Rhoads Tab Book

7/31/2019 Rhoads Tab Book

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HOW TO PLAY LIKE RANDY RHOADS 1

DVD

RANDY RHOADS

HOW TO PLAY LIKE


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Photograph by PHOTOGRAPHER

2 GUITAR WORLD

DVD

RANDY RHOADS

HOW TO PLAY LIKE

CHAPTER ONESOLOING IN RANDYS STYLE

AMinorPentatonic,FifthPosition

AMinorPentatonic,ExtendedPosition Four-NotePatterns ABluesScale

CHAPTER TWOMINOR MODES

ADorian AAeolian

CHAPTER THREELEGATO Fret-HandOnly Tapping

CHAPTER FOUREXPRESSIVE NOISES

CHAPTER FIVEMORE MINOR PENTATONICAND BLUES SCALE LICKS

AMinorPentatonic:RepeatedMelodicShapes

ABluesScale

CHAPTER SIXSCALE PATTERNS/SEQUENCES:MINOR PENTATONIC

CHAPTER SEVENMODAL SEQUENCES

ADorian AAeolian

EAeolian AHarmonicMinor APhrygian-Dominant(FifthModeofHarmonicMinor)

DAeolianMode ModalSequencesonOneString

CHAPTER EIGHTWIDE SCALAR FINGERINGS

DAeolian

CHAPTER NINECYCLING SCALE SEGMENTS

CHAPTER TENCOMBINING SCALES

CHAPTER 11TRILLS

Scalar Chordal

CHAPTER 12RANDYS FAVORITE LICKS


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1

A) A Minor Pentatonic, Fifth Position

CHAPTER 1: MINOR PENTATONIC SCALE

FIGURE 1

54

81

5

3

7

1

5

3

7

1

5

3

7

1

5

4

8

1

5

4

8

FIGURE 2a triplets, descending w/alternate picking

*

* = downstroke

8 58

58 5 8 5

7

* = upstroke

57 5 7 5

75

7 5 7 57

57 5 7 5

8 !5

8 5 5

3 3 3 3 3 3 3 3 3 3

FIGURE 2b triplets, ascendingw/alternate picking

5 85

85 7 5 7

5

etc.

FIGURE 2c triplets, descendingw/pull-offs

75 7

8 58

58 5 8 5

7

etc.

FIGURE 2d triplets, ascendingw/hammer-ons

57 5

5 85

85 7 5 7

57

5 7

3 3 3 3 3 3 3 3 3 3 3 3

5 75

75 7 5 7

57

5 8 5 85 !

85 8 8

FIGURE 2e triplets, ascending w/pull-offs

8 5 85

85 7 5 7

etc.

57

5

3 3 3 3 3 3 3 3 3 3

FIGURE 2f triplets, ascending w/pull-offs and hammer-ons

8 5 85

85 7 5 7

57

5 7 5 75

75 7 5 7

57

5 8 5 85

85 8 5

85

3 3 3 3 3 3 3 3 3 3 3

3

FIGURE 3

B) A Minor Pentatonic, Extended Position

5

1

3

3

5

3

7

1

5

3

7

1

5

3

7

3

9

1

8

3

10

1

8

3

10

3

12

FIGURE 4a triplets, descending w/alternate picking

1 2 1 0 8 1 0 810

81 0 8 1 0 8

98

9 7 9 7 5 7 57

57 5 7 5

75

7 5 7 5 3 5 35

3 3 3 3 3 3 3 3 3 3 3 3

P.M.

FIGURE 4b triplets, descendingw/pull-offs and slides

12 10 8 10 8

10

8

10 8

etc.

FIGURE 4c triplets, ascending w/alternate picking

10 8 9

5 3 53

53 5 3 5 7 5 7

57

5 7 5 75

75 7 5 7

3 3 3 3 3 3 3 3 3 3 3 3

P.M.

9 7 98

98 10 8 10

810

8 !10 8 10 12FIGURE 4d triplets, ascending w/pull-offs and slides

5 3 53

53 5 3 5 7 5 7

57

5 7 5 75

75

etc.

