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Page 1: Vocal Score

VOOaL SOOHt^ti ^1

THE

THE KING OF BARATARIA.B^'

W. S. GILBERTAND

ARTHUR SULLIVAN

ARRANGEMENT FOR PIANOFORTEBY

J. H. WADSWORTH(OF BOSTON, U.S.A.)

Yooal Score completeDitto bound

Pianoforte Score complete

Libretto ...

MH^^aecordingU AttofConff^eis, in th<

tif Congrtis at tVasAtHg/on. PuiUc^irj

6s. Od.

7s. 6d,

3s. Od.

Is. Od.

'it Office ef thtLibfruM

LONDON : CHAPPELL & CO,, 50, NEW BOND STREET, W.

Cincinnati, Ohio : THE JOHN CHURCH COMPANY

VIV

OAUTIOM. -I have p«rinltt«ci Wadsworth to mcorporato je vocal parta of "Tlxe..tondollOT* ! or. The King of Barat- iie solo purposu of their beii. ite. Single detached''vtabew tc»T bo aunff ftt Ofloc^rttt n..'- a,."-e than two avunbara in all from Liio y^nous Operas by Mr. Gilbertr ji^' myseli »t »ny one Oonoert, ana they must be given without Stage Coatome or Action. Applications for.le (tcht of perfonninf any more than the above, or the complete Opera, must be made to "K. DOYLY CARTE.avoy Theatre, London." Every copy of this book is offered for sale strictly upon the condition thai it ahall

?* used only ae above.—AKTHUS SULLIVAN.

'E^=-

/

Page 2: Vocal Score

THE YEOMEN OF THE GUARD:OR, '• ^

THE MERRYMAN AND HIS MAID.

BY

net

Page 3: Vocal Score

VOCAL SCOREOF

THE GONDOLIERS;OR,

THE KING OF BARATARIA,BY

W. S. GILBERTAND

A RTHUR SULLIVAN,Joint Authors of" Thespis ; or. The Gods Grozu7i Old" : " Trial by Jury "

: " The Sorcerer" :

H.M.S. Pinafore ; or, The Lass that Loved a Sailor ": " The Pirates of Penzance ; or. The Slave of Duty

"

" Patience ; or, Bunthorne's Bride ";" Lolanthe ; or the Peer and the Peri "

:" Princess Ida ; or. Castle

Adamant " : " The Mikado ; or, The Toivn of Titipu ": " Ruddigore ; or. The Witclis Curse " :

and" The Yeomen of the Guard ; or, The Merryman and his Maid."

> m*m <

ARRANGEMENT FOR PIANOFORTE BY

T. H. Wadsworth^ (OF BOSTON, U.S.A.).

Vocal Score complete Ss. od.

Ditto bound 7s. 6d.

Pianoforte Score complete ... 3s. od.

Libretto is. od.

Entered according to Act of Congress, in the year 1890, by J. H. Wadsworth, in the Office of the Librarian

of Congress at Washington. Public performance forbidden, and right of representation reserved.

LONDON: CHAPPELL & CO., So, NEW BOND STREET, W.

Cincinnati, Ohio: THE JOHN CHURCH COMPANY.'',y/'

A/y^^''

CA UTION.—I have permitted Mr. J. H. Wadsrvorth to incorporate in this work the vocal parfs-vf'' The GondCliers ;

or. The King of Barataria," for the sole purpose of their being sung in private. Single detached numbers may be sung

at Concerts, not more than two numbers in all from the various Operas by Mr. Gilbert and myselj at any one Concert, and

they must be given without Stage Costume or Action. Applications for the right of performing any more than the abme,

or the complete Opera, must be made to " R. D'Oyly Carte, Savoy Theatre, London." Every copy of thts book ts

offered for sale strictly upon the condition that it shall be used only as above.—ARTHUR SULLIVAN.

Page 4: Vocal Score

(BNis)

^

Page 5: Vocal Score

fnUGi

First performed at the Savoy Theatre, London, under the management of Mr. R. D'Oyly Carte,

on Saturday, December 7th, 1889.

THE GONDOLIERS;OR,

THE KING OF BARATARIA.

Dramatis personcc.

The Dukk of Plaza-Toro {a Grandee of Spain)

Lxriz {his Attendant)

Don Alhambra del Bolero {tfie Grand Inquisitor) ...

Masco Palmieri

Giuseppe Pai.mieri

Abtohio

Francesco > [Venetian Gondoliers)

Giorgio

Annibalk

OlTAVIO

The Duchess of Plaza-Toro

Casilda (her Daughter) ...

GlANETTA

Tessa

FiAMETTA \ (Contadine)

VlTTORLA

GlITLIA

Isxz {the King's Foster-mother)

Mr. Frank Wtati.

Mr. Brownlow.

Mr. Dennt.

Mr. COURTICE PoDNDS.

Mr. Rutland Barrington.

Mr. Mbtcalp.

Mr. Rose.

Mr. De Pledge.

Mr. WlLBRAHAM.

Mr. C. Gilbert.

Miss ROSINA I5rAXI1I!\1I.

Miss Decima Moore.

Miss Geraldine Ul.mar.

Miss Jessie Bond.

Miss Lawrence.

Miss Cole.

Miss Phyllis.

Miss Bernard.

Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds, and Pages.

ACT I.

The Piazzetta, Venice.

ACT II.

Pavilion in the Palace of Barataria.

(An interval of three months is supposed to elapse between Acts I. and II.)

Date 1750.

The Scenery painted by Mr. Hawes Craven (by permission of Mr. Henry Irving). The Dresses

designed by Mr. Percy Anderson and executed by Miss Fisher, Madame Leon, and Mr. Baethb.

Page 6: Vocal Score

CONTENTS.

OVERTURE ...

Page

V

act i.No.

1. Chorus of Contadine (with Solos)

2. Entrance of Casilda, Duchess, Luiz, and Duke

3. Song {Duke of Plasa-Toro) ...

4. Regit. {Casilda and Luiz)

5. Duet {Casilda and Luiz)

6. Song {Don Alhavibra, with Casilda, Luiz, Duke, and Duchess)

7. Regit. {Casilda and Don Alhambra) ...

8. Quintet {Casilda, Duchess, Luiz, Duke, and Grand Inquisitor)

9. Chorus (with Solo) {Tessa)...

10. Finale ... ... ...

Page 7: Vocal Score

THE GONDOLIERS;OR

THE KING OF BARATARIA.

INTRODUCTION.Allegro vivace.

tx£^^Piano.

Fed, Fed.

y\(xJij^

I

(Wf^I

tlHifI

tijTif^

I

f:If^^Mi • f m f-

p f-

c"i» IT LI U "r ^^^^^UJ 1

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I

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^ n^rLL'i'lLJLiJ i Llj^LiJ ' LirLG^ i L^^g^SiSP^

»'>!:« - '

iS,3j4.

m g-^* r I - > ' - * rI . «=^^^^^^ ^^ip I

r

Page 8: Vocal Score

VI

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. fH f-

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^ 1 ^ S =«=Ft' f Uzn£^

>> ii

;T3iirr:i

j"nfr]|ij^^> 1 1 : 1 M 1^=r2JT]J -^ 1

1

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Page 9: Vocal Score

VII

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E5^ 1^T »

^ i. m^ M-^^Fed. « Fed. * Fed. Fed.

Fed.

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Fed.

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Page 10: Vocal Score

VIII

ili. 4- i' -i

fn" 1j^: 1 .b.?^!'i'-a5^^J=iEi;^ ^^^-^-^-

f^ 5?i

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4 3^^» -: I H ^±^ ±^ t^-*—^h^f-^^ 1 1X >

fei-

f=^3=3: I :

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AUegfctto grazioso.

^1 llegreito gra: ^

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g^^ ^^ ^=s==s-* * *- ^^^ *—T—»r

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1 f r. ^

18,844.

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^

Page 11: Vocal Score

IX

m^.^ ^^^^^p -^'^-^^

?=^^

tr 7=r=^J

I LJJ^ J ^ ^ -':

^ _3_p_\*- Ped.

^ESTred.

^i^ Ji : , 1

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f: T ^^ IZZ =F~^~f

^" r r-^

' tr~t ^ m r "m '- -=1 F- :£^£^Ped. « Ped. Ped. Ped. * Ped.

Page 12: Vocal Score

^^^ ^^^^ mm

tr

^^ -0—f-

^^ =!»=?= ^

P1 r

^v&^ J • J J \ ^n=^^^::irr-f- -=1—P-

-#—

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j;jt^r^r:^ppig^g=.:=^^

^

Si^E^ 1-= J- -•'•

if

1 I*

1 i 1 ti t-n—p- -i^

H Allegretto. Tempo di Gavotte.S S * # ^ » 1 i» •; i»—=1-

-T«^ i"- 'r- "^mP

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^?^^^^^^ 1I r r

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Page 13: Vocal Score

XI

ZM ^ 1 ^T J I I b^i¥ '=tt ^mi^^mmrf^^'

^^ t?

j1 g"3^

>i-

=t

?" i^ ^ tjb-

^^.u^,.^

i mj^iriJfTQ:

=?=

izar

i=^

' *• 1 ^ 1 1^^^ a~~i

4^ ' 4.^ IJ^-i: -i: T-^—j-r-^

y» -•- :?

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1 ' 1 • 1 -

t-

m=\ ^d JL

1' 1 • 1

^^^^^^P^ ^ ^ ^ ^^^^-T

.If: t-V—-T^ ^=^ -^

i8,f44.

Page 14: Vocal Score

XII

4iit£^^^^^^=M^£fa.£j^^^^-^:i.=ffe^

^fr^r—T

cres.

4m 1—

r

^ i iji t:3=:

is=^=^f=g=^=^ tT=t^#= *' 1 ^ ^

.,^

., LC.LfI

f ^^s^s

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»

^^^^=

rfF,

r>- t>ff|

f f f'f -i-t 1^^

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-s»-

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=s=

riteii.

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1 I

trem.

—«>—I22I

1S.S44.

Page 15: Vocal Score

ACT I.- —M<-

No. 1. CHORUS OF CONTADINE—(Sops. 1 & 2) WITH SOLOS.Allcgye/ioiihv\r>\t/o.

m iU^^ 'M ^ ^^Piano

^' -•• -3- -i- V r JV V V ^ I

s E^E^J=lV TT "#• "ST.

V V V

87«—

1 1 r* aqB^hhS^f^^^i^E^'^^gl13; SnpR.i.NOS.

4 ^ ?=n^ I J J r ^gp^ y"^ ''1 ^ ^

94=3:

list and learn, List and learn, ye Jain - ty ro - ses, Ro • ses

¥K K

1 ^ J J IZ3= ZMZOdeEe »j—

^

list and learn,

f^fe^^^rTi^ =

T=^?=itT:

List and learn, yc dain ty ro • se>, Ro - ses

«/^

^•i 'i'S:**.

B 1 1 r ^ -^— p-

i8,S44.

-y

* Ted.

fei^Efe gH

Page 16: Vocal Score

$i^m ?s3^ ^ ^^ ^ mwhite and ro scs rc<l, Why we hind you in - lo po - sics T.ia your morn - ing bloom has

^^ 3e > r \r* d Prz!'~i- j—^ i^-f*

white and ro - ses red, Wliy we hind you in to po - sics Ere yo;!r morn - 'm% lilonm has

^1 i^mWY l^^^g^^^Mff^ftffcg

4— H 1 1—h 11—=^P ?= i *

itT^Z^. B ^ n.j' i.n1 ^-" f ^ r^*^3^^iE^

^fled. By a law of niai - don's mak • ing, Ac - cent; of

mh</art that's acli • ing, E - ven

11 N. J ,. N S-* * ^ *- N «l

I? ^-i- ;

" jf- *==a:fled. V.K .1 law of mai - den's mak - ing, Ac cents of a heart that's ach - ir.g, E vcn

W- m^^^m iq-MHiifl^R

g^^^^^^g^^^^^i^^-^^^'-^-'^CT^^^^^-^^^^^^

305 t—^-^-1^^ -^^-^ K ^—^ «i 1—

^

-^—

^

^- -•-*

^ :f!5=T^ J' N—l£^=^=i=SgH^ti^=^5

t=z=M: -r =1-

m

though that heart be break - ing, Sliould by mai - den be un - said :

i^=^=rr^i- ' 1-p

m »=s ^S=-=

though that heart bo break • ing, Should by ni:'.i den be un - said:

a^^ws4 $ 99 tT^f^#-^^

^^iruuj i 'm^mMs=*z

lS,S-,4.

-1 1 ¥ -^—^- -"i-^- =1—==1-

^

Page 17: Vocal Score

s

^5

-P =t=t* •- P •-

-4^^-->-q—1-^

Thoii"li Uioy love with love ex - ceed ins, They must seem to be im - Iiocil-ing— Go yc

mr 1 J £N=^-^=^ ' i^l-^ J ^5EE^E33;Jg^

Tliou^jli lluy love with love tx - cocci • ing, They must seem I'l I'O un - hccd-ing— Go ye

Ict sn-

T>1- r 1—d -

r 1 i^^then and do tlicir pleading, Ro-ses Nvliile and 10 • ses red!

I«^fe-t-f^1^ -P—

^

^^^^^^9

then and do ihcir plending, Ro • ses v.liile and 10 • ses red !

•T ^,-^ ^^ • • • " • r ~ I

I

I'

^ N

^^^f^ ^-c

yi lij'jj 111 —=™'

:^3=t :l£

-1

M^—^—

u

Peel.

f!s=::fE:

T f. h |_j ^_t gi-F ^rzn—g—

^

zrai

Li.^t and learn, list and learn, yc daiii • ly 10 sc.>, Ro - so

P r ^—^- :JE=J^:=2Sz ^ i=»=

^4^f^I.I -I r.iil learn, li,t and learn, ye dain - ty ro se>, Ro ses

f^tt

\

J

..-f- te^Lgjp^i"—^—^1

r ;^— - 1^. 1—^—p-Idim.

M.nip

Fed.

-^—^

^ 1 1

18,844.

Page 18: Vocal Score

fes^ig=£«hite anJ ro • ses red,

^=?C* * £=j^g^M^tg=g

Why we bind you in -to po • sies Ere yoiir morn - ing Wonrn lias

fi-^^ q ^S ^ ^-r—:=L-rt^^^white and ro - ses red, Why we liin 1 yo\i in - to po • ?:e5 Ere yniir morn - ing Wonm has

JLg^^44^-4^ M I M ! I il l i^-HH-i-H I HHH- I!Mill l=F=4= I j J J J J J J I I F^^^^^^^?

m -^^-^- -q^^

f-^ 1 ^=^^ t ^^-^

'

•' 1 ^= -«—^ 11; =&^:^=3zr^g^Et;

1 in

/^^ s^H-n^i I ^F3=V1 1 1. DtZZt ^

mOh list and learn, List and learn,

^E—I--^1-^^ T

^—r ..• M

m.W^}

Oh list

.L.E1

and .... loarn. List and learn,

^ gg-C^'C !i- ^rf'tC jj.n ^T^

w

^^^^ ^ ^ ^ f—

F

a?^E ^ ^sr7"z~g ^

lS,844.

f3=STed. I'cd. * Ted. # Ted.

Page 19: Vocal Score

<Pt=3

jh rn : H-1^Oh, ro • scs \vlii;e .

-P «- 1 1 J '~ »^

Oh. ro - ses wliito

and red !

;-pd rod

^

4f=^ toHH^i

-"^^ ^^^fej^^^3^g£Mfe^lYd. Ped.

mwSolo. Fiametta. . D i.

r 1 dsc ^Two llicro :irc for whom, in dii- ly, Ev - 'ry

^^-i^=fmii.^js5v^^-^^s^^'—

^

35^^^^ j^-^^-^J^^^-^

/^

I'cd. * rci]T="

-^^-^ -^M—

^

fe^1^ -'i-^ -^h-

^

-'i-^-'t-'f-^

s

^^^^ ^^E ^^ ^^^maid ill W-n - ice ^i^:h^ - 'luo JO peer - less in iheir beaii-ty That they

^^^-^-yg

-=1-F ^ -^1-^- 33 j^^=^='E^|J

Wc liave hearts for them in plen ty, They have

^^^^miEEdii=^-Uu=^m^^*

i.S,S44.

Page 20: Vocal Score

^•'i J' J=g ^^^f ; t^iH-r i; r fa=p^;s^gg

hearts, but :\U too few !

i^i^SEE^:^ =^8^

;— ' p **I i?

S^Ef

^y-^^hfF^i#P^ E - ^^ f^^^^g^g^^

(

s„Chorus 1st Girl.

=^=:J*=?fJ—

*

^=stwo !

We, a • las, a -U,

!

four - cind - twcn Tliey, a

j^g^^j^^^a^^Bfe^f^j^^^^^j -^ 1 r E^iZJE

ClIORU; 1st GiRI. Chorus, ist li 2nd Sopranos unisou.

las ! A 1.13

!

*"are on - ly two ! They, a - las, arc

g ^ ^—4

^ X- .... 1 „ ,1^:.. I,. ,.^ _ cnr TJr. _ COS

Now yc know, ye dain • ty ro - scs, Ro • se^ white and ro - ses red,

Now ye know, yc daiii - ty ro scs, Ko - scs while and ro - ses red,

Why we

^==^S=I^J *

\Miy we

f< —

r

ii—q

^^=^ 1 1—\i Hi ~r

«*1844.

Page 21: Vocal Score

fe^g F^^?^FS^f^pfc3=^j=;=i;^E^=^==^l/inci you ill to po • sics Kre your mom !ng blconi has (led Now yc Unov,-, now ye

-rrr-Lbind \ii\i in - to po - sies Ere your morn Moom l;ns (led.

m II

I '

II

*-U^^^if

i« «:

asi)

" ^^ g ^jjJi ijjj

-^3:^

Now yc know, now yc

P

g ^ittSte ^—^- -q—q- a 1 1- =t=

-f^^ -^ f ^ ^^ ^ mfefc=ur"r f ^ lii:

know, Ro - ses wliiie nnd ro scs red, Ro

W ^ :iSc:

know, Ro CCS white nnd ro - scs red,

^ ^^3r^^

^m•^ji

?iff^

»T^

^ ^1

i>' -1 '

I

-'-i • >~

I

f

gj^

^ m^i^ eS^ =^—^j-P- ^yyiPed. I'ed. * Ted. * I'od.

18,844.

Page 22: Vocal Score

Sff=»= . * M te±Gwhite . . and red !

gr» J, J—

g

3teFwhite . . anil leu !

=^-"p- ^ :^-

e.^i>

inhxi^ ^f m^ ^

^^^^ ^^ ^ ^fe£^ I I I I

Ped. # Ped. * Ped.

Allegretto iiiotuiato.

g ^Solo. Francesco.

V—¥- J- i/r rr-^GooJ mor-row, prct ty maids

;

for vhom pre - p.ire ye TheEe

^p.fg^g^^g^Jt^bi£^^g3^^^^^^^ ^ ^ I f . f- , J" f . ¥•

^ ^=a=^^=^^Solo. Fl\.

18,844.

Page 23: Vocal Score

-—&» JL

p ^i^^: rc^, ,• r-_.f> r^ 9

--?=^

Scj-o

. GlULIA.

11^Sep • pe Pal - nii-e ri, Tlic- pinl^ ami flower .... of all the Goii - ilo

^i. They're

(^^^j^^^ ^^^^^j r,.rrh^^^^Jf-.JT..'. ...-

gyfeji;^^^

I

^Ebi^j'Y 1 i,j' ; j^ r r 'c-t-\^r f-^

com- ing here, as wc have heard but late - ly, To choose two brides from us who sit se

^>—

^

^^—1 B ^-

JW-

^

I

^-^ r

^ Solo. Antonio. ciiAKiTON'E.) Chorus.

t;5E

, Ant.

J' ;'!'•; : J- (IgP—'.J>-p-^date Do all you mai-dens love them ? Pas - • sioii ate -ly I These

seIIIpre pp —=r: / —PP

WrV^

Ped."*'

^^=«

Solo. Giorgio. (B.\ss.)

'=.i^^_±j^'j^m l^—T^•^ -f—^

J- ' J^i^

gon - do- Hers arc to be en vied great • ly '. But what ot who one and all a -

g^r-»-;^^a5^ri-Tf'rfr^g=S'~n^-Ej m ¥=> ^^^m^E!^Etes=^^

^ X XiS^ • -. iZ5S:

lS,84t.

i^==^^<r <» ** ^ ^ ^

1—I J

Page 24: Vocal Score

lO

H Solo. Fia

^-rxzt^^i^ m ^^ Solo. Vitt.

^dH^H--^be - fore . . you

;

la the mean time we

^P-FJ=?^^'^11^^^^^^^S^^

• • •

Solo. Giulia

FiA. & Vn-r.Solo.

I

m ff=lP=F-^—'/. ^3= r, J J' F^-=^TJMi^-^-g^Two do - /cii we, and je are fmr and - Iwcn • ty. Till tlicn, en • joy yuiir

tr^^^P^^^f^E^E^^^^fe^

^_4_L'^^^^ M i=^=t3 E^^^^l

1 8,8 14,

Page 25: Vocal Score

II

^M^iSpi.0. Antonio.

i =l!5=^ '^*--p-^ :*=i ^^--%

^ EEEBE^^^^S )^-¥—\t ifc

ilol-ce faf-iii-cn-t:. Willi plcrvsure, no- bo-dj' eon- Ira- di an- IdAllegro con brio.

^^^^^^^^ ^ h •*fi-p-f-

^ ir^

I t ^

-^i-p- ^fizS

^'

^^^ lES£ =23:

KAntonio. (^Baritone.")

^^^^^S-^ 1f^3^ 1 1 r -=i—1—=1-

J1. For the mcr2. With sor

*fet^^5

ri - est fcl- lows arc nvc,i

rowwc'veno-thing to do.

Chorus, ist & 2nd Sopranos.

#i

Tra

:3-gi^ 5—^- ^= 3=:*

Tenors & Basses,j^ ^ _^

'Ira la, tra l.i, tra l.i, Ira

fs 1

1

; rri '^=1=1^

i

9—^—i-- i=j^ 1 r 1- r 1

la la la I,i, Tra la la la,ThatAnd

1 r 1 -

la la la la, . . Tia la la l.i,

rf=is->—k-

la la la,

=FS^^ 5=F

#*;h^f^E^

ply

care

jt -t -t .e.

tn^'^r^irr-^—m d-^S:

t==1=*i 1 hil l

3: It 5eS

• «^ ^ i n: 5 i -, It :t q: rt

lS.S4.(.

Page 26: Vocal Score

i12

I ) ^ * J—^rg^g:^

-^1—^—P- -^HH^ ^ 1 h —^—1^—t^—I-— d \ M M M —m- 1 h h pg-f t r

on the e - mer -alJ sea,

is a thing to ponh-pooh,

I -^—^-» m

^^i^=

Tra la la la 1;

-Nt—f" h ^

«^j^j^^-J^

Tra la la

S =tq:

ttTra la, tra la,

\1-

r r f-

, f-

la,

mTra

-fi-

la la la Tra I:i

^^-iz± 1 y^ =;<=^ ^ 1^ t^ 1^ / b>

Tra la, tra la, tra la.

\$ 3< J I I

^^-zfezfT^!

Tra la la la la.

t

Tra la la

Etfe/

K 4?—:t-

^[ Wf^ :^ -U^ ^ F=vI^ -»—

V

»—»•

:t q:

i ^ts=s= J5^=f^^ 1 r q--p- -^ 11-^J * * ^-r^C-^Xy / ^ '^ •/

m("With lov-inc; anil laiiyh-ing. Ami quip-ping and quaf-ling,We're hap - py as hap-pyt And Jea-lous - y ycl - low, Un - for - tu- nate fel low, We drown in the shim-mer •

canins;

1 r 1

la!

\m, 1 r 1

la!

p^ iT -rt s=^ I

ztz^n i 1 t-^ 1 J—

k

» *i I*-

-:r

^=Sz

^^ N ^ ^ ^^rzffi -^1—=1—p-

1)C,

blue,

g^^M-j J . J ^^UU^Ji^ J

I

J ^ J J . gg 1 1 r ^With lov - ing and laugh-ing. And quip-ping and quaf-fing, We're hap - py as hap-py can be!And Jea-lous- y yel - low, Un - for- tu - nate fel - low, We drown in the shim-mer - ing blue!

18,844.

Page 27: Vocal Score

>3

P f ^l,J-UU^-J-JLJ!_Ji

|r2j

Tra la la la la la la

?t=J:

la la la la la la la, Tra la la la, Tra la la la, Tra la la la la la la

f^HJ-Hi^'^'^ 1 ! i^t . f

.f1 fe^te^jzfc^

la la la la la la la, Tra la la la, Tra la la la, Tra la la la la la la

^ 'le.. *2jl ji. .a. A ^[^'^ffff^- f^ fit f!J fad

1 1 b ie

X -:^ y=^

m^ ^ '2jL . t?«. -B. .(L X5 H- -==1-^1 1

^^^r^^-j"

la, Tra la, tra la, la In, Tin

i . „ ,—^

mrf1—

^

- j^

la la la la la la, Tra la la

t -^i 1 J- .=3

•*• -r

^__^^.^__^^^^Pf^^In, Tra la, tra la. In la. In, In In, la la, la la, la la, la la, la

tz^r^f^f^Kf-K-[ ^ J J . J I

.[-, J J i^^EJE^Hfe

In, Tra la, trn b, In b, b, b, In, la, la, la h, la la, la la,

IE ^^^^^{^%^^T^i i"^ iI J^f^^^^f^-^

-p 1 »— 1 *—

p

-

I - ' Ii i

-3 •^

3 2-=i—

«

«—=^ fHH-i=^3^

•>^ , 1_ ,_ t- T^- 1- 1. 1. I- 1. 1_ 1- I- 1- 1- 1« 1-, Ir, 1^ It Io 1-J M !.»

In la la ki. Tra la la la,

cres.

la la la la, Ja la la la la la la la la la la la

-/ r J :\ r .1^^^^ j- j-1 j-i^nr^' i j -

i r i'l

.f-^^-j^ =e=j=:

' • •— ^ ' ti > 'i,^—j ' P .J '

—^

8,844.

Page 28: Vocal Score

2nd Verse. H

^ 1 t r 1 =£=; j—1 1 r

la, - Tra la!

-^—=1—F- -^ 1 r

=t

Tra

-q 1 r

-^—5== -^—^—p-

!a,

'-^

Tra

is^ :

la! .

-^—^—r i-=i

2nd Verse

^^^:^^±^^^ -t- 4—^—^— -

^ -=i—

^

^—g-^- "-'i—^—p-

=1:25-

^ i^E -^1 ^-

IJ/. 2nii.

L^Recit. Fia.

^AUe'ro aoUalo

I I

See,

-^HP-

#K S^—*"-^a a 3

<^> hvr ^• m» m f pp pp£ -^H*^£3 ^r^^r-i^^-'^-^^^r^^-^^^i' tL' mtn ZLr-X-4 "-> ^/ M^ ^l' ^/ ^ ^ Ped.

T r r M^ ?^=?=^^1:^ t=i=^:=t^

-P ^^at last they come to make thtir choice

Let us ac - claim llicm with u - ni - led

:^=ft

r^-1^Chorus.

L . / Sopranos.

^ ^m ie

P^*-

m tf—

^

^=F

:^

\$

voice. Hail,

a tempo.IlaH!

^g.il - lant gon - do lier - i, ben'

m^'f S F4^=f=*^/

g nr^ii-^ ^^

18,844.

Page 29: Vocal Score

15

i ^ ^r=^

• nu

Bva.-

ti ; Ken ve • lui li! Ac cept

^p7p

^

^^ ^^=4i -r

%E

love,

^

^ J'l.

Pcd.

s=«=f

^ 1^^ fei*ma^c, mill oiu' ilii - ty Hl-ii vc nu li ! Iicn

is M-rf-1^ ive - nu - ti !

SSi'<r...

^*=Mf ==JC

>F^ i

T- ^ i^ ^ m=t4=t

feMarco & Giuseppe.

s-p p- 3eEuon' gior • no, Si-gnor - i - ne !

Chorus, ist & 2nd Sopranos.

T>-r r I r- p-f=^^ -P F- ^Allegretto gyazioso.

Gon - do - Her I ca - ri3 -SI - nu I

'Til^^hMJ^l n i^i V J^i^i ^\n j-i J

SiFf-^r% K^"^if^f"4FR-^4ff"-Kgf^

iMarco. i^^^F=F V—f^ lf=F-P—p- ^^ M m m

liCZ^fc

(i

Ser • vi • to

GlUS.ti u • mi - lis si- mi! Per - chi ques ti fior - i— Ques-ti^ M N S ^J=3=t i^ » ' *.^w • yd -^ ' V

Sia • mo con - ta • di - nc 1 Scr - vi - to ri u • mi - lis - si - mi ! Per - clii ques-ti fior • i— Ques-ti

im h -s- nrru H^f^^Wf^W^I^s

m I]^ -Si-^. m ^ K N13 13 ^Eji^E5z3'^]S3;^^^—^-

18,844.

/ y wm 1 ' J *3zi=± izizi:

-e-#

Page 30: Vocal Score

i6

Marco & Giuseppe.

fiot - i bel - lis • si • mi ?

Chorus. Sopranos,

I'ct lei, bcir si • "no - ri : O <c - col - liu - ;is - si • mi :

r=M=i < 1- i=t jjj J aU-M^/V S. 11 1 » 9 \ M M M m \ m m m m \ m m m » :

•'* « * * _^^ m

5

Marco.

rq"

-P P-:^

:2C2r

O ciel :

Gius.

ctti !

H^ f r I r &#

r t l rV t ;-

m

dMlP

1> r r =aip

j^ ;*Ij

r 'HO ciel !

(^ '•" ^

•^&

Sia - mo gon - do^^O ciel I

Chorus. Sopranos.

f'on . do - licr - i

!

Si-gnot

z^z-P- S^^^Buon' gior - no, ca - va - lier i 1

Page 31: Vocal Score

N Chorus,

na, io t'a • mo ISi - gnot i • ne !

r^=^ m^^ -*-^-u

m:ifia:

^

:W Pg'^g^

T 1 1 ^ n '—hj r- ; '-Vm "CI '/ T W—W:

Marco & Gius. g

ii

^^ * J -*

*-

Buob' gior - no, Si - gnor - i - ne !

I* r

Gon - do lier

Buon' gior • no, si • gnor • i - ne 1

^^-fTJfl^

^^^ T=g

ris - si mi I

^^18,844.

% ' y ' \}rr4 4

Page 32: Vocal Score

i8

it

*' 1/ '> 1/ Pi

Marco.

221 ^1/ 1/ I1/ / I k' / > k» "P"

I

Ser - vi - to - ri u - mi - lis - si - mi

!

Per ques -ti

Sia mo con - ta • di - ne

!

mf> J'

^=r r rJ '" i ; i ; -t

ebeI\

' " J- S fSer - vi - to - ri ii mi lis - si -mi! Ser - vi - to - ri u • mi -

!^-^ ^ t^ '.

i %=Jl^ ^==F CI—

e

^j^^^

mJ J J~s—:S— -

f r / /,),>

gi=^r'ur'''j Li^^=^^^iTiJl^Ljl

"f~T ^ I* ^ -1 P T

J L _^ <«

mfior • i— Ones ti (ior i bel - lis si - mi !

1st Sopranos.. I

zi ^^ zS5:

^dPer lei, beir si - £rno

m.:^=a-zj=8^=£pj j=jL^Vfc=8^ g_8:

W lt=t±±i' t- / tS I y i> \ \

i i 4 ' ,f: -NO

t=t•

p- »

*-

///PI"rr"r rlis • si -mi ! Ser - vi - to - ri u - mi - lis - si -mi, Ser - vi to - i i u mi - lis - si - mi,

i-1=^

^^I

!

zqfrr^A- er ^-

-f-

:S=3='» - r°i: ,.

'*'

i EI3^tai?i:^*=*=*

JP'~P^P'

-^—8-

7®^^

W~ •', (• ^^^r-rj 1 'l; ^

^ li^dr ^w

E^^gE^Si - gnor • i - nc

!

^^^M-^-^-i=

Gon - do •

^ UZZjIirat

«-J ec - eel - len - lis - si - mi ! Con - ta - di - ne

!

Ca - va - lier - i

!

i^i£^ ^^^ ^^^-7=^

V / t

lis Si- gnor - i ne !

4--!—

L

::iJ=t i mQ^^-i^mGon- do

S^i^E^^E?^r

-J^ ^^Ste=i^^^18.84*.

-=! 1

Page 33: Vocal Score

$

^ /^I'u lettto.

19

^i=itP r.

