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Screenplay for a Notoriety Pictures short film production.
Citation preview
Simon Says
By
Matt Summers
First Draft
Screen is black. The sound of high heels can be heard
along the floor. A door opens, and closes just as quickly.
ELLIE
Good Morning Doctor.
SIMON
Good morning Ellie, please sit
down.
FADE IN:
1 INT. SIMON’S OFFICE - DAY
Ellie, a young woman of about twenty, walks into view. She
sits down in a chair in front of a desk, with a darkened
figure sitting opposite her. Simon.
The main light in the room positioned above Simon is off.
A lamp is positioned on the desk, shining on Simon’s
hands. His face is not visible.
SIMON
I’m sorry about the lighting
Ellie, there is a problem with
the bulb in the light. The
problem will be fixed in time.
ELLIE
That’s okay Doctor.
SIMON
Please, call me Simon. So, what
exactly is the reason you are
here?
Simon is constantly fidgeting with his hands. (Alternate
option - patient file open of Ellie, Simon writes in notes
as they speak).
ELLIE
I’ve been having trouble sleeping
lately. A lot of memories from my
childhood are cropping up in my
dreams.
SIMON
Is there anything specifically
related to your childhood you are
referring to?
Ellie hesitates. She sighs. She appears nervous.
ELLIE
My dad.
(CONTINUED)
CONTINUED: 2.
SIMON
May I ask what these nightmares
consist of? Did he die when you
were young? Was he not there for
you when you needed him?
ELLIE
It’s only ever one nightmare. The
same nightmare over and over
again.
Ellie notices Simon’s hands fidgeting, and her look of
concern intensifies. Simon quickly stops and rests his
hands on the table.
SIMON
Ellie, If I can ask you to just
sit back comfortably and relax
now. I’m going to put you into a
deep sleep. I will ask you
questions about your nightmare,
and you will guide me through it.
ELLIE
Okay.
Ellie again responds nervously, fidgeting in the chair,
breathing heavily.
SIMON
It is okay Ellie, I will be here
by your side helping you. You
have nothing to fear. It’s all in
your head.
Simon’s face comes into view in the light. He is smirking.
SIMON
Simon Says, let’s begin.
(Alternate - Never reveals face - line wouldn’t happen)
QUICK CUT TO BLACK:
SUPERIMPOSE TITLE: SIMON SAYS
2 EXT. ALLEYWAY - LATE EVENING
It is silent. The only noises that can be heard are the
faint whisks of wind, and the small rumblings of animals
scurrying about the streets nearby.
A sudden scream can be heard nearby. Ellie enters the
alleyway. She is running, whilst constantly looking behind
herself.
(CONTINUED)
CONTINUED: 3.
ELLIE
(Shouting)
Leave me alone!
Ellie trips and falls to the ground. She cuts her leg. She
begins backing away slowly.
ELLIE
Please, Please stop this!
She screams again, holding her head in pain and laying out
on the ground in pain.
TIME CUT TO:
3 INT. MATHESON HOUSE - HALLWAY - MORNING
Sound of keys in the door. The door opens and Ellie walks
in. She appears dazed, and is stumbling slightly. Ruth,
Ellie’s Mother, rounds the corner at the end of the
hallway. She looks deeply concerned. She rushes to Ellie
and embraces her with a hug.
RUTH
Oh my god Ellie are you okay?
I’ve been so worried.
Ruth let’s go of Ellie. Ellie continues to look dazed and
unwell.
RUTH
You didn’t answer your phone, I
was up all night trying to get in
contact with any of your friends,
hoping they knew where you were.
ELLIE
It’s fine Mum, I’m fine.
Ellie stumbles past Ruth into the kitchen.
4 INT. MATHESON HOUSE - KITCHEN - CONTINUOUS
Ellie takes a drink out of the fridge and sits down at the
kitchen table. She continues to look dazed. Ruth is stood
in the doorway watching, confused.
RUTH
You don’t look fine. You don’t
seem fine. Where did you go last
night? All you were supposed to
do yesterday was visit the
doctor.