7 5 7

3 3 3 3 3 3 3 3 3 3 3 3 3


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P.M. P.M. P.M.

FIGURE 5a w/alternate picking

3 53 5 3

5 3 53

FIGURE 5b w/hammer-onsand pull-offs

5 3 53 5

3 5 35 3 5

3

FIGURE 5c w/alternate picking

5 3 5 5 75 7 5

7 5 75 7 5

7

3 3 3 3 3 3 3 3 3 3 3 3

FIGURE 5d w/alternate picking

5 75 7 5

7 5 75

FIGURE 6 w/hammer-onsand pull-offs

7 57

5 3 53

5 3 5 3 5

FIGURE 7a E minor pentatonic(fifth-string root)

35 3

75 7 9

7 98 10 12

10 12

3 3 3 3 3 3 3 3

P.M.

FIGURE 7b w/alternate picking

7 5 7

5

7 5 7 5 7

5

7 5 7 5 7

5

7

5 7 5 7 9 7 97

97 9 7 9

89

8 10 8 10 12 10 12!10

121 0 1 2

3 3 3 3 3 3 3 3 3 3 3 3 3 3

FIGURE 7c triplets, descending w/hammer-ons, pull-offs and slides

12 1012

101 2 1 0 1 2 1 0 8 1 0 8

98

9 7 9 79

79 7 9 7 5 7 5

75

7 5 7 57

57 5 7 5 3 !5 3 0 3 0

3 3 3 3 3 3 3 3 3 3 3 3 3 3

FIGURE 8a A minor pentatonic,descending quadruplet pattern

C) Four-note Patterns

*repeat previous beat

*8 58 5

FIGURE 8b

58 5

7

FIGURE 8c

8 57 5

FIGURE 8d

57 5

7

FIGURE 8e

7 57 5

FIGURE 8f

57 5

7

FIGURE 8g

7 57 5

FIGURE 8h

57 5

8

FIGURE 8i

7 57 5


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FIGURE 9a A blues scale, fifth position

D) A Blues Scale

5 85 6 7

5 75 7 8

5 85 8

FIGURE 9b triplets descending, w/pull-offs

8 58

58 5 8 5

85

8 7 8 7 5 7 57

57 5 7 5

75

7 6 7 6 5 6 58

58 5

3 3 3 3 3 3 3 3 3 3 3 3

P.M.

FIGURE 9c triplets, ascending

5 8 5 85

85 6 5 6 7 6 7

57

5 7 5 75

7 57 5 7 8 7 8

58

5 8 5 85

85 8

3 3 3 3 3 3 3 3 3 3 3 3

FIGURE 10 four-note pattern (quadruplets)

8 58 5

58 5

88 5

8 7

etc.

58 7 5

CHAPTER 2: MINOR MODES

FIGURE 11a

A) A Dorian

52 3 5 7

4 5 74 5 7

5 7 85 7 8

FIGURE 11b triplets, descending w/pull-offs

8 7 5 7 58

58 7 8 7 5 7 5

75

7 5 7 5 4 5 47

47 5 7 5 4 5 4

74

7 5 7 5 3 5 3 2 3 25

25 3 !5 3 2 2

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


3 2 3 5 3 52

52 3 2 3 5 3 5 7 5 7

47

4 5 4 5 7 5 7 4 7 4 5 4 5 7 5 7

3 3 3 3 3 3 3 3 3 3 3 3

57

5 7 5 7 8 7 85

85 !7 5 7 8

B) A Aeolian

FIGURE 12a

52 3 5

2 3 5 74 5 7

5 6 85 7 8

3 3 3 3 3


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FIGURE 12b triplets, descending

8 7 5 7 58

58 6 8 6 5 6 5

75

7 5 7 5 4 5 47

47 5 7 5 3 5 3 2 3 2

52

5 3 5 3 2 3 25

25 3 !5 3 1 1

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


3 1 3 5 3 52

52 3 2 3 5 3 5

25

2 3 2 3 5 3 5 7 5 74

74 5 4 5 7 5 7

57

5 6 5 6 8 6 85

85 !7 5 7 8

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

FIGURE 13Am

1

75

58 5 6 5

75

8 7 5

7

7

7

5

7 5 7 7 7 5 7 5 3 55 !

