (00); Beige (03); Grey (08).

Broadband Panels 24 x 48Broadway Broadband absorbers are easy to install and offer maximum control over room reflections. These large panels are

particularly effective in larger installations and in rooms where the reverberant field and echo is excessive. Broadband absorbers

can be used for complete wall coverage and maximum absorption or spread out with some open wall space between panels

to create a sense of air or natural ambiance. All panels are made from high density 6lb fiberglass and fully encapsulated with

micromesh. Edges are resin treated to produce sharp-looking architecturally attractive lines. Panels are covered with acoustic

fabric in a choice of three neutral colors to match most room decors. Color code: xx = Black (00); Beige (03); Grey (08).


F101-2424-xx 1 Square 12 48 sq-ft 749.00

F102-2424-xx 2 Square 12 48 sq-ft 969.00

F122-2424-xx 2 Beveled 12 48 sq-ft 1069.00


F101-1248-xx 1 Square 12 48 sq-ft 749.00

F102-1248-xx 2 Square 12 48 sq-ft 969.00

F122-1248-xx 2 Beveled 12 48 sq-ft 1069.00

F103-1248-xx 3 Square 8 32 sq-ft 969.00


F101-2448-xx 1 Square 6 48 sq-ft 639.00

F102-2448-xx 2 Square 6 48 sq-ft 859.00

F122-2448-xx 2 Beveled 6 48 sq-ft 969.00

F103-2448-xx 3 Square 4 32 sq-ft 859.00

F123-2448-xx 3 Beveled 4 32 sq-ft 969.00

Page 2 of 10www.primacoustic.com

BEVELED

SQUARE

BEVELED

SQUARE

BEVELED SQUARE

SQUARE


5/10

ThunderTiles The Primacoustic ThunderTile is a superbly crafted paneldesigned to fit T-bar ceilings. ThunderTiles combine the superior sound absorption

of high density fiberglass with a heavy gypsum board backing to stop sound. This

provides exceptional sound control in applications such as broadcast studios, home

theatres, private offices, board rooms, music rooms, medical facilities, nightclubs, call

centers, in fact any room that needs to reduce echo and keep sound contained.

StratoTiles The Primacoustic StratoTile is a superbly crafted panel designedtofit T-bar ceilings. StratoTiles provide the exceptional sound absorption of high den

sity fiberglass presented in a stunning bright white finish that is sure to please even

the most demanding architect. Ideally suited for rooms with excessive echo and rever

such as classrooms, conference centers, boardrooms, call centers, offices, librarie

and restaurants.

Cobra Tripple Grip AnchorsThis multi-purpose plastic anchor kit can be used

in drywall, plaster, brick, and concrete block to fas

ten Primacoustic impalers. Unique tripple action

design grips in three ways; claws, expanding spli

core and locking toggle wings. Includes masonrydrill bit, 100 anchors and 100 screws.

Off-Set ImpalerIncrease bass absorption by introducing a 3

air space behind any Broadway panel. The offse

impaler will lower the effective frequency by a

much as an octave. Features a U-shaped design

with pivoting darts for left-hand or right-hand

installations. For an extra measure of security

a dab of adhesive can be added between theimpaler and panel.

SURFACE IMPALER

CORNER IMPALER

ADHESIVE

CEILING TILES

Surface ImpalerUsed to mount Broadway panels directly onto the

wall surface. The impaler is anchored to the wall

with two screws. Four sharpened darts embed into

and support the acoustic panel. Panel installation

is quick, and easy with little wall defacement. For

an extra measure of security, a dab of adhesive

can be added between the impaler and panel.

Corner ImpalerTurn room corners into bass traps by mounting a

Broadway Broadband panel across a 90 corner

to form a 17 deep cavity that absorbs bass. Pri-

macoustic corner impalers are easy to install with

pivoting darts for left-hand or right-hand mounting.

Simply fasten four corner impalers to the wallsand mount your panel to the impalers. For an

extra measure of security, a dab of adhesive can

be added between the impaler and panel.

Liquid Nails AdhesiveHeavy duty construction adhesive used for per-

manent installation on walls and ceilings. Impalers

are recommended for holding the panel in place

while the adhesive sets. Order one tube for every

32 square feet of material. Requires caulking gunto apply.

OFF-SET IMPALER

CLOUD ANCHORS

Acoustic Cloud AnchorSuspending Broadway acoustic panels has neve

been easier or faster. Simply twist cloud anchor

into the back of the Broadway panel for a strong

and secure installation. The integrated eye-screw

allows overhead suspension by tie-wire or chain

Perfect for hanging Broadway acoustic panelsin resturants, call centers, boardrooms, schools

and offices.