Ellie gulps down some drink before responding.
(CONTINUED)
CONTINUED: 4.
ELLIE
I didn’t go to the doctor’s mum.
I can’t remember what happened
last night. The last thing I
remember was seeing Simon.
Ruth sits down at the table with Ellie, continuing to take
a keen interest.
RUTH
Who is this Simon? A boyfriend? A
friend?
ELLIE
He’s a hypnotist Mum.
Ruth becomes shocked and angry simultaneously.
RUTH
What are you going to see a
hypnotist for? What did this
Simon do, fill your head with
crap?
ELLIE
It’s not like that Mum. I just
needed some help.
RUTH
Help with what? I’m here to help
you. You know that. You don’t
need some stranger conning you
into believing that there is
something wrong with you.
ELLIE
No Mum, it’s moments like this.
You don’t understand me, I wanted
a professional opinion because
you just jump to conclusions. I’m
tired of you.
Ellie stands. She stumbles out the kitchen.
RUTH
Look at you, you can’t even stand
up properly. Something worse is
going on.
Ellie ignores Ruth and continues up the stairs.
Ruth looks dejected.
FADE TO:
5.
5 INT. MATHESON HOUSE - RUTH’S BEDROOM - DAY
Ruth is sat on the edge of her bed. She is holding her
phone in one hand, and the Yellow Pages is opened on her
lap. She looks hesitant as she stares at the page. She
finally begins dialling on the phone. She waits as the
phone rings.
6 INT. DAVID’S OFFICE - DAY - ALTERNATE
(David Easton a young man, short dark hair, dressed
smartly with a shirt, tie, blazer and jeans) is sat in a
chair in front of his desk. His head is rested against the
back of the chair.
A laptop is open in front of him, with a screensaver on
screen. The image is of Lauren Easton, a young petite
woman who is David’s deceased wife. David Leans forward,
holds his head for a brief second before looking at his
laptop screen. (Potentially not include this if David is
unaware of the memory of his wife).
QUICK CUT TO:
7 INT. SIMON’S OFFICE - DAY - FLASHBACK
DAVID’S POV - Extremely brief quick cut shots together.
The location is obscure, and so too is the faces.
The lighting is dark in the room. The ceiling light above
the desk is off, only a lamp is shining bright on the
desk.
David is sat in Simon’s office facing the desk. Quick cut
to David looking to his left. Lauren is sat in the chair
next to him. Quick cut to Simon directly in front of
David, screaming is heard from Lauren.
QUICK CUT TO:
8 INT. DAVID’S OFFICE - DAY
David quickly snaps back to life, sweating and gasping for
breath. He calms down slightly, but still breaths heavily.
Next to the laptop is a pot of pills. The pills are
paracetamols. David quickly grabs the pills from the desk,
opens the pot quickly, taps a few pills into his mouth and
swallows.
David’s breathing slows, and he calmly sits back in his
chair again. He closes his eyes.
(CONTINUED)
CONTINUED: 6.
A few seconds pass before a mobile phone on the desk
starts ringing and vibrating. It makes David jump in his
now relaxed state. David leans forward, picks up the
mobile and acknowledges the caller.
DAVID
Hello, this is David Easton,
Private Investigator, how may I
help you?
TIME CUT TO:
9 EXT. MATHESON HOUSE - DAY
A car speeds along the road and pulls up outside the
Matheson’s House. The door swings open and the driver
steps out. David Easton is a young man, short dark hair,
dressed smartly with a shirt, tie, blazer and jeans.
David leans back into his car to the passenger’s side and
grabs a notepad and I.D. card off of the seat. There is a
handgun also on the seat. He quickly opens the glove
compartment and places the gun in there, and closes it.
David leans back out of the car and closes the door. He
slides the notepad into his pocket.
David walks into the driveway to the front door of the
Matheson’s house and rings the doorbell. There is a pause
before Ruth answers the door.