-f--p-

-f-I

Jiz

lier - i I

I" XBiion' gior iin, ca - v.i - licr

^rt(inn. ^J ^

^ =rE m

Euon' gior • no, ca • va - licr i!

m ^f.p^

-s==^dim. P

^N^^^ itAlle^^-o 7>ivnce con nwlto brio.

Marco.

i

i

f3^E

5

We'reGiuseppe.

-q—=1 «i

We're

NN^Mf f :P- f t

S r|- »

ItWf^

^fc^fe^fc^i^^^^^fc^f^T^ T^^g^^M^ fc^hr-tftM-^^^

called TH lio licr i, Cut that's a va - ga - ry, It's quite ho - no - ra • ry The

'mM^ ^ : ^^mcalled lier i, But that's a >a - ga ry. It's quite ho - no - ra - ly The

l8,«.M.

Page 34: Vocal Score

20

$

m

1

s:*^:*=trade Ihal \vc ply.

^ 1

•i^t ^ g j^

tride thai we ply.

iV ^^^^w^-r^^V^^ ^^ -f^i

£

$

For gal Ian - try no • ted Since we were short

^ ^5^ fe^For gal I.Tn - try no • ted Since we «ere short

&=j!s^=pa=qj^?^r^r^^^f^

s

v« a =- i

^—a!=n::^!=»^ 6 i r ^^^^^^ ^ccat - ed, To beau - ty de - vo led Giu - sep • pe and I

mi-^-gH ju^a J' r. r.

-^r-^• M •

-:s:tL ^^^SSZ

* ^_^ '

coat - ed, To beau ty de vo ted are Mar • co and I

IS, 8^4.

Page 35: Vocal Score

21

IS=P

7S=t^^=^

m

^ :^=

1 1—iJ-

Wbcn

=i=Jc:-^ 4-

When

i )» V T fe ^tir c ; IP g ife life

g^3^^^ > r"

mora • ing is break • ing, Our couch • es for - sak • ing, To greet their a - wak - ing With

i I' c lii* h; ^ ; I fc r ii£=^^hi Is K r ^ r

morn iiig i- l.reak - ing, Our coticli • c^ Pit - sak ing, To t;rcL-i tlii--'n Hak - ing With

=^rrrrr^^^^i w^ -i J. ^ 1=^1^i

^ 3^ -^^•^-^

-r *

^^ ^^1 1 ^ 1 1 -i> 1 1 - 1 1-

?b?

i :1^^==^ K Is -f -J J= > J^ •^^—^~£:=«^^

car - vh \\c come. At sum nier clay's noon ing. When v.cn - ry la - goon • ing, Our

P -K K- r~

i]^ ^' JM^^^ear • ois we come. At sum - mer days mwn - ing. When wca - ry la • (joon • ing, Our

t—h=5^1

T -I . i rI y I I

I I

» *"

m^ I » I f* I P IJC iP ! P

1S.KJ4:'

^J: r-

Page 36: Vocal Score

22

RS ft fr-fe l N te ^-^-^

1 h ^-V-fe-^l f

i ^-te-^->-[,

W—J—W—J- =ir=i^IE -•—«—•-

ly thn;m. Tra la la la la, Tra la la la la, Tia la la la la, Tra la la la

I

T~^ ff r '¥Sl

m ^^ ap

•^-f^t^ EE^^^^^^1^^^^^^^^^^^^^^ ! fc

S^la, Tra la la la la, Tia la la la la, Tra la la la la, Tra la la la la, Tia la !a la la la

18,844.

Page 37: Vocal Score

23

la, Tia U 1.-1 la la la la, Tra la la la la, Tra la la la la!

f^

j: ^^ ^L^±^

WTien ,

'^i . i ^r^\> 9 i i i=C=3=gE

la, Tra la la la la la la, Tra la la la la, Tra la la la la! WTicn

ssb f *-

I I ¥ ^ ^ EiEEiEfeIb^ g^^

lb -t±:£j i*^_bi

tt

^S^3H ^^Se f^^^feSpcrs are ring ing. To hope cv - cr cling - ing, ^Vith songs of our

,* > ^ I

*—1>—

^

;

I

*/

I,I

^^ 1^j-ci3 aie ling - ing, To hope cv - cr cling - inj, With songs of our

l=fe^3E|^P

£"n j=

-^—feSf^^^:. ! i ,^

sing - ing A vi gil we keep

^f 4

sing - ing A »i gil we keep

^=i=

=^

^g

=:*: ^1

18,844.

Page 38: Vocal Score

24

1 1 J ^^ =?=^

When day - light is fa ding, Ed

fe=fS=?5

1 1 j^1 1

When (lav light is fa ding, Er,

(if'

'p^, 11 j^l^^^*^?^^^ ^t-i-J

dacs:r =p=^

<fe^ts—

r

^ dim.

s h^ ^?=^ :3=3t

. wrapt in nigl.l's sha din"

rtrfc N N ^?vrapt in ri;^':'*- =''a

\Yith soft se • re

dim.

1 1 ,L^^S Is N

\\'\'\\ srift se - re - na

dim.

eas ^^ ^

ding

-#—*-

- ding

h h. h im~

r^^tnT— ;/Jj^^ r^-^ .

We lull tliL'm to sleep.

We lull them to sleep.

1S.844.

Page 39: Vocal Score

25

^ ^^ espress.

ESWith soft

j-f i-.jiji.i-.iiii^ '

i j :! j i ; T^ |^^T^^^s

f1 1 ^ 11 1

u^^^i^ I t^ in

i

iin*; \Ve lull them to «le?p.

^£i^ u r^

hill

^ j~n^ I 1^

^ifii:^=i=^«r:t

•'i"r>i. We Iii'l them to sic-p.

T"Tn ^mbj -^J ^ J d_L j ^

J i j # I

J-

J

^ •1 1

V>P

J' 1 1"> 1 1

p

isemprt P

^ -J f

With s-ift

sempre )i

re ":i - ding We lull them to sleep.

^ -f. g ^i> ;^ :Jz= -U y g

With soft 5e • re • na Hint; We lull them to -leep.

sempre p

I I

lil -» t *- J * I

*?^-fi-^

18,844.

Page 40: Vocal Score

26

con/orza.

%^ ^ 'rr-Vf. u^ 'J \i r

We're

wcall d gon

y_•1 f

do ~ tier - ;',

^^ g I > ^^_^_^J=^ ^ -^ ^J:^

But

p y f>—%^V |g ig ^-jg I

'

^ ^-^

tlnl's a

3^E :cifcio

Tia la la la la, Tia la la la la, Tra la la la la, Tra la la la l.i, Tia la la la

J?: fl• •

^^=p= -i»

- i^^3Gon • do - licr gon - do - licr - i, Tra

$ ^ =p^=iH=j^=^mP^»—»~

^

(C ?—5.—p—s>-

la, Tra la la la la Gon - do - lier - i, con - tlo - licr - i, Tra

1 ^

S ^^1 1 1 1 1 1 1 5^^a

^^^^ ^^ ^^ > L'

la la la la,

i

^ " b

Tra la la la la la la!

1 1

Coil • i!l> - licr - i,

fi-i'S'yi. ^1 1 •1 J

la la la L,,

iM3

iS

Tra la la la la la la !Gon - do - licr • i,

^m ^gwm1S.S44.

^^^^^ -p p \

=*= i^r 1 1 1 1-

cres.

Page 41: Vocal Score

27

i

^^^^^m

^ ^^ JL.LJLA9 9 9- ^ g g^=g^' I* g—5—g—;-ti

£jon - do lie Tr.i I.i la 1a l.i, Tia la la la I,., Tta la la la la, T.a la U la

f :^^=^5Cr * F p

=^=r -C E E_UJ:^^^^^^gon • do lier • i, Tra la la la la, Tra la la la la, Tra la la la la, Tra la la la

^^^p^i^iJ/10l/l> c/VS.

p s^

=^^ -f—»-

^^ ^^U-t-L^-^tTfTli

ai^!Lj_^=j=fcij-^ 1

la, Tra la la la la I

S ) ^ ig—|g—

^

—^-i-^

'Ira la!

=? q ^-

^la, Tia la l;i la la !

1 1

Tia la!

P ^^t)—

T

^fc=?E . r.ru' 1 1

/

=^=^* 5-

Pcd.

m/

.PL JL

t. ^ -J^ . 1 :t-»-

4^ It- i 1 1 z

sj sf

=i=r^ i 1—g-pl ^^^ -^i—

^

t:::i=

^T 1 1 f=^=^=^

Fed.

18,844.

red.' Fed'

Page 42: Vocal Score

28

f

Moderato.Regit. Marco

-s r ^ P y—

3

^^ i '''\ia tempo modtrato.

Ami now to choose uur briJes

!

»

Gius.

f I- h =g: ms

^Regit.

M -W -As .-ill are your.g anil fair, And

a tempo nwder^o. ^^ \ }^ r Jjj^j^fe-,=j=^zsz

fp

rS:

^/ P

g f p g arrg: a * TT-^1 M i» -r »

P^

if

$

\

^ ^ J1—=—eH "^—

V

w—

*

We real - ly do not care .\ |ief-iencc to de clare. A hi as to dis- close Would be in

1 -H r 11^

rftczfctip , PI r^

a mia - b'e I e • fides. We re.i! - ly do not care A pref-Vence to de - clare.

44J-^J-U^ J-^^L^^^^;7T3

, p . .r^=p=

1^

p i^=P

de - li • catc—

mm

^ M : i c fr Js r K=1=^ ti-t^U s^f^^-n^=^

And llicre-fore we pro- pose To let inr par - tial I'ate -Sc lect for ni a

Page 43: Vocal Score

29

matel

Chorus. /

r 1 a-f 1 n r, ff in ^;~rmTrf]Vi-va! A bi - as to ilisclose Would be in - ile - U-cat»—

it

Viva!

1 ^1^ ^ gllgt ^^

But how do they proi^se To let lai -

P^M^^ fe^ B Cius. Regit.

f^ -,

^j_jL^^=^aE^

par - tin) Fate Se - loct for Ihcm a mate?

=^These hand - l;cr - chiefs up - on our

s^ m=i~

^

SjO Rfxii'.

^Marco.

And Like good c.-.rc lliat bj'.h of us arc ab - so lute ly blind ;Then

^ 1 ; ; J J-;^

^~r ?P

eyes be good e nough to bind,Then

Page 44: Vocal Score

so

a tempo.^ E-mr

I C e I

^- J'

turn usround—and we, with all con- ve • ni - ent des-patch, Will un dei-take to mar - ry a • ny two of yea we catch!

^^'^^:^^^^^^E^^_^-^^t^Fn^f^^ f ^ I;, j.^^

turn usround—andwc, with all con- ve-ni-ent despatch, Will un-dertake to mar - ry a - ny two of you wc catch!

Chorus. J.

fr^P-=^-^ V^ ^V

Vi - va ! They

=!2==^W 3^Vi - va ! They

J"i i

W3##-# fe=3i

¥^1

s 1 r Ni r 1fst.S^:

v|

4 4 4

ft 7 i^i

—^ H^-is iR P

J -. >, 1

" "-3:i=3z ^=3=^1 -^ P -^—P-

•i^: J:*-

r?^ r

^ -N-fe-^^ 5=«i:-*-=-

un - dcr-ta!cc to mar - ly a - ny two of us they catch !

5i=S^=?= ^^^^ES3\

^-i"—P-^^^^ i=F=^]

un - der-take to mar - ry a - ny two of us tliey catch !

IFlAM. ^IARCO.

EE ^ :)5=F K h^ ffl^~n5 * * ' X

Are you peep- ing? Can you see mc ? Dark I'm

iAllegro con iiio/o.

4E ^^^^^^^^-f4-^—rn 1 1 |--j- 1

I

1 f^ 1 rJ ] | J Twrt

y-

•p

b li o^ 4-qi&

Pedi8,8.)4.

I^^^g 1 1 g ^n^:Ep^^m =t=s= ^SE

Page 45: Vocal Score

c_r rr r 1^ m\'in'. ^mGiuseppe.

itszrfr:-P F-m -»—*—I—^^=;^:

keep - irg, Pari; nn 1 drcaiii

—V

)• ! If you're blind-ed Tru - ly say so. All nVht

E^J J I

^ ^j jl LLXJ^r^tr

ffi jSlE ^¥=8=r=«=i ? 3^ < < -*»-*)r <»-ir

TX—T

iC FlAM

ff.ic l ir !: c r r. c c i 'n r J^rin-^B3^^mind - ed Play - ers play so

!

Con-duct sh.i • dy '.They are cheat-ing ! Sure - ly they de-Serve a beat- ing !

^ ms^^ p •j^^f=^=*=fe ^^

I' '

I r iT.^^^Je^^^e^N 1 m ?-:r

VllT.

h k ^ ^ firr:

^i^ ' • • *^

s:^^=^5 ^* ' ^ ^

This too much is ;Maidens mocking—Conductsuch is Tru-lyshocking!

GiANETTA & Tessa. ^ s4-!s r* > K J" 4-

1 E i TA iX 1 tbbA. . > ^ ». IS IN

^ 'y > ^ -" '—tr-?"

Vou can spy, sir ! Shut your eye.sir 1 You can spy, sir 1 Shut your eye.sir!

MChorus.

H-M^!-hUmM^m^tt

You can spy, sir ! Shut your eye, sir ! You can spy, sir !Shutyoureye,sir!

^ m im-7-fors!iair:c.

? i

Fie, forshanie, Fie,

±i gJr^H r rI

i,J 77 j„ r-j Pi-'

I

' ' i^

ai 1 ^ :-P-J=

Page 46: Vocal Score

32

nffrfm^ r ,_ f -r-Tt-m ^m -irf f^—

-^—sr:

-»^^-

^ on may use it by •an<l-bye, sir ! Vou can see, sir ! Don't tell me, sir ! You can see, sir 1 Don't tell me, sir !Tliat willdo—nowlct it

A ou may use it by -.inJ-byc, sir ! \ ou can see, sir! Don t tell me, sir I Vuu can see, sir ! Don't tell me, sir IThal will do- nowlet it

m.^t^£^ e 'it-fr rU-^^!^^^'=^'=^=^W V U \^V-^ ^^^ i2=2

Fie, for shame ! You can see, sir ! Don't tell me, sir! You can sec, sir I Don't lell me, sir ! That will do—now let it be, sir!

f f f !" f f\

\ . \

— '

'

'

'- J I I

"r ^ i__L—„J

^ '

iI

ft^

I

—— —^

^^' ^ f^^u ^» jJJIlrrniin.

yr=^T

b . H i t—

y

1^ J' r J' r J^tTrt ^is:^

W r&be, sir ! That will Jo—now let it be, sir

!

i -r ^i> ]- ^Chorus of Girls.

r^ ^=^L\)" y *^ * ; * r: *

I ; h^—

-4 h w-

^ ^be, sir '. That will do—now let it be, sir !

f—g »-^—

—»—~* rMy pa • pa ho keeps three hor scs. Black, and white, and

\^s^s.^=^=f¥ m^=^E^^^

That will do—now let it, K t it be, sii

^^^=^N^^Lento.

iii^SJjlLJ''' 1 1 r "i 1

!• 3j—p-T-^—gE^

sf

g^-^- 1 j* 1=&

* r -p

^ii 1 1 r -^ 1 1 r 5:II P 1 -

J: .^

JM^ h H-^j^^ lieh * J^F=^B

-*—

#

dap - pie grey, sir; Turn three times, then take your cour ses. Catch what - ev - er giil yuu may, sir !

iis iSfef' 1 1 ^1 1 r 1 1 r .n- ^ 1 1 r 1 1 r -^

P^A'c/.-rt/ by

Chorus of Men.

-V^T

lS,844.^

T•; 1 r- -p ^ 1 1 %

r r/

^e•r

Page 47: Vocal Score

oo

ttifi^SGiuseppe.

'I- r r )'

I

' H3^ F r 3^I've at length achieved a cap-ture ! This is Tes-sa.

i

ifepiMa

^^^

Rap - tiire, rap - ture !

Chorus.

fn^r-?Rap ture, rap ture !

-»—r-

Rap • ture, rap - ture

!

Marco.

To me Gia - net • ta Fate lia»

m

M^r

rtt i I

grant • ed !

mw

^

SSI !

Just the ve ry girl I wan - toil

!

T ^U ^:g:

m

S^^^Just the ve - ry girl he

.^ . .». ^ 4L t-'^'

^^ iJust the ve • ry girl he

M. . M 'M'. m. 0.^^m mf

#-J—-J4 « a

d ^ 1"

18,844.

Page 48: Vocal Score

."4

Gu-s.

(^^s - '^, Tessa.

-nt—r- ^sa^ -jI

=p=-V—V,

Marco.

• K

If )vvi'J ri - thcr clunge—^ M_t gvxxt - ness ! This in • Jeed is sim - pie ruJe - ness. I're no

1

-*-i r

1

zrr—r^^'^^-^, GlW.f~» •-^ 3^=::^

m rpiti-

pre - Srr - trtce what - ev - er— lis - ten to hiui! \\\!I, I rev - er !

^ ^^^^ AttiXiwi.

lS,S44-

Page 49: Vocal Score

35

i pEach of us to prove trca - sure, Con - ju - gal and mo nc - ta - ry,

ir r "11^ r ir p- s i r K

'

t-^hP-—p- I-1 r p- -1t" r 3£=z£:

^^^_f_iMfc^Ft=^ IE gClad - ly will de . vote our lei - sure, Cal - lant ^o« - </» • /'<'"

K ^ -r N-T^ - -f^

Ped. Ped.j * Ped.,

«?^fe

f.^

# Ped.

^?!K-^^

% -rrm

o »

*^ . ,. I,a la la la la la, Tra la la la la la la, Tra la la la la la la la

p. .0. Sva.^~

^f—>^—P=4^ --jU_» _3__5^^^^ ^*n~ I "iH ^ ^^

S ^^fc=rL T - l> —r-— n iv T br

P- 4»-

-K #-

«. «• 1^

^^^N^E^g^r^ i f^nfMi^-^^535c:trr;jE18,8.44-

Page 50: Vocal Score

36

^rrm uj

i

-p—f«-fet

Tessa.

Cay «n<l gai

Eii

Jl

-l J

^"> do - !u Take U5 bulh and huld liijht - ly, Vou have

>" r >> 1-

6?=^^ -^—iv^n . p^j.,^„^_^

-r

r-

=«^*

TtTl

-P-—F-

—• 4 »

-P P- -P P- * r

^jL^^j^,^=p^ rz3i ^^

luck ex - Ir'or - di • n.i r) ; We might liave both beenun - siyht 1)!

^^^^

^^

-P P-

Stt^Hr-

-* *

<i—

I

• W f-p—*-^-W-^

f¥TT-^* ^ L0 g.

r rid

1. N-i s -Nr^-

* S k=^

-Tt—ii

1^^

m ^It we juJj;e your oia - diict right ly, 'I'lvas a clioice in • \o - Uin - ta - ly ;

^ i2_

P:^^ p

(

PP

i^ -r-

M^=3=i=rf^g^N^H:3J^ i '-HTt-^^IJ C^~p—p-

18,844.

Fed. » Pctl. * Fed. * Fed.

Page 51: Vocal Score

2>7

V-p—

4

- pc

Slill we thank you

i^=^

most

P i

po - lite It. C'lajr and gal - lant gon - </o

^^^^^^^-frf-TtT^^hr^t 1

1

J >4 ^^=^ I^

^It^'HV 1 >' 1 -

* Ped.

^^ r>-r-=S=i^ ^

/<Vr

* 9-

Tra la la la la la In, Tra la la !a la la, Tra la

p 1!! 1

1 f

~

!: 1 p 1 1 r >-

,^ i

t

K^\.'

:i n n > 1 ;^ 1

-t^-K s^ # , p ^r . s h ^£ ' r ; -p—p-

^i=t=^ ^jmfc

U la U la la la la la la la la la la la la !

iCliOKLS.

-4^I-*

p—•- -P ^— IT!"'EES

I** y

Tra la la l.i I,i la la l.i la la

/-•- -*. .«. ^ .•_ ^i=f=fe=£:gdzz -'/!—^-

E|^

Tra la la la la la la la la la

ff ^^r f . fi ^—#-

/ /

F r

18,844.

—(—

fjj r] J j-u^j^

Page 52: Vocal Score

as

GiAN. & Tessa.

:J=Pil

malIn set and for mea • sure

1^

scarce - ly

In set and for • mal mea - sure

mscarce - ly

K ^ l«r ^

Whi [^ *] --[^ > 1 I* 1 [ r f"i _^ 1 1

rJ""! J"'

1 [__r^__J.s >i N ^-p-

* *

la, la, la, la, la, la, la, la. la, la. la, la,

NS NFo ^s SK r«> NNi ^ i '^ .^ -

g- 1 -

j. 1

^

r -g. 1 ^ 1^ r f i f i, r j^Lsi 1, >• t 1' f-^

s^ 3-p——£- fir =p= "r -, F—=r=

la, la,

"V-

la,

' "] r ^ -^r p- ^ 1 r r^ I/la, la. la,

J

1

f^- ^- ^ i^^l^^- -' k rp:i=?^r*-. ^^ > - Is-

:i=S=

gfr r -« p- ^

* *

-«l r =F^18,844.

Page 53: Vocal Score

^^im ^^

ne - ces ry

fy

To

To ex

press

press out

4:

plea

plea

>-_—N-E33Ej: ^ j^^faj-.—J^J-^ F- K -^ / l-h^ ^

mIn, In, In, la, In, In,

-I r

^ 1 r

In, In,

t 1 -^ 1 r

In, In,

1. .^

In, la,

1 r * 1 t: 1

±±z fir -q-F- ^ 1 rg 1 '^

la, I", la, la. la. la,

^ ^5=^

ssrtPIi

-1 r W 14=5:

r-r

J-r r

f-r f

^mmEach of

E;ich of

m

^^^^to prove trca • Eure Glad • ly

to prove trca - sure Glad - ly

1 i

' 1 ^-^ f^^d d

:M—M-d 4

will de

will de

J-1 J-1 I

r j^i JL

b, la. !a, In,

mIn, la, la. In, In, In, In, la,

g 1 r r -

p 1 p-

In,

^g% -f 1 / -j^ 1 j* 1

,

r ' J 1 j

In,

; 1 r r

la,

-=1-F-,^ 1 r F

la, la,

P^^^^H^^j^i^^^^^^r i"'' ' i''i'^

ST^ife^ft^ -F——P;

r ^ r

18.844.

Page 54: Vocal Score

Iff

40

J J L -J J-

1=P=

gal lant»ote our lei - sure, Gay and

cres.

do - Iter

^fvote our lei • sure, Cay and gal • lant

Pi:^^-^!^^> , >

» m M * *

^on • do Her •1

-PX fK «N,

/»> fV- ^I

-^J-H^i i

-m r-

la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,

ag r rIr 1 • ^

I

'1 S 1

'1

I^ 1 ^ 1 P 1

IJTET? 1 pLl- [^ T P t

| ^

la. la, la, h, la, la, la, la, la, la, la, la, la, la,

w_pi|

^ -i | -i f i |t!;ji 1 jt 1 y I^ ^ r-^r :a ^1 n -^ SE^ >15^ cres.

m a •

It^ N K

C 1 Ci C 1 lil

r t Tff 1tl

^ ^r r r r TUTr--

Ped^i-Ted.

Ped. -Q- •

Ped.

ifc^ ^: J;

La, Tra la

Sopranos.

la l». Tra la U la la la la

^^ P 3i 1- 1

' f n f§*la

!

Tra la

Tenors & Basses.

/M :

fe^^^—

^

la la,

•I--^-*—1—is>-

Tta la b la U !a la .

=»=t iI I

la!

-fi.

Tra 13 la

i^^ S

* ^.

^^Tra la

-\r

la U.

-•- !

-E—

^

-^4-Sr r

I

r r r ' r-^1 =t

Ie^^y»s : I a i ^^ Jt

18,844.

Ped. * Ped. Ped. « Ped.

Page 55: Vocal Score

fci

f

L J-^^

S

-p—p-

:zi

41

Tra la, .

-K p.

Tra la

-h^-f-l-^

la la,

:4=

^;?=^

la la!

-ai

^la la!

-P- •

Fate in

ff

I 1

Fate in

,f i

iF^=g^^

s» 1-

i:-

Tra la

:&

122=

S -F—r-

la, . la la!

i Jli

Fate

^^ l=* ^fe

r^ 1 ^I

(

^ ^ilUjJ4-/l^^^this has put

fn ^his fin ger— Lfft .

I'llus lx)W . . to Fate's de - crcc,

F f. ^» I i^^ 5=f

this has I'ut his fin £cr— Let us Low . . to Fate's de • cree,

m^=^\ \n jI

/^;:^h£^3^-f+f5fefe^ ^=T

this

it„-C.

has put his (in - gcr— Let . . us l«nv . . to Fale's de • crce,

^ >.^^^g i*^^^^^^IS —A—^^

Ir r : r=f^^p=£ H 'd

1 r-n

^h^ M. m.

lS,S44.

Page 56: Vocal Score

42

feJ-A.

?Then no Ion - gcr let

I —^1 I I

113 Iln ger, To the al tar hiir ry we ! Tra la^ P ^ flf-J j^ij=j=^^^^.?^ PTThen no Ion ger let us lin - ger, To the al • tar hur . ry we ! Tra la

/ V7 'ii'-^|J-^ f

|

f J f iO M^ :l ^Then no Ion • ger let us lin - ger, To the al - tar hur ry we

!

la

# ^-i-P* f ? ^ ^^^

f-^* ^ ^ "rt'-^f-» ^E f#=^^

* m ?=f^ *

^

J'p :

^la la la la la la la la la la

!

#tii Jj j I J

I J I J J J Ir- T^r

la la la la la la la la la la !

S f Tif ^ ^ ^ ^^ p r ^-"\ "'-

la,

JS.

la In, la,

3C

la

J*.

la!

n tt

fef r f i f r f i l^ .C5. .

^^-<g^

f

a^S ^=^ ^''1.1 r-^ ^I

-^'

m i^ ? T= f- J^* 1: i^m f f ,k

^

ip

Ip » I l

» 1^5

ife

P'^f -^-^4^*

^ -r- -•-^m^, "i

E^i I ^^ ^

-f=—P-

-P F-

r r I—

F

^ ^18.844-

Page 57: Vocal Score

43

No. 2. Entrance of Casilda, Duchess, Luiz, & Duke.AlUgro marziah.

^Hmt^JfcbrJJgy-^H-P- ^^—f^

TlANO. /

^b-3-^'^\

> i1^ ^^HP- ^iu ,

^ r rrf rl J ^J i ^^ -=1—p-'^ zErg:m^li-ii•- -» 9 i-Ja

^g^L2=j*:1 r a^-N 1 ^

ST=1:

-^T—P-

DUKE.

a-^-^7^^^From the sun • ny Span- isli shore,

JAJ-^^MJ^. J^^^^S=^^5S=F=K-j^:L_Jl-n_i^"'

!J'l A^

f^ l,i i i i i ^ * i- ^p

$ m p K ^ s > ^^^»kit 1 "I 1 =»= •! *! 1 ^=1 1 1 1=5=^ ^^^S: ^ It—

^

^^ Duchess.

zitoj j-. i^i-.^-Vti p-

Ilis Grace ofPIa- za • Tor'

And Iiis Cra-ce's Duchess true-

s i-'irr ii^t^

S ^ ^ js:^=i =^==»^ P^^^^W ^

iCasilda.

i.LUIZ.

ffi r? g- nr P • p=^ 5C—>-

And his Gra - ce's daugh-ter, too

And bis

& ^ ^ ^^ ^* * ^ rE^

?^ar=f^w^^^18,844.

f^r^^r^^sE^

Page 58: Vocal Score

44

A ^- ^ J- ^\ i ^^^^^^^^r ^ g 1 LM ^^

Gra - ce's pri - vate drum To Ve • ne - tia's shores have come, To Ve • ne - tia's shores have

-^ K

i J H j- w^, j 1

1 -, ^j=^^ ^ ^ i^=^=^-^ ^ ^^ S

Casilda.

igi:

i

And if cv - er, ev - er, ev • er They get back to Spain,They.vill ncv- cr, ncv- er, nev- er Crossthe

Duchess.

^

^ Luiz.And if cv - er, cv - er, ev - cr They get back to Spain,They will ncv- er, nev- er, nev er Cross the

r^r-^f^-m}}}^\i ; i^^^^j^r^f^^^^p^v^^^^::;;^

i

come: And if ev - er, cv • cr, ev-er They get back to Spain,TheyHilI nev- er, nev- er, nev - er Cross (he

DUKE.=T . - «_^ jH^-ft-HM^-^~^^^ s s ^ =^-v-v-v-^_^_fe-_^__^^ y w" ;:^-j^ j^ *

And if ev-er, cv er, ev-erThcyget back to Spain,Thcy will nev- er, ncv- er, ncv- cr Cross the

i j 1 I ! I 1 1 I1

I I I r I

"^r"' l I I I I I I I I I"

; :

^\ i::i ii t iii\ i i * i i \ i i i i r-t-t-i

^ i^ p

i^ c. ^^-^ y -1 -TW :

As^ "} d J J*• • - J • *- * »—d 4 4 4 4 4—4—4- m -P r -

cr, nev^

ia - gain, They will nev • er, nev - er, nev - er, nev - cr, nev • er, nev - er, nev - er, nev - er, nev - er, nev

-4-

- er Cross the

ft ^1 » ^ ft »-j»-^^ ft ^ ft| _,^ a ^ ft ^— .1- J- ^ -

M J 3—

M

m a 3—

_

m—:iC=^=^

V, > r*

J** *

I J ;^s =F^^ ft ^ ft

* * -T rt-*-X)

sea a • gain, They will nev - er, ncv - er, nev er, nev - er, nev • er, nev - er, nev - er, nev • er, nev - er, nev - er, ncv - er Cross the^^ er, ncv

-—

W-^ > * r ^ 1p p fcg ; J" jt—^-t~ .

f -r-

sea

i

-V J'—5—f— > V V-a - gain. They will nev • cr, nev • er, nev - er, nev - er, nev - cr, nev - er, nev - er, nev er, nev - er, nev - er, nev - er Cross the

/ft ft

*—»-=s= ft ftft ft ft ftft ft ftftg ^^ gR^—^—^—ft—^—^ J' /~w^ -

m a ^ A ^^ > a m m W m ^ m m—m ' m • a m m ~ *^^ 3=11: •—4 « * * • • *•-# •—•

4 «—•—•-

a - gnin, Tliey w ill ncv - cr, nev - er, ncv - er, nev - er, nev • er, nev - er, nev - er, nev cr, ncv - er, ncv - cr, ncv - er Cros^ the

18,844-

Page 59: Vocal Score

45

^^^-r=^7=^sea a - gain.

lA^S^S^

5

sea a • eain.

^ ^CtV i^—sea a - eain,

V>? / *-?5 ^ K te s :^ a^^^gBizi•—=-

sea a • t;nln Ne-i - thci tliat Giaml-ce fiom the Span • ish

t^ EEE as 1 ^ 1m

\

m »-

/

mmp' r^= T

fgy'^ff=3= i t^

^^ ^ ; 1 ¥J^T^[ ^

i ^==H^

fi» >

shore,

V—p->—P-

The no - ble Duke of I 'la - za - Tot'-

il^^ r n ^ J^

i—

^

1^1 ^—

^

3^=^ %t

^iE =^==3^ 5^^^^w^^^ ^ g^w^Duchess. Casilda.

* • —i 3- 5^3n'7?nmWl »> 6> >r^ * *

Nur his Gia • ce's Duch- ess, staunch and true^ Vou may add, his Gra - ce's daiigh- ter,

^ -M ,^ JL I r~i ^ ^ P^^ r ^ i ?

1

*

f^-hf^f^ T i 1? 1 ^--l,^-j^r2:^Luiz.

Ei P^33 ^» . i» »-

^ A .,.1 !•/-'.._ ' .... - .:

^^^l?->^->

-y-^ :fsi^ ^^tf N I ^^ 1^ ' giffi h^H

And his Cia - ce's own par - li - cu • lar drum To Ve - ne tia's shores a • ny

-M 1 C E 1 N V=ts=^

-S ^ -N i•»? J I I J I-

-^ .1" 1mJT ? 1 -

1 ^

18.844.

* -7*:^*' -^:i^ -^y- ^ TT

Page 60: Vocal Score

46

C/a v

^ ^^^^^3

mIf ev - er, cv - cr, cv - cr They get

/a P

V-fe ^~8F^^==»—^-^ -

* d 4 J ; d—iIf ev - er, ev • cr, ev er They get

/'

^^ 1 f 1-

more will come, Ve - nc - lia's shores will come.

mIf cv - cr, cv - cr, cv er They get

P

^-a—a--^^=jt=^=^~

If cv - cr, cv - cr, cv . cr They get

I?