35 3

35

FIGURE 14 mordent

12 13 1215

12

FIGURE 15a A Aeolian

Am

1413

12 15 13 1215 13 12

14 1 2 10 912 10 9

12 10 8 7

!10 8 7 5 5

FIGURE 15b

14

1312 15 13 15 13 12 13 12 13 12

1512

15 13 12 13 12 13 1214

1214 12 10 12 10 9 10 9

129

12 10 9

3 3 3 3

10 9 10 912

912 10 8 8 1 0 8 7 8 7

!107

10 8 7 5

3 3 3

FIGURE 16 tapping

CHAPTER 3: TAPPING

Am

T T

12 8 5 12 8 5

Em

T T

12 8 5 12 8 5

C

T T

12 9 5 12 9 5

G

T T

12 9 5 12 9 5

Dm

T T

12 8 5 12 8 5

Am

T T

12 8 5 12 8 5

3 3 3 3 3 3 3 3 3 3 3 3


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8/25


9/25


FIGURE 22a

CHAPTER 4: EXPRESSIVE NOISES

A5

022

G5

3X003

D5

3

003

0023

-1

023

00

-1

000

00

-1

FIGURE 22b

A5

022

G5

3X003

D5

3

003

0023

pick scrape

023

XXX

XXX

XXX

A5

022

G5

3X003

D5

3

003

0023

pick scrape

023

XX

XXX

XXX

X

FIGURE 22c

w/bar

-2

0

grad. ascent

0

A5

022

G5

3X003

D5

3

003

0023

w/bar

-4

023

0

grad. ascent

0

A5

022

G5

3X003

D5

3

003

0023

w/bar

-6

023

000

grad. ascent

0000

A5

022

FIGURE 22d

A5

022

G5

3X003

D5

3

003 0

023

-2 -2

023 0 0

-2 -2

0 0

FIGURE 22e w/natural harmonic

A5

022

G5

3X003

D5

3

003 0

023

N.H.

023 5

w/bar

5 5

FIGURE 22f w/trill

A5

022

G5

3X003

3

003

D5

023

5

023

0 40 20

0

A5

022 19

CHAPTER 5: MORE PENTATONIC MINOR AND BLUES SCALE LICKS

A) A minor pentatonic: repeated melodic shapes

FIGURE 23a

N.C.(Am)

8 5 8 58 5

1 0 8 1 0 810 8

1210 12 101510

1 5 1 2 1 5 1 21513

3 3 3 3 3 3 3 3

17 15 17 15

17 15

20 17 20 17

20 17

17

20

1

20

3 3 3 3

FIGURE 23b

N.C.(Am)

8 5 8 57 5

sim.

10 810 89 7

1310131012 9

151315131412

171517151714

201720171917

3 3 3 3 3 3 3 3 3 3 3 3


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FIGURE 23c

N.C.(Am)

7 5 7 57 5

sim.

9 7 9 710 7

1 2 9 1 2 912 10

14 12 14 1214 12

3 3 3 3 3 3 3 3

17 14 17 1417 14

19 17 19 1719 17

19

X

3 3 3 3

FIGURE 23d

N.C.(Am)

7 5 7 57 5

sim.

10 710 710 7

121012101210

141214121512

171417141715

3 3 3 3 3 3 3 3 3 3

P.M.

FIGURE 23e

N.C.(Am)

7 5 7 58 5

sim.