DAVID
Hello I’m the private
investigator, David Easton, I had
a call to come to this address.
David shows his I.D. Card.
RUTH
Oh thank you so much for coming,
I’m Ruth Matheson.
DAVID
It’s a pleasure to meet you maam.
RUTH
Please, come in.
Ruth leaves the door open as she walks off. David quickly
takes his car keys out of his pocket and locks the car.
David enters the house.
7.
10 INT. MATHESON HOUSE - HALLWAY - CONTINUOUS
David takes his shoes off by the mat at the front door. He
walks forward, trying to look to where Ruth might have
gone. She quickly pops her head around the kitchen
doorway.
RUTH
Please head on into the living
room, I’ll be there in a minute.
Would you like a coffee?
DAVID
That would be great thank you.
David walks down the hallway and into the living room.
CUT TO:
11 INT. MATHESON HOUSE - LIVING ROOM
David is sat on the settee. Ruth walks in with two coffees
and hands David a mug.
DAVID
Thank you Mrs Matheson.
RUTH
Please, call me Ruth.
David takes a sip of coffee before placing it on a coster
on the coffee table.
DAVID
When we spoke on the phone
yesterday you told me there was a
problem with your daughter? What
exactly is the problem?
David opens his notepad and gets ready to write.
RUTH
Ellie is such a sweet girl. She
would always listen to me, always
do her chores with no problem,
always be happy surrounding
herself with good people. She was
always calm if there was a
problem and we would very rarely
argue.
David continues writing down notes.
RUTH (CONT’D)
But something happened the other
day. She lied to me, and instead
(MORE)
(CONTINUED)
CONTINUED: 8.
RUTH (CONT’D) (cont’d)of going to the doctors she went
to see a hypnotist.
DAVID
Did she mention the hypnotists
name at all?
RUTH
She said his name was Simon.
David instantly stops writing. He appears frozen in
thought.
RUTH
Are you okay?
David quickly springs back to life.
DAVID
Oh, I’m sorry about that. I just
have these constant headaches
lately, it’s nothing.
David focuses again and gets ready to write more notes.
RUTH
I don’t believe in that hypnosis
rubbish, but I know she was fine
before she went to that
hypnotist. Something isn’t right
about him.
DAVID
Did she mention where this
hypnotist worked?
RUTH
No, she says she couldn’t
remember anything.
DAVID
Okay well I’ll do some background
research into this hypnotist. If
I find a location I’ll go and see
him.
RUTH
Thank you so much for doing this.
DAVID
That’s no problem.
David stands and puts his notepad in his pocket.
9.
12 INT. MATHESON HOUSE - HALLWAY - CONTINUOUS
David and Ruth both exit the living room into the hallway.
David opens the door, before turning back to Ruth.
DAVID
Don’t worry about anything Ruth,
I will find out if anything is
wrong.
David exits the house before closing the door.
CUT TO:
13 INT. DAVID’S OFFICE - EVENING
JIB SHOT starting from bin on the floor. A piece of
crumpled paper is thrown into the bin. CAMERA PANS UP to
reveal small office space. David is sat at a desk in the
corner of the room, with a laptop open on the desk.
QUICK SHOTS CUT between David and the laptop.
David searches hypnotism into Google. There are EXTREME
CLOSE-UPS of particular words and phrases that he takes
notice of in the various pages. He continues to scan the
text, picking out phrases.
David searches again now for ’Simon Hypnotist’. He scrolls
through the search results but there is nothing of use
about Simon.
David looks back on the notes he has taken. Written down
is ’Stage-hypnotism’. He googles ’Simon - Stage
Hypnotism’. As he scrolls down he finds something, a
Tumblr article called ’Simon Says...’. He clicks the link.
The blogger’s username is TwistedSpectrum666.
He scrolls through the article taking notes again. EXTREME
CLOSE-UPS on particular phrases.
’Simon Says...’ is the most recent article on the page.
David scrolls down further on the Tumblr Blog looking for
more articles. He stumbles upon an embedded video uploaded
by the user. He clicks play.
