Rosenthal Center Final

ZAHA HADIDROSENTHAL CENTER FOR CONTEMPORARY ART

Chi Hsi | Susy Hsi | Bryan Wu | Simon Bong | Tommy Wong

ZAHA HADIDROSENTHAL CENTER FOR CONTEMPORARY ART

HADIDS STRUCTURAL DESIGN APPROACH THROUGH PAINTING AND SKETCHING


MOVEMENT THROUGH SPACE

Hadids designs are to draw in pedestrian movement from the surrounding areas to the entrance and create a sense of dynamic public space.

FRAGMENTATION AND ABSTRACTION

"Each project is the very latest development of this architecture explored by the practice, generating a sculptural sensuality with a coherent formal logic." -Zaha Hadid

PROCESS"You got to look at the land mass. That is how it starts." - Zaha HadidHadid considers and observes how the landscape is eroded, its layering, and the natural forms. This drives her designs to emulate nature and think radically.

MAXXI MUSEUM OF XXI CENTURY ARTS

Interior of MAXXI MUSEUM OF XXI CENTURY ARTS

Explores the possibilities of linear structure by bundling, twisting, and building mass in some areas and reducing it in others where a dense texture of interior and exterior spaces have been intertwined and superimposed over one another.

Fluidity and Space Flow


ORDRUPGAARD MUSEUM EXTENSION

The ensemble constitutes a kind of topography in itself. This extension establishes a new landscape within the territory of its architecture, at the same time allowing new relations with the existing conditions.

Seamless Morphing


Urban Transformation Project for Kartal Region of Istanbul Metrpolitan Municipality

URBAN DYNAMISM"The fluid dynamism of the sketching hand as a literal option for an architecture that is driven by new developments in digital design and enhanced manufacturing capabilities." - Zaha Hadid

"If you imbue an architectural space or element with a particular quality, make sure that quality is really there." - Matthew Frederick

EAST SIDE EXTERIOR (SCUPTURAL FACE)

URBAN CARPET (1st Floor)

"Use your parti as a guidepost in designing the many aspects of a building - Matthew Frederick

"Art inspires the space, fashion is a way you relate to the body, the whole research into material and all these aspects enriches the way you can use them." - Zaha Hadid

INTERSECTING STAIRCASE (1st~6th Floor)

Design an architectural space to accomodate a specific program, experience or intent - Matthew Frederick

"The two most important keys to effectively organizing a floor plan are managing solid-void relationships and resolving circulation." - Matthew Frederick

INTERSECTING STAIRCASE (Back Wall View)

ARIAL VIEW INTERIOR (Top Floor)

WHY SHOULD WE CAREZaha Hadid is able to expand the use of the space of all her buildings. Using her usual techniques of urban dynamism shown through the curves and protruding angles in her buildings.

MODEL COMPARISON MASS - FINISH - DIGITAL

REFERENCES

Frederick, M. (2007). 101 things i learned in architecture school. London, England: The MIT Press.

Istanbul Zaha Hadid's Urban Transformation Project for Kartal (2008, January 13). Retrieved October 24, 2010, from http://www.skyscrapercity.com/showthread.php?t=569079

Zaha Hadid Architects. (2005) Lois & Richard Rosenthal Center for Contemporary Art Retrieved October 24, 2010, from http://www.zaha-hadid.com/cultural/lois-and-richard-rosenthal-museum-of-contemporary-art

Zaha Hadid Architects. (n.d) Lois & Richard Rosenthal Center for Contemporary Art Retrieved October 24, 2010, fromhttp://www.zaha-hadid.com/cultural/maxxi

Zaha Hadid Architects. Masterplans (n.d). Retrieved October 24, 2010, fromhttp://www.zaha-hadid.com/category/masterplans

Vimeo. Zaha Hadid Interview Chanel Pavilion (2008). Retrieved October 24, 2010, from http://vimeo.com/3674053

Documents

Rosenthal Center Final