1 0 7 1 0 710 8

12 10 12 1012 10

15 12 15 1215 12

3 3 3 3 3 3 3 3

FIGURE 24a

N.C.(Am)

8 5 8 58

58 5 8 5

75

7 5 7 57

57 5 7 5

75

7 5 7 58

58 5 8 5 5

3 3 3 3 3 3 3 3 3 3 3

FIGURE 24b

B) A Blues Scale

N.C.(Am)

8 58

58 5 8 5

85

8 7 8 7 5 7 57

57 5 7 5

75

7 6 7 6 5 6 58

58 5 5

3 3 3 3 3 3 3 3 3 3 3 3


11/25


FIGURE 25a

CHAPTER 6: SCALE PATTERNS/SEQUENCESMinor pentatonic

N.C.(A5)

88

55 8

75

5 77

55 7

75

5 78

55 !8 5 5

P.M.

FIGURE 25b

N.C.(A5)

8 88 8

5 55 5 8 8

7 7

sim.

5 55 5 7 7

7 75 5

5 5 7 77 7

5 55 5 7 7

8 85 5

5 5 8 8 5

P.M.

FIGURE 25c

N.C.(A5)

8 55

87 5

57

7 55

77 5

57

8 5

5

5

8 5

5

1

87 7 5

7

FIGURE 26a

N.C.(A5)

55

33 5

53

2 55

22 5

52

3 55

33 5 3

FIGURE 26b

N.C.(A5)

5 55 5

3 33 3 5 5

5 53 3

2 2 5 55 5

2 22 2 5 5

5 52 2

3 3 5 55 5

3

FIGURE 26c

N.C.(A5)

5 5 3 33 3

5 55 5 3 3

2 25 5

5 5 2 22 2

5 55 5 2 2

3 35 5

5 53 3

3 35 5

5

FIGURE 26d

N.C.(A5)3

30

1 32

10 2

20

0 23

00 3

30

0 3

FIGURE 26e

N.C.(A5)

3 00

33 0

03

2 00

22 0

12

3 10

33 5 5


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FIGURE 26fN.C.(A5)

1010

88 10

98

7 910

77 10

107

7 1010

78 10 8 8

FIGURE 26g

*

*all alternate picking

N.C.(A5)

10 87

10

etc.

10 77

1010 7

710

9 78

910 8

810

10

FIGURE 26h

N.C.(A5)

10 1010 10

8 88 8 10 10

9 98 8

7 7 9 910 10

7 77 7 10 10

10 107 7

7 7 10 1010 10

7 78 8 1 0 10 8

FIGURE 26i

N.C.(A5)

1213

1010 13

1210

9 12

12

9

10 12 12 10 10 1212

1010 12 8 8

FIGURE 26j

N.C.(A5)

1 2 1 2 1 0 1 010 10

12 121 2 1 2 1 0 1 0

9 912 12

12 12 9 910 10

12 121 3 1 3 1 0 1 0

10 1013 13

12

FIGURE 26k

N.C.(A5)

1515

121315

1413

121414

121214

1512

12 1515

121215

1512 12

FIGURE 26l

N.C.(A5)

15 1212

151512

1215

141212

141412

1314

151312

1515

FIGURE 26m

N.C.(A5)

1717

151517

1715

141717

141417

1714

15 1717

151517

FIGURE 26n

N.C.(A5)

171515

171715

1417

171414

171714

1517

171515

1717

FIGURE 26o

N.C.(A5)

2020

1717 20

1917

17 1919

1717 19

1917

17 1920

1720 17


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FIGURE 27a

A) A Dorian

CHAPTER 7: MODAL SEQUENCES

N.C.(Am)

8 5 78

57 8 5 7

75

5 7 4 57

45 7 4 5

74

5 78

57 8 5

FIGURE 27b

N.C.(Am)

7 3 57

35 7 3 5

53

4 5 2 45

24 5 2 4

52

3 5 2 35

23 5 2

FIGURE 27c

N.C.(Am)

10 7 810

78 10 7 8

97

7 910

79 10 7 9

107

9 10 7 910

78 10 7 8

FIGURE 27d

N.C.(Am)

12 8 1012

810 12

1210

11 12 9 1112

910 12 9 10

129

10 12 9 1012

910 12 8

FIGURE 27e

N.C.(Am)