The video features CHRISTOPHER ELLIS speaking directly to
the camera being recorded on. Christopher appears crazy,
visibly stressed and paranoid.
CHRISTOPHER
(Crazy)
It seems so strange now. It’s
been weeks since my first
encounter with Simon. I cannot
get Simon out of my head, he is
(MORE)
(CONTINUED)
CONTINUED: 10.
CHRISTOPHER (cont’d)driving me insane. What he did to
those people, all of those
people, it’s horrifying.
Christopher picks up a can of coke and takes a swig.
CHRISTOPHER (CONT’D)
(Crazy)
I used to be so respected in my
job, but look at me now. Look
what Simon has driven me to.
Insanity? Is that what you would
call it? It feels like I am
insane, and perhaps that is why I
am past the point of return. But
that doesn’t mean for others they
cannot be helped before it’s too
late.
Christopher takes a final swig of coke, before throwing
the can out of sight of the camera.
CHRISTOPHER (CONT’D)
(Crazy)
I had a conversation yesterday
with someone named David. David
was interested in Simon, I tried
to help him too, and I think I
succeeded. But there are others.
He wants others. Listen to my
warnings people, do not go to see
the hypnotist Simon. Do not go
there! You will lose your mind to
him.
David sits back in his seat, confused. He scrolls back
through the video to replay a section.
CHRISTOPHER
(Repeated)
I had a conversation yesterday
with someone named David.
David quickly loses focuses.
14 INT. DAVID’S OFFICE - DAY - FLASHBACK
DAVID’s POV - Quick Cuts in David’s office. David is
shaking hands with Christopher. Christopher hands him a
pot of pills (paracetamols). Quick snippet of dialogue.
CHRISTOPHER
Trust me, these help.
(CONTINUED)
CONTINUED: 11.
CLOSE UP on pills. Quick cut to Christopher sat down with
David talking. Quick cut to Christopher standing,
appearing crazed and paranoid.
QUICK CUT TO:
15 INT. DAVID’S OFFICE - EVENING
David snaps back to life, startled at what has just
occurred.
He hesitantly sits upright and scrolls down the tumblr
blog further. There is an earlier article from further
back. He begins to skim through the text, continuing to
pick out phrases of interest that Christopher has used to
describe Simon.
As David reaches the bottom of the article there is a
picture of an office building. David squints at the
picture before finally recognising it.
QUICK CUT TO:
16 EXT. SIMON’S OFFICE BUILDING - DAY - FLASHBACK
DAVID’S POV - Quick shots cut together.
Quick shot as David is driving. David exits the car. David
stands looking at Simon’s office building. Quick cut to
David walking down a narrow corridor. Looks to his left -
Revealed Lauren is with him. Quick cut to David and Lauren
at a door, pan up to reveal a plaque on the door. It reads
’Dr. Simon Smith’.
QUICK CUT TO:
17 INT. DAVID’S OFFICE - EVENING
David recognises the picture. He still appears confused --
not certain why he is unsure of the memory.
David quickly leans forward and looks through his desk. He
takes out a file. He quickly skips through the many pages
-- he finds what he is looking for.
There is David’s written notes on the location, as well as
the same picture stapled to the page. Simon’s name is
written as part of the heading to the page.
David leans back in his chair, appearing agitated and
slightly concerned.
(CONTINUED)
CONTINUED: 12.
DAVID
(Confused)
How could I possibly not have
known I had this?
As David continues to look out the page he picks out
another name. CHRISTOPHER ELLIS. David’s notes continue to
link in with the video he saw of Christopher -- they were
connected in some way - Christopher and Simon appeared
close originally.
TIME CUT TO:
18 EXT. SIMON’S OFFICE BUILDING - DAY
David is driving in his car, he pulls up outside of the
building he recognises from the picture. It is the Simon’s
Office Building. David sits in his car with his eyes
closed. He breaths slowly.
