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Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

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Page 1: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Shakespeare and His Theatre

An Introduction to the Elizabethan Theatre

By G. MaxwellSeptember, 2002

Page 2: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Tudor Family

Page 3: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Henry VII’s plan for succession

Oldest son, Arthur, marries Catherine of Aragon (princess of Spain) in 1501

Daughter Margaret marries King James IV of Scotland

Daughter Mary marries King Louis XII of France

After Arthur’s death in 1502, second son Henry marries Catherine of Aragon in 1509

Page 4: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Henry VIII (1509-1547)

King Henry VIII was a poet, musician, sportsman, and scholar

He strongly supported the arts

King Henry VIII was a powerful and influential man; he was determined to continue the Tudor line with a male heir

Page 5: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Six Wives of Henry VIII

Henry married Catherine of Aragon

They had 5 children, only Mary survived

In 1527 Henry divorced Catherine and in doing so created the Church of England

Page 6: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Anne Boleyn Henry secretly married

Anne Boleyn while still married to Catherine

Anne gave birth to Elizabeth (this birth angered Henry)

Anne miscarried a male fetus in January of 1536

On order of Henry VIII, Anne was beheaded in May of 1536

Page 7: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Jane Seymour

Henry married Jane the same month Anne was beheaded

Jane gave birth to Edward VI of England through caesarian section

Jane died 12 days after the birth

Henry marries 3 more times, but has no more children. He dies 9 years later in 1547.

Page 8: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Edward VI: the child king (1547 – 1553)

Edward VI was crowned at the age of nine (upon Henry’s death)

Edward was betrothed to his cousin, Mary Queen of Scots

He died of tuberculosis at the age of 16

Page 9: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Fight for the Throne

Edward’s death caused a great upheaval at court

Edward was succeeded by Lady Jane Grey (at age 15) who was merely a pawn and reigned for nine days before she was arrested for treason

The throne was now taken by Mary Tudor (Catherine of Aragon’s daughter)

Page 10: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Fight for the Throne Continued Mary Tudor (or Bloody

Mary) ascended the throne in 1553

Mary I denounced the Church of England and persecuted Protestants

Mary died in 1558 and Elizabeth (Ann Boleyn’s daughter) became Queen

Page 11: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Queen Elizabeth I (1558-1603)

After the unhappiness of Mary’s rule, Elizabeth came to the throne with much rejoicing

Elizabeth reinstated the Church of England

Elizabeth was very well-educated – spoke 6 languages

Elizabeth was fond of the arts (as was her father) and she sponsored artists, poets, musicians and playwrights

Elizabeth did not marry, nor did she have children -- “The Virgin Queen”

Page 12: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Turning the tide on the Spanish Armada

To show her faith in the English forces, she personally rode on horseback to the port to inspire them:

“I have placed my chiefest strength and safeguard in the loyal hearts and good-will of my subjects; and therefore I am come amongst you, as you see, at this time, not for my recreation and disport, but being resolved, in the midst and heat of the battle, to live and die amongst you all; to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust. I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England too.”

Page 13: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Renaissance

During Elizabeth’s reign, an incredible movement was taking over Europe -- The Renaissance

Art, music, theatre, dance, and architecture were being revolutionized

The invention of the printing press (1440) dramatically increased literacy

Page 14: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Ideals

Elizabethan society held members of the noble class in high regard; family honour was of great importance

Elizabeth also encouraged her Ladies and Lords to follow the rules of courtly love

The concept of idealized, unattainable love greatly affected the artists at the time

Page 15: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Great Chain of Being

Elizabethans believed that all things had a place in the hierarchy of being

It was believed that you could not change your stars, but must fulfill your role as given to you by God

Kings and Queens have “divine right” (the power and approval of God)

Page 16: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Great Chain of Being: on earth

Page 17: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Magical and Supernatural Forces

The Elizabethans believed in the power of the supernatural or magical – a realm above mortals but below heaven

Witches, fairies, fate, destiny, the power of the stars and the moon, are all featured quite heavily in Elizabethan art