14 10 1213

1012 13 10 12

1210

11 12 9 1112

910 1 2 9 10

129

10 12 9 1012

910 12

FIGURE 27f

N.C.(Am)

15 12 1415

1213 15 12 13

1412

12 1416

1214 16 12 14

1512

14 15 12 1415

1214 15 12

FIGURE 27g

N.C.(Am)

17 14 1517

1415 17

1715

16 17 14 1617

1416 17 14 16

1714

15 17 14 1517

1415 17 14


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FIGURE 27h

N.C.(Am)

19 15 1719

1517 15 15 17

1715

16 1719

1617 19 1 6 17

1916

17 19 15 1719

1517 19 15 17

FIGURE 27i

N.C.(Am)

20 17 1920

1719 20 17 19

1917

17 19 16 1719

1617 19 16 17

1917

17 1920

1719 20 17

FIGURE 28

N.C.(Am)

3 2 5 3

2

5

3 2 5 3 7 54

75 4 7 5

47

5 4 7 55

77 5 8 7

58

7 5 8

FIGURE 29a A Aeolian mode

B) A Aeolian

8 7 58 6 5

7 5 47 5

8 7 58 7 5

FIGURE 29b

N.C.(Am)

8 5 78

56 8 5 6

75

5 7 4 57

45 7

85

7 8 5 78

57 8 5

FIGURE 29c

N.C.(Am)

7 5 8 75

87 5 8 7

58

7 54

75 4 7 5

57

6 5 8 65

87 5 8 7 8 7 5

1

57 7

3

FIGURE 30a

N.C.(Am)

7 3 5 7 3 3 55

34 5 2 4

52

3 5 2 35

23 5 2 3

52

3 5 1

FIGURE 30b

N.C.(Am)

10 7 810

78 10

108

9 10 7 910

79 10 7 9

107

8 10 7 810

78 10 7 8 7 5 5

3


15/25


FIGURE 30cN.C.(Am)

1213

1012 13 10 12

1210

10 1 2 9 1012

910 12 9 10

129

10 12 8 1012

810 12 8

FIGURE 30dN.C.(Am)

10 8 12 108

1210 8 12 10

912

10 9 12 109

1210 9 12 10

1012

12 10 13 1210

1312 1 0 1 3

FIGURE 30eN.C.(Am)

15 12 1315

1213 15 12 13

1512

12 1415

1214 1 5 12 14

15

12

14 15 12 1415

1213 15 12 10 12 10 8 10 8 7 8 7 5 7 5 3 5

3 3 3 3

FIGURE 30fN.C.(Am)

13 12 15 1312

1514 12 15 14

1215

14 12 15 1 412

1514 12

1214

13 12 15 1312

1513 12 15 15

1

XXX

FIGURE 30g

N.C.(Am)

17 13 1517

1315 17 13 15

1613

14 1617

1415 17 14 15

1714

15 17 14 1517

1415 17 13

FIGURE 30h

N.C.(Am)

1 9 1 5 1 7

18

15

1 7 1 8 1 5 1 7 17 15 1 6 1 7 1 4 1 617

141 5 1 7 1 4 1 5

1714

1 5 1 7 1 4 1 517 !

141 5 1 7 13 17

FIGURE 30i

N.C.(Am)20 17 19

2017

18 20 17 1819

1717 19 16 17

1916

17 1920

1719 20 17 19

2017

19 20 17


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C) E Aeolian

FIGURE 31a E Aeolian

0 2 3 52 3 5

2 4 52 4 5

3 52 3 5 3 2

5 35 4 2

5 4 25 3 2

5 3 2 0

FIGURE 31b

N.C.(Em)

5 2 35

23 5

53

4 5 2 45

24 5 2 4

52

3 5 2 35

23 5 2 3 2 3 2 0 0

2

0

3

FIGURE 31c

N.C.(Em)