On the seat next to him is his paracetamols, notebook and
his handgun. He picks up the paracetamols, slides off the
lid, places a few in his mouth and swallows. After taking
a few deep breaths again he feels ready. He picks up his
notepad and gun and exits his car.
He places the notepad into his pocket, and puts his gun
into the back of his jeans. He locks the car, and proceeds
to walk towards the building.
19 INT. SIMON’S OFFICE BUILDING - HALLWAY - DAY
The hallway is long. There are numerous doors positioned
along the hallway. The building is quiet. No one is
around.
David appears at the end of the hallway, rounding the
corner. As he passes each door he looks for some
indication as to what room he is looking for.
QUICK CUT TO:
20 INT. SIMON’S OFFICE BUILDING - HALLWAY - DAY - FLASHBACK
Incredibly brief quick cut from DAVID’S POV - continuing
on from an earlier flashback.
David is at the beginning of the hallway. Quick cut to
David standing at the Simon’s Office door. There is a
plaque on the door that reads ’Doctor Simon Smith
- Psychotherapist’.
QUICK CUT TO:
13.
21 INT. SIMON’S OFFICE BUILDING - DAY
David quickly realises which door he is looking for. He
still walks up the hallway cautiously, ensuring this
memory is not lieing to himself. He reaches the door.
He looks up at the plaque on the door. He doesn’t bother
knocking. He checks to make sure the door is unlocked. It
is. David enters.
22 INT. SIMON’S OFFICE - DAY
The door slowly opens. It is silent. The room is the same
lighting as in previous scenes. David cautiously steps in,
quietly closing the door behind him. As David faces the
door closing it, Simon speaks up.
SIMON
Hello David.
David quickly turns on the spot. Sitting at the desk is
Simon. His face is not visible, only his hands on his
desk.
SIMON
What may I do for you?
David approaches the desk slowly.
DAVID
How do you know my name?
SIMON
Please, do you really think I’d
forget an old friend? Or perhaps
you just have one of those
familiar faces?
(beat)
Please, sit down.
Simon’s hand from the table gestures towards the seat
opposite him in front of the desk. David, still cautious,
sits down in the chair.
SIMON
I’m sorry about the lighting in
here David, I’m getting it fixed
as soon as possible.
DAVID
Is that true? Or did the mind
manipulating start the second I
stepped through that door?
(CONTINUED)
CONTINUED: 14.
SIMON
(Sarcastic)
That’s right, you’ve caught me
out already David. Or would you
prefer me to call you Mr Easton?
DAVID
You still never told me how you
know my name, or do you enjoy
talking in riddles.
SIMON
Ah, a magician never reveals his
secrets David.
DAVID
Magician? I thought you were a
hypnotist?
SIMON
Psychotherapist, actually. But
yes, my trick with the trade
began long ago. I’m sure you’ve
already done some research into
me. But tell me please, how is it
that you were able to find me
again?
David takes the notepad out his pocket, and opens it to
his recent page.
DAVID
A couple of days ago I was
contacted by Ruth Matheson. Does
that name stir anything in your
memory? Her daughter, who Ruth
described as being sweet, happy,
and always worked with no hassle,
seemed to be a completely
different person after coming to
see you the other day.
SIMON
I only try to help my patients
David, if they have a particular
fear that they cannot deal with I
just want to help them ...
encounter this ... to defeat it.
DAVID
Now I don’t believe in all the
hypnotism shit I’ve been reading.
Many people claim hypnotism to be
fake, an illusion created by the
illusionist so that they believe
what they want to hear. I guess
that just wasn’t the case with
(MORE)
(CONTINUED)
CONTINUED: 15.
DAVID (cont’d)Ellie Matheson was it. What did
you do to her?
There is a pause. Simon opens a draw in his desk.
DAVID
What did you do to her?
Simon continues to ignore this. He takes a file out from
the draw, before closing it again. He places the file on
the desk. He opens it to the first page.
SIMON
You failed to answer my first
question, so now I won’t answer
your questions. How is Lauren,
David?
David pauses for thought.
DAVID
I don’t know what you’re talking
about.