Without scientific explanation, unusual illnesses or events were explained using the supernatural or magical

Page 18: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society – the role of the Fool

a fool or jester was a common sight at Court during Henry VIII’s reign and Elizabeth I’s reign

these fools were “artificial” fools -- they acted to entertain or sometimes gave advice

Page 19: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Fashion Elizabethan dress was gorgeous and elaborate, mirroring

the prosperity and energy of the age -- nobles donated their clothing to acting companies which they sponsored

Page 20: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- FashionMen and women often curled or dyed

their hair. On occasion they used false hair or full wigs

Men's hair was worn in a variety of styles, cut short at the sides, brushed up and held with gum or wax, or curled all over

Beards were sometimes dyed to coordinate with an outfit or the wearer's mood. A carnation beard "speckled with green and russett" would mark the return of a loved one, for example.

Page 21: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Food

Elizabethans ate a diet of meat, grains and root vegetables (potatoes, carrots, beetroot, etc.)

Elizabethans did not drink water as it was often polluted, and instead drank ale and wine

Page 22: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002
Page 23: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002
Page 24: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Marriage

Marriage was a religious, economic, and practical necessity. In the nobility, it was a major means of increasing capital

The husband ruled the family based on religious conceptions of hierarchy

Page 25: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Weddings Weddings were cause

for great celebration in all levels of society

Celebrations would be spread over several days, and included singing, dancing, feasting, contests, and at times, performances by actors, jugglers, fools etc.

Page 26: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Huswifery

John Fitzherbert (A Book of Husbandry, 1525) offers this advice:

When thou art up and ready, then first sweep thy house, dress up thy dish-board, and set all things in good order within thy house; milk thy kine [cows], feed thy calves, sile [strain] up thy milk, take up thy children and array them, and provide for thy husband's breakfast, dinner, supper, and for thy children and servants, and take thy part with them.

And to ordain [organize] corn and malt to the mill, to bake

and brew withal when need is. . . Thou must make butter and cheese when thou may; serve thy swine, both morning

and evening and give thy pullen [fowl] meat in the morning, and when time of the year cometh, thou must take heed how thy hen, ducks and geese do lay, and to gather up their eggs; and when they wax broody to set them thereas no beasts, swine or other vermin hurt

them.

Page 27: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Huswifery

A housewife must also: care for her family in sickness and health, provide (deliver) children, prepare all food, drink, make all clothes, look after all animals, grow food, and care for the family’s finances

Page 28: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Husbandman

The husband was in charge of all major work outside the home

He ploughed, sowed, made hay, harvested, threshed, slaughtered the large animals, and kept up the maintenance of the house

Sports for men included: hunting, hawking, fishing, archery, and cockfighting

Page 29: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Cockfighting…

Page 30: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Cockfighting…

Page 31: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- London

Many people lived in London, England’s busiest and most vibrant city

London was the port where ships would arrive

The city was crowded and full of noise and disease

Public buildings were often closed down due to the plague

Page 32: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Plague!!!

Page 33: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Plague!!!

Page 34: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002
Page 35: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002
Page 36: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

A guild is a group of craftspeople who have joined together for mutual protection, and establishment of professional standards

The levels include: Master, Journeyman, and Apprentice

Guilds also performed as actors, putting on elaborate performances to promote their professionalism

Elizabethan Society – Trade Guilds

Examples of professions with guilds: Bakers, Joiners, Tinkers, Watchmen, Actors, Bankers, Blacksmiths, Saddlers, etc.