IMPALER WALL ANCHOR KIT

Page 3 of 10

Order No. Box Qty List

F101-1000-00 24 79.00


F101-1002-00 8 149.00


F101-1001-00 8 129.00


F101-1007-00 12 79.00


Z600-2210-00 100 39.00

MOUNTING

OPTIONS

Surface mounted

Off-set mounted

BOX OF 100

ANCHORS

Nominal Sizes: 24 x 48 (600mm x 1200mm)24 x 24 (600mm x 600mm)

Edge type: Trim or RevealColor: Absolute whiteReflectance: 0.89 LR (light reflectance)Construction: Laminated with 5/8

fiberglass, gypsum board,encapsulated fiberglass mesh,resin hardened edges

Nominal Sizes: 24 x 48 (600mm x 1200mm)24 x 24 (600mm x 600mm)

Edge type: Trim or RevealColor: Absolute whiteReflectance: 0.89 LR (light reflectance)Construction: 3/4 fiberglass, encapsulated

fiberglass mesh, resinhardened edges

Order No. QTY Size Edge List

P200-2424-00 8 24x24 Trim 379.00

P201-2424-00 8 24x24 Reveal 429.00

P200-2448-00 4 24x48 Trim 379.00

P201-2448-00 4 24x48 Reveal 429.00Trim Edge Reveal Edge

www.primacoustic.com

Fiberglass Sound

Absorber

Gypsum Sound StopFiberglass Sound

Absorber

Order No. QTY Size Edge List

P210-2424-00 12 24x24 Trim 319.00

P211-2424-00 12 24x24 Reveal 379.00

P210-2448-00 6 24x48 Trim 319.00

P211-2448-00 6 24x48 Reveal 379.00


6/10

A

B

E

C

D

F G

London 12a Contains

QTY Panel

A 2 24 x 48 Broadband

B 8 12 x 48 Control Column

C 12 12 x 12 Scatter Blocks

D 28 Surface impalers

E 8 Corner impalers

F 100 Wall anchors & screws

G 1 1/4 drill bit

LONDON 12 ROOM KIT

LONDON 12a FOR THE HOME THEATRE

Page 4 of 10

Order No. Color List

Z900-0120-00 Black 1289.00

Z900-0120-03 Beige 1289.00

Z900-0120-08 Grey 1289.00

The London 12a kit is designed to suit recording studios and control rooms that range from 120 sq-ft to 150 sq-ft. This means rooms that are approximately 10 x 12

to 12 x 15 will be very well served. Because of the London 12as modular nature, the same panel sets can be arranged to also suit various room configurations.

LONDON

ROOM KIT


London 12a Room KitThe London 12a room kit includes a remarkable combination of acoustic panels and

hardware that together solve many of the usual problems associated with studio acous-

tics. To dissipate high frequencyflutter echo and reduce standing waves, twelve Scatter

Blocks are positioned at the receive end of the room. To control powerful reflections

in the critical mid range, eight Control Columns are positioned on side walls and on the

source wall. To help manage low frequencies and reduce the effect of room modes, two

large Broadband absorbers are positioned in the corners.

All panels are made from high density 6lb fiberglass and fully encapsulated with micro-

mesh. Edges are resin treated to produce sharp-looking architecturally attractive lines.

Panels are then covered with acoustic fabric in a choice of three neutral colors to match

most room decors. The London kit comes complete with Surface Impalers to mount pan-

elsflush to walls, Corner Impalers to create the bass traps in room corners and all of the

screws and wall anchors you need to do the installation. We even include the drill bit!

The London 12a room kit provides a bal-

anced solution that deals with both room

reflections and problem frequencies. Best

of all, because the panels are modular

by nature, they can be distributed to meet

a multitude of room configurations and be

adapted as a starting point for larger rooms

or more demanding applications. Class-1firerated for safe installations anywhere. No

glue needed. Installation is clean and easy.

Available with black, grey or beige panels.

LONDON 12a FOR THE STUDIO

The London 12a kit is designed to suit home theatres that range from 150 sq-ft to 200

sq-ft. This means rooms that are approximatly 10 x 15 to 15 x 18 will be very well

served. Because of the London 12as modular nature, the same panel sets can be

arranged to also suit various room configurations.

The London 12a kit ships in a single box

that fits in the average compact hatchback!