SIMON
Come on David, don’t tell me
you’ve forgotten about everything
we spoke about on our last visit.
David again appears confused, struggling to comprehend
what he’s being told.
DAVID
What are you talking about?
SIMON
Lauren is your wife.
David pauses again in thought.
QUICK CUT TO:
23 INT. SIMON’S OFFICE - DAY - FLASHBACK
Incredibly brief quick cut from DAVID’S POV - continuing
on from an earlier flashback.
David is sat in Simon’s office, looking to his left where
Marie is sat next to him.
QUICK CUT TO:
16.
24 INT. SIMON’S OFFICE - DAY
David quickly gasps back to present day, he appears
shocked and nervous.
DAVID
Whatever you are doing stop. I
don’t know any Lauren, I’m
single. You think I might know
If I had a wife.
SIMON
Lauren is your deceased wife
David.
David still looks nervous. He wipes the sweat off his
forehead.
DAVID
I never have had a wife.
SIMON
If that is true David then how
come your memory is vague? Why is
it that you have headaches? Why
is it that sat here the whole
time you have felt uneasy,
because you feel something is
wrong with this place.
David frantically begins looking around. Confused.
QUICK CUT TO:
25 INT. SIMON’S OFFICE - DAY - FLASHBACK
Incredibly brief quick cut from DAVID’S POV - continuing
on from an earlier flashback.
David is on the floor. Quick cut to Lauren standing above
him. Quick cut to Lauren on the floor dead, David laying
motionless next to her.
QUICK CUT TO:
26 INT. SIMON’S OFFICE - DAY
David stands. Clearly effected by what is happening.
DAVID
(Shouting)
What are you doing to me?
David holds his head again, appearing in pain.
(CONTINUED)
CONTINUED: 17.
SIMON
Please David, just relax and sit
back down.
David cautiously sits back down.
SIMON (CONT’D)
Lauren was here with you when you
first came to visit me. I say
visit me, but that wasn’t really
the purpose of your visit.
DAVID
What happened to me?! You’re
lying, trying to manipulate me.
SIMON
You came to visit Christopher.
David again pauses in his thoughts.
QUICK CUT TO:
27 INT. DAVID’S OFFICE - EVENING - FLASHBACK
Incredibly brief quick cuts from DAVID’S POV - continuing
on from an earlier flashback.
Video of Christopher talking on David’s laptop is briefly
shown. Quick cut to Christopher talking to David in his
office -- another flashback already seen.
QUICK CUT TO:
28 INT. SIMON’S OFFICE - DAY
David quickly snaps back to life again in the present.
DAVID
What happened to Christopher?
SIMON
How exactly do you mean?
DAVID
I remembered something about him.
He was in my office before.
Talking to me about something.
Then he appeared to insane with
rage.
Simon laughs to himself.
(CONTINUED)
CONTINUED: 18.
DAVID
What did you do to Christopher?
Did you kill him?
Simon continues laughing to himself.
SIMON
Kill him? How could I have
possibly killed him? Me and
Christopher were closer than you
might think.
DAVID
How close?
Simon leans in to the light, revealing himself to be
identical to Christopher.
SIMON
(Sinister)
Very, Very Close.
David quickly jumps out of his seat and moves back.
DAVID
(Shouting)
What the fuck is this? You’re
Christopher?
Simon also stands now.
SIMON
In a way you could say I am
Christopher, but also I’m not.
Simon steps out from around his desk and begins to
approach David. David pulls out his handgun from the back
of his jeans and aims it at Simon. Simon steps back
against his desk.
DAVID
You don’t come anywhere me, you
got it.
SIMON
That is understandable David.
DAVID
Now, explain what you meant.
SIMON
I’m sure you have done some
research into me? Anything
interesting show up? Maybe
anything from Christopher?
(CONTINUED)
CONTINUED: 19.
DAVID
The tumblr blog. The tumblr blog
demanding people to not go and
see you here. What was that? Some
kind of weird, twisted delusional
joke by yourself? You seemed
pretty insane.
