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The Craft of Filmmaking How to express story, themes, and emotions through film Presented by Shant Joshi

The Craft of Filmmaking

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The Craft of Filmmaking. How to express story, themes, and emotions through film Presented by Shant Joshi. Who am I?. Shant Joshi Director/Producer/Writer 1 st Year Undergraduate @ York University BFA Film Production ( Hons .) - PowerPoint PPT Presentation

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Page 1: The Craft of Filmmaking

The Craft of FilmmakingHow to express story, themes, and emotions through filmPresented by Shant Joshi

Page 2: The Craft of Filmmaking

Who am I?Shant JoshiDirector/Producer/Writer1st Year Undergraduate @ York UniversityBFA Film Production (Hons.)Films have been showcased at the New York Film Academy, the Planet In Focus International Film Festival, and the TIFF Next Wave Programme

Page 3: The Craft of Filmmaking

What is filmmaking?Definition: “The making of motion pictures” (Merriam-Webster)A picture tells a thousand words. A picture captures a moment in timeRather than freeze that moment, we recreate it by playing multiple images together at 24 frames per second, creating the illusion of motionFor our purposes today, filmmaking is to use and control MOTION in pictures to tell a specific story

Page 4: The Craft of Filmmaking

Anyone can make a filmAny object that captures motion images is a “film” cameraFrom your phone…To your pocket camera…To your DSLR…To your old Super 8 camera…To the huge Hollywood film/digital camera.What makes your film different than a big budget Hollywood film or a home video is how you use your tools to tell your story

Page 5: The Craft of Filmmaking

Watch “They’re made out of Meat”

http://www.youtube.com/watch?v=7tScAyNaRdQHow does it use filmmaking techniques to tell a story? Let’s find out!

Page 6: The Craft of Filmmaking

Main Components of Filmmaking

1. Camera Framing- Where do you capture the MOTION?

2. Mise-en scène- What MOTION, or lack of motion, are you capturing?

3. Editing- How much of the MOTION is seen?Other concepts not discussed in the workshop:4. Sound- What do we hear during the MOTION?5. Lighting- In what light do we see the MOTION?

Page 7: The Craft of Filmmaking

Camera FramingFraming a shot is to determine how your audience sees the subject in MOTION.Much like how in theatre you use character position and levels on stage to send a visual message to your audience, similarly the camera manipulates the perspective of the actionThis is made up of 5 major parameters:

Camera DistanceCentered/Decentered FramingCamera AngleDepth of Field (Perspective Relations)Camera Movement or Mobile Framing

Page 8: The Craft of Filmmaking

Camera DistanceVarious Distance Types:

Extreme close-up (ECU): When a singular part of the face/body fills the frameClose-up (CU): When the head fills the the frameMedium-shot (MS): A shot of the character from the waist upMedium Long Shot (MLS): A shot of a character from the shins upLong Shot (LS)- A shot of the full body of the characterExtreme Long Shot (ELS)- A shot where the full body of the character is seen but is small in comparison to the environment

Our example: Character reading a book on a chairHow does the changing of distance influence our perception of the MOTION on screen?

Page 9: The Craft of Filmmaking

Centered vs. Decentered Framing

Centered: Putting your subject into the center of the frame

Decentered: Putting your subject off to the side

Decentered (Rule of thirds): By putting your subject on the right or left third of the frame, the empty space can be used to tell something (emptiness? Completeness?)

Page 10: The Craft of Filmmaking

Camera AngleLow-angle (LA)- A shot where the camera is below the subject pointing up

High Angle (HA)- A shot where the camera is above the subject pointing down at it

Overhead shot/Bird’s eye view shot- A shot taken directly above the subject

Page 11: The Craft of Filmmaking

Depth of Field (Perspective Relations)

Wide angle lens: Shallower depth of field. Wider look. More distance between various depthsMedium Lens: General DepthTelephoto Lens: Deeper depth of field. Boxed in/focus look. Flattened image. Less distance between various depths

Page 12: The Craft of Filmmaking

Mobile FramingPan- Camera is stationary but is turned from left to rightTilt- Camera is stationary but is angled up and down.Dolly/Track- A cart with wheels that holds the camera. It moves to allow the camera to change positionsCrane- A mechanical device that carries the camera through various movements both high level to low level and left to rightHandheld- When the camera is mounted on to the camera person as they move through the spaceExample: Character gets up and moves through the space

Page 13: The Craft of Filmmaking

FRAMING MANIPULATES FROM WHAT PERSPECTIVE DOES THE AUDIENCE SEE THE MOTION

Page 14: The Craft of Filmmaking

ANY QUESTIONS ABOUT FRAMING YOUR SHOT?