7/10

COMPUTER SILENCER

Machine Room Computer SilencerThe Machine Room is a computer silencer that combines natural thermal convection with forced ai

to keep your computer running at ambient temperatures. Cool air enters the Machine Room via a por

equipped with a dust filter at the bottom rear. A distribution chamber evenly dissipates fresh air around

the computer while the variable-speed fan in the top draws the warm air out via a noise attenuating

manifold. High density wood composite shell, internal acoustic foam and isolation pads combine to at

tenuate noise. A sealed Plexiglas front door and rear cable port provide efficient access to the computer

Comes with fan power supply and wireless remote thermometer to monitor internal temperature.

Order No. Color Box QTY List

Z840-2000-00 Black 1 1499.00

PORTABLE GOBOS

Freeport XT Portable GoboThe Freeport XT is a light-weight portable gobo designedto both isolate instruments while recording and be used in

groups to create an intimate acoustic environment in any

room. The Freeport XT features a large 24x48 acoustic

panel complete with a sturdy PVC tubular stand that to-

gether extend to 6ft. The Freeport gives you the freedom to

record with a portable solution that assembles in minutes.

Ideal forfield recording and creat-

ing temporary studios anywhere!

Comes in a dark charcoal color.

Shipped two per box.

Freeport GT Stackable GoboThe Freeport GT is a light-weight stackable gobo designed toisolate instruments while recording. It features a large 24x36

acoustic panel that comes complete with a sturdy PVC tubula

stand. The innovative design allows two Freeport GTs to be

stacked for even greater isolation. The Freeport gives you

the freedom to record with a

portable solution that assembles

in minutes. Perfect to help con-

trol spill from guitar amplifiers,

drums and other instruments.

Comes in a dark charcoal color.

Shipped two per box.

Page 5 of 10



Z830-0020-00 2 859.00

Cool Air In

Warm Air Out

Includes Wireless

Thermometer

Sold in pairs.

24 x 36 GoTrap Studio GoboThe Go-Trap is a 24 x 36 combination gobo and bass trap that is designed tough to meet the demands

of the professional studio. Features fabric covered high-density sound absorbing panels on both sides

An internal fiberboard spring controls spill between instruments while enhancing bass absorption

Made from multi-ply Baltic Birch, the Go-Trap is engineered with dove-tail joints to provide years of ser

vice. Can be stacked to create isolation walls. Natural wood finish. Available fabric colors: black; beige

and grey. Colour code: xx = Black (00); Beige (03); Grey (08).

STUDIO GOBO

Order No. Color Box QTY List

Z840-1120-00 Black 1 799.00

Z840-1120-03 Beige 1 799.00

Z840-1120-08 Grey 1 799.00

Recording

Mixing


Z830-0030-00 2 859.00

Stacked


8/10

FULL TRAP

MAX TRAP

24 x 48 FullTrap Broadband Absober and Bass TrapThe FullTrap is a wall-mounted bass trap designed to control low frequency modes. This full-bandwidth

device features a thick 3 front panel to absorb highs and mids. A solid wood frame creates an 8 deep

cavity behind the panel to control lower mid range and bass while a suspended diaphragm inside the

cavity extends the bass absorption down to 80Hz. This makes the FullTrap a

great full range sound absorption device to smooth out the peaks & valleys in

your room. Available Colors: black; beige; and grey. Colour code: xx = Black

(00); Grey (08); Beige (03).

24 x 48 MaxTrap Broadband Absober and Corner Bass TrapThe MaxTrap is a corner-mounted bass trap designed to control low frequency modes. This full-

bandwidth device features a thick 3 front panel to absorb highs and mids. A solid wood frame creates

a 17 deep cavity behind the panel to control lower mid range and bass while a suspended diaphragm

inside the cavity extends the bass absorption down to 40Hz. This makes the MaxTrap the perfect full

range sound absorption device to smooth out the peaks & valleys in your room.Black cabinet with fabric wrapped Broadway panel. Available panel colors: black;

beige; and grey. Colour code: xx = Black (00); Grey (08); Beige (03).

Page 6 of 10www.primacoustic.com

Order No. Color Box Qty List

Z840-1100-00 Black 1 859.00

Z840-1100-03 Beige 1 859.00

Z840-1100-08 Grey 1 859.00


Z840-1110-00 Black 1 859.00

Z840-1110-03 Beige 1 859.00

Z840-1110-08 Grey 1 859.00

CUMULUS

CumulusTri-corner Bass TrapThe Cumulus is a 24 equilateral triangle trap designed to mount in the tri-corner joint where two walls

and ceiling intersect. Corners have long been viewed as the most effective place for acoustic treatment.A unique spring-loaded mounting system snaps the Cumulus into the corner joint using a single eye

hook. Once mounted, it creates a deep 12 cavity that will effectively reach down to absorb 100Hz.