1 h 1

m A

r

^^^

s t=t ^d—

^

—t^S/ /5

1 i 1 ^^^ g

i^^U ; J -r ,^ ^1 j> .^ J .^^^^^i^i : J' j- !^iTt^^-^^t:^=^=^A

back to Spain,They will ncv - er, nev - cr. nev - er Cross the sea a - gain. They will ner - er, nev cr, ncv - cr, nev - er.

^ ^3=^=^fe te fefe fe^^ fe

J J s d d^ p * J=?^=fi=

«5^

back to Spain,They will ncv - cr, ncv • cr, nev cr Cross ihe sea a - gain, They will ncv - cr, ncv - cr, ncv - cr, nev - er,

(f^sPn r r r * ^ I

* g * ^ ^'

fi ^ ^ ^^ p pV—»<

'^ =?=^ TT^^i:^back to Spain,They will nev . er, ncv - er, ncv - cr Cross the sea a- gain, They will ncv - er, ncv - cr, nev er, nev - cr,

d d P 4 d ^ d d d P p m d ^ ^ .J.J*

-#V-»^=^

back to Spain,They will ncv • er, nev - er, nev - cr Cross the sea a • gain, They will nev - er, nev • er, ncv - er, nev • er.

i^^ii pI

^ j H

lTj i->M-P LQ T^-^Tj^^^i8,S^4.

Page 61: Vocal Score

47

i^p pp^pppp\ppp ^ M~^S 3^S

^ i^ ^-»»—y- -^ p p p ^—p—if—p-my g—g—g—g—»—g—g—p-*—g—g—IS—s-s-g

r, nev - cr,

te IS fc> ! H h IS, h

g—g-^g—g—g—g—g—g—g-g-

^nev - er, ncv • er, ncv - er, nev - er, nev - cr, ncv - er, nev - cr Cross the sea a - gain, They will nev - cr, nev - er, nev - er, nev - er,

t)

^^-p— «—1&— 9—p— «—a—

s

-j^'—s—Q— s— E^^^^S^l^ S=5^£^=*ncv - er, nev • cr, ncv • cr, ncv - er, nev - cr, ncv - er, ncv - er Cross tlie sea a - gain. They will nev • er, ncv - er, nev - cr, nev - ei.

^-g—^^^=^g-^^-g ' g-^-g V i^

fe:^T^^Ti=?=jjE#=F?=^-?^^f4-f-r ? ; i ihrfe=i=?=ifeinev - er, nev - cr, nev - er, nev • er, nev - cr, nev - er, ncv • cr Cross Ihe sea a - gain, They will ncv - er, nev - er, nev - cr, nev • er,

0=iJ J J' yfTf^=T71^^iN'-^^-^-=^^==^= ^^ncv cr, nev-er, ncv-er, nev er, nev-er, ncv-cr, nev - er Cross the sea a - gain, They will nev - er, nev-er, ncv-er, nev-cr,

mb—<f p p p p mp p \ p p p p ^—p-g—1^—g—i^-g—p—g—g—^g—g—g—g—g—g-

ncv - cr, r.ev er, ncv - cr, ncv - cr, nev - cr, nev cr, nev • cr Cross the sea a

^"-n }i' ^ f' > >' I -f B =1S=^^ Eg ^nev - er, ncv cr, nev • er, ncv • cr, ncv - cr, nev er, nev - cr Cross the sea a - gain.

f P f I f p =FIE 2rrj=ff: =^=S= li ^ g lg-

ncv • er, nev - er, nev - cr, ncv - cr, nev - cr, ncv • er, ncv - cr Crobs the sea a gain.

^rt! p ft—— I*te l l" IS * P fe—ft I ^ Y ^

nev - cr, ncv cr, nev - er, nev - er, nev - er, ncv - er, n?v - er Cross the sea a - gain.

I^^ rn ^rn r:t ^^

2=5c 1 azyart

«".8-;4-

Page 62: Vocal Score

4S

No. 3. SONG -Duke of Plaza-Toro.

Duke.

Alh'-jyo iiuirziu!c\

FlANT.

1. In en - ter- prise of

2. When, to e - vade Dcs3. When tuld that they would

^-Ji J ]>-Ji J. J. i -jni i Jl J J. i "UlW JJ

IPs

girp -T X -T -^^^ -[ -k^—«^

-»»- -»-•--»- 5-»- -i- ¥- ¥- -M-! I ( I I I III r

I

y

mar - tial kind,When- true - tion's hajid, 'l"o

all be shot Un

there was a - ny light- ing,

hide they ail \no ceed ed,

less they left the ser • vice.

He led

No sol

That he

his regi mcntdier in that

ro he - si

from be • hir.d— Hegal - lant band Hidta - ted not, So

m^^mrn Ji

] ] ]Tn-:-TirrrTiT7TTii

r^^^=*=^ ^^=1

? ??M I—

^

i

-Tt:^1-

i !

^! gt

P-f—N—

^

^ ?sc=t^m-• ^ k^-MZ-4-3 ^ :S«=:^

found it less ex - ci • ting,

half as well as he did.

mar - vcl - kus his nerve is.

HutHeHe

when a • way his

lay c<ni - ccarj throngli

sent his re sig

regi - ment ran, His jilace was at tlie

out the war. And so pre-serv'd his

na - tion in, The first of all his

s L : I

iJJJ JiJH^ -1^ ^

q^~l I I E E I ^^ rxnszrr 3CIil

>-=r -?• >^fore, O— That ce - le - bra - ted, Cul - ti - va - ted, Un • der - ra - ted No -ble- man.The Duke of Plagore, O ! That un - af - fee - ted, Un - de - tec • ted. Well- con- nee- ted War - ri - or. The Duke of Flacorps, O! That ve - ry know- ing, Ov - er - flow ing, Ea - sy - go - ing Ta -la -din, The Duke of Pla

iS,K44.

Page 63: Vocal Score

Casilda

Wi^^^^^=^~ri^i^^= ^xT^ ^^^'^m^^^^s=m^^i

1F=S==;^=S sg^EifeEEj^^E^E^Efej^E^E^E^^^

isi & zwri".

ce - le - bra - ted, Cul - ti - va - ted, Un - der- ra - ted No - Me - mr.n,The Dukeun - af - fee - ted, Un - rte - tec - ted, Well- con- nee - ted War - li - or, The Dukevc - ry know - ing, Ov - er - (low - ing, Ea • sy - go - ing Pa - la - din, The Duke

ofof

of

ria

}'la

Pla

To - ro !

To - ro !

cc - le - bra - ted. Cut - ti - va - ted, un - der ra - ted No - ble • man,The Duke of

un af-fec - ted, Un - de - tec - ted, Well- con- ncc- ted War- ri - or, The Duke of

ve - ry know- ing, Ov - er- (low -ing, Ea - sy -go- ing I'a - la - din, The Duke of

ria - 7.0.

I 'la - za

ria - za

To - ro !

To - ro !

PS ig—g—

^

J^ ^P * * P ^ ^—

^

^re - le - bra - ted, Cul - ti - va - ted, Un • der - ra - ted No - ble -man.The Duke of Tla

un - af- fee - ted, Un -de • tec - ted, Well-con- nee - ted War - ri - or, The Duke of Pla

ve ry know - ing, Ov - er • flow - ing, Ea - sy - go - ing Pa - la - din, The Duke of Pla

To - ro !

To - ro !

^—^—

^

^^^=^^S—

U

-H^^ Un^^^g SeS sp wce - le - bra - led, Cul - ti - va ted, Un - der - ra - ted No - bic -nian,Thc Duke of Pla - za -

'lo- ro!

«n - af - fee - ted, Un - de - tec - ted, Well-con - nee - ted War - ri - or. The 1 luke of Pla - za - 1 o - ro !

ry know - ing, Ov - er - (low - ing, Ea sy - go - ing Pa - la - din, The Dul^e of^ P^a - za

^ r 1 f t-t; s 1^

|S,S44.

Page 64: Vocal Score

so

5=^

yd.s—fe—^-^-^^

j—^ rr^ ~^^^^'

/ 9-

To - ro! Thai vc - ry kno:v-ing, G - vcr - flow-ing, Ea sy - go • ing Pa - la din, The Duke of Tla - za -

§=5= * S^-

=S^=# ^=f=n^^- To • ro ! That vc - ry know-ing, O - vcr flow-ing, Ea - sy - go - ing Pa • la - din, The Duke of Pla - za -

fa^^E3^^^^^3s^^^i^i^i@^^^j=s=M==y^^^To • ro !

^That vc - ry know-ing, O - vcr - flow-ing, Ea sy - go ing Pa • la - dm, The Duke of Pla - za -

t) -a-

To ro !

M^=u=u=u^-i u nj^Th-. t vc - ry know-ing, O - vcr - flow-ing, Ea - sy - go - ing Pa - la - din, The Duke of Pla - za -

\ .Lt- =*=Ftr-

To - ro !

W^^To - ro 1

^^To - r" !

iTo - ro !

18,844.

Ped. * Ped. # Ped. * Ped. » AUacCii.

Page 65: Vocal Score

5'

No. 4. REGIT.- Casilda & Luiz.

i

Casilda.

O rap - ture,

LUIZ. -,

S =^F^FAllegro -"7^ ~3^ '"ST" ir^ "Ti^ "^ir^

O inp - ture.

^^^ ^ ^ ^ * am S=EE^^aI'lANO. #

f^^^Jh=4^

^^i=^f-^^p- |g e -sf=-^

^ §^M -p—»-^ t=F -I >-—i'

Two lev - in" hearlawhen a - lone to - qcth - cr and

?i=lv=s^j=:?*

^^ :?,5

when a - lone to gelh - cr Two lov - ins henrts anj

i^ ^M-# *- T "W -*- »- -*

8 I

I a

\^z I ^

f rI r t T f" I r ^ r r I h r ^ r i

^ -J.' J. J. -i J. ' J. J. J. J. '

.J. J. J. j :

W-jHif^-,

> S^

h K K h^=l:I—

Htl 1 •-^^ ^r

frt =«=:* ^*=^- «=S=*>l;;c

those tiat bc.ii them May join in tcm- po • ra - ry teth - er, Thoiiijh Fate a • part shouUl nulc-ly

J^T '^-^—^!^%; ; £ig^ -

jJ

1

^—-J-?i=Pfs=qii^*^

those that bear ihcm May join in tcm- po - ra - ry tcth- - er, Though Fate a • part should rude-Iy

lS,S44.

Page 66: Vocal Score

52

iRegit.

tear tlieni Ne

a m

SI . ty,

^ ¥In - ven - tion'.-. mo Ihcr, Com

X==^^^^tear llie

I

i=hL^-iAJ^^ ^ ^^^ ffirrrmj ^

fe ^^

p——-^ ^ jE r r f3==P= ^r 1 r

^*^=fc=tz=^ i3^y-i—7—=?:

pell'd me to a course of feign • \ng-~ But, left a • lune >Mtli one an - o - ther,

m i§F=^S^=SF

/^ hi^

i ^ h st-^ 1 r H 3^ =^—^—i- ^^ 1 1 i<a • ^

I

I will a - tone for my dis - dain

Andante moderato e espressh'O.

in:;! Ah, well be - lov ed,

S^^^fr-v> 1 1=t^ =sq ?^=^s^^ d ^

t ^ * t ^ ^ 1*^

Efct 3 ^. ,^ ^ 3^-M -^—

^

I

1I

i ^I—4—'-J

^

=^=43F

i -H-^* r ^* * g-r^-:3z^z=t Jjg J

s ry—

r

Mine an - gry fiown Is but gown that icrxes to dress My

m^ ^hr^TtJ '•*»-

*=4

lS,S44.

^ ^E *i • . •-

3^1^=3^4=4:

i 33^g

Page 67: Vocal Score

53

i

i^=^

r ^ u 1gen lie - ness !

Luiz.

w-p

^—s=frs I* -^-^ j^ ^

Ah, well - be - lov cd, Tliy colli (lis - dain, It gives no

^5 ^^^^^^m ^S

• »• "

^pain- 'Tis iiiL-r - cy, played' In mas' - que rade

!

Ah, well b; - lov

^ 1 I i -rP^^^^^^^^^^t^^W^g^,-^-i-h-

II

•^ TT

li^^ 1 J' J^ J^^

r 1 ^^ "'^ 1 1

Ah, well be lov ed Ah, Well be - loT cd: Mine .

•^"T^Vjn¥ ^m ^Ah, well be - lov cd ! Ah, well be - lov ed ! Thine

18.S44.» Ped.

Page 68: Vocal Score

i ^m ±igry frown

54

mi /-

Is but a gown That serves to dress My

;j5^a KI ^

^i^ '^ , , ^

gry frown Is but gown That serves to dress Thy

fe?^^^^¥ QX^J^-^^jr^^^^r •; 1 r 1 1

i"» »

^ ^ikz^-J^-^iJ^J.

di/ii.

-• !^ 1 1

f^

/- dim.

--^9=p^^^. r 1 r 1

gen tie - ness I Ah,

-f

^

well be

dim

-^ r 1 -^ 1 —^—>^

gen tie - ness ! Ah, be - lov

-9- '

f m ^^—^?-

ed ! Ah,

3=3=

1P^

rl=r^|^ -•m- ^r t/

ir>

dim.

^ W -» *- -^-^

F

1ti

P

1^s -i-^ -=1--

lov • ed, be - lov

i

ed, be - lov ed!

J • 1 1 =i^ q=J:MIZI*^^^=*-

well be

i

lov cd, loT edl

^:^«= ^^^ P r V -q 1 r 1 -

m^v

I4,SS4.

'Cr-

P^

122==^ =5= -tt

^S 1 1 r 1-^-r 1

Fed.

I

1^*

Page 69: Vocal Score

55

No. 5. DUET—Gasilda & Luiz.

Luiz.

r.'ANo.

Se p^m ^^1 itJ There was a timc- •A linicf'ir cv - cr gone— all, woe is me!

Andan/i.

Sfl -P ^-1^f 1221 tF—P- ^^^^^^-F-

f T

¥^^^ :f5=^-y-n^ ^^ ^^^

It was no crime To love but thee a - lone— ah, woe is me IOne heart, one life, one soul,

s^sra^^s

^^^Each in the o - thcr's llirall, Each all in all, ah, woe is

I V

e£E/ y -i» J i;«tt

fe-s=^-

Casilda.« ^ ^ ^Oh, bu • ry, l,u . ry— lot the grave close o'er The

O-li, bu r)'

'i

bu - ry— let the grave close o'er The

18,844-

Page 70: Vocal Score

56

JJ > h s-^ d ^ .^n-^

/. ^Jays that were—that iiev-er will be m-jrc I 0!i, Ini - ry, bu ry love that all

^^

dim.

con ilemn, And let the

dim.

4 h >^

d d r i ==*-_• * ^ =^

i

ilays that were—that ncv-er will 1)C more ! Oh, bu - ry, bii ry love that all con - tlcnin, And let the

l^^^^^^^^^N=4-jH-u^rTi^i=g=^^^^=te'^

ag^ zazi^r ^

-tt—sr -^r- © <S(-

•?5- "SJ-"ST

Wte n n5-^^> n r] ^

i:?^^ii:

whirl - wind mourn its re qui - em

ii+ir ^tJH^^Dta.l us the last vc:.i •

3

M^

I

whirl - wiml nicuiTi its oui - cm !

-m- f'a

s II

/

331:^ ^^^

P

ilzri.221 ^^^Jl?^

-i =1- ^y-»—y

g^-

I rIE

i^ N—

V

J^>-T-^^r ^F =^ ^:^=J *

leaves—As ^alher'c! flowers—ah, woe is r.ic ! Dead as ihe grr-ner'cl sheaves, That love of ours— ah, woe i^ mc !

I

=r^^

ti*-

^^^ ^ ^ a^ i^E^^^^^ -ft—I-

E^S

Born bm to fade and die When hope was high,

• S.S^J.

Page 71: Vocal Score

57

* 0-N ^ K sT

-*—

^

II

I

Itzar;

nh, woe is ir.e !

4Jt^^

*te=rs2Z

Ss5^ii=^

Oh, 1)U - ly, bu - ly—let lli2 grave close o'er The days that were—that nev- er

;;r ;;-j^ ^u-*-

Oh, bu - ly, bury— let llie s'^vc close o'er The clays that were—that nev- er

mi^jJAl^U=h=i-i^^^^^^^^^rp

rza:"TJ~

E3

- j=^g=,zz^

will be mure ! Oh, bu - ry,

-rt ^T^»-'^—' 1' crv^riP'^if—M 1 1 H

bu - ry, luve that all

/

.fo=^> h ^ > =fg=s:

-< * I ra « ^i==?s: -o-

wiU be nu^re : Cli, Ui - ry, bu - ry, lose that all

m

fiNr": ^ r-[S.Q^^con • demn, And let the whirl - wind mourn its

tii'iil.

m:45=5i:zs=zjz

on - denin, And let the whirl • wind mourn its

'^^^^^^m^^mm w

IS^-m±

mjO.

re - qui - eui,-

re • qui cm, Its re

^^^^^

JS.

c|ui • em. qui - em !

^ :z2i

qui • em. qui em

-P—

^

l^',S44.

Page 72: Vocal Score

No. 6. SONG—Don Aihambra, (with Casilda. Luiz, Duke, &Duchess).^ Don Alhambra.

r IfV

AUcgyetlo non troppo vivo.

I. I

2.

3-

4-

^» f? r 1W=^ !£^f-j^ifff?^^ iffifPiano. /

^irFfr

dim.

i-4^& tr

i ^ ^^^3 :is=t'

1

left him, gai

sought that in

tcrri - ble taste

state - ment can't

stole the Prince, and I brciight him here Andsped, and when at the end of a year I

owing, I'm much dis • posed to fear, To his

chil - dren followed his old ca - recr— (Tliis

ly pratt - ling

fant cher - ished,

for tip - pling,

be par - ried)

With aThatThatOf a

f^~f^S ^^^ ^bt ^

highly

highlyhighly

highly

re - specta

re - spectare - specta

re - specta

ble

ble

ble

ble

gongongongon

dodododo

Her,

lier

lier

lier :

AVho promisedWas Ijing

Could never

Well, one of

the Roycorpse on

de - clare

the two

al babehis hum

with a mind(who will soon

to

ble

sin

be

rear,

bier

cere

here)

AndI

WhichBut

i ^ ^^^ m mteach

dropp'dof

which

him

of

the trade of

a Grandthe two wasthe two

In •

his

qui-si

ofT

mo - neer With his own be lov • ed brat - ling,

tor's tear

That gon - do • Her had pe - rished.

spring dear. And which the Roy - al strip - ling

!

quite clear— is the Roy - al Prince you mar - ried 1

18,844.

Search >

Page 73: Vocal Score

59

^i.J

; ^ ^m mBotli ijf the bribes were

taste for drink, comWhich was which he

in and out and

strong and stout,

bined with gout

nev - er couM make out,

round a - bout

And con - sid - 'ring all

Had doubled hiui upDes - pile his best

And you'll dis - cov

things, clev - er.

for ev - er.

en - deav - our.

er nev cr

OfOfOfA

P^^^^^

1

IfstAat

that

that

tale

^

^^ ^^ ^5^there

there

there

free

nonono

from

manmanmancv

ner of doubt

ner of doubt

ner of doubt

'ry doubt

Ee

NoNoNoAll

prob •

probprobprob

a - ble

a - blc

^

& ^^-^

^ble, pos

ble, pos

B^Spos - s:

pos • s:

P

§- ble sha - dow of doubt

No- ble sha - dow of doubts No- ble sha - dow of doubt

No- ble sha - dow of doubt

All

*

m

ferlm J. i-J^J—ji^

tt

iSs^f

±fc

\st, ind, lt* yd.

18.844.

^ 1 r

pos -

pos - s;

pos -

pos -

- ble doubt what - ev - er.

- ble doubt what - ev • er.

- ble doubt what - ev - cr.

• ble doubt what

Casilda & Duchess.

1 r - tx^^±J. 1 r

No pos - si - ble doubt what - ev - cr !

LUIZ.

1 r ^^=^

No pos - si - ble doubt what - ev - er

!

Duke. .

=^=^ 1 r

No pos - si - ble doubt what - ev - er

!

1

1^

Page 74: Vocal Score

6o

ib » r -^—t^ ^

2. Time3- li"t

4. The

-*—«

cv - er

!

^^J I J J

zi:

tale so free from ev • 'ry doubt, All

Per e-1 rJ I J J

i

tale so free from ev - 'ry doubt, A'.I

1 ^ ^^ •t f .

^ ^E^: =^="

|r^" ^ r • ^ r7 I r g r J ^11 ; J'; j ?^l^?m2^ ^ ^ ^ ,< K X 1

1^ P ^ 1 — ' • •> 1 r

pn.b • a 1.1

r^-r- f r 5=g;=?=^L^^

blc sha - clow of doubt, All pos - si - ble doubt what • ev - er !

• • >-f * ^^

prob a- ble, p-^ - si -ble sha - ilow of doubt. All pos - si - ble doubt what - cv cr !

tri

:i^-;-^-j:_iZB=r~rT> fe N

-J' J J' lJ^prob a - Uc, pos • si Me tla d.jw of dn'.bl, All pos • si lie dov.lit what - ev - er

!

F^i r ^

-1 r 1

n

iS,'?44.

Page 75: Vocal Score

6i

No. 7. REGIT.—Casiida & Don Alhambra.Casiliia.

-• § »_g—p p f w »-wIE 3^EE

;iE=r =<< / T^

Allegro con brio.

Piano.

I

Allegro con brio. ,—^ .—

.

Eut, bless my heart, con - si - der my po - si - tion ! I am the wi.'e of

^i—:d—

±

^m -^^?- ¥Ped.-

zz:E^^EIH!Z=^

-F^r=S=

.^M=^^^^^^^^^^^^"^^^one, that's ve - ly clear;

^m J^—iT-l,-J^

^t

But who can tell, ex - ccpt by in - tu - i - tion,

J - — ^'^•iii

f" ^ ' i=^: E^pigfcq^i^

^lii

Fed, -^ • -•

->i f^-

tl^^^ i^—F- iy^

§£s

I ^i :^I

~_ _ 1 f

V y >> :

*

Don Alham.

Which is the Prince, and which the Con • do - lier? Sub - mit to

IPI

uwa^#=f=f=qi^

Fed,^-^—lir

(t=^ ^

;

i_^ ^ i^^p^ES f—

r

t=F=^=?=P P?ii^Fate with - out un-sccm - ly wran - gle ;

Such com - pli - ca- tions fre-quent-ly oc - cur^

i

^ii^

g PgP^ -q—F- Hl=l

i ^^^3^s

^f^ ^ ^m-j'-iO^

Life is one close - ly com - pli - ca - ted tan - gle : Death is the on - ly true un - rav - el - ler !

1 FE ^-^

&L18,844.

Attacca il Quartetto.

Page 76: Vocal Score

62

No. 8. QUINTET—Casilda, Duchess, Luiz, Duke, & Grand Inquisitor.

Allfs;yetto modetale.Casilda.

:e^—J^^—J= -*—

J

V=f:Lit

Try we life long,

Duchess.

W^f^ * j: J~7~J^ -^ J-

fe--a-j r r=£s

t-tist

»e can ner • er Straight - en out life's tan • gled skein,

Try we life - long, we can nev • er Straight - en out life's tan . gleJ skein,

Luiz.

i

Try we life - long, we can nev - er Straight - en out life's tan - gled skein,

Duke.

lE ^T' i ^i—^- I I

^ ^ w^ ^ ~^ i^ i: i~Try we life - long, we can nev - er Straight • en out life's tan - gled skein,

Inquisitor.

t; ^ I I

-^—

^

T=^=s

^-—'^

Try we life - long, we can nev • er Straight - en out life's

mtan - gled skein.

Piano.j

p:ii.i^i^Ai:aAjj^x±Sli^^V^=^m

3^^ 1 j. 1 fc~b L^p i| p 1 T^~^Si^^

i

&s J i-itJ^ J^N • ^-= O

I

J

w—p-

i i-r u- J r r M=J^Why should we, in vain en • deav - our, Guess and guess and guess a - gain ?

w *==-: * mWhy should we, in vain en - deav - our, Guess and guess and guess a - gain ?

-m—r- ^E ^ ^ ^Why should we, in vain en - deav - our. Guess and guess and guess a - gain ? Life's a pud - ding full of

^=i^ X-lS 1 gWhy should we, in vain en - deav - our. Guess and guess and guess -a - gain ?

^ r f r i:i=t-*—1^

*- ^^ T- 1Why should we, in vain en - deav our, Guess and guess and guess a - gain ?

\'n-\\-'x ,J

J,-'-

J

^^Ped.

18,844.

Page 77: Vocal Score

63

$t.

r—r^-^rLife's a puJ - ding full of plums, C.ire's a

-t^^ ^ ii4*.^^m

i

Care's a can-ker that be- numbs. Life's a pud - ding full

/of plums, Care's a

^t^=F^f"?—

plums, Life's a pud - ding full

^of plums. Care's a

9

=3==S^ ^^J J--=JyLife's a pud - ding full

/of plums, Care's a

9

m ^J-^ r

Life's a pud - ding full of plums, Care's a

ff'fe7Tij77i' cri"iJTOU'^j=^^r^^^"^^^ ^^g:

'^fmrr^Fedw

IC

Ped.

-f , P^- ^ J^

i ^ -^-^-=i?=^ Si^ 1 ^ •) r 5^ -q—»

'^- mi

can - ker that be numbs. Wiere - fore waste our

^ j^n

lo - cu

3^h r* r^ M

tion On

^J=T-:LX^^^=^-T-r-s3 s=::z^^ ^\

can - ker that be - numbs. Where - fore waste our lo - cu - tion On im

<^ »1

^ « •f :

Uj3=tJ

-^

-1 '—'—

can - ker that be - numbs. Wiere - fore waste our

E£=^Frn r ^-c 1 c ^+M=^ E^«3lo - cu tion On im

i8.8i^

Page 78: Vocal Score

64

P Un poco rit. ^ P a tempo.

^ :^Wi

i

taVe it as it Let take it as it conies

!

Set a - side the

T=^=^=t?* * -T= —

•—

Set a - side thet/

take it as it comes, Let us take it

-.—n \

as it comes

!

-j r i^ ^^E^ :^ » t-I

I :5t:

i

take it as it comes, Let us take it as it comes

!

—, ^Set a - side the

-^

y-H i S ^=i=^=^

itake it as it comes, Let us take

^ n^ ,

as it comes

!

Set a - side the

S:2mz =3^ ^ ^^w -^tz. i i -J- J:take it as it comes. Let us

I—?t__^«=

-* rtake it

Un poco rit.

it comes

!

Set a - side the

a tempo.

=^^=^

—13—

rT"?^I

L l^Z Bsfegp

^ 1 ^''"g^-a—^*

1? ir

iS,8.u

Page 79: Vocal Score

65

I J J J J-

dull e - nig - ma, We shall guess it all too soon ;Fai - lure brings no

dull e - nig - ma, We shall guess it all too soon ;

^^^^ ^=i m mdull e - nig - ma. We shall guess it all too soon

;

is^-^ =3=^=^ ^^i

dull e - nig - ma, We shall guess it all too soon;

I 1=^—^-^-j= ^dull e - nig - ma. We shall guess it all loo soon ;

^^^^^^*^1^S^=*=

Fai - lure

cres.

Fai - lure

cres.

Fai - lure

cres.

Fai - lure

PWfW^ 4

-^—^—

^

^^^SESEfc/ / ^

1 h 1^ J. > -•

Fed.

^^^^^^^^fkind of stig - ma^ Dance wc to an - o ther tune

!

^^mmz=:i=::?=zf:znt^fc

Dance we to an - o - thc-r

i5

brings.1

^^^iS^^Ei^l=s=F

Fai - lure brings no kind of stig - ma. Dance we to an

I¥ ^^^^^^^brings no kind of slig ma, Dance we to nn o - lli=r

:»: j=j^^ =1=^

3£: :-b

brings no kind of stig Dance we to an thcr

^r—tir-j ^ 11= 1

brings no kind of slig

i

ma, Dance we to an

r r Uther

-tj—!

'.—r—•-

=fecc—'—i-j—i=i=n^^-^- ^^Pn^MHi

* Fed. 4t Fed. Fed.-

18,844.

Page 80: Vocal Score

66

i(^-=H^

/

F"n~?T^5^—^

/String the lyre and fill the cup,

=3=

thether tune ! String the lyre and ail

^^ 1^^S ?^ ^stune ! String the lyre and fill the cup,

fLest

^on sor- row we should

_a_

tune !

i

String the lyre and fill the cup. Lest

-JU J- 122

tune I String the lyre and fill the cup, Lest

i^^r^

Hg^ S j^ n^27~

Ped. # Ped."J3

* Ped. » Ped.

ff

W -j^—j^ It -=^=^7

I

Lest on sor - row we should sup, Siring the lyre, fill the cup. Lest on sor - row we should sup.

1W-A-

^t=U IZ2I

cup, fill the cup, String the lyre, fill the

ir

cup, Lest on sor - row we should sup.^^ =f=^sup.

-^g-J-Ewe should sup, String the lyre, fill the

.ff

cup, Lest on sor - row we should sup.

-f->-J-^S^Ewe should sup,

I

String the lyre, fill the

ff

cup, Lest on sor - row we should sup.

j^ K—i: ^^ —U fW—^should sup,

-y

^String the lyre, fill the cup. Lest on sor - row we should sup.

18,844.

Page 81: Vocal Score

67

iw

is

is

i

^ES

^

=5=

.N-^-^nH-M^-Hr-v^R^^^^^^^^^Hop and skip to Fancy's fid die, Hands a cross and down ihe mid- die, Life's pet-haps the on - ly

P ,^—->.—K—Ik^S^B^S^EaEg^EgS^S^ggi^^E^E^^^^^Hop and skip to Fan- cy's fid - die, Hands a cross and down the niid-dle,Life's per-haps the on - ly

P

!HNMHMH-rfn:-f^~rr^'^=3=^a:=!^=^Hop and skip to Fan- cy's fid • die, Hands a - cross and down the mid- die, Life's per-haps the on - ly

Ph h hS » S—

l>i N IS -

:S=i= ;r' J- J ; : ; uti=t:::^!^=^^Hop and skip to Fan- cy's fid - die, Hands a - cross and down the mid- dle,Life's per-haps the on - ly

P

Hop and skip to Fan- cy's fid - dle,Hands a - cross and down the mid- die, Life's per-haps the on - ly

^1=' ^^^^^^m^^^^T P

iihircarto.

=F

f

iig^rid - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die That we shrink from giv - ing Mp !

Then take »t

^ i

iJ' J' J- JVlJHHH-^^^H^^-;-^J:-Jl|^rid - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die

^^^^^^That we shrink from giv - ing up ! Then take it

. , .. ™,. . . . ^ . . , .^ . 1 .1 _^ t„ -J J1-. Tu^f ...= ^u^;t,i- rr,-.i-.i rriv . i n IT iiH ' Then take it

P

rid - die That we shrink from giv • ing up, Life's per-haps the on • ly rid • die That we shrink from giv - ing up.

?i=S-J J J Jj J J I i^ J J J J J J I

.' J J ^ d J ^^^^ I ^up ! Then take it

S

rid - die That we shrink from giv ing up, Life's perhaps the on - ly rid - die That we shrink from giv - ing up!

T

i> fN N Is h K —N—h—M- N ^ N =^—>«—S- N kI

[> :»—IS—fx—h—

f

j

1

rid - die That we shrink from giv - ing up, Life's per-haps the on - ly rid - die That we shrink from giv - ing up !Then take_ it

loco.

^^ iT"^_jrrT::Lj-rp i^^rijg^

iS,844.

f^^- ^-^ -=1—• =t-

: M ^

'

g ^ g M ^ -^

Page 82: Vocal Score

68

mit . . comes, Take . . .

=f^ ^it . . comes. String the lyre, fill the

i mtr

comes, Take . . , comes. String the lyre, fill the

i ^s =p=t eSt)

it . . comes, Take .

iit . . comes. String the lyie, fill the^

f^=^^ S^ ^

comes. Take comes. String the lyre, fill the

=»=5=ij^-^ ^^

V *it . . comes. Take it . . comes. String the lyre, fill the

cup. Lest on sor - row we should sup comes

!

i^zi^nji ]> |»

~|s:=k:

^ r -- 3 jz:-J J J ^It

cup. Lest on sor - row we should sup ! Take hfe . .