7 3 57

35 7 3 5

53

4 57

45 7 4 5

74

5 7 3 57

35 7 3 5 2 3 2 0

let ring

FIGURE 32a Connecting Positions

N.C.(Em)10 7 8

107

8 10 7 89

77 9 5 7 4 5

74

5 7 4 57

45 7 3 5 2 3

52

3 5 2 3 2 3 2 0

2

0 0

3

FIGURE 32b

N.C.(Em)

0 3 2 5 32

53 2 5 3 7 5

47

5 4 7 5

4

7

5 4 7 5 9 77

98 7 10 8

710

8 7 10 8 12 10 14 12

D) A Harmonic minor

FIGURE 33a A harmonic minor

5 7 85 7 8

6 7 9 107 9 10

9 107 8 10 12 10 8 7

10 910 9 7

10 9 7 68 7 5

8 7 5


17/25


FIGURE 33b

N.C.(Am)

freely

5 7 85

E

7 86 7 6

0

FIGURE 33c

N.C.(Am)

freely

5 7 85 7 8

6 9

E

7 6

0

6 7 9 1077 9 7

9 10 7

Am

6 9 7 9 7 6 70

70

9 109

10

E

10 12 9

0 0

9

910 9

10 10 912

3 3

Am

10 9 12 10

E

9 12 11 8 7 5 7 5 3 5 3 2 3 2 0 2 05 4

1/2Am

7 7 7 5 5

7

555

3 3 3 3

FIGURE 33d

N.C.(Am)

12 8 1012

81 0 1 2 9 1 0

109

9 1012

910 12 9 10

12

(E)

911 12 8 11 7 8

10

(Am)

78 1 0 7

(E)

8 5 7 4 4

(Am)

4 5 7 5 4 5

5

FIGURE 34

N.C.(Am)

5 4 7 5 8 75

87 5 8 7

68

7 6 9 7 10 97

109 7 10 9

910

10 97

108 7 10 8 12 10

E) A Phrygian-dominant (fifth mode of harmonic minor)

FIGURE 35 A Phrygian-dominant

A(7 9)

5 64 5 7 8

5 7 86 7 9 10

8 10 10 810 9 7 6

8 7 58 7 5 4

6 5

FIGURE 36 D harmonic minor

5 7 85 7 8

6 75 6 8

5 6 9 10 9 6 58 6 5

7 68 7 5

8 7 5 4 5


18/25


FIGURE 37

A(7 9)

let ring

freely

0

6 7 68 7 5

87 5

8 7 5 46 5 3 1 3 5 5 6

4 5 7 8 7 8 7 5 75

F) D Aeolian

FIGURE 38a D Aeolian, Fifth position

5 7 85 7 8

5 75 6 8

5 6 8 6 58 6 5

7 58 7 5

8 7 58 6 5

FIGURE 38b

N.C.(Dm)

10 8 6 5 8 6 5 8 6 5 8 6 5 8 6 5 8 6 57

6 57 5

57 5

87 5

8 7

58 7 5 8 7 5

87 5

8 75

8 7 5 8 7 58

7 58 6

58 6 5 3 5 6

1/2

5 5 5 5

FIGURE 39a D Aeolian

0 1 30 1 3

0 2 30 2 3

1 30 1 3 1 0

3 13 2 0

3 2 03 1 0

3 1 0

FIGURE 39b

N.C.(Dm)3 1 0

31 0

3 10

3 13

3 13 2

13 2 0 3 2 0

32 0

3 20

3 2 0

3 2 03

2 03 1

03 1 0 3 1 0

31 0

3 10

3 1 0


19/25


FIGURE 39c

0 1 30

1 30 1

30 1 3 0 1 3

01 3

0

23

0 2 3 0 2 30

2 30 2

30 2 3 0 2 3

12 3

1 33

1 30

1 30 1

30 1 3 0 1 3 5

FIGURE 39d

N.C.(Dm)