Attractive yet unobtrusive makes the Cumulus perfect for home theatres.

Available Colors: black; beige; and grey. Colour code: xx = Black (00); Grey

(08); Beige (03)Sold in pairs.

24 Sides

Order No. Color Box Qty Freight Code List

Z840-1210-00 Black 2 A 209.00

Z840-1210-03 Beige 2 A 209.00

Z840-1210-08 Grey 2 A 209.00

Spring clipmount system.

FLEXIBOOTH

FlexiBooth Instant Voice-over BoothThe FlexiBooth is a full size 24 x 48 wall-mounted acoustic cupboard that opens to surround the

voice talent and create 16 cubic foot voice-over zone. The high-density 6lb acoustic panels are highly

absorptive throughout the voice range and depending on how wide the doors are opened, various levelsof ambiance may be added or subdued to suit the recording. Features wood

composite enclosure with easy to clean melamine surface. Black cabinet with

fabric wrapped Broadway panel. Available panel colors: beige and grey. Colour

code: xx = Grey (08); Beige (03).

Order No. Color Box QTY Freight Code List

Z840-1130-03 Beige 1 B 859.00

Z840-1130-08 Grey 1 B 859.00

40Hz

125Hz

400Hz

1kHz

5kHz

1.0

0.5

0SOUND

ABSORPTION

COEFFICIENT

100% Absorption

@ 315Hz

80% @ 85Hz

40Hz

125Hz

400Hz

1kHz

5kHz

1.0

0.5

0SOUNDABSORPTION

COEFFICIENT

100% Absorption@ 48Hz

100Hz

250Hz

500Hz

2.5

kHz

5kHz

1.0

0.5

0SOUND

ABSORPTION

COEFFICIENT

100% Absorption

@ 400Hz

78% @ 125Hz


9/10

NimbusAcoustic Cloud PanelThe Nimbus is an easy to use, high-performance ceiling cloud kit designed to attenuate ambient noise and

control high frequency and mid-range reflections while also attenuating bass. The nim-

ble Nimbus is easy to install, generally placed above the area you would like to make

quieter such as resturant tables, library reading zones, boardrooms, etc. Each Nimbus

kit includes a fabric covered 24 x 48 x 2 high densityfiberglass panel, hanging wireand four cloud anchors. Available in three panel fabric colors: black; beige; and grey.

Colour code: 00 = Black; 08 = Grey; 03 = Beige.

Flexifuser Variable Pitch DiffuserThe FlexiFuser is a 24 x 48 high frequency diffuser that is placed behind the listener while spanning

the width of the listening area to scatter primary reflections, standing waves andflutter echo. A series o

variable pitch slats may be rotated to a desired position to dissipate sound energy and retain a sense o

air and ambiance in the room. Behind the slats, a 2 thick Broadway fiberglass panel eliminates interna

reflections while augmenting mid and high frequency attenuation. Ideal for studio and

home theatre applications. Black frame and slats with grey fabric panel.

Page 7 of 10

Razorblade Quadratic DiffuserThe Razorblade is a true quadratic residue diffuser designed for optimum sound dissipation in the mos

demanding audio applications. With Razorblades spanning the work area behind the listener, high fre

quencies are diffused and a natural sense of air and space is retained in the room. This 24 x 48 x 8

diffuser features 15 sound wells of varied depth precisely calculated to produce true diffusion down to

400Hz. A combination of multi-ply Baltic birch and MDF give the Razorblade the mass needed for unsur

passed diffusion performance. Ships completely assembled.

ACOUSTIC CLOUD PANEL

MODULAR ACOUSTIC CLOUD SYSTEM

Stratus Modular Acoustic CloudThe Stratus is a precision crafted 24 x 48 x 2 acoustic cloud that is positioned above the listening area

to eliminate ceiling tofloor standing waves, early reflections andflutter echo. When installed, the Stratus

delivers greater intimacy, a larger sweet spot and better stereo imaging. The modular

design comes complete with aluminum side rails that create a high-tech finished look

and allow several Stratus kits to be connected together to form a large continuous

cloud that covers the total listening/work area. Available in three panel fabric colors

with natural aluminum sides. Available colors: black; beige; and grey. Colour code: xx= Black (00); Grey (08); Beige (03).