-PI

CJ-dE =f=« =^ E^b—

>

cup, Lest on sor row we should sup ! Take life comes I

Jg=' ^ r r fE

cup. Lest on sor - row we should sup ! Take life . . comes !

L, ^ L, • .u ^ -P—--

cup, Lest on sor - row we should sup ! Take life it

-s>-

comes !

,g^^l^r:B=^

1^-y— F 1 r 1 1-:^^= --^-j^

P^£

/

^ /

-p—

=^=/-^- -^H-F-i^

Fed.

-•-••-:t=t

Jr I—F-

^E^^ m P r-i^

fPed.

JS,S44-

* Fed. * Fed.

Page 83: Vocal Score

69

No. 9. CHORUS—with Solo (Tessa).

Piano.

ESt

Allegretto modtrato.^^V ^ •

f

Fedr T'

Chorus.

=l^=^=f ^Elide - s:room and bride !

m^ :£:

Bride groom and bride !

rite

I

g-^-

U/t/sa/i.

i^^^^i^=^Knot that's in - sol - u - ble,

Ah

^^~P~ r

m ±=fe=^^g

Voi - ces all vol - u - ble Hail it with pride.

B

-1 F >^^^

Bride - groom and bride !

Bride - groom and bride !

V^^ppM^PFiir^'^'^ii^i

i=^==

Ah,

t3,S4.i.

^MWe in sm

W'e in sin

Page 84: Vocal Score

70

^1 - ty,

M^Wish you pros • per - i • ty,

m ^=

Eride • groom and bride !

-y—*- :s2z

cer - 1 - ly

4^- ^ -

\Yi»h you pros per 1 • tv,

T ?—1

Bride • groom and bride

!

^^ ^ -w-

fe^jjj_: I c r r f t

m^ -"1 r ^H::h+b^

-^ ^:P

dim.

T= ±=»:r

Ped.

Bride groom and bride

!

I' lIS^M^^

m2^i=^^^-'^^-^^-^ 1 r 1

Ped. ^ ' # Ped.r "T""p

SONG—(Tessa).

fe 1^j;^ ;^ :ijizz: ^?^s^W

Allegretto grazioso.

I. When a mer ry mai-den mar ries, Sor-row goes and plea-sure tar - ries;

1S.S44.

Page 85: Vocal Score

71

E m S==i N h 1^ 3 ^:^*"

Ev -'ry sound becomes a song, All is right and no-thing's wrong

!

From to - day and ev - er

*=^^-w^r

^ ^^-^-^ *p mm

:^- .s=S,f '/ n ^-n-

I i

^

^^ -f ir 3:^ 1 r

f =F'' Ped>

i i^ ^ggi ^^^ 3^E * * ^af • ter Let our tears be tears of lauijh - ter. Ev - Vy sigh that finds a vent

4vp Jl^i 5E »sBe a

w^"r-t- =3=S=

¥ -}- 1 r 'f r^g^ k^^j

"F

1 r ^ 1 -^t-p- -^—p-

^

^^ ^^-J^-JLJ4Jra//.

igj^a^^g)^

itj^ jH—

^

i^ ^=sigh of sweet con - tent

!

When yu mar - rj' mer - ry mai - den, Then the air with love is

1

=e=

m^s » p m m «.^ fclE Jt * *rail.

F—P—P— f»—1^

irrczre i-^M^

«?

a=^

^^j^ ; ;u

E a tempo, sostenuto.

^jJ r- ^u Pp

la - den ; Ev - 'ry fiow'r a rose, Ev - 'ry goose be - comes a swan. Ev - 'ry

t-

I'',S44.

a tempo,

p

^4M^ ^rffn ffWT^ JTTTT^-

Ped.="tr

-^^-^ —^^Ped.

-a—p- -^=1 F-

Ped.^ ^f-P-

Ped.

Page 86: Vocal Score

^2

is * d

kind of trou

i

ble goes Where

-M # • , » * I ^_the lasi year's snows have gone!

^i.—•— —•

Sunlight takes the place

Chorus, ist Sopranos.

\P , =

w.of

E =P

i

Sun

2nd Sopranos.

light

i

Sun

Tenors.

light

light

Basses.

^=i=

1=^

Sun light

^ T•"ir

^ jTj V J i, ,rrp-n—I

^

~i

Ted. Ped. Ted

/

^&EWhen you mar - ry mcr - rj' maid !

c/shade

\^ 4—4^ J J ^ =/

^

-N N !« ^ ^ ^"

takes the place of shade Whencres.

mar - ry mer - ry maid I ma;-dt:n mar

^^r^^ •

i-t^^^iriL^x^ i ^rri=r

^ -•• -•- -•- -•-f

1(2-

V3-Ped. * Ped.

18,844.-

Page 87: Vocal Score

1s==fc

72,

mil. P a tcinpj.

mEv - 'rj- sound be comes a song, All is right and no - thing's

rail. r^ P a tempo.

Ej^C=^^=^ E »=^icz=>-

-^ p I-

Sor - row goes and plea-sure lar - ties;

w. 3 s

Ev - 'ry sound be - comes a song, All is right and no - thing's

rail. '^ P a tempo.

=trS=den

^^iEries Ev - 'ry sound';

,

rail.

3=-t-

song, All is right and no - thing's

^ P a tempo.

!3 ^ =?=k=i:td->i=t*;

den

i^ries Ev - 'ry sound's

rail.

All is right and no

P a tempo.

thing's

5JE

den ries Ev - 'ry sound's song, All is right and no - thing's

s

Fed.

1221 ^^rfe:31

Ped.

5^• " - - •

^

p (i tempo.

=5= m- I

18,844.

Page 88: Vocal Score

74

^ T ^ .^

'< N m —

>

f

* * itJ

»^ *tor - row goes and plea-sure tar - rics ;mar - nes Ev 'ry sound be - comes a song- All U

--^=^^ s^ ^3^

^^ f ^ T '

^

f 'T ^^^^ r^ f-^—p- -^!-F-

S ^ ^^^=?'=^ 3 -J—<^—

r

right and no-thing's wrong. Gnawing Care and ach ing Sor - row Get ye gone un • til to^ S m: ^^s,d "^ * ^ -fir if ?F^ T1 r

ztf

* ^^^ ^S^ r " *• :3=t 1 r lizt: 1 r

f

i> K |» |s

,, f>|s p^ h K- E^5if^

IsEgmor - row ; Jea - lou - sies in grim ar - ray, Ye are things of yes - ter - day !

^m ^^ s& *=^*=^ W^^W^f^F^^

I

s^ 1 r 1 r^15

g 1 r j i :J< * s i

^fair-ji-j--j^/.^^

ra//.

^ d ;

;

-

a tempo, sostenuto.

^^^^^ ^

WTien you mar - ry mer - ry mai - den,

!

I^ Then the air with joy is la - den ; All the corners of the

.-^^..^ II tempo.

t d-^ rsV- iWf-T I^^^^^^^ -}

—v^w

&fH-^- IJt

'rail.'

* 4- TTTflhi l

~~t^ jc=_iii5in

^t-q* 1 r z^=t?f=T=^ii^::^

'

/ /Fed.

i ^ mi^ h N

earth Ring with mu

£sic sweet - ly played,

^Wor - ry is me - lo dious mirth, Grief is

r —*=Hi=

j ^ j V J ^ jj I i I i ^ mi-n

.

nrn^ .^^^^^^I^^E ^I r ?s^ -^w^ 3i±: =1-F-

-f-^Fed. 4Fed.

lS,844.Fed. ^ Fed. # Fed. *

Page 89: Vocal Score

75

m

iw

m

Tessa.

joy in mis - que - rade

;

$fe=F=

sL

1 r

PedJ

Sul - Icn night is laugh - ing day

p 1st Sopranos.

:^J_Jzzj:z=3^^Sul

p 2nd Sopranos.Icn night is lau£h - ing day-

wShI

p Tenors.

j^L^-^_^-^^:

len ni[;ht is laugh - ing day

>«. S S K =J»

T~T-I=7~J^^^Sul

p Basses.len night is laugh - ing day-

=s=s=J J ^^^

Sul Icn night is laugh - ing day—

j=^33^ ^

j ^ , ^ J ^ Bf

i

I

All the year is mer - ry May I

cres. fAll

IT:^ V V V ¥ \

-zz:

All the

crcs.

myear is mer • ry May !

I. \. I.r, \

All

/

All the

I

year is mer ry May !

J-

All

^

m^18,844.

s "tj-#—>- ^ ^ -P- -!

-^IPZI

I

ii

Ped. Ted.

fy

fy

fy

21

Page 90: Vocal Score

;6

lit. liiin. a tempo.

W ^ ^^^^ E^^ h > h

"EE ^mSiml

All the year is mer- ry May ! .

May,

mMay,

wMay,

m=^May,

Mcr ry, mer - ry May, mer - ry, mcr - ry May, AH the year is

=P=^*= ^^^ * S-

Mer • ry May,/J

mer - ry May,

Zqii=SI

Mer - ry Mav,

/->. . ,

"

N S I—

-ix 1^

mcr - ry May,

-j—r. -a—

Mer - ry May,

_^ " J-

mer - ry May,

s m 9-

Mer - ry May, mer ry May,

tt

i

-f

w -^.-f^-

mer - ry, mer - ry ^Tay !

3 P-

is

m

-^—p-

m-^--^^

May.

l^^^^^ES

-i=r

* T1S.S44.

May.

i

SM.ay.

^May.

^f t ^

n

J, 1 ^ 1—4^E=ir=

^t—

p

-

Page 91: Vocal Score

n

No. 10. FINALE—ACT I.

GlANETTA.

Piano.

:S=is:

y—/

* "—«^—

>

^lEi^^^part From those to whom an hoi;r a - go We were u - ni

kind—Somesourccof un - cxplain'd tie - liglu(Un - less you're jest

ted !

»g)>

Ee - fore our flow ing hopes you

I'ut what at - tracts you, I con

i fc=*:

^ ->—»*—>-stem, Ah, look at them, And pause he - fore you deal this hlow, All im - in - vi

- fess, 1 can - not guess. To me a wo man's face is ijuite Un - in - ter - est

ted!

inc !

Vou men can nev - er

If from my sis - let

-»—

«

^ fei iF^e3 f="F^ f=^'^f^-=1—F-

it=^ ^ ^ ^un • der . stand. That heart and handI were torn. It could be borne-

Can - not be se - pa - ra - ted when We go a - yearn - ing

;

I 5hould,no doubt,be hor - ri - fied. But I could bear it ;

i=EEt ^ *aEarT4^.e=j

@^ ifeEE^18,844.

ff-'.h~fa^ i^=E^=£^=i'=^M^^i£f^pi ^-^

PeS.

Page 92: Vocal Score

78

-^>-^

D-^^—^—<t—V-

->-*-«« /(Jfd r^i//.

-

?«>!>'

Voii see, you've on - ly wo-iren"5 eyes To i - tlo • lize, And on - \^ \vo-mcn's hearts, . . poor men, To set you

ButMar-co's quite an - o ther thing—He is niy King.IIe has niy heart and none... be side Shall cv - cr

±±St.r-^t'*z_ ^

rT-^C F i-

^ W m?^^=mms= i i«J

-hi-^ ^MP:-^-

. ars.

yp-

:iAz

f<7//<z z'cr^.dtm.

w ?lj-

« tempo.

ApEE f 1 1 >-=r=^ ^3E ^^^

=?==^ 5=^ij^f-i^

It

burn - ing !

| ^ihare il ! J

you men

^^^-

will nev - er un der - stand That wo-man's heart . . . .^. is

znd time.'"'" ~~A

P—•

*f ^

heart

^^5

"C3'

a tempo.' • ''

i

'i

'

i

'

i >«

^p" ^T

^ T

.^^==*=

Don Alham. Recit.

>-fP=-=F= :

iS

one uAU HO - m.m's hand! Do not give

Sone with wo « man's hand

!

Wl ^ "^&

p

Lislesso tempo.T>£f-,.j.

^

i±=« 1I

/ P fP\

^ ^f;^ ^^^ s ^

a teti-po.

1

laz^t -F—P =1-N IS r, N N-^ 5—ir-P d =—^^ ^^^^^

way to this uncalled - for grief,

(i

Your se - pa ra • lion will be ve • ry brief. To as - cer- tain which

a tempo. ^^^^m^=mm^

^^mK^

-4-^d »-

^ ± ;-M^

^ t?y

18,844.

I

Page 93: Vocal Score

79

^ c ; ,; j^^iRecit.

fis the King And which the - Iher, To Ba • ra • ta - ria s Court I'll bring His fos - tcr - mo ther.

a^^^f^Her for met

Aiuia)ile. GlA. f

i; *» J. -T CU^'TI U- -1- i:—Ut „ l T\,^i „.* .l I l-* l. l _.- T>_ -_ ^ Ti *-^ »r- . TT-nurseling to de-clarc She'll be de - light-c 1. That set- tied, let eachhap-py pair IJe re • u

iini-ted. Viva I His ar-gument is

Tessa. /^^ • * H 4 4 • > i

^

5£ fe

Viva! His argument is

Marco. /flrac

fltfqjT^—KmSsjitS^

^ Cius. /Vi-va ! His ar-gumentii

m^ ^^S^3^ttES

sVi-va I Hisar gumentis^^=^ 3^ If7cr

|@i -^

co!ui ~c'o:e.

i:i •V^ S

ii^• '-

=?=s3=

strong ! Vi - va ! We'll not be part-ed long ; Vi - va !

^^^^^^ ^Ps^PIt will be scl-tlcJ soon !m Vi-va! Then comes our ho -ney-

-^—

^

=g—J' ^' J-z:^ ^ =^=F-•—•- -^-J^-W^

»HH^-M^j"rjzzt-j"—

^

3^^^^^^

strong! Vi-va! Well not be part - cd long! Vi-va! It will be set-tied soon 1 Vi-va! Then comes our ho -ney

3=t: PlPg^:!?=* » -

=^=;c =^—^—*-H^ -^-g-^—g-S-5-g-^=tf^strong! Vi-va! Well not be part-ed long! Vi-va! It will be set -tied soon! Vi-va! Thencomesourho -ney •

ii * * -^ ^ I »-f—«_ ^^^^^^^^§S ^^^^:is^

:^=?: -IS ig |g

:^=:ft=rs: =S=iC=S«—*-

va!strong Vi • va ! We'll not be part • ed long ! Vi - va ! It will be settled soon ! Vi Then comes our honey -^ ^i ^ r^^-^-i=i^ ^^=?7^

iS,S44.

Page 94: Vocal Score

8o

L^ ^ ^^^. '^. ! Vi- va 1 Vi- va ! Vi - va !

lj=S=j^fcS=j41 ! Vi- va ! Vi- va ! Vi • va !

! Vi- va 1 Vi- va I Vi • va !

• moon ! Vi- va ! Vi- va 1 Vi - v

^

^

^2:

Allfgro con brio.

!|T F ff f||,rf ^#|fefel4fff

m5= ^ e ^-I 1

r—F—h-t 1

! F-^b r 1 Jt

GlANETTA.

V

N h , . ^ :

* * ^"^^^^^ 1 * »S=^=5l:=5e

P—V—^^

:§=

-^ / g 1 «« "-* •—

1^ f—f-'-^—I" g—t-

Tlicn one of us will be a Queen, And sit on a gol - den throne, With a crow-n in - stead Of a

Marco. ^:}5=

»-* ^: r f ^'

» w'/ '/ :g=g: ^ J ^ *^"^T?=^ J^ J K * 1 » »

:|!==S:

2. drive a- bout in a carriage and pair, With the King on her left-hand side, And a milk-white horse, As a

jiiiiiliii Tm 'i4 ,^J i7irTTTT"

^^&^«=i& ^ j~i

r-iIn q^^^ ^s »

]h_lLjLUJ^^rT J J J ^ h>\F^^^im=j^^=^4^^

hat on her head, And di - a-monds all her own! With a beau-ti-ful robe of gold and green, I've al - ways un- der -

p=f^-j-^i^ 1 A I ^ J- ip;

r \nu^l^^mmatter of course,\Micn-cv-cr she wants'lo ride! With beau-ti-ful sil • ver shoes to wear Up - en her dain-ty

t=ri iViiri ^ iiu '

i j ^^^-^^^^-V-^-^:^=a ^m rl (^

I r: r:^

i8,8<+

Page 95: Vocal Score

8i

m ^ j<—y-

-?s=;<= -v /- m B

^n^m-4-

stood : I won - der whether She'd wear a feather ? I

^

thir thin1< Oie should ! Oh, .

Tlssa. . -^!=ii?^

^^-• »-

5^£ =fc=E^==rf*±=fa:x:5-^=3=^

-r—

)rd m • /

Oh,

-4-r-

'tis

A

i:=^r=Fr'rrp-

feet ; Wi'h end - less stocl<s Of beau -ti-ful frocks,Audas nuicu :;s she wants to eat! Oh,

Gius.^

'lis

WzOh,

^^W^^- i 5-t^/ dim. p

Se/T- H

# ^ =^=^ts^l-

*i^ ^ if-- 3:

f5=^E ^5=E

1fc=X-»^ * * .UL ZZgg ^ P » —y

k i^ ->:^= =f=:P= ?^^> >-^ t^ ^ iV^i^io >-riz

glo - rious thing, I wccn. To be a rcgu - lar Roy - al Queen ! No

^ -^ ^ ^ N K ^ *=s

half - and - half af • fair, I mean. No

P :3=S: ^^^W- d s d-h-^

glo - tious ihinj;, I ween, To be a rcgu - lar Roy • al Queen ! No half, and- half af - fair, I mean, No

^ P PV

'/ ^ —tr-l t/ >—> \, \J/ > >=3^P—M-P- y * ^^^3^^^

glo - rious thing, I ween, To be a re^u - lar Poy - al Queen! No half -and- half af - fair, I mean. No

(^)^ d—^-—

>

g-_| d -j i . r r r ' ~r—

r

—-g-

sN S

glo • rious thing, I ween. To be a reju • lar Roy . al Queen ! No

T ! u M -i T < «

»

i^ ^S

half -and- half af - fair, I mean. No

i A i- -i

-? 1^ y if-i^l^l^^^

gq=j^^a^=^^^lS,S4|.

Page 96: Vocal Score

82

wm>> K a li:

r^^-*—*- ^i^H ^^^^tJj^zri

:1r*:DtZt

:^^

k ^, ft ^rtiE^BS^ -^---^^jMu/

i

half and • lialf af • fair, Dut a right down rcg- u lar, reg u • lar, rcg- u - lar, rcg u - lar Roy al Queen I

% =Fls:

n ^i =«=^te—iS- -^-^^4t- -!S ft J r ^ hi r

T^TTJ*-^ ^—1- » d ' m ^ \ m

half-and-half af . fair, But a right down reg- u - lar, rcg - u - lar, reg • u - har, rcg- u- lar Roy-al Queen!

/

^' g ; ;~m 3 f »^=P^^1^—g I > u |g g :;^

f p f * 3tj:^ ^ '^ t! g=g=

3=1:J^ 5^]^^^ ^^—f^

half-and-half af -fair, But a right down rcg- u - lar, rcg -u- lar, reg -u- lar, reg- u • lar Roy al Queen!

/

^^ :1*t • * * ^^=F=

^ ^ ^ ^ l> V g±?3;Hc ; grrTrrg •

^ g g t^ ^ ^ V ^?half-and-half af -fair, But a right down rcg- u - lar, rcg -u- lar. reg - u - lar, reg - u - lar Roy - al Queen!

^^itf^f=t^

(fe

/

rfctU

.

I iU. iifiirttti^jiiCT

*:£:

izn: ^gi:—

:

. •

iI

2«rf. Tessa.

fetE?i^;;?3ig^^i-^-^^^'-^g^-^—P- r l i

1/

Queen!

^ -^1—f^

Queen!

-^—p-

Queen !

\\^len - ev - er she con - des cends to walk, Be sure she'll shine at

Page 97: Vocal Score

83

sf^ 1 1 ^-!^lh=^ as5i^??t^^^#^^^i J-J ^.

j^ ^^^- '<•

' * ^ttiat, With her haugfi • ty stare, And her nose in the air, Like a well-born aris • to • crat 1 At ele - gant high so

.i 1 , f> 'f=^

**:

22

^ ^i^bi

t>r i ^ '?^^^^PW 1 r ^1

W-^

te

-^'"

..

1

a^ /ii.

§^ ^ ^ 1 ; J^^^I-^-^-ji;^^^?#<^^^^SS*i(m: :

- cie-ty talk She'll bear a - way the bell, AVith het "How de do?' Andher-'IIow are you ?" And her "Hope I see you

m b^. s~^—p=

"T-221 -f ir

m -"^—^M :i

^s 1 r- -f^ 1 F-

f(?//<j voi-e.

m £?-^1-^

J-

^—'^—P-

i -^—P- W

m

f-^^—F- T 1 p-

ClAN. & TLSSA.a tempo. ^

well I Oh, . 'tis a glo - rious thing, I ween, To kc a rcgu lar Koy al Queen, No

Marco & Cius. _<t tempo.^

1^ m^^^^^^^^^fH^ff.^^^

Page 98: Vocal Score

84

^r—?—?—t^—7 > > > ;-J- J-

-^f '7^ '^ ^^ ^ " fi f ^ ffiy I v^luU- and- half af - fair, I moan, No half - and liaM af fair, Bit a righ'. down reg- u- lar, reg- ii - lar, re^' u - lar,

half-and-half af - fair, I mean, Nj half-and-half af - fair. But ri^ht down reg- n -lar, reg- u - lar, reg- ii - lar.

reg- u- lar Roy - al Queen !

1

Gius.^:S=t -*-*—• w- ^1

reg -u -lar Roy - al Queen! Anl no - b!e lords will scrape and l)Ow,Ar.d dou-l.Ic tlicm in - to two. And

^

^ -^ P- ^^^k

^ e-k-^^

i^ g_ji^_jij^ij^^ ^^^^^^o - pen their eyes In blank sur -prise At what-ev - cr she likes to do. And ev - 'ry - bo dy will round-ly vow She's

^e^Se^S^^ -^—r^Tl *

S =^il

^^ =i—^—P-

|;;^=^M4==^ -=1—P-

1 5,844.

Page 99: Vocal Score

85GlAN S; T.uSSA.a temf<o.

^i^

Oh, .

Marco &; Gius.a tempo. '\a.i lib.

S N .s-

/-ii^-N ^ jxi^rrjmr-r^'^^ ^ ^iE^^k^fair as (low'rs in May

7 '^> &^AnJ say, "How clever !

" At what - so - cv - or She con- des • ccnds to say! Oh, ,

-^1 P-

ioHa voce.

1 r23:

/ \af:inpo.f

1 r

i 1 r

g- ?:

^^.'-.^;L=j^.=^z^^fe^,=^^^:

l :-l^ ^

t=^^:S=

• * * p \ » i» y/ / / / I*" ^ >

I

—i=J=^5=^'lis a glo lioiis thing, I ween. To be a regu - lar Koy - al Queen— No half- a:Kl - half af

4 N ^te C! & ft! PL. ,> ]N * f^ (* ^ .N f* l:3" > > >

^E=^#E;i=^=fei=JU=;+^^^y ? / / / / 7 / ]/ fi T- ^^^ r

tis a glo - lions thing, I ween, To b**. a regu - lar \\c>y • al Queen— No

#- -* •- •-

mhalf and - half af

' J i

f f HTM->-frf-f-tfti=M=jMj4

i

ifim. p

=^=^ i^

fair, I mean, Xo half -and half af - fair, Rut a right down regular, regu- lar, regu- lar, rcg-u- lar Roy - al

^ i i mmi^-f- ih it, •» U—

^

j 1 :; ^ iZJtpt ^£3 •m m.

f-'T-^. :»=*=V—>>—/

y ' y—y—y—y-^j^ ^

g i y V g-Jp-v ' I^hs y p p y =Mg-»->—~

fair, I mean. No half -and -half at • fair, But a right down regular, rcg-u- lar. regu- lar, rcg-u- lar Koy - al

18,844

Page 100: Vocal Score

86

w * » • C a »——^—r—

:

1^ ^ ^

Queen ! Oh, 'tis a glo - rious thing, I ween, To be a regu • lar Roy - al Queen, A right down reg - u laj

'].

." !• ." f f f r !• f f T " -'' -^ -'',_-''i_^_jrj:rj'.hj^

|±=^^=;3;=p-• »-

-V—i^ r /--r r r--y >> ¥ 1^ ^^J^P^ Jn—^-

Queen 1 Oh, 'lis a glo rious thing, I ween, To be a regu - lar Roy - al Queen, A right down reg - u - lar

-I

fejj=ajd^Q=.aka^a^a^^^P^/

>): ^^^ ^ NPNN^ I I

Royal, Royal Queen

!

Royal, Royal Queen

f

-i-

fa fT'^ff ^fft'Lrr"i'i

f^'

•^— ^ ^—'—a ^ ^^ ^=^3 m

i

g

I

^

ir:i:

Chorus, ist & 2nd Sopranos.

a^ ^^^^^^m%Now, pray, what is the cause of this re mark a - ble hi

Tenors & Basses.

Kow, pray, wh„t is the cause of this re - mark - a ble hi

F-f , 'r»Tf| f /- at

| fff . fff .iftEjLifl^gJ

jff: *?!-

i3 ^=s=S= ^^M =S:7-^77-77^

18,844.

Page 101: Vocal Score

S7

/te^ . J. i.. ^i-^^^^Ui,=^^ ^^i^^^lar-i-ty, This sud • den e - bul - li - tion of un • mi • ti - ga - ted jolli-ty? Has « - riy - bo • dy

I*

3tB3=i=iiiMi=mMUV=-m^ ^^fAlM^lar-i-ty, This sud- den e • bul - li - tion of un • mi ti - ga ted jol-li-ty? lias

SiSilr m :S =S=j^^^ J ' J . J j^-^=i=^=i-M-^ ' J 1

-;:^^^ IJ ^'=^

i

^^^-^^^trr^-^-^^^^^Uess'd you with a sam - pie of his char-i - ty— Or have you been a - dop - led by a gen - tie - man of

m %

I

bless'd you with a sam pie of his char-i -ty— Or have you been a - dop - ted by a gen • tie - man of

^—4- v^f: -f a%t=^^ *=±T=^ -,

I

ft=ts:

i

qua- li - ty ?

? HS-g-V-

qua- li - ty?

^ i

*Marco.

i^ -F F +- ^^Re - ply - ing, we

GlUS.^a^^-4

fe^i^Eione ID - ai

Moderato.

^mg

tt

--P-

w/

I Kg); , » n

pt i

-F 1=^—•-

T-F—F- r *

18,844.

Page 102: Vocal Score

88

mP ^find I'm a

m^kingdom I

:MP^

-ware you ob -vi • lions and

^ i^^fx—>riE ^^ ^

vi • du al, As I King To my bid yoa all. I'm a • • ject To pa -

tt^ii n-j=^^JU-'^ ^mm 1=1

J—4-T,

ii_p—p-r r -p—p-

"^ ' ' TI

f-F—P- -P—P-

^^S* ^3^ i3=f?^find I re - - pub - li • can find I re

^^ :t£=fE ^^^ K * / S

pa - la ces, But you'll • spect Your Re • fal la-cies, You'll - spect Your Re

p^g==Hzz^_;;^^=F m i^—,=i^ ~r «!

W^^^^- a* i*

:il=5-t -P P- r r -p—p-n r-

^^pub - U - can

w S I \

iChorus^

W^ II =i==^ Jjlj. >J-irA^?i=^

As they know we ob ject

^ T=^-4 • *-

To pa - vi - lions and pa la • ces, How

wm :te=«& ^-:^=^—9^irfal • la - cies. As they know we ob • ject To pa - vi • lions and pa • la ces, How

:r=P=5-^5^

-p-

p

w^-m-^ ^ r» j^. . r^g-^

-p—p-

"i" «- f-,p—p-

/13.014.

Page 103: Vocal Score

89

can they re - spect Our Re • pub - li -can fal - la-cics?

s^

m^=^ 4 4-itfil±tft: i

can they re - spect Our Re - pub - li-can fal • la-cies?

PAllcjjro vivace.

i?s^11 ' 1—

^

^^t^-^!-J^,.y_-. ti^ ^^r "^ ^

.

^'

r r—

r

35y . t/ . 'T ' T"^ f

; ^ T^- T -F—F-

±i3:^-1—^f—1-1--

Makco.

cy

->

;-

For 'ly one who feels inclined, Some post we un - der

b±J-'^-j'^'^H-/ "' '^ J^^^^.^-t-l—

^

-"*-1-^=»^^-^—^^^1 Sl^^

^^t^ *z=±=5=j^^I f 1 1-^_ 1 1 1^^^ 1 I ^—^^jL:3^^^^^

7

IS -# *- * *=>=F i

Gius.

^take to find Con - ge - nial with his peace of mind— And all shall e - qua! be. The

/ 1 1I

/ 1 1 j' 1=^^*^ 1 j" 1—

^

^^^ ^^^^^d11 J' 1—1-

i ^-:~?—

i

Ill-Ill 1—

^

-1—1 i| 1 1 1 1 -1-^ izi -1-1 j^T~^£±2:

f-itr-

ps^^j-H^^^ ^•= 3^ S^ i-S:* •- •» * *-^ ^

«;

iChan eel - lor in his peruke— The Earl, the Mar - quis, and the Dook, The Groom, the But - ler,

^ d=t-^^-ti^ pip^^• • •

-1—1- ^-1 P>-1-1~

E^=S=-^f-^h^1^^—1 J' 1=1^ -1—1

,"11 -^1-^^

-1—3- -1—1-

-^-^-.

l^S44.

Page 104: Vocal Score

90

\

K , Marco. ^— u

»nd the Cook— They all shall e - qual be. The Avis - to - crat who banks with Coutts, The

^

^^ 1 K ^ "I

^f^^i^^

11 N 1 =?^ 1Hr-T-^li;^ri-i=^=^ ;

f^^ =^=^

?3S iit

^ 1 1 1^^^=^M^

,.?

^ip^r. V -* i>» *>»- =«=^

?£ ? >^^^=^

Aris - to • crat who hunts and shoots, The Aiis • to - crat who cleans our boots— They all shall e - qual

\$^P^--r-r^!^^Fl=|f 1 1 ^g-=i-^ ^ 1 '^ i"! 1

1»T$g-^-^-t> :

17*-:iz3i iSS 1 1 i:^-=L

irr

^i -^t-^ -^^—

^

-^l^H -^—

^

=^11 M --^ -^t-^z£^ ±i3: 5EE

i

LGius.^^ Marco.

^^ 55

be! The No ble Lord who rules the State— The No - Me Lord who cleans the plate— The

\^^m] ^^-'-r-^ 1 1 c-rrr Z 1 ^ l-^ -g-^ ^=±1 1 1 L n—

^

. Gius.

i,^ ' * ^3ELL^r. hr=f^ * »

No - ble Lord who scrubs the grate— They all shall e - qual be ! . . The Lord High Pish - op

b ..-^^^^ "lI^ ^ 1 1

f , P *

'— ^"^g n -1

j— J ; -r—

r

^' ^ .3

^^ 1 1 ^TTT"' 1 1 L 1 1G '

'

]j —i^ 5

iS,S44.

Page 105: Vocal Score

9'

fc^^-j'^^ ^ P P iMarco.

^r • =!«c

r f f- 3^

tho-dox— The Lord IlighCoach - man on the box— The Lord HighVaga- bond in the stocks— They

ft>^-^-^T^-i-j^Mj '"^ ^^vf^r^^^i p^=F=r^=e;i

i^^=i=M

-J— •- »—T-

->n:

all shall

I r^\ r r f^^p^^ -# »- *

qual be I

^ -^p—

r

For ev 'rjr one who feels in-clined, Some post we un - dcr

GlUS.,

. ^

^ :S=«=j=it

E^ JLJL

5^±^

For ev - 'ry one who feels in clincd, Some post we un - der -

^^ iT> t , f

^ 4|.- 1 1 r 1 1 =^=^

Marco & Gius.AKCO OC UlUb. N I <

take to finl Con - ge - nial with his peace of min.l, Con - ge - nial with his peace of mind— And

f-}^M=^

§5^ :3z:i -q 1 r 1 ^^^-^H-^t-f-^v-^-^^t-^rT-^r-^-T-rf^ i i—

^

=^^

rggF^^=fiM=^- ^ I/- / 1^

2i:I•11 ^ ^1—

^

^?

-^t-q-f f ^ - f . ^

- > —

^

8.S44.