SIMON
Let me explain.
29 INT. THEATRE HALL - DAY - FLASHBACK
Simon is narrating over this flashback from present day.
SIMON (V.O.)
I was once known as Christopher
Ellis. I say I was, but that’s
not particularly true.
JIB SHOT from floor - panning up to reveal poster on sign
of theatre hall door. Poster is for ’Christopher Ellis -
Amazing Illusionist’.
SIMON (V.O.)
I ... He ... used to be a
stage-hypnotist. Not a famous
one, but it was a paying gig
nonetheless.
A couple, hand-in-hand, walk into shot past the poster and
into the theatre hall. Loud audience chatter can be heard.
Simon steps out on stage, accepting and entertaining as
the crowd can be heard applauding.
SIMON (V.O.)
It’s well known that many
hypnotists are actually not aware
of the power they possess. That
was the case for Christopher.
CUT TO BLACK
Loud screaming is heard.
CUT TO:
20.
30 INT. SIMON’S OFFICE - DAY
SIMON
You see, that is the day
Christopher realised the power he
possessed, and that is the day I
came to prominence.
DAVID
What do you mean?
SIMON
I’m his ... alter-ego if you
will.
DAVID
Split Personality Disorder?
Christopher realised he had Split
Personality Disorder?
SIMON
(Sinister)
Yes. Yes.
(beat)
But one identity came out on top.
Me.
Simon grins.
31 SIMON MONTAGE SEQUENCE
A) SIMON’S OFFICE - Christopher is sat at his desk ’Stop
this, you can’t keep doing this to me, I don’t want this!’
B) SIMON MIRROR SEQUENCE - Christopher looks into mirror
at himself. Closes his eyes. Turns his head rapidly -
looks back at himself - disgusted.
C) SIMON’S OFFICE - ’Simon Says ... Relax. Remain Calm.
This won’t hurt a bit.’
D) Quick cuts of various people sitting in Simon’s office
- eyes closed - screaming in pain. Quick cut to Simon
standing over them - evily looking on - hands gesturing -
manipulating minds - stealing their memories.
E) SIMON MIRROR SEQUENCE (CONT’D) - Christopher twists and
turns his head again. Begins punching the mirror,
intently. Mirror smashes.
21.
32 INT. SIMON’S OFFICE - DAY
SIMON
That was the day I defeated
Christopher. Now it is just me.
DAVID
You’re crazy.
SIMON
Yes that is one way of looking at
it.
DAVID
What exactly is it you did to
Ellie?
SIMON
Well, that relates to the power
Christopher discovered in
himself, well now myself.
(beat)
Do you want to know my little
secret? My little secret of how
people will listen to me? It’s
all in the triggered phrase.
DAVID
Triggered what?
SIMON
The triggered phrase. For example
if I was to take a simple phrase
like .... I don’t know ... how
about SIMON SAYS for example.
(beat)
SIMON SAYS ... You will lower
your gun now.
David hesitantly and against his will starts to lower his
gun. He desperately tries to keep the gun pointed, but he
now has no control.
DAVID
(struggling)
What are you doing? How are you
doing this?
SIMON
I am able to hypnotise you while
you’re fully awake and aware of
the process. I prefer to use
Simon Says, it just gives me that
twisted phrase that everyone
recognises, but for the wrong
reasons.
(beat)
(MORE)
(CONTINUED)
CONTINUED: 22.
SIMON (cont’d)
We have had this discussion
before but you just do not
remember it. Kind of like how you
don’t remember Lauren, or me. Or
who you were. I wiped your memory
clean.
David begins to frantically panic. He blinks continuously,
and stands back against the wall.
DAVID
What is this?
DAVID’s POV - HALLUCINATION - Unusual effect during
hallucination. It is visibly clear David’s mind is
creating this strange effect.
SIMON
There is the setback for the
subject during this phase of
being hypnotised, they begin to
hallucinate.