Three kits linked.


24

48

FLEXIFUSER

RAZORBLADE

Array of Nimbus Clouds.

24

48


Z840-1200-00 Black 1 429.00

Z840-1200-03 Beige 1 429.00

Z840-1200-08 Grey 1 429.00


Z840-1205-00 Black 1 279.00

Z840-1205-03 Beige 1 279.00

Z840-1205-08 Grey 1 279.00

The variable-pitch slats can freerotate or befixed in several distinctpatterns to diffuse sound waves.


Z840-1135-08 Black Frame 1 859.00

Grey Panel


Z840-2400 Black 1 2149.00

Impulse test without diffusion.Note:first reflections are louderthan the direct sound.

The Razorblade spreads out thereflections over a longer time period,smoothing out room response.

Direct Sound

First Reflections

First Reflections

Direct Sound


10/10

Please inspect products immediately after receiving your purchase. Primacoustic acoustic products are guaranteed to be free ofmanufacturing defects for a period of thirty (30) days after purchase. In the unlikely event that a defect is uncovered, please call 604-942-1001 to obtain an RA number (Return Authorization number) from Primacoustic before the thirty (30) day warranty period expires.Once you have obtained an RA number you must return the product, freight prepaid, within fifteen (15) days after the date the RAnumber is issued. Please return the product in t he original packaging (or another, affording an equal degree of protection) with all ofthe following: (1) RA number clearly marked on the returned package; (2) a receipt or bill of sale showing proof of purchase from an

authorized seller; plus (3) letter describing the defect. Please include your name, address, telephone number and the applicable RAnumber. You are solely responsible for all shipping and insurance costs for returning the product to Primacoustic, and you will notbe reimbursed or compensated for any loss or damage incurred during return shipping. Primacoustic will at its sole discretion repairor replace the product. Should the product no longer be available, Primacoustic reserves the right to exchange this with a productof similar performance and value. Due to different dye lots, Primacoustic cannot guarantee exact color match. This Warranty shallsolely extend to the original owner and is limited to manufacturing defects and excludes damage due to improper installation, freighthandling, wear and tear, abuse, misuse, misapplication, color fading or deterioration due to prolonged exposure to ultra violet light,smoke, humidity or other environmental factors. It is understood that the use and suitability of the product is entirely the responsibilityof the buyer or specifying engineer and as such, these parties agree to hold Primacoustic, or its associated company, and/or officers,harmless from any responsibility whatsoever other than what is clearly outlined in this warranty.

ACOUSTIC SPECIFICATIONS FIRE AND BURN PERFORMANCE

Acoustic Absorptio n Characteristics For Broadway Fiberglass Panels

125Hz 250Hz 500Hz 1kHz 2kHz 4kHz NRC

1 Thick 0.17 0.28 0.81 1.00 1.02 0.95 0.80

2 Thick 0.45 0.83 1.07 1.00 1.01 1.00 1.00

3 Thick 0.92 0.91 1.00 1.00 1.02 1.03 1.00

Testing performed by Riverbank Acoustical Laboratories. The test method conformed

explicitly with the requirements of the ASTM Standard Test Method for Sound Absorp-

tion and Sound Absorption Coefficients by the Reverberation Room Method: ASTM C

423-02a and E795-05.

Download acoustic test data at

http://www.primacoustic.com/resources.htm

Download fi re and burn test data at

http://www.primacoustic.com/resources.htm

1588 Kebet Way, Port Coquitlam, BC, CANADA, V3C 5M5 Tel: 604-942-1001 Fax: 604-942-1010 [email protected]

Primacoustic is a division of Radial Engineering Ltd. Copyright 2009, all rights reserved. Subject to change without notice.

Test data provided by Bodycote Materials Testing Inc. ASTM E 84-05, Standard Method

of Test for Surface Burning Characteristics of Building Materials is used to measure

and describe the response of materials, products, or assemblies to heat and flame

under controlled conditions, but does not by itself incorporate all factors required for

fire-hazard orfire-risk assessment of the materials, products, or assemblies under actual

fire conditions.

Fire and Burn Performance For Broadway Fiberglass Panels

Test Class Flame Spread Smoke Density

ASTM E 85-05 1 or A 15 FSI 155SD

CAN/UL-S102 1 or A 15FSC1 155SD

BROADWAY AND REFLEX WARRANTY

Documents

Prima FullLine List 2009 093