Page 37: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -Entertainment

Elizabeth appointed a Master of the Revels -- a censorship body which had absolute control over all entertainment

Elizabeth held great tournaments (which included wrestling, jousting (or tilting), and other combat contests

Page 38: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

London -- Location of Entertainment

The City of London is divided by the River Thames – population today is over 7 million

In the Elizabethan era – population 250,000 The south bank of the Thames was outside the City limits Theatre, Baiting and Prostitution became illegal inside the

city limits Therefore, all entertainment buildings and bawdy houses

were located on the South side of the river Entertainment must be reached by boat (or over very

crowded bridges) All affluent society lived in London proper (the north bank of

the Thames)

Page 39: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

London -- Location of Entertainment

Page 40: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Entertainment

Bear-baiting and bull-baiting were common public sports in London

Hangings were also a public form of entertainment

Often, such events were closed down due to the plague (a disease spread from rats via fleas– but this was unknown at the time)

Page 41: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre Another form of popular entertainment was the theatre - a

“hit” production might be seen by 50% of the male population

People from all social classes visited the theatre (including royalty)

By 1600, half of the 3.5 million people in England had some education

Plays were comedies, dramas or romances Plays were mostly performed during the day There were several important playwrights of the time

including Marlowe, Lyly, Kidd, Jonson, and Shakespeare

Page 42: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre Plays were performed in

open-air, wooden theatres First public playhouse

opened in 1576 The theatres were round (or

oval) and had tiers of seating for the public

Notable theatres of the time: The Rose, The Theatre, The Swan, and The Globe (1599)

The theatres had few points of entry and no washrooms

Page 43: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre

Areas for viewing included: the pit, the Gentleman’s Rooms, the covered galleries and the Lords’ Rooms

Each area charged a different amount: the Lords' Room:1 shilling , the Gentlemen's Rooms: 6 pence, the galleries: 2 pence, the pit (for the "groundlings"): 1 penny

Page 44: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre Playbills were handed

out as publicity, but since much of the populace was illiterate, a flag was raised at the theatres on performance days

Plays were performed in Repertoire -- on a rotating schedule

Page 45: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre

The general atmosphere in an outdoor theatre was loud and raucous

Prostitutes, pick-pockets, orange sellers and buskers milled in the pit, trying to make some money

The audience booed or cheered the action -- often throwing fruit if the performance was sub-standard

Page 46: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Theatre On June 29, 1613, a

cannon shot during the opening of Shakespeare’s Henry VIII set the roof of The Globe Theatre on fire

The original Globe theatre burned to the ground

Page 47: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Globe Theatre -- today

The Globe Theatre has been rebuilt on the south bank of the Thames in London

The company and theatre are run as they would have been in Elizabethan times with matinees, plays in repertoire, and similar production values (no lighting; minimal set design) and an all-male acting company

Page 48: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Globe Theatre -- today

The flag still flies to tell people that a performance is scheduled for that day

Some concessions have been made for modern audiences – washrooms have been put in, and there are sprinklers on the thatched roof to prevent a fire from destroying the wooden structure

And another show has been added: shows run at 2:00 and 6:00

Page 49: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Globe Theatre -- today

Admission costs for the pit, the tiered seating, the Gentlemen’s Rooms and the Lord’s Rooms are relative to the cost during the Elizabethan era. Today, standing in the pit to see a show will cost you £5.00 ($12.00)

You may not sit in the pit (you will be asked to leave if you do)

Page 50: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Globe Theatre -- today

There is a thrust stage, with a roof (the groundlings still get wet if it rains!)

The stage is about 4 ½ feet off the ground (so you have to look over people’s heads to see the action

Page 51: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

The Globe Theatre -- today

You can see the balconies and the Lord’s Rooms in this photograph

The central balcony would be used for musicians and any “balcony scenes” in the plays

The ceiling of the stage is very ornate (as most of the groundlings only have a clear view of the ceiling)

Page 52: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society – Acting Companies

Actors were in troupes or companies (8-20 men) The companies were arranged like the guilds with share-

holders, apprentices, and hired men Between 1590 and 1642, there were approximately twenty

companies of actors in London (although only four or five played in town at one time), and more than a hundred provincial troupes

Page 53: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society – Acting Companies All acting companies

by law had to be sponsored by a nobleman and wear his colours, or “livery”

The Queen sponsored a company (The Queen’s Men)

All actors found without a sponsor were arrested as beggars

Page 54: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Actors Actors usually played similar

characters in all plays -- the lead, the king, the comic character

All actors sang and danced (music is a feature of all plays -- even tragedies)