Page 15: The Craft of Filmmaking

Mise-en-ScèneTranslates to “placing in the scene”This refers to every thing you see in the frame of an imagePerfect authorship or auteurism is to have a purpose for every single object in frameIncludes:

SettingPropsCostumes and Make-UpColoursPerformance

Page 16: The Craft of Filmmaking

Purposeful Settings

Page 17: The Craft of Filmmaking

Props and CostumesSignificant objects which has an important function in the filmOften repeatedly revealed for effect to the audienceThink about “They’re Made Out of Meat” and how it uses props

The cigarettesThe playing cardsThe chewing gumThe pop culture magazineThe suit that the man wearsThe fez with a red coat

Each object has it’s own significance

Page 18: The Craft of Filmmaking

Movement & Performance Style

Stylistic elements of performanceAppearanceGesturesFacial expressionsVoiceNoises

Think about “They’re Made Out Of Meat” How is the performance of the aliens different than the performance of

the group of friends? the cook and waitress? the man in the trench coat?

Through performance how does the filmmaker express the story to the audience?

Page 19: The Craft of Filmmaking

ANY QUESTIONS ON MISE-EN-SCÈNE?

Page 20: The Craft of Filmmaking

Editing“Film is truth at 24 frames a second, and every cut is a lie.”

–Jean Luc Godard

“The first cut is always the deepest” –Amnon Buchbinder

We can’t cut from theatre but we can from film. Use your cuts wisely!Make sure that you maintain a rhythm and a sense of continuous MOTION

Page 21: The Craft of Filmmaking

Basic Hollywood Continuity EditingBasic shot order of a scene

1. Establishing shot: Establish where we are2. Master shot: Looking at everything important to the scene3. Close-up: Of character that is talking4. Reaction shot: Of character that is listening5. Return to Master shot

Match cuttingShot 1: Close-up of man in suit as he looks at the bottom left of frame and begins to sit downShot 2: Three quarter long shot of man in suit sitting into diner booth

Doing this only is generally BORING. Add some flair with your editing. Make your cuts meaningful.

Page 22: The Craft of Filmmaking

Flair it Up! With Editing.Cut-in

When you are watching a long shot and the film cuts into a closer look at the specifics of the scene

Zooming vs TrackingExample of character reading book(Skip to 0:35) Man of Steel clip. The quick zoom http://www.youtube.com/watch?v=1-EdLrzZutE

Cut-away shotsMoving to another shot of something other than the main focus for a couple of seconds. It adds effectThink about “They’re Made out of Meat” and the cutaways to the friends and the waitress-cook

Page 23: The Craft of Filmmaking

Editing Software AdviceiMovie (for Mac/iPad users) is a good place for first timers

Fairly easy to use editing software. Not very precise cutsCan not handle enormous amounts of media

Adobe Premiere Elements (for Mac/PC users) is a good place to start learning how to edit film more professionallyAdobe Premiere Pro (for Mac/PC users), Final Cut Pro 7 (for Mac only), and Sony Vegas Pro (for PC only) are great editing software for the aspiring filmmakerAVID Media Composer (for Mac/PC users) is the epitome of professional editing softwareThese are all good, but are only tools for your mind to use through editing craft to tell a story

Page 24: The Craft of Filmmaking

ANY QUESTIONS ON EDITING?

Page 25: The Craft of Filmmaking

ANY QUESTIONS FOR LIGHTING, SOUND WORK, OR USING A CAMERA?

Page 26: The Craft of Filmmaking

Watch “They’re made out of Meat”

http://www.youtube.com/watch?v=7tScAyNaRdQHow does it use filmmaking techniques to tell a story?

Page 27: The Craft of Filmmaking

ANY QUESTIONS IN GENERAL?

Page 28: The Craft of Filmmaking

THANK YOU!