Page 106: Vocal Score

92

isr^ ^=t ^±^^h-HBimM^^^^^S K—^-

£0, Sing high, sing low, Wlicr cv - cr ihcy . . go, Wicrcv - cr they go, AVlicr- ev- cr ihcy

fy^-f' i!-^r i ^'f-

i=ffi^«^J4=j^ M. ^

attji i4"MH-f-i ^-'i|

j'•jll'-' i - '^iii

'^h^ 1 1I

* 11I

^ 1 1—^ 1 1 1-1—^—^=^

1^' {r}{\c -Mff ClIOKUS.

go, Tliey all shall e • r^r.al be

I

M:S^

»=Ff

^

If:

f: ^5EgB

high, sing low, \M;er

m

ev - er they

-Ur-^ ^-«- A r^

-•

^ iL

Sigh

A

high, sing low, Wier - ev - er they

41 1

9'~=\=w^t^

t : *|:±=nffib!zte^^=^1^ ->—I-

iL^^ i_X^L^i ^^^^f:3=^ -^1-1- T1| L''!* - -I :3=:3-:«=1

I f- I f: y. \ m=i^^=MEi,sJ^m^a^f

GOi

:i»^:-riT—f^

Sing high, sing low, Wh.er

i

ev • er they .

^-T

go, Whcr ev • er they

> ^ ^ >

LT t fjj 1

-^ fefc^^6^:^ =?=;*

£0.

H

bing

* :

^

high, sing low, Wl-.er ev - cr ihcy . . go, Wicr-cv - er they

in rJ: tj=fe^9

i

[^ 1 31I

I

1 1 r'^-^ -1 1 '^^ m-^-q—f-i^^ i -^ 1 P 1=1= -F—=1^1^fe -^1—

^

J 8,844.

Page 107: Vocal Score

Unisju.

m

I

go, W'lier ev - er they go, They all s^liall e qual

9-

he! The Earl, the Mar - quis.

-»'^1— >*-

The Earl, the

^FH-^'H=^^^

r : ^ ;i^ g^' :J^^ ^

and the Dock, the Groom, the But - ler, and the Cook, The Aris - to crat who hanks with Coutts The

m^^ =^=^ ^^-^--^-^ ; 1 -^ , 1 11

: 1 "I,

-^^" :S=z^33=^=5=^

p'

"^ ^ k /

$*^ ^fAris - to - crat who cleans the hoots, The No l.le Lord who rules the State, The no - ble Lord who

^ :i=t:f

^f

•' vr—^and the Cook, The Ko ble Lord who rules the

^!. f^ r^I " f

-

I ^^ 1 * -' 1 ^ ^3z ^£^jti-XJL-^ 1 1

I!! 1 1 p 1 1 P^^:a=z±ir^

-=1—=1- j-^i-^-|-t^=5_L^JL-|-

18,844.

Page 108: Vocal Score

94

i^Unis.

f m ^^^:r-:-rmi^=t=?f—^—'i-Vscrubs the grate, The Lord High Bish - op or - iho - dox, The Va - ga - bond in the stocks- For

^=^^ ^ SlJ n ~t? 1—

^

kStale, The No ble Lord who scrubs the

^^JIL^^ J-''^^grate

For

^ :

'J r I p_r r n^ ^ 1 T ^

te -^f-^ 1 1 L 1=^ :5—3- -3-^ 1 1* ^ -3—

^

p^^i=M=P=^ fl

\ ni i-i^^:^=^=i=\=h^=S^cv - ry one who feels in - clincd, Some post they un der - take to find Con - ge - nial with his

m. f ff f ,f ff f t-^-^—

t^- f •—

1

P P P *—

r

ev - 'ry one who feels in - clined, Some post they un • der - take to find Con - ge - nial with his

^, *J f LJI

t^ f..LfI

t]J Lu*q=£^=fa;|;^^fe^E^

W^=f^ -"^-^ -^V-^ 1 h 1 1 Ih -^t-^ -=^-^ -3-^ -^h^ fe 1 I

* 1-^p^

^^LJ_j^_j,^ ;if Mf tMird -peace of mind, Con • ge - nial with his peace of mind—And all shall . .

gai=^=NI

M »-

peace of mind. Con - ge nial with his peace of mind—And all shall . .

^sFr^^^TfrhiX^ f^ ^^^ tif tif |j

- qual

Lf f f !|

-lIJ- rfr|r- f

- qual

> '^ ^ \m—3-^-

I^

I ^^^^^^^ ^3 •1 1 r 1 =^ 1 •^ b f^ ^^—; 1 1

18,844.

Page 109: Vocal Score

rbe ! .

^MThen hail

!

Then hail !

95

o

lez;

It

izz:

^^

E^ fe ?^King, Which

J2-4—

4^=4=-

King, \Vhich

f^Ti^rff^ps

^^

rf^fE/ifL^pL'i^fig^r

^ ^

^^^^^ ^

?r s»

I

^['- i'. i-P-f-Mif'/ ijiM f- i r^^^g^^

sing, But do not knee. . .

j

f'Lrih'i i

^r ^M rrr ' n^^ ' ^^-V^^ ^^^^^

18,844-

3^=^^ ^ r

Page 110: Vocal Score

96

I?S zz: ->»-iS- ^ i

haill

^^

Hail 1

ff r Cjj^|tJJ'f0|

!fJt£.^|il£J-!L'^F=F^

^^fe

Sp r ^

fe^ =S2=

g P-^^ _^1/ • I

-^

O King

m^

King,

fe

Hail ! .'. O King Hail ! .

S^ f f-i ^ ^:

ttHiul !

^& «f2_=g: 1 1 r VT-

1 1 ' -^f-^ •j 1 ' =^=^-=H^ i^ -^1—

^

-^l-=h -'H'l- 3i3r ^^ i±

^* ife^1 'lU 1

"^

Ife18,844.

^ -n—4- iti ^i ^1 H i^S i 4=Ft^ ^=fc

Page 111: Vocal Score

97

Marco &; Cius. KLCir.

m ^^i^ j S ^- =i=-nJ-r 'i IV ^ ^ ^ r-e=g^^E^^=;<=pc=c=jE^ =^=

|i=|5

Then let's a • wny— our island crown a - waits me— Con- diet- ing feel-ings rend my soul a - part! The thought of Roy-al

i^s

^:^tn^^^ =!!«:

"F

iS GiAN. & Tessa. Rkcit.

^^v-f^-r- -j^^-^ ^k^^-r T" rj J r^fnT^^fJ-^ ^^

dig - ni - ty e - lates me, But leav-ing thee be- hind me breaks my heart ! Fare-well, my love ; on board you must be

m Bz2i -P ^^ ^ ^^

ffi

F ¥S

iF»-p-^ ^-Tr-= • f

ijjJ

^ ^ ^ fs=S:

-M ' ^ fcj^ ^ -j^—F-

;- ling

;

Rut while up - on the sea you gai - ly roam, Re-mem- ber that a heart for thee i> fret ting— The

izS; ^ H'

^71=^zaz^

$:|S=l!E

^-^—•—

=

* y 1 m-

KI=J5I

' * ^ IJ MGiAN. Solo

^; i'i t 14-;^ ^ten - d'-r lit - tie heart you've left at home ! Now, IMarco dear. My wishes hear ; While you're a-way

Andante con molo.

I8.S44-

Page 112: Vocal Score

98

' ^^^^^^m -d * d ^ C B ^ "^ g g—B ^V 8 PI

g—g—B-^^g-

It's un - derslood You will be good, And not too gay. To ev - 'ry trace Of mai -den grace You will be blind,

And will not glance By a - ny chance On wo- man-kind If you are wise.You'Ushutyour eyes Till we ar - rive,

I !I^^^^^m^ T =^

i3 Ft=£

-TT-J^ni=?^ ^^ ^^^^^^=^=^-T-m g*ig g

^g—e * ^^^==g ^Hi—^^^^

And not ad - dress A la • dy less Than for - ty - five. You'll please to frown On ev - 'ry gown That you may see ;And,

^^^5jnTft?#-j-^ i-iipi^^^^?^^r—r^EE^ :Jf ^ -^—^-

espress.„ w k.espress.

O my pet,You won't for - get You'vemar-ricd me!

I=SF=^ ^

And, O my dar-ling, O my pet,What-eT - er else you may for

Tit ^f: -j^ i n^? f> ^^^

-ptspress.

mT- ^^mnmw\ \ \P.\^''^mt^

P ^18,844.

Page 113: Vocal Score

99

pf^^-^TTir^v-t-r-n^^ ^ ^f=f^ iTessa.

tei3TE^get, In yon- der isle be- yonj the sea, O don't for - get, O don't for • get you've mar - ried me! You'll

i^^^W^^a^ ^ trjv^^^-^ H

&m^ g ^ f ^ ^

lijfe^f^^V^T^ ."1

^' ^ nf"^ f' iii''#=^^±=t E^ES 1 =1"

S*^=?= |=^i^=l^

lay your head Up on your bed At set of sun. You will not sing Of a - ny- thing To a - ny - one. You-U

isEBm wi 4 1 i^^

1E Pm^ S :3=:ii

r ." i' s li; .^^^^^i^i^n^^^^?^^^ S^N ?: -^ q--j^a

m

sit and mope All day, I hope, .\nd shed a tear Up on the life Your lit - tie wife Is pass - ing here. And

#^S^ TTiiiiiHam m

^^^=rT^^m ^^^^ :^=te

4 d—

L

if so be You think of mc, Please tell the moon : I'll read It all In rays that fall On the la - goon : You'll

18,844.

H- 1 r ^P Ig

Page 114: Vocal Score

lOO

^=r^^-^=^^^y^^^i^-^t:^^ ^^f^^^^=f -^ h^ -:^ ^^W -*

* *-

be so kind As tell the wind How you maybe, And send me words r.y lit - l!e biids To com - fort me! A.nd O my

^P^^^n^i-i^-^^^^p^f^f^"^ " F 1 mm

\P J^ .^ ^ .^ J' ^ :. ^rT^J^^'^^JN J--^^dar - ling, O my pet. What c>- - cr else you may Tor- get, In yon- der isle be-yond the sea, O don't forget you've married

jP^^^^^^^^^ 1^

T uJ^^""^^

^

i„ GlAN.^--

ff f CfP' : F g-i^-Tf •

FI>i'^>^^->^i--i F~T

r^O my dar- ling, O my pet, What-cv er else you may for - get. In yonder isle beyond the sea, O don t for

me I O my

Marco.

dar-ling, O

-_• ,_

my pet. In yon-der isle beyond the sea, O don't for -

f-p-f-Ifr-g-g-g-g-g-g->

^ f f

^O my dar - ling, O my pet, In yon-der isle beyond the sea, We'll not for

S

Gius.

jLjLjL-r-g=j^s^=^Mf=^=S^=^=y: i^^—M^my dar - ling, O my pet. In yonder isle beyond the sea, We'll not for

^,i 'b)F^mF i.r^ .^^ n^

F

I f'""^

'. ^^r 'i^r 't \iir v-^r v ^

18,844.

Page 115: Vocal Score

lOI

dim.

:^t-j£= -g-^—*-=^^=? a=g»f • I.

i

get, O don't

dim.

for - uet you've mar - ried me ! O my dar- ling,

P

O my

^"g-H^-^^- ^ ^ ^ ^^ ^^^=^ :t5=J5:

f itzizzt -•—*- - • m

I

get, O don't

dim.

for - get you've mar - ried me ! O my dar- ling,

P

O my

!*;• »-4rf P« !^f =?=9= -V— g-

get, We'll nrt

dim.

f r - jet we've msr - ried you! O my dar- ling,

M h ^

O my

*=SI h ft ft^ . MW j^-:^

^ *—*

9 «—•—• rget.We'll not for - gel we've mar - ried yen ! my dar- ling. O my

^m -t- £ f f f}^ * *

> l

; Lli^^^^=ir~—It-

^^^: -^ H 5^^?:=:#:: H 1

-* « H

? *- •»- T -r

Is > « e£

->—1» IjR^^=^^ gi^ra-^=—!^ • ^ —#- 1 J

pet. In yon - der isle be - yond the sea. O don't for got you've mar - ried me '

4^ J- J' ; .- ; i feN ^ N ^r 1

^ y- '•

'—=^

you've mar - ried me '.pet, In yon - dcr isle be - yond the sea. O don't for • get

i ^ »—•- ^F=y= ^ / '^^ ' '^—if—"

y—»'

i^—-^—'—

r

pet. In yon • der isle be • yond the sea. We'll not for - get we've mar ried you 1

i 1^NV« Sf|» s.

» SN¥=S^ J < <

We'll not for - get

vpet. In yon - der isle be - yond the sen, we ve mar ried vou

!

18,844.

Page 116: Vocal Score

I02

Chorus. Sopranos.

Piano.

ilF* M * r~^^ m -^—q-Wtt

way

way

way

^t B^they go to an is - land fair

^=Wt=tzi=r:

That lies in a Sou - them sea

:

we go to an is - land fair

^^m -t—f-=F=t^ r^-^r'^

That lies in a Sou - them sea

? • ^ T T r ^we go to an is - land fair That lies in a Sou - thern sea

:

M=

M-hf-b ^

We

-^—^-

We

-q—^-i

31

i?

iilF* ^^^^know

^know

^^

]^ :3=3:

not where, and we don't much care, Wher - ev • er that isle may be.

iW- r n;- 5 c r c: ^ iff=t:-I*—1-^ 3^ ^i

not where, and we don't much care, Wher - ev - er that isle may be.

'^ -f-^—^rknow . . not where, and we don't much care.

fr3E¥ IS—l.^-=F-

^'i-^Wher - ev - er that isle may be,

Matt |fe|^^3ig

18,844.

r? : n ; : ^

Page 117: Vocal Score

m'Oi

sr 1 p-

-g—rg~^m

When ihc br?ez es are blowing, The

feAAAm i ^ ;fczt

-p—»- ^ ^-^-^i^B jtifc

»—=i-g—g-Ij > '„<—;£i=;r

One, two, three. Haul ! One, two, three, Haul ! One, two, three. Haul ! With a. will ! . . . W'hcn the breez - es are blow-ing, The

PIP^AAA

-!»—f-^ ^ AAA

^ «^ A A

f I* ff-r-iVg=F^^^-B—B-

B-l^ ?=^One, two, three. Haul ! One, two, three. Haul ! One, two, three, Haul ! With a will! . . . When the brecz - es are blow-ing. The

m t^ * ^m ^^ ty-f-w

W i W ^^M>^

im ^f

^/

i^/

j4x^^u^f|-l^i

^^m ^^ ^^^^ tr-»

s ^ship will be go - ing, When th<liey don't we shall all

—^stand still ! Then a - way tney

^^^^^ t=^^^^^7=?= =5—»•

Then am ship will be go - ing. When they

-i P—1> • P P P-

don't we shall all stand still ! way

e^.?=? S -P ft- -P— P-

g-L> ^^ £i=B—fr V 1 B-HS- ^^^^ship will be go - ing. When they don't we shall all stand still ! . . . . Then a - way . . . we

Ped.

m J=i-^ ^^L-J=^gip=3s i-r—^|=rgo to an IS land fair, We know not where, we don't much care^ Wher

SH f • g=r—

p

eE^-p— ^-

go to an is

(^J^- It=hland fair,—K-

We know not where, we don't much care Whet

i==3=i= M-r

tlot where, we

=g=i:

go to an is - land fair. We know not e don't much care

18,844.

Wher

Page 118: Vocal Score

I04

iW Marco.

-t 15

i^N^^N=^A - way we

=1==^tf

er that isle . . . may be

!

^ rI

p' • > g Ef er that isle . . . may be!

ir^^< r r r I r r f Eer that isle . . . may be !

i-f i: n^i; s

^"^ft en 4

'"Z

%< 1 1 >> ^ ^111/11 ^

i=

-1—1 / 1

"^

Ped.

PGlAN.

^lE Bg^=?^^^ -1 r 1-

P

A - wav

Tessa.

way they go

-^ r!n ^r i^S^=3— K-I

1 r 1-

way, way thfy go

i*J .rn T,

-1 1 r q- g=^f1^^^R;

*go To a balm - y isle,

GlUS.

Where the ro - ses blow All tiie^ 1 r 1

way,

I-fi-

way we go

?a 1 r 1 1 r -1 1 r 1

WA - way, a - wav.

PN I |W ^1 r 1 1 r 1 1 r -^

A • way. a - way,

^ -^I ^ 1 1 y 1

18,844.

Ped. * Ped.f

^ 1 > 1 ^= -« 1 1 y 1 1- E3^# Ped. # Ped. Ped.

Page 119: Vocal Score

io =

k^^ll . f f u±^T^=^^cres.

^A • way, a - Viiy, where . . all .

^A - way, . . a - -.v.-.y,

<fy^» O :

tr

FF^ ?^R^Srwin - ter while. Ro ses blow, a way where the ro blow . . A!l ,

j' 1 1 r =^^ i i)d i^Where the ro • scs Llow All the win - ter while

J^1 1

J^1 1

I

j^ ^ 1^:^=s= 1 1 M 11^ 1 1 ^^

way. a - wa\'. where ro - ses Llow All

'W 1^ 1* I |y V —

1 1 r 1 1 « -1 V

A - way, a • way, where ro - ses bio All

m ^ ^^=^-^1—

^

1 1 I- 1 1|;J 1 1

I; 1 1 j" 1 1

I

1^ -V-^-^-^

A - way. wa)", where ro • ses blow All

\

-^^fr±fr^ 4i-

gj^^Hj; C 1 1IJl^l-jl-T,!^

p

1 1h4-l

Ped.

18,844.

'r If- "i« Ped.

trtm.

Page 120: Vocal Score

io6

S^ ^£^^6E nn k f—t-^ 5=^:F

the win - ter . . while, . . Where the ro ses blow ! Then a •

Where the . . ro blow All . . win - ler while. Then a

I r I c t dt=tt Lf r i:

^ E^^3^ »t^ / i

the win • ter . . while, . . . Where the ro - • ses blow- Then a

\Vhere the . . ro blow All . . win - ter while. Then a

s=^=T:

' ^ ^ j

:

^-fe *-rlS:

¥^ter while Where the ro ses blow Then a

win • ter while, Where . the ses blow ! . . . Then a

\ &\\ ; 1 1 J^-=^-^ h *i 1

ter while. ^^'here the ses blow !Then a

^ #-

fe^ ^ • -p- •

Page 121: Vocal Score

I07

mk 'r-^^r to—^r-^^^J ~f. ^ i'lJ^-jL^ E^^s^^^f^

way

^^f=Y-

tlicy "o to an is - land fair That lies in a Sou - tliern sea ; Then a- way they

jr

Pif'-f rl^-^-^ 1^ ^^^ Seway : . they go to an is • land fair That Ues in a Sou • Iherii sea ; Then a- way they

ff

rtt—rrr—Ti r•

c-^

c i-f-^^^-4- f=i=^f

way we jro to an is • land fair That lies in a Sou - thern sea ; Then a- way we

.f ^ |5=i^=1=

^^^^^^^^^^ s 1 > j-^

u.-* »-

way we go to an is - land fair That lies in a Sou - thern sea ; Then a- way we

tff^

rfir:f ;tF^-f4'¥=^^ = -"-rrtf S=?E 1^^j-t-i^fiz^^^^"^

way . . they go to an is - land fair . . That lies in a Sou - thern sea ; Then a- way they

ff

r • rr/ g-y-

^^ ^^

f• M n r sj

35^way we go to an is - land fair That lies in a Sou - thern sea ; Then a- way we

\mff

-\-^-^V—^-t-

f-f r r T-^—C-U-g-^-- r—r-r

i^-^

way we go to an is - land fair . . That lies in a Sou - them sea ;Then a- way we

,|«.f--f fi^^fa^^Sf^i f^F S g ^

#

f fff f ,f=

r<-L-xr~r~t3^B^-fc *

I . I^^^^p^^18,844.

Page 122: Vocal Score

loS

m^^-i'^i ^^I J i'jJ J-

J

fc=Em5 ifczt-g—g- dJzzS:

«=±

go to an is - land fair, Then a - way, then a - way, then a • way, then a - way,

^^~-M r

a - way I

n=^|S=ft ;iz=zl:

go to an ii - land fair, Then a - way, then a - w ay,

m -1*—f-f^g^ -i»—1»-

then a - way,

-g- I aw l

then a way. a - way

!

fets

-g-H^H»—g- -g—g- Sidt H8—g-

go to nn is - Im 1 fair, Then a - w.^v, then a - w.iy, then a - way, then a - way.

.I'lj /JJ=t ^

way I^:S=S ft=^ =te=f5:* * ^^ * *

go^ to an IS

-^ z—^-

hand fair, Then a - way, then a • way, then a - way, then a - way,

m I ' P y ! C y I•—•- ^

a - way

^mr^sgo to an is - land fair. Then a - way,

9 glen a - way then a - way, then a - way^

^ P P ^a • way !

fef*iffzzt: -g—

g

jg—g- -»-Hg- i^-l^-g—g-

to an IS land fair, Then a - way, then a way, then a way, then a - way,

^P^ F=P=:^-g- =e=?=

:grr^iJ^^-Azdti lg=g g^Sc

I

go to an is - lani.l fair. Then a - way, then a - way, then a -way, then a - way,

--\—

t

^gjgH- gJ t fl ttl -t-tie 3-

a - way ]

1^a - way !

^'' Am^E 1 1 r

M^N^fe^4_f i

f If ^ ^-ffe?=r ^

=fef f ,f f f f .f-t

:ff f'i f .:ail^r ^ r c ^-H^

largaiiunte. ¥=4-z^

ii—

18.844-

-a- •

-^End ofA(t I.

Page 123: Vocal Score

109

ACT TI.-»^-<-

No. 1. CHORUS OF MEN (with Marco & Giuseppe).A'.'i-critto.

M^:i i \ fVL!. f^^=^=^ ^?^^-/—y-

ANO. pm A

$% I g

ffl-t^4»-fi—f>-

^fi^ :3zin^=^-4—^^

if i j n t^!ILi-.f J f , j fa

I^^^^^E ^^" { I '^H"1s»

g

'

f SM -^5—=i- ^

\t±\/ r 1 -p-

^r^riflffiJ"i ^^!llji&-

is

^

Tenors.:^

r ^ r ' 8I

y=f^—t- ^^T—

r

S^ igiOf hap • pi-ncss the ve - ry pith In

Basses. /f r r

^-Hi-;^=g ^^Of hap -pi-ness Ihe ve - ry pith In

i8,S44.

-i- r r r -fr r r

Page 124: Vocal Score

no

iffc=f

f fjf C M F.I « F i^^M P~i: ^ii^Ba - ra - ta • lia you may see

:

A mo • nar chy that's tern - pered with Re - pub - li - can E -

tH^ f f f-rrN^ ^PP 1^=?=Fpered withBa • ra - ta you may see : A nar - chy that's tern Re - pub - li - can E

r^^jTTf t_>LJ

^sM^ ^-r 1 r

qual - i - ty.

g^^b^ g C C 1 sf- -f- a^^^ ?cr—

f » r r Ir 1^

> > >

qual - i - ty. This form of "O - vern - raent we find The beau i • de • al of its kind

jj, \fl I ^ jj^ - i'jri-^r^,^

^^ i 1 i j 1 1 '[ 1 1I J 1 1^ ^

1 1 ^ 1 "V j 1 1 ^ '1-^'v— -

?

i-f—

»

^« fc. r ^EE -f r r ^^f it=iz

des • po - ti

> ^ ^ M

sm strict, com-bincd With ab • so - lute e - qual - i • ty I With ab - so - lute e

^^-^i 1 n I

^ j^^ ^ hm j?. 1 Him ^ n I

fip^^

W^

I8.844-

I1 1 . ^1 ^

»1-1 ri 'i

:

T ^ 1 :^

Page 125: Vocal Score

11

1

/fcfcft=5EiS jr ^ f 1 —p ii*:^=£^^m^^m

qual - i - ty ! Of hap - pi - ness the ve - ry pith In Ba - ra - ta - ria

^ ppph^F-C^^^-r 1 p-itd=* / i t-"

rOf hnp - pi • ness the ve • ry pith In Ba - ra - ta ria

Jt

^b^ c 1 c r=^=g=E£ r r r p3 ni-^^i F=i-^:-r -*- -*-

1^-^ 1 #fci #-1—#t 1

f =f=f $ ^^ T—Trc \

=t=F:you may see : A mo - nar • chy that's tern pered with Re - pub - li - can E - qual - i - ty ! Re -

^^ -• •_

r : i'V f—H 1 1

F

^f^ ^-1—

P

^ ^ f-T-rft-It: r ^ :3z±:

> I>i >—

^

"P ? 7 I /I /I ^1 /

you may see : A mo - nar - chy that's tern - pered with Re - pub - li - can E - qual - i - ty I Re •

tr

fctif !1 .^

1 n ^q=g^i }yt\^^-^fn-ht-^a^

^T -r -r ? *- ^ ^

^Marcx).

^ r ^= =^<l^l

- 1 1-^ g^/^ ^« r 1^

pub li - can E - qual - i - ty !Two

GlUS.

Sfe±^ r ; r :i:it=?i

r 1 1 1 • :^r 1

pu'b li - can E - qual - i • ty !Two

18,844.

Page 126: Vocal Score

I 12

r ; r 1^=^—J-i*- ^ J"! 1

~p '

l.ingi, of un - due jiride be • reft, Who act in per • feet u - iii - t), Wlioiu you can or - der

?—

F

^^^^kin^s, of un due pride Ue - refl, Who act in per - feet u - ui - ly, Whom you can or - der

I

jlklpL^I^ I -I J

' i 3^^11* ^=^ 11 I 1 ^i^5EEf 1 « 1 lii

l-±It

-^—^ r 1—1- ^^^ ^ ^ 1 rj 1 -^r

1-^1-f 1 1 f 1 1= f^^^

f-1-^

jjLr -rr m=J-^ ic r n Lii

f—

p

wh 1 1

>>'

^

right and left With ab so - lute im - pu - ni - ly. Wlio put their sub - jects at their ease By

i ^^ ^^ ^^h-^ * * *_:' * *

riciht and left With ab - so - lute pu - ni - ty. Who put their sub • jects at their ease By

^^ ^ F^-f^^j£_j 1 1 |: fT?H|=:{z=3i

^^ p 1 1 r 1 1 -f^i 1 '^^^^^ j» ii= , ii -k ii I 1^^^F=y^ 11!*

^^^^do - ing all they can to please ! And thus, to cam their bread - and - cheese, Seize ev - 'ry op • por -

^ Ki r

¥M r-a ^=?=^^-r—t =^

do - ing all they can to please ! And thus, to earn their bread • and • cheese, Seize ev • 'ry op - por -

i mm^^^i-y^ Uj l »[JiP d3 ^m^ j-' i t

• < I i_i

te 111 1 -=1—'=^=y -1—q-i^ 1 1 "^11 \-~^ 1 T ^=^

18,844.

Page 127: Vocal Score

'3

P'' !U^ ^

^^=f^ ^ -*^ ^ S3i<:^i<=3^^

tu ni - ly. Ami lluis, to earn tlicir bread • nnd clieese, Seize cv 'ry op • por - tu - ni - ty. Ah!

^^ •Zrs^ It -'^—d-

tu - ni - ty, And llnis, to earn their bread - and-cheese, Seize ev ry op por lu - r.i - ty. Ah!

f ill- l?3 i^ \

rf]\ jTi^=EP=g^^^i 1 1 =

^ 1 11^1 "^

-1 -II

^

-^^-^^-t

-^^-^ ~i 1 T 1 1I P 1^

(jr^^'""

I

^spsSifiEEfeteSEEf5E^ iz=* Tip

f W *-

we act in per - feet u - ni - ty, Ah I

It* *

-P> Si I

J 1 T J J^

we act in per - feet u - ni - ty, Ah!

^ ^ Eg^f r rr

^=s

ic:

-^

18,844.

Page 128: Vocal Score

114

Chorus.

nnt^^^B^N^r 1 r

^Of hap - pi - ness the ve - ry pitn In Ba - ra - ta - ria

W=^H-P-Hf-H '=ff

—p~i=^m r 1 r

Of hap - pi ness the ve - ry pith In Ba - ra - ta - ria

i^rijih"iiSd^^i+ffj^^

^-f-fzg^rr^ f=^F^^^ ^^-g-C-i^^^ ^ I ^^

you may see ; A mo - nar- chy that's tem -pered with Re - pub - li - can E - qiial - i - ty ! Re - pub^ m—«.

'mm-p—•- ^—p—

^

?ii^5E=ic

you may see ; A mo - nar- chy that's tem - pered with Re - pub - li - can E - qual - i - ty ! Re - pub

^^JtS^^J^^^ /r ^tr

mm1^^^ flFhtf-^^ ^ It-^#El

T

i=f=*r^r-r ^^ r ^ 1-

i£ -y

>

11 - can E • qual - i - ty, tempered with E

K IN8

i

qual - i - ty !

m ^ ^ / > / r =1-

y-t-t^

1'. - can E - qual - i - ty, tem-pered with - qual - i - ty !

^^ 4~r^-> ^ 1 * 1 1 =1= 1 1 r

-f-P-f -tu^-?-^h-^

18,844.

Page 129: Vocal Score

115

No. 2. SONG—Giuseppe (with Chorus).

w ?<-(.

fc^Allegrofiort troppo.

Ri - sing ear - ly in the

w=r^ ^m Im mazztzanirDEy~»

riANO. /

^ ^ B=j=ffa ^^^ I I m^^^^3=m ?

mor - ning, We pro - ceed to liglit our fire, Then our Ma - jes ly

»Ei I I

$

a - dorn - ing In

^ ^^^

m i \ \

I

r-:,

^ r ggi^

E^^^ ^^ffi az

work a day al lire, We em baik with oul de - lay On the du - lies of liie

$"^^ r G -

\ F-3=

:^•''—r-

3 5E^

J-JUlJ-JH Ljlaj: S=K^^^^?^ ^ » ^day. First we po - Hsh off some kitch-es Of po - li - ti • cal des- patch-es, And for-eign po - li - ti - cians cir- cum-

Af-ter luncheon(mak-ing mer- ry On a bun and glass of shcr - ry), If we've no-thing in par - ti - cu • lar to

18,844.

Page 130: Vocal Score

ii6

m s «*

^1=? ^m K K^^g=^g=^ K ^ ^

J * * ^ -N >s s

-•

r ' *:j5=t!:* *

i^ent ; Then, if bus'ness is - n't hea-vy, Wl- may hold a Roy-al U - vk. Or ra - li - fy some Acts of Tar Hado, We may make a pro cla- ma-tion, Or re • ceive a de - pu ta-tion—Tlien ue pos si bfy ere - ate a Peer or

T=i=^iSE

i^

^

I

- mcnt.two.

;^| J^^i'/' EfeSicrit^ f r agguULJU^B

Tlien we prob-ab - ly re • view the household troops-Then He help a fel- low crca-ture on his path.

Vi"ith the u - su;il " Shallo humps 1'' and" Shal-lo

For ind Verse.

^ r^TJ h j'j'^

\Yith the Gar - ter, or the This • tie, or the^^ 3^5E3EiE -4^-—•- ^ J- . J J I J J J-^^^^Bp

^ 5

S 1 f 1 1=^ -e—

^

^ ^ ^ j^gjizj:

^F^hoops !

"g ?*=:!!= -=#; ^^

Or re - ceive with ce - re - mo - ni • al and state An

?^^

-^—

»

Bath.

in - ter - est - ing East-cm po - ten

Or we dress and tod -die off in se - mi - State To les - ti - val, a func-tion, or a

7^Ti~J-r7-T =J ^ J * J i^ ^^—F-

\st time ff, imi time f)f>

P«i

^r j^ ^ ^ rM t ^ ^^ 1 1 ! 1 ^p 1

"^

-* ••^B *d d m d d y '\'

\ i' : /-j^iF^^-j^—h—

^

« m d—d- ^'^,'^'

T-f^*^"

''^'^ ''''''' "'^ Re - ne - ral - ly Go and dress our pri-vate t« /«•/— (It's a ra - ther ner-vous du • ty— lie's a touch-y lit - tie

J'''- -1 hen we go andsiandas sen - try At the Pa -lace (pri-vate en - try), Marching hi - thcr, marcliiiig thither, up and down and to and

Page 131: Vocal Score

TI7

^ USZZiiE* *

N ^ h f* h ^ >4 t» t » • g h r* h

d d a m~a-3=:?e:a=t ^ ^ »» N N-00a

man)—Writesomelet -lers li - le - la - ry For our pri-vate se • ere - ta • ry—He ii sba-liy in his spell-ing, so we help him if we

fio, While (he w.ir- ri -or on tin - ly Goes in scarcliof beer and beau-ty (And it K"^- ne - ral - ly liap pensthat he lias -n't far to

£± ^ ^ ^^mJ J I J~ ^r r^can. Then, in view of era vings in ner, We go down and or - der din - ner;Then\ve pol • ish the Re-ga-lia And the

go). He re-licves us, if he's a - ble, Just in lime to lay the ta - ble, Thenwe dine and serve the cof-fee, And at

*fe 'it. * ^ ^m m- ^^^ -m-i-t

mfef-ffE^ m % iM r =^-a—p- ^^=^

i i^ ?i=S^ IJT-f*-^ 3eJ«p^^^^g^ gg=?^F^i|!^ W—

*

Co- ro- r.a-tion plate—Spendanhour in li - ll - va - ling All our Gcn-ile-men- i)i- Wait-ing;Or we run on lil • lie er-randsfor the

half-pas'.twelveor one, Willi a plea -sure ihal's en; -plia - lir. We re - li - re to cur at - tic Withthe gra - ti - fy - ing feel -ing that our

TP3z£ -^m^ ^^ ^^^-•—

*

1^-%- feT K 1 1 M ^

-Fm '^-\^^-^ ^^=^

^^=ffi m^ 5^'T J—»-

=3=yMi - nis - Icrs of Slate,

du • ly has been done !