Musicians played music throughout the performance from a gallery off stage

Performances often started with an “opening act” of music or slapstick and ended with a dance

Page 55: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -- Actors

Women were not allowed on stage -- all female parts were played by young male apprentices (until their voices changed)

Male children were allowed to act and Queen Elizabeth sponsored a troupe of child actors for many years

Page 56: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabethan Society -Actors

There were several popular and talented acting troupes including: Lord Admiral’s Men (lead actor: Edward Alleyn), and Lord Chamberlain’s Men -- later the King’s Men (lead actor: Richard Burbage)

The Lord Chamberlain’s Men had a very talented, young, up-start playwright and actor in their company -- William Shakespeare

Page 57: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Child William Shakespeare

was born/baptized on April 23, 1564 in Stratford-upon-Avon

He was the third of eight children born to John and Mary Shakespeare

Page 58: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- School

His father was a local businessman and town councillor

Shakespeare was educated at the village school, and did not attend university

He would have read books like the Hornbook (a religious reading), and other books in Latin and Greek

He would have learned to write in italic hand with a quill and ink

Page 59: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Family Shakespeare was

granted a marriage license on November 27, 1582 to marry Anne Hathaway

Anne Hathaway was eight years Shakespeare’s senior (she was 26 and he 18)

Page 60: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Family William and Anne had three children: Susanna,

Hamnet and Judith (Hamnet died at 11 years of age)

Page 61: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- London Shakespeare left his

family in Stratford in 1592 (approximately) and moved to London

He is first mentioned in A Groats-worth of Witte by Robert Greene as an “upstart crow”

Page 62: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Author

During his time in London, Shakespeare joined Lord Strange’s Men (later Lord Chamberlain’s men and still later the King’s Men)

Shakespeare was primarily a playwright, however he also acted bit parts

Shakespeare wrote plays, sonnets (154 of them!) and narrative poems

Page 63: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Published

Plays were not considered literature and were not generally published

Actors were given “sides” which contained only their own parts Shakespeare’s plays were published shortly after his death due

to their popularity They were published in quarto and folio The texts are unreliable since typesetters did not include

punctuation and spelling was not standardized

Page 64: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Elizabeth I -- End of an era Elizabeth I was said to

have “admired” Shakespeare’s plays and helped their popularity

Elizabeth I died on March 24, 1603

The crown passed to James VI of Scotland who became James I of England

Page 65: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

James I -- Patron of the Arts James I became a patron of

Shakespeare’s troupe, Lord Chamberlain’s Men -- renaming them the King’s Men

Shakespeare enjoyed great prosperity during these years. His family received a Coat of Arms and he purchased a large house in Stratford

Page 66: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Retirement

Approximately 1610, Shakespeare returned to Stratford

He wrote two plays in retirement, and regularly returned to London

Page 67: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

William Shakespeare -- Death

William Shakespeare died on April 23, 1616

He had written 37 plays, and numerous sonnets and narrative poems – now translated into over 50 languages

He is considered the greatest English writer in history

“He was not for an age, but for all time…”

Page 68: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002
Page 69: Shakespeare and His Theatre An Introduction to the Elizabethan Theatre By G. Maxwell September, 2002

Works CitedBrockett, Oscar and Franklin, J. Hildy. History of the Theatre. Allyn & Bacon: Toronto, 1990.

Evans, G. Blakemore, et al. The Riverside Shakespeare. Houghton Mifflin: New York, 1990.

Folger Shakespeare Library

2000. http://www.folger.edu/Home_02B.html (2 Jan. 2002).

Rusche, Harry. “Shakespeare Illustrated”

2001. http://www.emory.edu/ENGLISH/classes/Shakespeare_Illustrated/Shakespeare.html (2 Jan. 2002).

Shakespeare.com.

2001. http://www.shakespeare.com/ (4 Jan. 2002).

Shakespeare’s Globe Research Database – English Department, University of Reading.

2000. http://www.rdg.ac.uk/globe/ (4 Jan. 2002).

Surfing with the Bard

2001. http://www.ulen.com/shakespeare/ (2 Jan. 2002).