3
Prints and Drawings: Other Accessions Author(s): Campbell Dodgson Source: The British Museum Quarterly, Vol. 4, No. 3 (Dec., 1929), pp. 88-89 Published by: British Museum Stable URL: http://www.jstor.org/stable/4421095 . Accessed: 28/06/2014 17:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . British Museum is collaborating with JSTOR to digitize, preserve and extend access to The British Museum Quarterly. http://www.jstor.org This content downloaded from 185.31.195.181 on Sat, 28 Jun 2014 17:12:51 PM All use subject to JSTOR Terms and Conditions

Prints and Drawings: Other Accessions

Embed Size (px)

Citation preview

Page 1: Prints and Drawings: Other Accessions

Prints and Drawings: Other AccessionsAuthor(s): Campbell DodgsonSource: The British Museum Quarterly, Vol. 4, No. 3 (Dec., 1929), pp. 88-89Published by: British MuseumStable URL: http://www.jstor.org/stable/4421095 .

Accessed: 28/06/2014 17:12

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

British Museum is collaborating with JSTOR to digitize, preserve and extend access to The British MuseumQuarterly.

http://www.jstor.org

This content downloaded from 185.31.195.181 on Sat, 28 Jun 2014 17:12:51 PMAll use subject to JSTOR Terms and Conditions

Page 2: Prints and Drawings: Other Accessions

notable addition to the small collection of the graphic art of that country that the Department already possessed. The works selected for presentation bear witness to great versatility in choice of subjects and to the command of many kinds of technique. There are land- scapes, pastoral scenes, and portraits, including an excellent study of his own features by the etcher N. Varga, but among the most striking works are several religious and semi-religious subjects, etched on a large scale and with considerable dramatic force. They include 'The Good Samaritan' by K. Ist6kovitz, and a 'Calvary' with the title 'Lux ex Tenebris' by Gyula Conrad. The large etch- ings entitled 'Procession' and 'Harvesters' by Aba Novik, and 'Fruit Harvest' and 'Winter' by Istvan Sz6nyi, exemplify with some smaller etchings by other artists the Hungarian love for strong black-and-white effects and dark skies. One lithograph, a portrait by C. Kunwald, is included in the gift, which has furnished material for an interesting and novel exhibition, now on view in the Department. C. D.

69. PRINTS AND DRAWINGS: OTHER ACCESSIONS.

ASELECTION of original drawings in pen-and-ink for the political cartoons published in the Westminster Gazette repre-

sents the art of Sir Francis Carruthers Gould from the period of the Boer War down to 1916. His witty pen excelled not only in gently satirical caricatures of eminent politicians, but also in drawing animals; the Russian bear, the Turkish fox, and other fabulous creatures offered occasions for the display of this talent.

By Walter Crane, who was hitherto represented only by an illustra- tion to the Faerie Queene, a larger selection of drawings has been acquired, including early studies of oxen, pigeons, and plants, made about 1 872 in Italy, a study in a broader manner of a draped figure, and a design for a large decorative composition with Greek maidens near the sea.

Other recent acquisitions include several groups of etchings by living American artists, presented by the etchers. Mr. Walter Tittle, who was already represented here by his portraits of the delegates at the Washington Conference in 1921-2 and other dry-points, has given his recent portraits of Mr. Bernard Shaw, Dr. Havelock Ellis, and

88

This content downloaded from 185.31.195.181 on Sat, 28 Jun 2014 17:12:51 PMAll use subject to JSTOR Terms and Conditions

Page 3: Prints and Drawings: Other Accessions

Joseph Conrad and some accomplished studies of architecture in New York. Mr. W. G. Reindel, another artist proficient in dry- point, has given ten examples of his work, varied in subject. Two studies of heads have been given by Mr. Cadwallader Washburn, while twelve interesting etchings of the strange desert country and vegetation of Arizona have been added to the selection already owned by the Museum of the work of Mr. G. Elbert Bun. A group of these American prints is now on exhibition in the Department.

Mr. F. Cavendish Bentinck has given a rare early state (the third) of 'La Rue des Toiles', with the title written at the foot in Meryon's autograph. C. D.

70. THE BRITISH MUSEUM EXPEDITION TO BRITISH HONDURAS IN I929.

T HE site selected for the operations of the British Museum Ex- pedition was the region above the confluence of the Pusilhi and

Joventud which meet to form the Moho River, in the south of the colony.

A preliminary investigation of the area had been made in 1928, and the expedition of I929 had two main objects in view. The first of these was the recovery of certain stone monoliths, carved with hiero- glyphic inscriptions; the second was the investigation of a cave in which finely painted pottery, of an early period, had been found by experimental excavation last season.

The desired result was achieved to the extent that four large mono- liths, three of them showing dated inscriptions, one of unusual length, were brought home (Plates LII, LIII). The cave produced a series of fragments of painted pottery, which constitute the largest single 'find' of Early Maya ceramics. These fragments, which are gradually being pieced together, present a number of new designs in painted slip, and, since due precautions were taken to preserve stratification, will ultimately provide valuable evidence regarding the development of style and technique.

Supplementary to the main programme was the survey of the chief site, and exploration of the surrounding country. The two were in- timately connected. It was found that the architectural complex,

o 2 89

This content downloaded from 185.31.195.181 on Sat, 28 Jun 2014 17:12:51 PMAll use subject to JSTOR Terms and Conditions