Oil, . . . phi • lo - .so - pliers may ling Of the trou-bles cf a King ; Yet the

Oh, . . . phi - lu - so - pliers may sing Of the trou-blcs of a King; But of

^^m^.

f T

Page 132: Vocal Score

u8

J^ t=f=rf ^ ^N - K N m m ^s=^

I

du- ties are de-light-ful, anJ the pri - vi - le - ges great ; But the pri - vi - lege and pleasure That we trea-sure beyond measure Is to

pleasures there are ma -ny and of troubles there nre none ; And the cul- mi - nat-ing pleasure That we treasure beyond measure Is the

^ 'I -1

J J| J J J J 7 J j J J J^^-C

-UJJ^ !L^i-^n- -*—

#

^ I* ^^|

» 1 r1 '/ 1 -^^-p- -q—p-

;f,»;J'Jj>r J'J-l j-jM-J M(f,

Chorus. ^=|5=^:^i^ —-*-

run on lit - tie er-rands for the Mi-nis-ters of State,

gra - li - fy - ing feel-ing that our du - ty has been done !

-"•

rOh,Oh,

phi - lo - sophers may sing Of the trouhjes of

phi • lo - sophers may sing Of the troubles of

a King ; Yet the

a King; But of

P^^e :t:^1 m :^±=js:* ' : ^ :«=«= m

Tl W-

I

f^ /

^ ^m:5=±z -^—P--'"-^-f- 3=5=^^

^i^_^-^^JF3:^ :l^=:f!:^ -S s h s=#=5= ^

(

* *—»-

du - ties are de-light-fuI, and the pri - vi - le • ges great ; But the pri - vi-lege and pleasure That we Irea sure be-yond measure Is to

pleasures there are ma ny and of troubles there are none ; And the cul - mi- nat -ing pleasure That we trea-sure be-yond mea-sure Is the

-0-

m * 4^1 r I itt ^

m

i¥1st. GlUS. znd.

^•'r f/; i

i'j.;j'J4^,hi( l J r r r

run on lit -tie errands for the Mi-nis-ters ofState. Af-ter du - ty has been done!gra- ti - fy-ing feeling that our

Chorus.

i^^- i&

du - ty has been done !

Page 133: Vocal Score

119

No. 3. SONG—Marco.

I;^ffw ^ EE^Eferf

I) ^ Pt» in^-

Sr 1 itL-tz

1. Take a pair of spark - ling eyes, . . Hidden,

2. Take a pret - ty lit - tie cot— . . Quitea

Allegretto moderato.

1 1 /i-^1—

^

Piano. J r> r

^^jf^ii;'^'

'l^^1f^ii: ^^ ^1 1 l-^^TTTT-l^5"

1 1 ,_ 1 -q- ^ ^iii

If*s«Sfcfc1* ^ s^ ^\-^ ^

ev - er and a non,

mi - niature af - fair-

In a mer - ci - ful e - clipse-

Iliinga bout with trel • lis^d vine,

Do not heed their mild sur

Fur - nish it up- on the

iya^J|jjJ(}Jzl:'l|" ij l

! 'IljlijlJJ,/ '(/ !"

ifJ^jJEia^S^

^^±it^ ^s^s^g-^'i 1 ^^=3=

"

J*1 1 1—

^

J 1 1 . 1=^

? 111 .11 - H" 1 1 1^-1- r* i 1 ^ 1^

?^

^-^ ^: Im P

1^ •

;

I ^ r C^ 1^H-^^^'

prise-

spol

. Hav- ing passed the Ru - bi con. .

. With the trea - sures rich and rare .

Take a pair of ro - sy lips

I've en - dea - voui'd to de - line

Take a

Live to

j|^^^^^(j

=^J4iJ(|^ 3:=ii^

\

^ 41 1 1 1- l 1 , 1 -=l 1 1 . 1^^ ^ -1-^ -^^h-^

.1 ^r ^ ^-

m =f=K^f=rf=^^^L.r r 1

1

J r r r ?rr^rnt ^y—^^1-

^j—I

•*—t-^

i^

'

^ k "—I—t^—I

/ ' ^ >fi • g\ire trim - ly planned— Such as ad • mi - ra - tion whetslove and love lu live

Vou will ri - pen at your ease,

(Be par - tic - u lar in this)

;

Take a

Growing on the sun - ny side

Fate has

gs -.Ut

s-=v-i- 1 I 1 1 I

-q-^-=1-^l-tr

1 1 f^^M-

^

% i % rt

-=1-^n-^=^

^Sfe 1 i^ 1 1 / ^ f 1 ^ 3^ P 1 ^ 3^ ^18844.

Page 134: Vocal Score

I20

ten - derlit - tie hind, Fringed uithdain - ty fin - gcr - el'.f=. Press

no - Ihingmore to give. You're a dain - ty mr.n to pen

it, press it

ziui Verse.

If you're not sat - is- Red,

-I ^w^\^ k yry^i^ i^

^i-v^ -q-4T -^t—=f -"^1-^-

^ i[,;j^j J'-rrrr-r

in pa ren- the - sis ;

Ah !

not sa - tis - licl, Ah !

i?lse

Take

all thc'^, you luck - y

my c H'.n - ^cl, hap - py

^1

^-^1—^ I' 1

*

g 1 1 r T

S

I

f=PCl-=

;^B^:a^=^^^^a^^^^^^^^man- . .Take and l;ocp them, if you can, if )mu can! Take all lhe,c, you luck -y man, Take and

man ; . . .\cl up - on it, if you can, if you can ! lake my coun - sel,hap py man, Act up -

^^fcr^w^' •-. \ ftrl-^iBz^-^{'^='^'^'iii^i^f^^^^^^^i^p^

p

m^ -^^-^^^- -y^ -^ 1 ^ 1 ^1 ji 1 r^^^- "^ y "^-hp"\ 1 «j^^—=!-[—jM—^ 13=3=:

18,844.

Page 135: Vocal Score

121

^^^^^^^rflI c ^^^H^

i

If/. 2nd.

mkeep . . tliem, if you can, if

it, if jou can, if .

-•H—^^=s-^—I— -

^^^^^^^^^ r 1 -^^—^-^1 RT

^^ I ^ ^'

Take n-.y ccun - sd, liap py man ;Act up - on it, if you

fefesm ^^^^^W IWL^til'

/ -^'H^ 1 1 g:^^5^=^

^^^j£=j!r

1 * * ^ ''f^.

ft^ ^—. conJo}za.

if you can. if you can. Act up - on it, if you can, Ii.ip • py man,

^^^^^3=3:^=^

i-i 1 1 i 1 1 r 1

^^S liii TTl 1 1-^ »—

*

i 1 1 r 1

/

^^^

/—•-

Ff^^f^

W^

1S.844.

Page 136: Vocal Score

122

No. 4. SCENA, CHORUS OF GIRLS, QUARTET, DUET, & CHORUS.Allegro vivace. C~~''-^ ri~^^

Piano. /

^6 fe^ . JL . ^^ '^^ =&

-«-• -#-^^ fS^. I> .

Chorus. /

M¥1^ l'g1-T

| frfrTf:fi I f: f: ^i S^ ^

far, and we've brought your wives— And to that end we've cross'd the main, And don't in-tend to re • turn a - gain I^^ ^^^^^ r r J-=l—

* *

IJar, and we've brought your wives— And to that end we've cross'd the main, And don't intend to re • turn a - gain !

J=^^s^^—,i^>-^ ^Tf 1 f^[2jM r^~rr^jTi

^Ittt?:rrzra.

• * J-* »

w » ' p r!frg| f^-/rg/ i

r tt^^ir^^r t^-3=1»-^ saP=^

18,844.f^

Page 137: Vocal Score

12-

/I V ff * C:icd^ r^^f-rM-'^ii ^iMp^ ^iili^. ir f

To that end we'vecrois'd the mnin, And don't intend to re - turn a - gain ! Here we are, at risk of

l^V^j-H^^j J|

J J'j'j'i'iJ :J-i

;^^;i^: i^H> > N4-'^^^^-n

To that end wc'vecross'd the main, And don't in-tend to re - mm a - gain ! Here we are, at risk of our

n-t . J-M __P pi :

Fi=F ^i F^yp^^i^nrii;^T^T^s-^i-tN^^FF

g;^^»f£f r,£^r lf"r,iJ

| ^ n , ^FfTTTTyfcE

1^ ^ • r• ^ -i» p

Vlives, . . And we've brought, we've brouglit your wives. Here we are, at the

^11 '1 •! hi T E^tt

1,11 -^H^ r 1

lives, And We've brought, we've biought your wives. Here we are, at the

w^^.i .rn m \'^ 1^ I

.qi r,Ti f j] j7]i^:^s -=^-=f

g^t+Jyl

-

i ^lrJJ'^' l U i auf^ ts^SJ^J-fcL}

£t=eI

'

r- i r fcJf i r- crrM- ^-^^^^E^1* ^ s=^risk of our Ii\es, . . And we've brought your wives, And to that end, to that end we've

risk of our lives. And we've brought your wives, And to that end, to that end we've

^SSS^fej^E^g ^7j-Tjp7j-T: i :^f^^

|

^^^'^^^^-^

18.844.

Page 138: Vocal Score

124

il-rrr

-r-j^Am«ztt ^ ,^.. hi

=r^g=Br- Q' l'^

cross'd the . . main, And we don't, don't in - tenJ to re - uirn gaiiil

-^ —I 1 ^^j » B^^ ' ^ '•^ " ^-

o^s'd tlie . . niai;i, And wc don't, don't in - lend to re • turn gain

!

^^ rJ r| r:;rlT |

ru^|J|

^rJ^r |^ p

E^

iB Solo, ist Girl., ^

j-^Mmur- t:\' r

- M ;::z=|:;r?s=^£

^

^1^?

^ 11 r 1 ;z3=

Tin' o be - diencc is strong, Cu - ri o - si - ty's stronger

We

^^ t!?!refEi^€if!!f--<%"

^——tt|k J^l 1

g1 lZ|:j:rr^3A^'^^^TTt-/LjLJ1:r'j^E;cj

:t* h 1 r* —1-

wait • ed for long. Till we conld-n't wait long-er.

m 2nd Girl.

s r 1* «

-*—

S

r ^

1

It's im )ui - dent, we know, But with -

fc#|t Jtl l illJ^i; -. M filial -i l li-i I' ' ''iff "^^I^P "^

18,844.

Page 139: Vocal Score

^-F-e^eI

Ex

''=¥ : > ^1-^-

• •-•^^

¥—*- *-«-• -¥—^

out your so - ci e - ;y Ex - is - tcncc wns s!o\v, And wc long for va - ri • e • ty— Ex

::i4.*?^5i1^ ^^=¥ :^S3l-

u^M^a^ ^^if *^5*55>5:W * T*- '?*«~^* *"

it r 1

1

'111''f^

1 1 r -p-r ;

*

tTjJ"

^^=^ ^^

i.11 r • ^ J

sm

=F=^e r T-

=*^=;^=6'

^rH;

•^^i i r 1 ^fs^f^^tence was slow, An^l we long for va - ri - e • ty. Yes, it want - cd va -

.a^s I h^ -4—r-=t=K ^-B =1-

Me^ r T—g-Ef^Etisl

is • tence was slow, And we long for va - ri - c - ty. Ves, it want - cd va -

.^ -fi- -^

3_U_ I I

U U >-

-*- •=•-•-• •-•—i-t*-^-

^eSEPed

Chorus, ist Girl & 2nd Girl.

It ^ SE?

s*

So here we

/are, at the risk of our lives, .

e - ty

'^* *" ^ A :^-

So here we at the risk of our lives, .

K-)

-^ ! ^ j^

E^^ » -

! i I

-»-•—^» »

^M f-|Lt^_t t tlfg/

t=3 -tj ^? : |-t±=f=iT'-^r'^^i

18,844.

Page 140: Vocal Score

126

And we've brought your wives, And to that end, to that end 've cross'd the

(kJ)^JJJjJI«JJ*Jjl*' I Ii ii|'liLI

[--L

f f . * fI

.

^ f * > fe

4"

J . J

;

i

^^'-^-p4j =E=i=

main, And we don't, don't in • tend to re - turn a - gain !

GlUS.

4'i- r.^ i r5

^^ K

main, And we don't, don't in - tend to re • turn a • gain !Tes

*t •**•**

, *-^f * f I >A-^Ped.

4 r ir g

Tessa.

-^H^

GlAN.

fe r 1 teGius - ep - pe ! Mar CO

!

=p=?Marco.,

r /n.^i r *^

^r? •

ffltZTfe

sat Gia - net

* -W^*3

a»I r r i r

'

• * r * g:

I' ll

•**•** ^lii** ft***i* Witii Wti^* * r » EI'll!- ^ am

18,844.

Page 141: Vocal Score

127

MII

„TESSA. ^ ^ w

[ 'II 'II

I

'

t' .. , , Ar.t»r .oil.JniT tn this 15. land

fistesso tempo.

SGlAN. ^ . .

1. Toss-ing in a man-ner fright-ful,

2. Do thiy keep you at a distance ?

^mAnd weOr do

=V^^?'= ^-^^^n'

I

igj • g fi

UI

AUfgreUo grasioso.

1. Af-ter sail-ing to this is- land

2. Is the pop -u- lace ex -acting?

We are all once more on dryland

All un - aid ed are you act- ing,

m^^?

^m

f-fif^r^-n

I ii r I

^te?=^

find the change de-light-ful,

they provide as sis-tance ?

f

3=S==¥=

^ S >» =^Egi^mTell me, areyou fond ofreign-ing?—How'sthe

If you do what you ought not to, Do they

As at home we've been remaining—We've not seen you both for a - ges,

When you're bu-sy,have you got to Get up ear - ly in themorn-ing?

f- t 1 , ; ; .: > 1 > : > I ;_i_tL-g--i:^:=g=i:I

i

~*^ —r

fI

,

t—

food.and what's the wa-ges ?

give the usu - al warning ?

How does Roy- al - iz - ing strike you ?

Lots of trum-pet- ing and drum-ming ?

P h j^ s K s K

o you

Ain't the

* >X^ *-T-*=^h_*»i » N h s » -*'

3Z3S=1*-

Does your new em-ploy-ment please ye ?

With a horse do they e- quip you ?

Is it dif-6-cuIt or ea-sy?—Do the Roy- al tiades-men tip you ?

I I — —I—t

\—11 —^—a-~^—^1 ' 1 1 ^1 III I ' ~ I

' —_

.

I^m18,844.

4- H=^=f

Page 142: Vocal Score

128

M

^sb=?=az

think your sub-jecls like you ?

li - ve • ry be- com-ing I

Take it al • to - ge- ther, is it Bet- ter

Do they give you wine for dinner ? Teaches,

15=^i=^ =5^=1^

^i=it / ^ /

I am anx-ious to e - lie • it, Is it plain and ea - sy steer-ing ?

Does your hu-man be- ing in - ner Feed on ev- 'ry-lhing that nice is?

i^ h h h N| ={i >—NH—,.^-^».=3: :J!5=^---A—p»-J- S m m -r *• r r »-V—1?

-*—•- a=?^«=S= ^^fun than gon-do-lier-ing ? Ky^

^j^^H ^^(^ j^ re-quest-ing, Till you tell us, nev- er doubt it, Ev- 'ry - thing is in - ter es- ting, Tellsu - gar-plums and i-ces ?J

ano-j > j a t> us

s^ ^ ^1 ^ :S=a= 3=# «==S=e

1!5=5 =S=:Jc ^3ig *~Zjt -T"—t? -<M-#

We shall both go on re-quest ing. Till you tell us, nev- er doubt it, Ev- 'ry - thing is in - ter - es- ling. Tell us,

* ^Tl ^ xl E^±:

3

i

i3=fs=* * K H=l*

tell us all a-bout it !

•gf«

i s

i/Chorus. Unis.X s* *

-^ . p y . t ^• * '.> r. f ^ ^

^ ' * *

^zzjg

=S=f5::S=«= =i?=?

»=S= Mf^

N ^=ls=sz

They will both go on re - questing,Till you tell them, nev-er doubt it, Ev-'ry • thing is in - ter - es- ting. Tell us

tell us all a-bout it! They will both go on re - quesling.Till you tell them, nev-er doubt it, Ev-'o* - thing is in - ter - es- ting,TeU us

s^feI I r ^ X m

18,844.

Page 143: Vocal Score

1-9

1st. 2nd. GlAN.

:^«ff= ^^?^^j^^^ig^^=fe£3=£Wc shall both go on re - questing, Till you tell us, ncv - cr doubt it, Ev - 'ry

Tessa.

^^^^^JB^E^^E^^S

m2. Is the We shall both go on re - questing, Till you tell us, nev - cr doubt it, Ev - 'ry

^ s ^ ^—hf s s s- m^^^icfi :«^BS* * S I—8-f 8 g-l—

i

=f=«tell us all a-bout it !

i_r*<j*«-i_T

V * * *

tell us all a-bout it ! They'll go on re • questing, Till you tcU them, ncv • cr cloubt it, Ev • 'ry -

:K=r^*^*-8-l1

\^ y _^_[,>

^—^

H*- -f- -f- f f:•—i^ — 1»— »— •

j^v-i^>U U L !. I* ^^=^^ y 1 r—\t-it ^=P^

^—y—\^—k-^/—/— t' ¥—V—¥f> tell us all a-bout it ! tell us all a-bjut it ! They'll go on re questing, Till you tell theni; nev - er doubt it, Ev - 'ry

jfJfpTjT^^f^g^ H^*^ f f f t^^lM^^M-r5

»^^ -^X 1 r

Iff ^^5^^ ^^^^^^^^^y-^^ ^ * : *—^-

thing is in - ter - est-ing. Tell us, tell us all a - bout it I Ev •'ry - thing is in - ter citing, Tell us, tell us all a - bout it I Tell i;

Cte"f7^

? ^^^ ^i^^^^^S^^ES=^?ESthing is in ter est ing. Tell us, tell us all a - bout it ! Ev- 'ry - thing is in - ter - est-ing, Tell us tell us all a - bou! il I Tel! ev

Sthing is in - ter - est-ing, Tell us, tel! us all a bout it ! Ev - 'ry thing is in ter -est- ing, Tell u^, tell us all a- bout it ! Ev -'ty

-

[

thingis in- ter -est-ing. Tell us, tell us all a • bout it ! Ev -'ry - thing is in - ter • est- ing, Tell us, tell us all a- bout it

!Ev- Vy -

mwi—'=i=^«^ES? f^^^^^^ ^ i^ .

?^=r-

18.844.

Page 144: Vocal Score

I30

^all, yes, all, yes. tell us. tell us,

lff=^

all, yes. all, yes, tell us, tell US,

miTV^^m ?=Fj^jl_A_j^=^ ^^^^-«-^—*—3-^=^=^ ^-^r^t—t

thing is in - ler - est - ing, Ev - 'ry - thing is in • ter • est - ing, Tell us, tell ui all a • bout it, Tell Ul,

^ cres.-m • » #-

R-rrrrnTT f ? I'+f-P i->—w-±:K »• i^ V '/ S' ^ / ' y ¥ 1' »» r ¥ ¥ ¥ ' V y ¥ r r—¥—¥—¥—

thing is in - ter - est • ing, Ev - 'ry - thing is in - ter - est - ing, Tell us, tell us all a - bout it, Tell us.

i^ i i "^mit5

=|e

t f f I

f \

ff-&- . .

i:

tell

4

tell all. all a - bout it

!

s IZl

tell us. tell all.

ETcr; i n ^

all bout it I

-S>-

^ ibz

tell us all a - bout it, Tell us, tell

LX^USS EE

all

—le

bout it 1

f if f

T=f= ¥ t' ^ ¥-Z ¥ r-

tell us all a - bout it. Tell us, tell all

?u f-^

bout it I

M=5?z

2te=

1 (g^J^il

I fj-

I ff

^18,844

Page 145: Vocal Score

131

No. 5. CHORUS AND DANCE.

Piano.

I/i

'/ t y V

:f=tz /^IF UUi?^ >= -8 i

^ ^-3—

i

r^^? V V ? V ^ ^ ^ I /

Dance a ca - chu - cha, fan - dan- go, bo - le - xo, Xe res we'll drink—Man • za • nil - la, Men - le

\m C & C \ l I l\i i-jr] I CTpc !:

t i s

Dance a ca chu - cha, fan - dan- go, bo • le - ro, Xe - res we'll drink—Man - za nil - la, Mon • te • rg—

T T y j

^m^ Pmpesante.

^- *

>- =*=f

m »LA

i±-3-

C—^ U^^ZJ

"^m -*—

*

f \\ \ i ^£ex^=rf^»H=^7—T—y- y—V—s^

l^Wine, when it runs in a - b.in- d.ince, en - han

4—?-

-y W n r^

ces The reck - less de - light of that wild - est of

IteM i£ -V y !> V ^ V i^B~r~V~ V V ^^/ V V—^-f V /

Wine, when it runs in a . bun dance, en - han - ces The reck - less de • light of that wild - est of

^^^r^m

18,844.

Page 146: Vocal Score

132

\m

-IT-—ac=c

.{g M > ^r^-Mg-J—fe?-MM;=g^=i^^:: BLV-—^-dan - ces ! To the pretty pit-ter, pit-ter, pnt - ter, Audthe clit-ter,clil-ter,clit-ter, cl.it - ter— Clit-ter,clit-ter, clat-ter,

4-1:i^ ^ '/ ±

dan - ces

!

i^ ^EE^^-(t- i ^ f-^-^ f ?^ J=fef--.P=pr=rTHZBI

trI I I ^^ I I I !-

s/aci'ato.

^^ f^-^EE

I I

i i i i ' i i i^^^ ? I -^—^—^-

^=te ^^ S^f ^ ^ ^ ]^,

» p=**=i^^ tijy=B=^ :^=feJ,

- »

rit- ter, pit- ter, pat-ter, CIit-ter,cl''.ter,c'.at-ter, clit-ter,clit-ter,clat-ter—

-P- -^ •- P -|»- -P- -•- P. f

-

m P- -P- . -P--P- -P- -P- -P'

1 1-iS-g-B-B-g-B- 1/ ^r* B-B g-ig-^-g-ig-g

To the pret-ty pit- ter, pit-ter, pat - ter, And the cht ter,clit-ter,clit-ter,

^ MS^^tF

1—

^

-^ ^fl:=-1:H =J <^—>—-I -rrr ¥|3fi

fe B^Ep'Vl^^'^^^T^^TTr : af Ir ^3=S^33=g^iS

-»> '

>-

rit-tcr,pit-ter, pit-tcr, pat-ter, pat-ter, pat-ter, pat - ter, We'll dance, Old Xe - res we'll drink—Man - za

p- -P- *- JF- *- -t

-^=? ^^^ 4 :^^mi\ss^ J=^ 1 1:i?r:=zl?=prr:-iii

OKI Xe - res v.-e'Il drink—Man • za

^ ^ t ^Jt. ^ .p. Jt Jt A Jt A JL Jt Jt A• ^ ¥t

^—>-

18,844.

Page 147: Vocal Score

133

;

-'' V -^

' ^^—^—It/—

r

1 1 ^^^^mlil - la, Mon - te • ro ; For wine, when it runs in a - bun-dance, en - han ces The reck • less de

- nil - la, Mon • te - ro ; For wine, when it runs in a - bun-dance,

A A A .A A -^ ^ . . . . w J

en - han • ces The reck less de

IS P^ ^i—tr

P=?=

tir * ^^m =F=Ff—1^—

^

I I^^^^^^m 1 ^ ^^=^-

t *^:

-' ^-^

I

-\I S

I

.i^ —I—

f

s

j^-^-^^-^^^^F^^^^^^^^gpH^i^ 4c=ic=tc

light of that wild - est of dan - ces, that wild est of dan - ces. The reck-less de - light !

:3=:»* 7

light of that wild est of dan - ces, that wild • est of dan -ces, The reck-less de - light!

II I ,

^—^ -4—,

r~-<—— \ p m ., L y T-^

- L Li ^-4- 1 r r ^ I tefcrf"

Dance a ca - dm - cha, fan • dan - go, bo • le

f f f5: -y—t^

Dance a ca - chu - cha, fan • dan - go, bo - le ro.

|j;»-!ilrHf-p-•—»-

I I fcfeea>Ci=P=

-»- •-

gp^l l_f

CXJ t_J^

1

8

jLi ** *fL

i8,P44.

XX^s

*r ^fc

3S

ro, Xc • res we'll driuU—Man - 7.a - nil - la, Mon - te - ro-

^^^Mi^gXe res we'll drink—Man - /a - nil - la, Mon - te - ro-

P=^

Page 148: Vocal Score

134

-*—

»

i =F=^-1- ^i t—

g

te^m

Wine, when it runs in a • bundance, en - Iinn -ces The reck-less de • light of that wild -est of dan

^ i>> / 1^ ^ '**

Wine,when it runs in a - bun-dance, en - han-ces The reck -less de - light of that wild - est of dan

H>|ffr,^ffifl1 *

UJ itrT 4=^t-r^i=t=t

f M r r r i^gp

te yti f '? ij-f-f^ n I n \TH^ m4

1 1

Old

-i^ ft-

Xe-res we'll drink—Man za - nil - la, Men - te - ro. For wine, when it runs in a -

-f in't i U u^ r f

a^ Ir t

mt=^

ces I

^^^ -> ;/ E u ;> ?=;s

Old Xe - res we'll drink- Man-za • nil - la, Mon - te • ro. For wine, when it runs in a

PC3C£d^-^^ i z ^

rf

a EE iEEf gjf^ir^fe

=^^=¥ 1 1 ^m 3=3:

te 1 1 pFP^-d-m^-ftT^S ^ I HI fe=S

sbun- dance,

t4-

-;^ r i' ¥ • / i'^ IT ? 1> i>/

en - han - ces The reck -less de - light of that wild - est of dan - ces, The reck -less de

. . t I^ f

!

I ! f f I

^ f f illlM^MME^bun- dance, han-ces The reck -less de light of that wild -est of dan • ces, The reck -less de

|Efcj=J^4..^^ffife^t^^^^^ ii=

-V-. - ^^=f f^^ 5^ ^tf-r-f^Jj=^Jjfe

18,844.

Page 149: Vocal Score

135

^

l^

y / z—'—T'^- light of that wild - est uf dan

T I: 1 ± -t ± f^

light of that wild - est of dan

-M—^—(t—,—«

^ p—r^*^*-^

^^

=T=?=

ces !

H"

^^^^^^^aiSi^^fefe^

JLvvv vvv vvv vvv vvv

p^^^—.^

aT=^=

^ f

i f » P M- Ei^=?=3=vvv vvv!=I^?^FJ^vvv vvv

^^ ?^ ^g =^=iF

-J- =» :> =» ^^^-^^^

~'-'-*-^

^-^H-^ -U 1 1

^_^

|ac^m t!=^fTf ^t 1 ! ^| | f ^ ^

1

"^^^=^

18,844.

Page 150: Vocal Score

136

No. 6. SONG Doii Alhambra (with Marco & Giuseppe).

M:Don Alham.

fe-F =1- ^^^P^^^ :*=S= :55i:sg;^»J_J-.: J_P_fi,r!:;W /^/V -/=5=iC

There lived a King, as I'vebtentoIJ, In the wonder-working days of old. When

Allegro noil troppo. j, f^

1^ iep= rf^V ^^^^^^^^^L^- '

:

^^tF

Piano.^ ffl..-g-j_^H-g-g-

/

^::2:l

'"--^- V 1 1P^l-Ir--^

I m*=^p^

^? i:

sTrrnPr n^T'fi

^^^ ^ ^^f^^ ^^^J^; ^ ^J 5^t^ -!_^A£- 3=S= ^SS -^^=i--

hearts were twice as good as golJ, And twcn- ty times as mel- low. Good- teni- per tii-umphcd in his face, And in his heart he

5U- ^^^^ •—f

• *—

r

m t=r0^-

^^ ^ S^^ggliE^^ -f>—^—

^

T

^^-fe3=^S*=fe==^ ^^ ->.—

s

^s^y^^^^^ i^found a place For all the cr - ring hu • man race And ev - 'ry wretched fcl low. When he had Rhcn-isli wine to drink It

^^=t E&E W^^^ ^^^^s^^]

wv=vw%**^

\W-^B,

i—^^ 3E^ -^1—i-

^=^=^=r^f^=i* § * m e =BI . I

LJ-

fe ^^-!

1— w j^ N .^Inh te ^

P .-W-*—

^

=e=^ -^ y ' ij^' • r^ ^ ^^made him ve - ry sad to think That some, at junk-et or at jink,Must be con-tent with tod - dy, with tod

I

'^dEik m^ ^^^ ^=^^^^¥4^^\f^=^^^^^-i^'-^5^^^cEgi

18,844.

*i f-r-"^r^^

/a

^^^N^

Page 151: Vocal Score

137

^ 1^-

dy, tod-ily. lie wisliecl all men as rich as lie (And he was rich as rich could be),

^ifefefe-^W

P^. iP TTt"i^i-

P

es^ ^fe ^-*-I

« r- • f-^=F -^ ( 1 3^;=:!—=i=i=n.=

* « * * -> f=S=fE: :l=^

Marco S: Cius.

^ f N K: ^ * ^

So to the top of cv - 'ry tree Tro • mo - ted ev - 'ry - bo dy. *' Now, that's the kind of King for me— He wished all men as

^f1^

=^-t—f^

f' •^ *

3C4=i

-t^C:::^ g^-g^EF

m_^ ^—*=l * /« *-^ ^^^;^;e3^Don Alham.

:?=^ -j^-j—

1

rich as he, So to the top of ev- 'ry tree Pro - mo - ted ev -'ry - bo - dy ! Lord Chan-cellors were cheap as sprats, And

^-^^ r ,:.-j ri I

1=^

M--- «!- ^^ ^^^m^33333: =1

I

!—I

' i -J. ' J.J. J- -J. ' J * ^ '

I—I

P

St ss^

fh s-•—

#

1^ -M—p—M- 5^ g=^f?=E^E-Ei^^ ^iBish- ops in their sho - vel hats Were plen - ti - ful as tab - by cats— In point of fact, too ma - ny. Am - has - sa-dors cropped

i=i^ ^—5z-^ J i J I

I J I J I J I I I -i—{""-i-g^ -8=S=»=S=

:s)—C—s!_

m—

18,844.

n3^

,

l i fLl-

i*_-i

^T=?

-^^-^'^

Page 152: Vocal Score

138

i ^es ife

j^ es'VJl* ,n_j>;

fe^ ^ „ > K > I ^ „ ^-K—

K

r 'M g^^^hE '—I. -BT ^

up like hay, Prime Min - is - ters and such as they Grew like as - pa - ra • gus in May, And Dukes were three a pen - ny. On

J J J J -

^y ^ =5^

i i f I

I ! I —4-Mil 8^^^ 1 1-^~">

I|^^^^P4^_^^=:^^

g

^t "TS

P->—V ^ .-.. N

' ;I'CU" I'-

'

'l i>'-^''J-

^ * » W- ^ '^^'

ev • 'ry side Field Marshalsgleam'd, Small beer were Lords Lieuten-antdeem'd, With Ad -mi - rals the ocean teem'd All round his wide do

9 I «ij

l i i< : « » I^ tre^ S: ^ :S= •

I *

' d ^S=^s ¥

K==S=

J) _> d "^ * i^ii--*-r-

^ i, ^ IS:-•-; !>

^ -^—T—f- * , t^£

min-ions, With Ad -li-rals a • round . . his do - min-ions. And Par - ty Lead-ers you might meet In

"T^Marco & Gius.