3 5 63

5 63 5

63 5 7 3 5 7

35 7

3 57

3 5 7 3 5 73

5 73 5

73 5

7 3 5 75

5 75 6

75 6 8 5 6 8

56 8

5 68

5 6 8

FIGURE 39e

N.C.(Dm)

5 6 85

6 85 7

85 7 8 5 7 8

57 8

5 78

5 7 8 5 7 85

7 85 7

85 7

55 7

5 67

5 6 8 5 6 85

6 85 6

85 6 8 10

FIGURE 39f

N.C.(Dm)

6 8 107

8 107 8

107 8 10 7 8 10

78 10

7 810

7 8 10 7 8 107

8 107 9

107 9

10 7 9 108

9 108 10

108 10

68 10

6 810

6 8 10 6 8 10 12 10


20/25


FIGURE 39g

N.C.(Dm)

10 8 610

8 610 8

610 8

1010 8

10 98

10 9 7 10 9 710

9 710 8

710 8 7

10 8 710

8 710 8

710 8 7 10 8 7

108 7

10 8 ( )7

10 8 6 6 10 !87

10

FIGURE 39h

N.C.(Dm)

8 10 128

1 0 1 28 10

128 10 12 8 10 12

81 0 1 2

8 1012

8 10 12 8 10 129

1 0 1 29 10

129 10

12 9 10 1210

10 1210 11

1210 11 13 10 11 13

10 12 13 12 13 12 10 12 1010 13

1

FIGURE 39i

N.C.(Dm)

13 12 1013

12 1013 11

1013 11 10 13 11 13

1211 10

12 1010

12 10 9 12 10 912

10 912 10

912 1 0 8 12 1 0 8

1210 8

12 108

12 10 8 12 10 812

10 812 10

812 10 8 8 10

G) Modal Sequences on One String

FIGURE 40a

N.C.(Dm)

20 18 17 15 18 17 15 1 3 17 15 13 12 15 13 12 10 13 12 10 8 12 10 8 6 10 8 6 5 8 6 5 3 6 5 3 1 5 3 1 0 0 10

0

D5

023


21/25


FIGURE 40b

20 19 17 15 19 17 15 13 17 15 13 12 15 13 12 10 13 12 10 8 1 2 10 8 7 1 0 8 7 5 8 7 5 3 7 5 3 1 5 3 1 0 0 10

FIGURE 40c

19 17 15 14 17 15 14 12 15 14 12 10 14 12 10 8 12 10 8 7 10 8 7 5 8 7 5 3 7 5 3 2 5 3 2 0 0

FIGURE 40d

N.C.(Dm)

19 17 15 14 17 15 14 12 15 14 12 10 14 12 10 9 12 10 9 7 10 9 7 5 9 7 5 3 7 5 3 2 5 3 2 0 2 3 2 0 2 03 2 0

D5

0 023

3 3

FIGURE 40e

N.C.(Dm)

20 18 17 15 18 17 15 13 17 15 13 11 15 13 11 10 13 11 10 8 11 10 8 6 10 8 6 5 8 6 5 3 6 5 3 1 1

FIGURE 40f

N.C.(Dm)

20 18 17 1 5 18 17 15 13 17 15 13 1 2 15 13 12 10 13 12 10 8 12 10 8 6 10 8 6 5 8 6 5 3 6 5 3 1 5 3 1 0 0 1 3 1 0 13

0 1 03 3

3

FIGURE 41a

N.C.(Dm)

12 14 15 14 12 10 12 14 12 10 8 10 12 10 8 7 8 10 8 7 5 7 8 7 5 3 5 7 5 3 2 3 5 3 2 0 2 3 2 0 2 03 5

5 5 5 5 5 5 5 3

FIGURE 41b

N.C.(Dm)

13 15 17 15 13 12 13 15 13 1 2 10 12 13 12 1 0 8 10 12 10 8 7 8 1 0 8 7 5 7 8 7 5 3 5 7 5 3 1 3 5 3 1 0

D5

023

5 5 5 5 5 5 5 5


22/25


23/25


24/25


25/25

Documents

Rhoads Tab Book