DAVID’s POV - HALLUCINATION - Quick cuts as Lauren appears
in place of Simon. She has blood on her face, as well as
red markings on her neck.
David is visibly effected by this. He tries closing his
eyes. He falls to the floor.
DAVID’s POV - HALLUCINATION - Lauren continues
to manoeuvres the room. The image of Lauren switches to
Simon. The hallucination inter-cuts between both Lauren
and Simon. MANIACAL LAUGHING FROM SIMON CAN BE HEARD.
David is clearly distressed by what is happening. He tries
to prop himself up against the wall, but struggles. He
continues to look on at his hallucinations.
DAVID’s POV - HALLUCINATION - Lauren turns and begins to
approach David. The hallucination switches to Simon. David
raises his gun. Simon continues to approach David. David
shoots. Nothing happens.
David looks at his gun. Visibly frustrated he aims again.
DAVID’S POV - HALLUCINATION - David shoots several times,
with no impact on Simon. He approaches David. Simon jumps
at David, crazily laughing.
FADE TO:
23.
33 INT. SIMON’S OFFICE - DAY
Time has passed. David is no longer propped up against the
wall, but is sprawled on the floor - unconscious The gun
is no longer in his hand. David awakens. He begins
coughing, and responding in pain. He props himself up
against the wall. Off-screen a gun reloading noise is
heard. David looks up.
A chair is positioned a close distance away from David,
Simon is sitting on it. He is now aiming the gun at David.
David sighs when he realises the position he is now in.
SIMON
Oh David, I’m afraid we’re stuck
in a bit of a loop here. You see,
if I just wipe your memory again
you will just keep coming back
here, somehow you will find a
way. I tried being reasonable,
everyone gets a fighting chance
... I invade the mind, they leave
knowing none the wiser.
(beat)
But you David .... You just don’t
know when to quit. Even with your
memory gone you continue to find
me. There’s a connection between
us which can only be broken in
one way.
DAVID
(Painfully)
Tell me first, How did Lauren
die? Did you kill her?
SIMON
I’ve never killed David. I may
appear a sadisticly evil human
being, but that is not my way. Do
you really want to know the
truth?
David nods.
SIMON
You were the one that killed
Lauren.
David appears shocked.
DAVID
(Painfully)
Liar!
Just as David says this, again another flashback starts.
24.
QUICK CUT TO:
34 INT. SIMON’S OFFICE - DAY - FLASHBACK
Incredibly brief quick cuts from DAVID’S POV - continuing
on from an earlier flashback.
The effect in the flashback is again the same - it’s a
hallucination.
David is on the floor. Quick cut to Lauren standing above
him. Quick cut to David standing, pushing Simon to the
floor and strangling him. As David looks back he realises
it was never Simon - the image changes to Lauren. Quick
cut to Lauren on the floor dead, David laying motionless
next to her.
QUICK CUT TO:
35 INT. SIMON’S OFFICE - DAY
David reacts awkwardly, struggling to believe it.
SIMON
Now you realise and understand,
my bad ways actually did you a
favour. It made you forget what
you did.
DAVID
I would never of done it if I had
never visited you in the first
place.
SIMON
You chose to visit me, the stress
of your job caused a strain on
your health and relationship. You
thought hypnotherapy could save
you. Unfortunately for you, it
was me you came to see.
David appears upset, looking away in disgust. He looks
back again, his eyes tearing up.
The gun remains pointed at Simon. For the first time, it
looks as if Simon actually shows compassion. He
hesitates. (Alternate - Simon Ruthlessly kills David).
SIMON
SIMON SAYS ... It’s time to
relax.
QUICK CUT TO BLACK
GUN SHOT IS HEARD.
(CONTINUED)
CONTINUED: 25.
CREDITS ROLL.
Alternate - Simon Ruthlessly kills David.
SIMON
I let you go once, but I was
weaker then. But now is a time
when I have no weakness ... Just
... Manipulation.
QUICK CUT TO BLACK
GUN SHOT IS HEARD.
CREDITS ROLL.