> "i3C3dty-»-r

i

twos and threes in ev • 'ry street Main-tain - ing, with no lit - tie heat, Their va • ri-ous o - pin -ions. Now that's a sight yon

tT^ L/ "L/ *^^^ ^

18,844.

Page 153: Vocal Score

139

Don a.

^SF N S i=U=dJ=£J...a=ihfi=J^:fe^^^^^S^i^^^^^^could- n't beat—Two Tar ty Lead - ers in each street Main - tain ing, with no lit • tie heat, Their va - ri • ous o - pin ions

!That

f f p—« « -te t r , r g—#- I ^ ^ , .J I I . I I rr-

m^ ^ ^?^

- ^ ' ; •n , A .Q

?=3^=^F^ »

1

King, although no -one de-nies His heart was of ab nor mal size, Yet he'd have act -ed o - ther-wi?'- If he had been a•

fiShF^Sf^^z=H^E-^^5=^3^^5=S==rh«=s=3t||^

-r 1 * 1 i ^ i 1 — -^1 ' -ir-t-

^=^=^=f^=S* -i i -J

long for si™ -pie pew-ter. men you have no- thing else to wear But cloth of gold and sat - ins rare. For cloth of gold you

1 , , S g:

s^^r^

^3

^^^^^^^tT=«^f^^

p / 1 > * =^

"i ^ U-/

-m—, •-

^'u^' C^ ''^

' C^ "l^ ^ ^18,844.

Page 154: Vocal Score

I40

mV ^^^^^rt* • * m m

=pr

-^r-

cease to care—Up goes tlieprice of shaJ • (Ij-, of shod cly, shod- dy. In

^^^^"•

r *-V^- * ' - ^^^ ^* *- p > * ^^^

^^^-"^-r-^

CJ ' LJ t:^j . i ^ 1^ (T

* r ^ J * . ^ s=s: ^ ^; ;.;^N j^-^ ,^i* ; / ,i^^^5^:^-/—;,«—/— >

I ^ / >

short, who-ev - er you may be, To this con-clu-sion you'll a - gree.WTien cv - e • r)--one is sonic - bo - dec,Then no one's a - ny

t)^

K ^ I -

^ i I I

^ 3 r-irr

g:f- : ^

*- 17*^ -w^ -*• -•

a^ji^J*•— f r'^* r—

"

i IP-

jci

--i

^i^-Marco & Gius.

N r »:?i=T

J^5^ » N

K / • ^^- bo - dy

!

Now that's as plain as plain can be, To this con-clii-sion we a - gree—Wien ev - e - rj'one is

$> K-

m r r

some - bo - dee, Then no one's a - ny - bo - dy

!

—t \ 1 1—^ -t r t

t r t^ ^EHElEi A>^ 1 r 1-

—•—•—

/ ^m » •-

-^—T f 4 S18,844.

^ i^-T

Page 155: Vocal Score

I4J

No. 7. QUARTET—(Gianetta, Tessa, Marco, & Giuseppe).

GiANETTA, Tessa, Marco, & Giuseppe in unison.

i ^=^ -I Nz=j I

* • ^--^^

I j-J-K^M=-

AHftriello moderato.In a com - templa - live fashion, And a Iran - ijuil frame of mind, Free frcr

it^ffi

:^ ,J .

^^-^^

i I-p—--

Piano. /P

-I—P-

^

JLrfeS?^ 3zr

^ :E*

i ^3=^ii^^^ jgp* • J I

-yJ I^^J±JL^?I—^-

ev • 'ry kind of pas - sion, Some so - lu - lion let us find. Let us grasp the sit - u - a - lion. Solve the

I^^ i' i'H-p

^^ ^f- 'I

i^ lEC -P —-?

GlAN.

^^^ E^ ^ S r i,-jU^--^^

^ *-#-=—

#

com - pli - ca • ted plot— Qui - et, calm de - li - be - ra • lion Dis - en • tan gles ev - 'ry knot. In

Tessa.

tJz ^

J^

J J ^ =p=^

com - pli - ca - ted plot— Qui • et, calm de li - be - ra - tion Dis - en - fan - gles ev - 'ry knot.

Marco.I, DO

$-m-

^^5ti=* ^ I ^- ^ ' ^

com - pli • ca led plot— Qui - et, calm de li be • la - tion Dis en - tan - gles ev • 'ry knot. In

Gius. —m-^ J '^^N

com - pli - ca - ted plot— Qui - et, calm de li be • ra lion Dis - en Ian - gles ev 'ry knot. In

&^ jr

j

^=^Sf

^ I r -

m

ipp

18,844. -r-Cf

Page 156: Vocal Score

142

^ m ?=^ =s==«/ N KEi

tern- pla tive fash-ion, And a tran quil frame of mind. I, a

J*I

J" ; J' JH-HM C ''J'JM J--4 ,M a —ipj^ mi^ 333^ arnt

=^doubt, Giu - Sep - pe wedded—That's, of course, a slice of luck. lie is ra- ther dun-der-head-ed, Still dis - tinct-ly he's a duck.

-^ i• Jl

^^^ -> IK r

t)-

-•—*-

I

tem- pla tive fashion. And a tran - quil frame of mind.

^

Free from

ffi Ptem- pla tive fash-ion, And a tran quil frame of mind,

i mFree from

IE

f

m ir T^^?

f ¥r

te=?=C=p^gif ; I C c^-^^ixj^' l c g 't C r r^; JL I c

f fi^ ^11^ ^ 1 1*

if • "• —^^-i^

victim too of Cupid, Mar-co married—that is clear. He's par - tic - u - lar - ly stu- pid, Still dis - tinct-ly, he's a dear.

± PP fiP

i=fs=^ F==?*it ^ — >c

us

i

Ev

PP

'ry kind of pas-sion, Some so - lu tion let us find.

MLet

P £ ^er 'ry kind of pas-sion, Some so - lu tion let us find.

PP^ ^ J|J fB

To Gil -

f If^ltl*

'ry kind of pas-sion, Some so - lu

^0

tion let

^find. Let us

;|J r J

i8.844.

Page 157: Vocal Score

143

PP

^:=?=*

h N r

^r^Z=I ^-#p»sp the sit u . a - lion, Solve the com - pli - ca - ted plot, Qui et,

m m^ ^ ^—=-

grasp the sit u - a - tion, Solve the com pli • ca ted plot, Qui

Jj^c. p p r. t r. f

i;J' 1 r rK r c g ^ g ^ :h r^^^ V y ^ y ]iii ^ -y

¥-

net-ta I was ma-ted; I can prove it in a trice, Tho' her charms are o ver-ra - ted Still I own she's ra • thernioe.

PP^^ i'l J. J""^ 5^

grasp the sit

j^u • a - tion, Solve the com pli • ca

-*

ted plot. I to

m ^^=r

^

calm

calm

de-li

F^F=F4—

#

^be - ra- tion Dis en - tan gles ev 'ry knot !

•—#—

be • ra -tion

S==ii *—

^

calm

S^

de -li Dis en - tan gles ev 'ry knot !

de-li • be • ra- tion, en • tan - gles ev ry knot !

^ E=!y-T?^ i j ' U b hj—+3

-M h— / 1^ :i?=f=V i^ I ;« u * 1^^ « J ^ y

f- V—V-

Tes-sa,'wil-ly- nil -ly, All at once a vie -tim fell. She is what is called a sil - ly, Still she an- swers pret- ty well. She's a

f T r f-^-rr

E*fe^:

18,884.

Page 158: Vocal Score

144

$C PP

S m 53—I—

a

In —a

N N r r—^-^-*- FF-^ ^ J F P r F P ^yi> X / > > V ;^ l^zzjg:

In a con • tem-pla - tive fashion. And if Icancalchhcrl'llpinchherandscralchher, And

$PP ^m ^^ ^ N r

^=5= =«=*

In a con

::^fS=fE :h=h:

templa • tive fashion, And a tran

VPS=JE^^P^

quil frame of

^ r>-f^H^:^S=«*-—•-

^^TT >

Now whenwe were pretty babies Someone married us, that 's clear

PP,

VP

tran

fcT-# > \^f-t3=

^ K r ^

quil frame of

r=H^'^ > <^ * ^^ zr^ 3=5=-•-=-

sil-ly,stillshean«wersprettywell. In a con - tem-pla - tive fashion, And a tran

|^{.;i jV^qui] frame of

:3= zzi-•-^

I

r^T# I*

=fe=^%p=^1?—

^

^^rTrryHT^ te^p^i- =^* I *

i

send her a -way with a flea in her ear. Ev - 'rylvind of pas-sion, Some so - lu

VP . .

tion let

-»<—>-

!>

&mind,

rfc±!2:

mind,

%m

lind.

^t>

S^S

;|J • ^r iMiJ ^ r r iij nTy>.N-;j-EggFree from ev - 'ry kind of pas-sion,

j-I J .rr- rli^^

If I o • vertalvehcrrilwarrantrilmakehcrTo

^J.-Free from ev - 'ryldnd of pas-sion. Some so - lu

PP . VP

IICjWhomthatyoungladymarriedjTo receive her can't refuse. hi

% ^ J

^tion let

nl;jJ;r>;M r[iiJ i.'-n- II ==nlion let

^

^

J=

18,844.

Page 159: Vocal Score

145

^ y—!"—M^- a?^ F-C H • f ^%gS""--/-

find.If she mar-rieJ your Giu-scp • pe You and he will have to part—

4^'? ^^ ^P/)

^tT?^^^ s .11=^ ^^ I'sri ^—•—

u - a - lion,shake in her a - ris - to - crat i - cal shoe; ! g^^sp the sit If

^ :j5=fE:* S

u - a - tion,

—TTthefind. Let

TTus grasp the sit Solve

^ jrnfc^ «

-•—* g

a - tion, Solve thefind. Let

-rus grasp the sit

(^ -«»-

ipp

feJ • r ^

pli - ca ted plot, Qui et, calm de - li be -

im:r j: ni- r7r

|j}j.;j^T7^ -^^^

^=s--*

w

If she mar -ried Mes serI have to do it I'llwarrantshe'llrue it— I'll teachher to mar- ry the man of my heart!

ted plot. et, calm de - li

is Tfcft^18,844.

Page 160: Vocal Score

146

$^, s S r- : f I

f

-•

0-

ra • tion,

P ^ 3^^'/ "^ '

>>'

r ^ r j^ 1 1 1=

No mat-ter, no mat-ter, If I can get at her I doubt if her mother will know her a • gain I

^jj;^ g g^ :3=^^

Mar- CO you're a spin-ster, gles ev 'ry knot !

If>P ^

If

H N s r ^s£

ra • tion, Dis en • tan

PP

gles ev 'ry knot !

=F=P=4—*-

Dis en - tan gles ev 'ry knot 1

m ^^ ^mr f =?=t=i

^ ^^ ^

E „/ ^^ ^^K ]^ iiji ^: F ^ ^ ^ ^

:

> 1 e ^ V^t> 1

1

g ^ r, I. ^^

iftiin J«==;z =f=i25

4i=tc

i^

No matter, no matter, If I can get at her I doubt if her motherwillknowher a • gain! No matter, no matter, If I can get

3 3w3 3 w3 3 L..3 3 3. .3 3

s „V-K i^ h K N ^^ h h K ^W N »^^^^ ^ cc^^^^gc^ ^~r

P

I have to do it I'llwarrantshe'llrueit— I'll teach her to mar-ry the man of my heart! If I have to do it I'llwarrantshellrue it— I'll

/=fs=F ^IFf? ^ 5^ ^ ^^>—p-

?=p^To Gia-net - ta I was ma -ted; I can prove it in a trice: Tlio' her charms are o • ver

: r e F'

g'^ ? ^ r r> >

^^^~f~H"^E

I to Tes - sa, wil - ly nil - ly, All at once a vie - tim fell.

• • • •

^=itj- LJ f ^ U II- 'U I'

She is

^ 0—:. rif , f Jm T M #^^ 7 J

^^-e

18,844-

Page 161: Vocal Score

•47

^^^pT^ ^ jr.i'li 1 44-r-P-g-r-f-^ t ¥ ^-y—

y

1^-y—^—k^—ti* F-K-" 1^—

y

1^—y— ^ / f—i(»-

at her I doublif hermotherwillknowhera • gain! No matter, no mat ter, no mat-ter, no matter, no matter, no matter, no matter, no

^^ ^ tot :is=^ ^ ^^^^s=*=^^^^^m' ' i i \, l' ^SEJ

teach ber to mar- ry the man of myheartl rilteachher,niteachher,l'llleachher,rilteachher,rn teachher.rilteachher.I'l! teach her.I'Il teach her.T'll.

iC ^M MP -^—r-^ ^^^ ^^f^g=i^ ^E?

la - ted Still I own she's ra - ther nice, She's ra - ther, ra - Ihcr, ra - ther, ra ther, ra - Iher, ra - ther, ra ther

S h _ f f-J—J

f—V-=V^ ^ P n^~rr-rp^^'z / V -^ ¥ V y

what is call'd a sil - ly, call'd a sil - ly, sil - ly, sil - !y, sil ly,

M—^—y—^—V-

sil - ly, still she an- swers pret • ty

I• • • • •

^^^—1*-^S^=^^£?=^=S^S

tJ-4 -f- -g m i * Tif tf t f itM^fe!:^

1^^^^ p

^K 1 r

^matter ! Qui - et, calm de - li

^ *-

be - ra - lion

^E -J-^—w—J-.=^

Dis en - tan - glcs cv • 'ly knot !

K-Nf^=^ Is K r

I

teach her

!

Qui - et, calm de - li - be - ra - tion Dis - en • tan - gles ev - 'ry knot !

r. P

M I rli^^ ——

»

PDice. Qui • et, calm de - li - be • ra - tion Dis en tan - gles ev • 'ry knot I

^ P , .

1 r S— S-(t

well. Qui - et, calm de • li • be • ra - tion Dis - en - tan - gles ev - 'ry knot !

^^ 1 1 -P-

P^ T

mb^p ^ 1• 1 r !=r

5=

4 ^i-p-

r '! 1 r -

fr

18,844.

Page 162: Vocal Score

148

No. 8. CHORUS OF MEN (with Duke & Duchess).

Allegro a la marcia.\\ m\L^ * 1 r Ik 1 r H^

#^-^-i-#

Piano. ff

Sfefczti^ 3J1]J1_LJJ

Tenors.

Willi

Basses.

Willi

r r

^PMP 1 r r f-

Ped.

(ii f-n-f-g-TF*

du - cal pomp nnd du - Q.-A pride

±:;±: ^

(An - nounce these com - ers, O ye

r r i!—* b s-

du - cal pomp .^ncl du • cal pride (An • nounce these com - ers, O ye

Si'ii.-

1^ j=^=j=^=F^

'es^ =£J^1 LJU £ Li

18,844.

^m _« _• •-

i

Page 163: Vocal Score

M9

I

$S^

f M> it-^ • f m \

izfc

ket • tic • dii;mmci5 !

)

Comes Ea - ra - ta - ria s higli • born bride. (Ye sound - ing cym • bals clang !

)

She

r r ; c. i^^fcE^^ i £ 1

«—=-

1

.^,^"^ JJ^^ ;-r8—

y

^ Pto claim the Roy - al hand

(Pro - claim their Gra ces, O ye

feEfe ^\ &i' I r^—/-

comes to claim the Roy - al hand

S :.;..

(Pro- claim their Gra -cos, O ye

\m ^-T^ 1 1 i tj^-^ feF—f—«=F!f^^^^^^^^^CS-TT^

* p p -M A * 1» »i P f--I ' r—^—^—^—I

'' C ^—

I

r~"

'^ r ^ r^

i'' > « M ; M r r

^ j^ I * ^ -p—

,

don - ble - bass -es!) Of the King who rules this good - ly land. (Ye bra - zcn brass es bang!) She

m «.

=b=S: rI r f If-- f F: Fir r^ ^ if T

dau - ble - bass - cs!) Of the King who rules this good - ly land. (Ye bra • zcn brass • es bang !

)

She

8w,loco. Jfj £ f , f f -£-

ii°-| % \

\ \\\ r11

18,844.

iSgl-

^=^P -f^4--y-|g^a^^g^-

Page 164: Vocal Score

15°

iDuchess.

/i?S:r=. mrt i—

^

-1

comes to claim the Roy al hand— (Ye bra • zen brass- es bang!)

^ ft . "f" • f , »m^ ^ ;:;,>:» $Duke.

mEU=i=i=t=3^=3^comes to claim the Roy • al hand—(Ye bra zen brass- es bang I

)

This po - lite at - ten • lion

I^>—p-

S^ * -4-

eit^-t—4r

i^ r M M =3==f

petand heart of Duch • ess, ^Yho re • sign their

R^J^ ^£f^ r

• ^ * > J ^

touch - es Heart of Duke \Yith pro^bj> r ^ ^ ^ b.

tKtrfe: r '—

r

^^TT

i ^i^mwShe of beau - ly was a mo - del

M i^Ur^l^J'h i-^g^r' '^J ^. ifound gret. ^\'hen a ti - ny lid - die

VT ' ' i-^i^mU

gi^^l .

r i ^

18,844.

; ^ j/ 'i ^

i

3=p=-:r-

?^^^

Page 165: Vocal Score

>5»

P ^:e;

She's ex - celled by none 1

f mShe's ex - celled by none ! At

U' r J'r n-i^s

tod -die, And at twen - ty • one^

At twen - ty • one

i-W-F- ^^^.^

Sf-p—

^

£3

,^)^'^ J J Jwtwen • ty one

if^^ r r* t^ ^

* * *3=^

(pShe's ex • celled t)y none I

Chorus. ^-i-I

ct.

She comes Is claim the Roy • al hand

• • , • C . d-

(Pro

\1 ^^^ It

She conies to claim the Roy • al hand

-j=p^

^

(Pro -

"* •^—

T

•r irr

l^'^f f f ^HfP-H-; ! !l r r

^ ^. I r fJ r l

fir-ri p

- claim their Graces,O ye doii - hie basses !) Of the King who rules this good - ly land. (Ye bra - zen brass - es bang!)

M^=i^; :;i

r r r^^^rn^-M^i

r r r ^rr^i#3^claim their Graces, O ye dou ble basses !) Of the King who rules this good - ly land. (Ye bra • len brass • es bang!)

Iff * 1tXl**f£7

18,844.

Page 166: Vocal Score

152

No. 9. SONG—Duchess.

Piano.

^

mAllegro con fiicco.

?S2= ^^^J;

52=1 ^H ^^qj4^

/ p

^1. On the2. But I

^:inj ' ;:ra^

:^^_Jl_jJ J

1 j 1I J

1J

1 '*\^J

^1-3

i14= ^ i^i^. r

\ r

^ N ^* ^ • * —*

-^=^^day when I waswed - ded To your ad - mi - ra - ble sire, I ac • know - ledge that I dread - ed An ex •

found that a re - li - ance On my threat -en-ing ap - pear-ance, And a re - so - lute de • a - ance Of ma-

.n. J .^.W .i '

^-'^-^^ ^''' "^^ ' r-r^^

- plo - sion of his ire. I was o - ver-come with pan • ic—For his tern - per was vol - ca - nic, Ana I

ri - tal in - ter fer • cnce, And a gen - tie in - ti - ma - tion Of my firm de - ter - mm • a - tion To

\%ri4-^-^44|3Ti i iVi

Ita ^J ' a ' i =?

=^=5^

I?=fc

-^^"^-^ ^ =S^=i

y=^^-ir^---*-*

did - Ttdare re -volt, Vor'

I fei^d' a thun - der-bolt I I was a! - wa)-s ve • ry wa - Oj Fof ^'S

see what I could do To be wife and hus - band too, ^Va3 the on - ly ihm- re -qui - red for to

18,844.

-aI

• « c

Page 167: Vocal Score

153

l^u^M^s ^Tj*- f ^,jijuj^;_iuLja,jL-ij!^^

fu - ry was ec • sta - tlc-His re fined vo ca - bu - la - ry Most un - pica- sant- ly em-phat - ic. To the

make his tem • par sup - pie, And you could - n't have de -sir'd A more re - ci • pro- ca - ting cou pie. Ev -er

m- ^^3^^ r^~jj.

qS I fjL^^ ^

fc^irj^^^"^' -j'.^. J/ /^^-^^^-r^-^r:^^^^^^^^^^

thun-der Of this Tar- tar I knock 'd un - der Like a mar-tyr; Wienin - tent - ly He was fu - mine, I was gent • ly Un - as - suminp;—Wien re-

wil- ling To be woo- ing,We were bil-Iing—We were cooing ; 'iMien I mere ly From him parted We were near - ly Bro-ken-heart-ed—^^^len in

^V-^^ ^=:

vi - ling Me complete- ly, I was smi-lingVe- ry sweet • ly, I was smi -ling A'e • ry sweet • ly, ve -ry

se • quel Re - u - ni - ted,We were e - qual-Ly de-light - ed.We were e qual - Ly de - light - ed, de

Ji

r

i ^li,J-^J4-4_L^

33= • ? * 71 Nl

dai

W ^,_ajL^^jUu^ i

J

-

n cT r r f ^ply:

ed:

Giv - ing him the ve - ry best, and get -ting back the ve - ry worst— That is

So with dou - ble-shot- ted guns and co - lours nailed un- to the mast, I

iu^i^i^i-.^^^inim

1 ^ 1 J^^t 1 J ijjj :jjj q JI1 1 J^1~1l i" ^=^

Page 168: Vocal Score

154

f J- ^' J'^ K ^ N J^l^^^ < fth pj^ 't ^ fr5E w • P^ -*--—

^

> ^*• *•»

how I tried to tame your great pro - ge • ni - tor— at first ! Giv - ing him the ve - ry best, and get - ling

tam'd youi in - sig • ni • fi • cant pro - ge - ni • tor— at last ! So with do\i • ble - shot - ted guns and co • lours

^ P'P^U q^ J q^ .=^^=F^ li'^^ui

m m ^^, |{l f^-ng:±:

i' ^ ^-

$K b^^ ^. J^J S:=t£ f r-#—?r J^ ^ • ^

back the ve - ry worst— That is how I tried to tame your great pro - ge

nail'd un - to the mast, I tam'd your in • sig • ni - fi cant pro • ge

ni - tor

ni • tor

if'V^ii^ii ^ :J=J^ w^ FtT?

•Sh ^ f±zt: i^±r^

Iisi.

2nti.^2. But I last !

^^Hnnr^LibTLJi^^ vt

gj^b 1 1 1 1-

i i1*1 ^18.844.

Page 169: Vocal Score

155

No. 10. REGIT. & DUET—Duke & Duchess.

Piano

Recit. Duke.^ Eg-jO.

>;—

K

r 1-

''Ss.tdTdro- }'>-- - • i"^ • -'• ^^- { b'i;tr:^"nT-} ^' -' • i"°y • "-' '

r \ g: c iii^ ' -

III!

our attempts we ofiFer\ ;, . j^^^ . ,^^ . ^^^ .

you examples )

i^^

The ("'°'^''

i'''?^*' "f • M mu . ne - ra - tive I

{ mayadd, It smostre- \

DUKt

I- ^f

-Sr -^—gr

IZ2I

SmallThose

:3:Andante moderato.i»j»»

BSErfilimm^

?tesDuchess.

^a J-t^ ii r 1-

They're high -ly delighted !

Their great dou- ble bar-rel.

^S I^J'J'." JU'. J ' ^ ' ^h I

'' ^\y ir ^

ti - ties and or-ders for Mayors and Re- cor- ders I get—and they're high-ly de - 'ight-ed

press - ing pre - vai lers, The rea - dy-made tai-Iocs, Quote me as their great dou -ble - bar • rel

M.

lal

^W^^3 ] ] 1 j-

|

-j ^ ^ 1=*=^

18,844.

Page 170: Vocal Score

156

t^^

lidM^^Yes, Al - dermen knighted.

Such wear-ing ap - par • el

!

h ; J> J^* ' M ' F F -] r:?=?=

li -n-P- ISP.'s bar- on - et - ted, Sham Col-'ncls ga - zet - ted, And se • cond-rate AI - der- men Vnight-ed—

low them to do so,Though Rob- in-son Cm -soe Would jib at their wear- ing ap - par - el

!

Foun

I

x±£^5=r

T * ^ 1 It n*-^ rr^=?=»^ 1 ii ; 1 ;

T

r g"^>~:"^:i——i-i—

f

^'l-' -^ j^2=3 J- •

-*—*-

* *1 *

-r-n

^

^S ±1

Large sum to his ma-kings.

All Com - pa-nies bub - ble !

fee i i\f J J hif.J'; J J .riJ-J,^^ n r 1 r

dation - stone-lay-ing I find ve-ry pay- ing: It adds a large sum to my ma-kings

sit, by se • lec-tion, Up • on the di • rec- tion Of sev • e - ral Con - pa - nies bub- ble

At

As

nn^

mw IS=s

i^^^'h^-^-^ i; ;• : ^ ^

^—

^

J A.'J- I J;' Es

One tenth of the ta- kings.

He's paid for his trou- ble 1

I pre •

At

^char - i • ty din - ners The best of speech-spinners, I get ten per cent, on the ta - kings-

soon as they're float-ed I'm free - ly bank • no - ted—I'm pret • ty well paid for my trou - ble I

i a i'i'ii'i'

18,844.

i n i

Page 171: Vocal Score

•57

fiAAULj^^^LL^^^^^^:,: ; J- J tea^=^ -^^^-p-

sent a - ny la - dy WTiese con- duct is sha - dy Or smacking ef doubt-ful pro • pri • e - ty—

mid - die class par - ty I play at i car - //—And I'm by no means a be - gin- nei-

Wlie

To

m^

^^^^

=K=i»

Doubtful pro - pri - e - ty.

She's not a be - gin - ner.

m

'Is LXJr ^^^^^^^mp ^—^ ^ ^

. . * 1 * .1 1 1 . . . _ 1_ 1 ^* „ .1 1 U 1.

,

^=^ -^F^

Vir- tue would quash her, I take and whitewash her, And launch her in first-rate so - ci - e - ty—

one of my sta tion The re - mu - ne - ra-tion—Five guineas a • night and my din-ner—

^#- • -J- -

P"irst-rate so - ci e - ly !

And wine with her din- ner.

^

m

• • • - . -', -', ^___^ ^^^^ ^^^^

' ^__^^ Laa>:»^ L_^r_J ^^—J * •F_J J^ lS^^ ^l-i-^^

^^^.^i'.^ rri i-.bj^j'-.^;-«—

»

E^ » 1 r :3==5«=?re - commend a - cres Of clum- sy dress- ma-kers—Their fit and their fin - ish - ing touches

write let - ters bla- tant On med - i • cines pa - tent—And use a - ny o - ther you mustn't

AAnd

S ^ -

j!":a=f=

^—

Their fin ish ing touches.

Be-lieve me, you mustn t

m

M5

|8,X44.

T^

PJ

Page 172: Vocal Score

158

EZJ J 4 d * J • * d J ' J \ / g-

h N k» T r

sum in ad - di • lion They pay for per - mis • sion To say that ihey make for the Duchess-

vow my com - p!ex - ion De - rives its per - fee - tion From some • bo-dy's soap—which it does -n't-

ifefc ^^

They make for the

It cer - tain- ly

^ Duke. 2>ui time.

m ^^ ^Wi ^ ^T *

We're vea - dy as wit - ness To a - ny one's fit ness To fill a • ny place or pre •

imDuch-css ! 2. Those

does - u't

!

y,h r^^W—* J 1 r 1 m i i-'-i:-^—

»

^ ^K^ r 1 i=p=^ 1—

1

Duchess.

p-rr^'^' • ^

& h r* fe-N-^J N ^=^ ::iP=^d ^ -§ *

fer • ment— A place or pre fer - ment.

=5±fefc^

(|^^^18,844.

j. l^; j-

1^ I gar

q j ] . I A—

T

^^ ^ '^J- 4

We're of- ten in wait-ing At jun - ket or fi-ling,K-ai

§^ "

Page 173: Vocal Score

159

^W t-^^-^-^ y^:—^

a tempo.

-^ 1 1 N^ ^^^33^^l ^^^-/—«<-^

p

some- times at - tend an in - ter - nicnt—

Duke.

In short, if you'd l;in - die The

^I 1 t-^:=^ ^V ;

•^'-1^W =» 1 r*=» '^ ^

111 slioit, if you'd kin - die ThoWo like an in • ter - mcnt.

^^^P d 1 1

=r 1=3^;F- J: 1 » Ht

I

coUa vocl-.

% r-ta tempo. Ill/

f- 1»-

i 1^ gg

^ *-i: -it red.

^^=i^^ ^s ^ :, n ^->-p-^-^^-:zi=^^ ^^^=^—p- ^*==s=

spark of a swin - die, Line sIm - pie- tons in - to your clutch - es—Vcs ; in - to your clutch - es. O,

gtf-^-J r ==^-^r~t 5fe«i |«»

-|

F- s-/ 9 \t

spark of a swia • die, Lure sim - pie- tons in to yovir clutch - Ci—Ves ; in - to your clutch - cs. Or

:^^ NN4 m f

n-feEl u±izzk

Fed.

h^ » ^ ^ ab lib.

w i±3t ^ * " J * * C C 1 -^ ^,1 r 1

-7=iz

hood-wink a debt-or You can - not do bet-ter Than trot out aDukeor a Duchess,

ad lib.

or a Duchess I

i?A >.'^J'^^|^f^^-:^^^r ^s? ^ 1 r 1

hood-wink a debt-or Vou can - not do bet-ter a Duke or a Duchess

!

fcfc^ iT=S ^ P" ^irzi^1 1 .-iH^)- =i=^ 1 1 '.1 1 -1-

5=^ 1=1

colla voce.

''^^^

fr^-i^ eS ^i=3=^ ^=1-^

—'"1—

V

•in 1 ^^18,844.

Page 174: Vocal Score

i6o

No. 11. GAVOTTE— Casilda, Duchess, Marco, Giuseppe & Duke.

^mDuke.

Eepa-rj^*-

PlANO.

I am a

Tempo di Cavotti. Allegretto

Se ^mfr^

~W3~

Icres.

X sil-j:::^f-^ E£ ^=5^

^ *^ * J—*-

^ii(-. r I

[•

.j_i^

/ic A ^

dint. P

J J J I J ^ :$±cour - tier grave and se - rious Who is a - bout to kiss your hand: Try to com- bine a pose im

voile per - form se - date - ly— Of - fer your hand wiih con -scious pride; Take an at-titude not too

T:I

J J J 1^ ifct-p—^ * 1 p 1 ri si=t r-rrr-rf:

* 4 '

.y,!>• 1' 1^

fe»l7-f fe^

^ ^pe - nous

state - ly,

With

Still

a de

suf

mean • our

fi - cier.t-ly

no

dig

biy bland,

fied.

Marco & Gius.

m -m—•-

1. Let us com - bine a pose im

2. Now for an at - ti - tude not too

m f-'f r f I j

-h fI

I f t^

i!!,S44.

Page 175: Vocal Score

I

i6i

P m ^That's, if

Once - ly.

any - thing, foa nntwice - ly— once • ly.

m *—

#

gr^^zm

pestate

rious With a de • mean - ourly, Still suf - fi • cicnt- ly

nodig

biy

ni

bland !

fied!

m^^^- !'i

r J.;. ^3E ^

mri f—F=^-^^ ^ i

ft

raS J I C "r O J ^bend - ing— Too ag - gres- sive • ly stiff andtwice - ly— Bow im - pres-sive • ly ere you

grand ; I. Nowglide.

Duke, imi time.

to the o

^ '/ I

a J '^ ither ex - trcme youVe

^h -, ^^^E3E^^£*^EiS

2. Ca- pi- lal, both, ca- pi-tal, both—you've caught it

Cas.

i -^m» m

I. Now to the o - ther ex - tretne you're

Duchess.={5=15:^ d d =r=^^

ther ex • treme yoa'reI. Now to the

M\i i—

r

^ s=;=^ :^P :iCt|«

tend ing— Don't be deuc - ed • ly con - de - scend - ing !

Cas. & DucH. znd time.

f*-^ 1^ J l^ ^^ 35=f5Zi h h h , feW? :^!tlT^-^-*-

^-^ * i **

ly 1 That is the style of thing pre - cise - ly ! Ca -pi -tal, both, ca -pi -tal, both—you've caught it

1I j

I E^^^^^ Tl—^-

« ^P

^321 SPlS,8i4-

T^ V €rf

Page 176: Vocal Score

l62

p^ '^g ,'^a =faMarco.^S

tend

nice

ing— Don'tly ! That

be so dread - ful - ly c-m - de

is the style of thing pre

seen ding !

cise - ly 1

^

I. Oh, hard

,GlUS.^n M' r I r

tend

nice

inc;— Don'tly ! That

be so dread - ful - ly con - deis the style of thing pre

seen - ding !

cise • ly !

mI. Oh, hard to

Marco. 2ndtimt.

P^ n ti<f- \

-.

Oh, sweet to

GlUS. ind time.

w^-r g g

I

r p^ ^tend -

nice -

ing— Don'tly ! That

be so dread - ful - ly conis the style of thing

depre

seen - ding I

cise - ly 1

A U-1 =^ 1

! h—1—h-

Oh,sweet to

—I 1

4i-

P

J r~\ :?^=

5 5 5 5 59 ^

I^P,*-;! J J J .^ ^ ^£ Sf ± ^^f=^

please some no - ble - men seem ! At llrst, a - ny -thing, too un - bend -ing; Off we

^?=d m i T -> tv-

~4 J- E^^pa^ _!__4 ^

please some no - ble men seem ! At first, if

3m&.^-ti^sifi

a - ny -thing,

3

too un - bend - iiig

;

OH we

^ I I3=t d • m -H-* m ^ :i M *I

^ 1 g-b^t/

no • ble - man's praise !

PCa- pi-tal,both, ca - pi-tal,both—we'vecaught it

3 3

nice - ly ! Sup - po - sing he's

mV

-+--d—*- -^r-iS- ^m f-^p-p-y-

it-1 * * -B— i

-•*—

^

earn a no ble - man's praise! Ca - pi-tal, both ca - pi-tal,both—we'vecaught it nice - ly ! Sup - po - sing he's

18,844.

Page 177: Vocal Score

i63

^=1fe

i

rrHl,. n-^uA

1^^3 J- J ago to the - ther ex - tieme

Too con found-ed - ly con - de - scend - ing

!

%-f r f r^ ^ ^^m ^

pte

*

CO to Ihc o - ther ex - treme-

* m. gO^-'^FF

Too con - founded - ly con - de • scend ing !

p=

feeright in what he says,

g&^^^This is the style of thing p

^ ;_J J ^ -*— ^:^

light in what he says, This is the style of thing pre

m5

2nd.Cas. /

-^^ fefefer ~,} i r

^5

^

^

Ca- pi-tal, both, ca- pi-tal, both—j-ou'vecaught it

Duchess. / ^^^^m^^Ca- pi-tal, both, ca- pi-tal, both—you've caught it

Marco. /

cise - ly ! Ah,

GlUS. / ^e sDuke.

cise - ly ! .\h,

is—

K

L-* j ^'•

2. Now a ga-

-a—Ah,

'X

eM. (' Fi g

-ati^^.

P

-t-

»

^^^i:

"ss-

i^

^^Fed.

'-i-^i^'

Page 178: Vocal Score

1 64

fe £ p r ^ "^ u * r r t^nice - ly I That is the style of thing pre • cise - ly ! That is the style of thing. the

(fi rJ r

r=ri ^ r r

this

^

E ^the stvle,

J J J'

style,

the

4

T7- ^N S

style,

*H.^J I -J-Tx-r-^ ^

nice - ly ! That is the style of thing pre • cise - ly ! That is the :,tyle of thing, the

--^=^

That is the style of thing, the

That is the style of thing, the

I 1

That is the style of thing, the

tJ+r-tr:ri

^ -"cr Ted. « ^ y^raU.

^=i=S=^ m^f

style

SJ=i^==22I

of thi;

rail.

pre cise • ly

!

-^-

stvle, .

^^the style of thing

rail.

pre cise

_£2—

style

Wk

of thing pre

rail.

cise - ly

!

^ IZZr22i

t7stvle

Sof thing; pre

=S2=

^3^CJ

lystyle

#M^f^^r

jt/"

IeIe

18.S44.

of thing pre

-•—§ ^ feF?^=—r—

ni//.

3=t

-I 1-

3=

P

?^i

Page 179: Vocal Score

16 =

|#%£-^ ^^rrrfi r . ^ r .J^h^^ *1 • 1 ^ 1 • 1

^ :l*-

^

^ ^ ^ ^ -

r- 3^^k^ -q' ' 1 ^—^—1^^^-^

^3 ^f^^f^ ^ =if= -;.e

IIri^r^rnl-^^nl.^:^

^-f-^ag^ ±.=t£: IseI^M^^ ^ J-^-d^- ^^=^~^

"FI, /

-»-

dim. P

^^ ^i^1 ^-r^r 13Err^^—

^

=S'=^-i>-^^-r-

I red.

Ih^ fTr^^ttrf-^^^ £ii-Li ^ r-rf ^/ ^ '^

1 ' 1

^ 'rrH--^- ^^^ ^ 1

i^gi r r J

^m ^^ ^^.^ n_

m rit. ....^* *

P|^ a tempo.

1 i 1 =g= 12=

y / =^r " f "

I

f t -t-

^lS,S44.

Page 180: Vocal Score

1 66

No. 12. QUINTET & FINALE—Casilda, Gianetta, Tessa, Marco,

Giuseppe & Chorus.

6^^^ayg^g^

Cas.

^ E^

i±^

Here is a fix unGlAN.

^^=^^^^M^fe*

;JS^l±^

Here is a fix unTessa.

^ * *

^iHere is a fix unMarco.

^ V

i^

Here is a fi.x unGlUS.

fe^^fc

^^?^^^^^^ ^^—d It-

Here is a fix un -

Molto vh'ace. ^^^-arrLLT^txj LLr-^1-^

^=^F*FlANO. # ;3

^jrrr . r ^ 1

1

1 «P-^^^* 'i 1 d 1

1

«| 1 1 q—1 1I

*—^::^=g: -^H-^^fe^

Fed.

^ ^^ » # r-i

j-:j--F—£-r—g=^^^ £^eS

-t-

pre - ce • den - ted ! Here are a King and Queen ill - slarr'd ! Ev - cr since marriage was first in - ven • ted

ifcr ^f=i^ =P=PF g^^SS ^ 1^Ep^EfefeE!

pre - ce - den • ted ! Here are a King and Queen ill - starr'd ! Ev - cr since marriage was first in - ven - ted

^ ^^ n h h ^ ^ » K <r

4 4 4

m-m 4 4 * 4-

pre - ce - den - ted ! Here are a King and Queen ill - slarr'd ! Ev - er since marriage was first in - ven ted

-P l^U--^±k^ EPrr^rrffefc

pre - ce - den - ted ! Here are a King and Queen ill - starr'd ! Ev - er since marriage was first in ven - ted

mr^'- J JN -j^i;; ; j^^ 4 4 d '

4

4^pre - ce - den - ted! Here arc a King and Queen ill - starr'd ! Ev - er since marriage was first in - ven

^ H^H^^N^N^TJ I (P P^umted

^^'8,844-

1 1 i -T—

^

"^ ^ -^-^

10^ ^

-^"h-^ » i1 1 1 1 :3—g—•- -q-^-

Page 181: Vocal Score

167

^a=££ ifctitf=r=Nev - er was Known a case so hard !^^1-^^^^=^^Nov - cr was known a case so hard!

^\ J' J- jLj^:^^S

Nov - er was known a case so li.ird !

iifc ^P^ F p-

fEEgE ^^M->-

Nov - er was known a case so hard ! I may be said to have been bi - sec - ted By a pro-found ca

fe^ ^^ ^^f-p cr g

I ^^ ^^j^ i^ ^ / i^i ^ ^^'

'M m

Nev - er was known a case so hard ! I may Ije said to have been bi - sec - ted By a profound ca

H?i . — ! I I I I —i*—-I

r-T^ 1 V N^ 1 1 |=3=3=:=H^z:±:a? ^^ ^ -^^-^

:^-^—

^

^

^s i1^*1—

^

^ j "I 1 -rr^l-^ j^ 1 1 1 -^1—^- 11 11 ^ -1—1- -^—=V5=1

fer-^-C-^^ c e I r^ 56h£U_UjLm^iSThro' a ca • la - mi - ty un - ex • jiec - ted I am di - vi - si - ble in - to three !

'^- ^^=(^

t r iL^^-tf ^ I r ^^5^Thro' a en, - la - mi - ty un - ex - pec - ted I am di - vi - si ble in - to three

!

^ > h ^ h >->I

^| ^ l ^^^h^^ l l hi

* ** d~ m s * d d M —d S *s 5^\

Thro' a ca - La mi - ty un - ex - pec - ted I am di - vi - si - ble in - to three !

,£&m.tas - tro - phe !

tttas - tro phe !

^^^^^^m.^^M f P P f_f~M=^ -^=^=^-

-*

1 1

1

9

^^^^^^^^

» "i E

T11/ ^1—1-

1—-y 1 1—y- 1 1

%U 1 1 -1—

^

±3:

18,844.

Page 182: Vocal Score

1 68

^^

I .

|apr—;i:DaiiJ.-_.^.rnJ .'1^-0^^,.-^^:

may be said to have been bi ted !

iVr • :k iHji._.. '

iiJ'.' iJf_^ :S

^V==^^^^^am di

-g=-vi§am dl

TX^'-

am di

kR^^UJ.i^^;J|t^ ^ ^ M ^ ,'^ h ^-fiz=t^^ :ts=f*=fE to:=!;«= ^f=^* * * m M m m "a * _

i^. ble in ihiec 1 Thio" .i ca - la aii - ty I am di - vi - si - ble in - to

N s h s , , . I** .^ M N h ^ =!*=*= ^^^^—n:^S=5 ^ • * *

±fe

si • ble in three

!

Thro' a ca - la • mi - ty I am di - vi - si - ble in - to

?s=i? > h >I

> ' h > ^ rs=j^ ^ > ^^^^^^ -^—*

si ble in three 1 Thro' a ca • la - mi - ty I am di - »i - si - ble in - to

P2:5=^ m^m 1^^^^ —I—I oj >"

^ t;^ T 1 b latM I I 1 1 t*^1S.S44.

v l?r

Page 183: Vocal Score

i *r

169

iccrizDCzrat: j- J J'

^r \^ -"T^^ per:

^three:

53=

O mo - la] - ists all. How can you call Mar - liagc a state of

M > N > J :

:!s=^i:=jc^ E ^:3=«=

three

;

i

O mo - ral • jsts all. How can you call Mar • riage a state of^ ^ > K h^ 3^^ t5=3i: 1 1 * ::g:z=it

three 1

i

O mo - ral - ists all, How can you call Mar - riage a state of

Marco.

ri.ij'^ J- ;r-tj^^=ii^i^y-i 111

^iCZC

O mo - ral - ists all. How can you call Mat - riage a state of

Gms.

Ted,

I?9f=F jLj^^J ^

\ n.''^_j^uLU]t^at—r. i— .^^

i

=;e:

a - ni - tee, When ex - eel - lent hiis - hsnils arc bi - sec - ted. Wives are di - « - si - Tile i-n to three ?

1*—iF^^^

V

H~r-

^*r*=P=

ni - tee, WTicn ex - cd -

M ^ 1^ >

-it—» IbauSs are la > sec - fed, Wives arc di - vi - si - hie in - to three ?

K-

u - ni -tee, When ex eel • lent hits - Vjands are bi - sec - ted, Wives are di - vi - si -hie in - to three?

JUi-j'.' .n ^^=fti-^-i^!UJ^-n-r^=E^

».'

u - ni - tee. When ex - eel - lent has - bands are bi - sec - ted. Wives are di - \-i - si - blc in - to three ?

=1-

[Hrali>^-":j^=r=

H^^ni - tee. When ex - eel - lent hus - bands are bi - sec - ted. Wives arc di - vi - si - ble to three ?

nW *' ^=i^^^N^N^5fe ^^^"IS- •* -•- -•^

zw=:2~M^i

t^:—r-i^ F^-=^=^ -zjt^-^-^

l5^.<U4-

Page 184: Vocal Score

I70

\i^^\ r : : t\

r : : :\r V- if- iz^

P^^=P^-

w

5

s

mm^m.

f.'f^

O mo - ral • isfs all, How cnn you call

i) ^n r ' -P c ^f r rV y -/-

W-^-=i—

=f- ±O mo - ral - ists all, How can you call

=^ ^11It

O mo - ral - ists all, IIow can you call

^^ ^ Efe ^11-

O mo - ral ists all, IIow can you call

^ kF=r=-tiJ • ^ i?J^ J" -^H^i-

±

f r r 1^

r • LiJ-Lf-- L:L}l: C :[ n iV^Ped.

Mar - riage

M-u - riage

Mar . riage

Mar - ria"e a

Mar - riage r.O mo - ral - ists all, How can you call ......

T^

^^^^

^^^^m^^^TZL

state of u - ni - tec,

fefc ^of

^ ^I ^s^^^state of u • ni • tee. Ah ! of

!^;fefc^bI ^ ^^f=±

state of u . ni - tee, Ah! of u

i±^ S ^ii^ ia: 1 r 1 r 1

state of u - ni - tec, ol u

l!,S44.

Page 185: Vocal Score

171

I

^ h ^ h

tee I Mo - lal - ists all, How can you call Mar-ria'ie a state of u - ni - lee

!

. tee

!

Mo ral - ist

^1-^ ^ ^11 : :I

r i

-^ " * *—*—Mo - ral • ists

^£^3Mo ral - ists all. How can you call Mar-riage a state of u - ni - tee I Mo - ral • ists

S^=f5=^1—W

j-1 1 j-^Hr tM-} r^^ ^--^-^=^^tee! Mo - ral - ists all, How can you call Mav-riaire a state of ni - tee

!

Mo - ral ists

i^ r 1 ': rc I

r . , c c c I

:-^-^i^ N n J^^^g^k^w

How can you callMo - ral - ist^ all, Mar-riage a state of u - ni - tee

!

Mo • ral -ists

?-^i-^^e :t

* ^ f»1 1^

^^3

tee

!

Mo - ral - ists all, How can you call lS[ar-viaE;e a state of u - ni - tee

!

Mo - ral -ists

Z^i^IJC

f t T |- -f^fr fT^fr -•- ^ i- f -i. 5: i t

p

^iaf=M=^p^-M-f"^^=y^^=^=l^^-'^H^ L' 1 1 -^=t-^ ^-=^—^-^—

V

18,844.

Page 186: Vocal Score

172

riage a state

friage a state

I^ ifz: fe:^ HtiI-^

liage a state

;fe=e^i^ E

of

riage a state

^of

^^n—^ a==i

fei^ig^^^- M}^^ t* ^E fei=£

riage a state of

:nifc^

JTj^72/• • •

i_t^i ¥ ¥3^^^h?i^

^fefe=

±± ?^^^ :EEt li^Ptrue, One • third of my - self mar - ricd to

-t=^ ?^^ EE=Eried totrue, One - third of my - self

Efe=fe ^ ^ J^Sfe^^true, . When half of my - self mar - ried two

^^ a-1-^-

pWhen b.ilf of ny - solf has mar - ricd two

^ '^^3^*=^ * y ^true,

^ -P- -•-

fe?!H^

When half

-t- ••- -I-

fee

V—^of my - self has . . mar • ricd two

LXj I J. J tff^^P^^f I l-l^^^f li L-11 ^t

'i^ 1 1 ^^ -i^

lb' i>44.

Page 187: Vocal Score

173

it> b m' t—f-A

^=iP=¥

half of ye, you !

t^S^& ^^rf

1 r 1

-r 1 1 r 1

^half of ye, you ,

Ifcfe=# mgteg»

32=r 1 1 r 1-

thirds ol ye,

fefe=^-/2-

you

s r 1 1 r 1±

thirds of ye, you !

m^ r 1 IZZ 32

thirds of }e, you !

*^3;

1 r 1

1^1; uS i i^i« Ef^ 1 1 r 1- iii ir"

^a^, f;^S5^

, 1 1 r

^1 1 V^=?^

rJ . I -i^x-

^ ^

^T^H

-t-

iT S:

:r^"^~^~^^g 1 1 g ^ 1 m^f • \W^Allegro vivace. L'islesso tempo.

r^ff

t/

*i h *i r» *i ^ T

t^ n >:^•

I (? =:^^1 1 i—*1 1 -l» "1 1 p q—

^

«51^ ^ ^^=r=r1r

8 ) „l"» »

B^ ^ ±£:iP^f•s

g''ir N-iM%i^*i fi.*i^i.''*ir ^^f»^^*|p.^ f»/i_^ ^r\J- T^ J'' j-\ ^

TT^ ^ ^ ^ P?d.

_» s m -• '-P

> y / > /Ped.

'!.mm

I'i.^it.

Page 188: Vocal Score

174

iDon Alham.

I Is —fe—j-^ W 3 ^-^ J J J

Now let the loy - al The Trin - ce's fos - tcr - mo - Ihcr has been

J J. JI

J j J ; ^ ; 1 1 J J J. J I J^

«i—*- ^-1—

r

r^ rr •«-

pi

^ =^=F f=rf=i^^^^ =r

n J J NSF^ r 1 >

found 1 Slie will lie clare, to sil - ver cla • rion's sound, The right • ful King

i-j-jfljii^ 1—

r

<i ^ ^E ¥ g^i~i^y^

~ii^M: •—*-

^ ir /

E£=F=^=F

i4^—f^-g=

fz:1 '7^ i-/ ' / f-J &

r

/"/« /if;//£7. Chorus. «; Um^o.

lS,s^4.

Page 189: Vocal Score

175

/

Pm lento.'tu tenia. i i /?\a tempo.

*'let him fortliwith be crown'd

!

mTessa.

f^=FDdke

Speak, wo - man, speak

-

We're i I

pNJ^^^^Nf ^ 1him forthwith be crownM !

Pill lento.

a tempo.^^^^^^^^Ejxtd—ta^^^

GlAN.

I

P—^^^ ?; ^DUCH.

all at5

CAS.V9- ^*-

=t

Don Alh

ten - lion :* The news we seek— Thii mo - ment men - tion. To us they bring-

l^His

^^m m^^p. t H N > ; > : ^ i* .^—t- ^

'\—

b

>?- \—4^

Marco,

fos - ter - mo - ther. Is he the King? Or this my jro-lher? Speak, woman, speak !

Egg^E^^JE^^^^B^^^ M—f3a

fwfT!=^H=^=pHNiT

^ fN^^ £^^=^i

i

Solo. Inez. /'?« /«2/i».

^^ =fe^ESi^=F

r r 1/^^Speak, woman, speak !

gul l""'

i sjf^-^^i~fThe Kny . al Prmce was by the Kmg en -

^^EBEEEfcRoy - al Prince was by the King en - trust - ed To my fond :

18,844.

- • M^t.m.^"

Page 190: Vocal Score

176

iis^ V -I V ^1^ i I

J. J^lr^ ^-^—

^

care, ere I grew old and crust - ed ; When trai - tors came to steal his son re

^^^Ped..i.

JU.

^ J^ .'^ " " J I ^^ -P—

^

l^=T ?E^^*pu - »cd,

V J- V J.

My own small boy I defl - ly sub - sti tu - ted The vil - lains

i^^iKfc^ f^—U=^^'

-J3r ~Z2r ^^

^^^=^-^^-^=1^^-===^ -^^ J J I bJ -^-i-n^K S

3?»—fell in - to the tiaj) com- plete- ly

I hid llie Prince a - way— still s!eep-ing sweet- ly ; I called liini

^^"ST

^t!i:.±fii =^

|5=t^ J^d^-J r . Jl J r ^ ^Utzi^ ^^ -^-^'ion" with par- don a - ble sly - ncss

His name, Lu iz

!

He - hold his Roy al High-ness!

:4^ .n ^'-^=^=^3-=^=^s^

-tj- ^=^=H=tei

r r '—f-^- : 51

if

C^ r '7-|j-^5—

-

Page 191: Vocal Score

s

$mA Tempo2}[vace.m mm*^.

f

^tb:z:^y^^i7red.

177

Cas.

^Luiz.

fLu • iz ! Ca - sil • da 1

-\

Chorus.

'imIs

Is

^^

1

gj^^^fe^

^red. * I'cd.

I'cd.

* Fed.

18,841.

Page 192: Vocal Score

178

^^

id?*r

f^2^

£^a^^^

GlAK. jO

r 1it crrn^Tt'-g g ^^-n-c^^ii^a^^

This slatc-ment we re-ccive With sen - ti-ments con- flict - ing ; Ourthouglitsre-joice andgrieve, Each

Tessa, p

r 1 i|=^^^H^ jLn- J' ; s-rru^^^^-t-^This state-mentwe re-ccive With sen ti-ments con- fiict - ing ; Our thoughts re- joice and grieve, Each

Marco, p

r 1 ^ r r r r. '"r~r~if-T~f

^ r r f ' r

i£fcr

w'^^

This state-mentwe re-ceive With sen - ti-ments con- flict - ing ; Our thoughts re- joice and grieve, Each

Gius. p

r 1 jtTTTT ^^ ^This state-mentwe re-ceive With sen • li-menls con- fiict • ing ; Our thoughtsre- joice and grieve, Each

^"^ff^"> f n ' i^^Ti-i^-^^^^^p.^ ZMZ

r 1 L l.!ff .M -g- f- -g- -g-

P==|E-^-^^-

* *- If- If f- A ^

^l:_^:=^..^sostenufo.

f r r T r r JI r^^

o- ther con- tra - diet- ing ; To those whoai we a - dore \Vc can be re - u - ni

soslenu/o.

ted— On

p^^.-^--^^^i=^^^^-i-4 .

j?^- I J i a^~^~3=fo - thcr con - tia - diet- ing ; To those whom we a - dore ^Ve can be re - u - ni - ted

On

sostenulo.'

^^ ^ r r r-V—P- "^p-

-V—/-f F i> r r r—rrr

o - thcr con -tra- diet- ing; To those whom we a dore We can be re . u - ni - ted On

sostenuto. u_

2i:

^ad'^j^:^^^^ ^

^= J J J- id «—•-

o- ther con- tia- diet- ing; To those whom we a - dore We can be re - u - ni -ted On

^t > "^ *^

•- -•- 4^ *:^-^ *-r I r-

-\

fcfcfc==£+4E^I I

18,844.

Page 193: Vocal Score

179

mf^=^9

^ r 1 J-321

one point r.i - ther sore, But, on the whole,

fe^r—'1 '

^-^—

^

de • light edi

2-^—m *= 3—W*— ^5ji^ 1 ^- -P

~-m ZSL

one point r.-i - tlier sore, But, on the whole, de • light ed!

I I

^:±£=f_azg=B^ gone point ra • ther sore, Tut, on the whole,

^ ^ -p—^-

de - light ed !

I22I

m

mLuiz.

Wien

one point ra - ther sore, But, on the whole. de - light

-23

ed !

1

^fcfe=f^5:^^^d

mr^f w

9P^^

L±6:

-0 f^ :i=F;

!

s

Duke.

^3^As pru - dence (so I

^^S3-4-^^—."^j r |b^^:Jiq«=a=f ^ f=—--

o - thers claim'd thy (lain - ty hand, I wait - ed, wait - ed. wait • ed

^.um^ ^^^^^mE^ ^ r

1

=•—p—•—p- -

I^TP^^^g^^-^^^ =^~»~r- ^^^^=P^?

Cas.-•—•-

un-der-stanrl)nic-ta-ted- ta • ted- ta-ted. By vir - tue of our cir • ly vow Re - cord-ed- cord-ed-

l8,S44

Page 194: Vocal Score

i8o

^^DUCH.

cord - ed, Your p»

^ :SbJ* J'r nr p

and pa - lient love is now Re - ward - ed— ward • ed— ward • ed.

&-±r-r^

, Turn.mThen

Then

j^,x' 'i \'

i'

i^

'

i' i^^ 1^^^ itM:S^

i F=P= ^ * iJ

r i r

#-F f*-

pilEgE

t^i^

hail, o King

^

T- ^ 33=r

of a Gol

^ ^

EE£ fe

- den

-«2.

r

Land,

hail, ]\ini^ of a Gol den Land,

^fAnd the

If-

'^mAnd the

fe^pPpP ,_g^^^^P i^^P^-

J^^=^^a?^^

^E^E-?:;^ ^ "-T

fe= fei 3 rgi

i^ E^ ?2=

fe:^

tr=^

lS,S44.

i^z:-1 r-high - born

:i2i

high - born

biidc who claims his hand- The

^^s Jr±

Vni'le who his hand- The

past is

f t.

past

Page 195: Vocal Score

ISI

¥=

-fSh -g- -<g- f- jt.

L I f f If \ mjgf^MH^^M^1—^f

roy - al crown an<l a gol - den

tip • : a=a

roy - al crown and a gol - den^

^ te

^^^^^^^Fed.

^^^^throne ! . .

1^throne

Allegro con brio.

Vff

fefej^ _^k_ \-y - ^j^^l^^^^^^li^i^is^ife .,-^

3 T 1

#

I

Once more

ffi?fT!f .Mf . ff^ fl t

±^ L> ^ 1

/

^^rL' l ilT l J^^^^^^B18,844.

Page 196: Vocal Score

I82

Ct f i\i f. t^^ f=^^=^%au^S^! P M Mv ^gvn -do Her • i, Both skil - ful and wa - r)-, Free from this quan - da - rj' Con • ten -ted are All,

g^^=V l> »" y Lp* »< '>> i^

ti-l: -^

^ V ^ \ 'f -^ •/ \ "/ '/ V

m ^m r •—•—

^ ^sS BES ^3E ±^M

- - al - ty

^ :^=p

^

:i=f: ^1- 11

From Roy

1=^;

From Roy

u^^__L."^=Ff-V—»<—i>'-h

al ty

:i=3=-^—•--»—«—ir

/> g pg

IS iSS

-pq:

g-^M » a *~

tr—;?—'—»' / '—i' / ^ ^fly - ing, Our gon - do • las ply - ing. And mer - ri - ly crj- - ing Our ^'pre- mi" " sta • /;

.'

-• g ' *^s3^^^Ah!

^=l^.=j=|j=t^-y—ip^

t *!_

-y—^- ^^ =P=ftV / X

-> *

1^ / /- ^_LJ^^^4=£-V / l^

- ^3fly - ing, Our gon - du - las p-v - ing, And mer-ii • ly cry - ing Or.r " /re- mJy" "sfti - //•'" . *

Ah I • •

Page 197: Vocal Score

i8;

^ =lin=:n -q—^- a^=j^h^iiN^f^j^So goodbye, ca - chu ca, fan • dan • go, bo

jgTT^ra ^^^^^^^m

So good-liye, ca • cliu - en, fan • dan - go, bo

pesank.

IVI

I

^^^3

grf^-^3 Ii P^ 3^

t %

I

^rfiF^i^jat|4^

1 1

f_j;; -.I N t'fmf'm-tf^iSipa

le - 10—We'll dance a fare - well to that mea - sure.

mMMMs d^^ f_! -, f 1^ IMxlill^Old Xe - res, a - dieu—Man- za - nil - la—Mon - tc - vo—Wc

Ic - ro—'We'll rinnce a fare - well to tliat mea - sure. Old Xe - res, a - dieu—Man- za nil - la—Mon - tc - ro—We

^m^^^^^^^^^^m&f^=tff

-• "i ^

-Jt-

BB^ ^^? sr^^" f

leave you with fed- ings of plea - sure!

m^m^T^~^^^^^=^^^=^^^^:^:^ ^^Once more . (/d - Ikr i Both sLil ful and wa - ry, Free

^jU-g-£ ^—g—g-T^1 1n

J»- :F- * •#- ^ -*-:f-

-*- rf- :f^ ^ ^

leave you with feel- ings of plea sure

!

Once more gon do - /;Vv- - i Both skil - ful and wa - ry, Free

*^i^^^i^^^A^ii^^^^s

=M= *=»: l±i^4U 'I J i^JJ=H=j3^^^j^Bj^p^^^^

18,844.Ved.

Page 198: Vocal Score

1 84

^ej^^qy^-fl-j^^^^u -^^^ i J - .^1m f w

^

^^ U U

from this quan - ila - ry Con - lent - ed are we,

-* •-

Ah! Ahl

i ^^g '--'liU-riv r~c^ ±from this quan - da ry Con - tent - ed^ are_

i^ff , T rf 1^!=£f£,^^-i^

we, . , Ah ! Ah!

-=1—

^

1ii_

m^=4 ^u^ -CiJ^e:.

iimS I

-. .'^ II

^''^^^ig-^1^ HE ^=t '^^ m

once more, (/i; - /;Vr - /, gen - i/i' • /?>r • i, ,

»*_&. ^:_i._ —.^^ — I-

once more, ,^<7« - do - //Vr

EE -,, - 1 -Pa - 1 - I «^1

r-!

^^5=1^ l=«5

#

^se^

^ rnr^^ .—»-

-u—^—^—•-r#=j SI 4rf U-w g-l-t- -y—i^ -y—i'—1^'

So good-bye, ca - chu - ca, fan-givi - do - Her i, Con - tent - ed are we !

I±- S: ± tr

r=FFg IPP^ -^--^^ :5=J2

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%va. .. .loco. _ ^-:

•Con tent cd So good-bye, ca - chu - ca, fan-

Page 199: Vocal Score

1 85

I

pip^PPpsf ^*=^ #

0—-^ y !>^-'-y— t^

V ;»

J.-in - go, bo li; - lo—We'll dance a fare - well to that mea-sure- OKI Xe - res, a - dieu—Man - za

P#fi#^t#^^^i#fa^^W^^^tt-Old Xe - res, a - dievi—Man - za

(fe=r;-Frrl^^ ^-if.s ±

J4[^-5^:

%m *-^r—n hm * , p • ^*-^—^

^'

^—jji—i^-"—>>—y—j**—'—><—y—y-

nil - la— Mon - te ro— Wo leave yovi with feel - ings of plea - sure, with feel - ir.gs of plea

rail.

^'^^.^^A^J^^J , . \ % -IJy^^ t \^?^V—t^ •* /

nil - la— Mon - te ro— We leave you \\\\\\ feci ings of plea - sure, with feel • ings of plea

^i>M^»^ ^=^ =i?-:5t:

^ r ' F=?= 7=F

mrail.

f^3^ #

i''T^ ' T^ ir

w

*^ —

^

^g^=^

j^ :

^f-^ :

sure ! .

^g ^3 -^t-^

sf sf trein.

1:^i:

r.18,844.

5.End 0/ opera.

HENDERSON & SPALDING, TYPE-MUSIC & GENERAL PRINTF.RS, 3 & 5, MARYLEBONE LANE, OXIORD STREKr, LONDON, W.

Page 200: Vocal Score

THE

MARTYR OF ANTIOCH.ium\ Mu.^ical Snimir,

THE WORDS SELECTED AND ARRANGED FROM MILMAN'S POEM.

MUSIC BY

ARTHUR SULLIVAN.

Price 5s. Bound 7s, 6d.

TRIAL BY JURY.A

WRITTEN BY

W. S. GILBERT.MUSIC BY

ARTHUR SULLIVAN.Vocal Score, 3s, nett.

Pianoforte Solo, 2s. 6d. nett,

CHAPPELL & CO., 50, NEW BOND STREET, W.And 15. POULTRY, E.G.

Page 201: Vocal Score

PATIENCE?OK,

BUNTHORNE'S BRIDE.^n nitircln l^lclu anb ©viginal ^esthetic ©ptVit.

Words by W. S. GILBERT.Music by ARTHUR SULLIVAN.

VOCAL SCORE 5.s. nett, Cloth nett 7 (i

PIANOFORTE SOLO nett 3

LIBRETTO nett 1

DANCE MUSIC BY CHARLES D'ALBERT.Patience Waltz Solo or Duet 4

Patience Lancers 4 o

Patience Quadrilles 4 o

Patience Polka 4 o

Orchestra, 2s. nett. Septett, Is, nett.

VOCAL MUSIC.Hey, willow, waly, O Sono; or Duet, each 4

A most intense young man 4 o

Silver'd is the raven hair 4 o

In the twilight of our love. (Adapted to melody ofthe above for drawing-room) 4

When I first put this uniform on 4 o

The silver churn 4 o

Love is a plaintive song 4 o

I hear the soft note. Sextett and Chorus 3

PIANOFORTE ARRANGEMENTS.BOYTON SMITH'S Fantasia 4

KUHE'S Fantasia , ^ o

SMALLWOOD'S Easy Fantasias, 1, 2, 3 each 3 o

FRED GODFREY'S Grand Selection (as played by all the Military Bands) 4

Ditto Ditto As a Duet 5

VIOLIN AND PIANOFORTE.HENRY FARMER'S Fantasia 5

VIOLIN.All the Favourite Airs arranged for the Violin nett i G

FLUTE.All the Favourite Airs arranged for the Flute nett i g

CORNET.All the Favourite Airs arranged for the Cornet nett l G

CHAPPELL & CO., 50, NKVv^ BOND STREET,AND 15, POULTRY, E.G.

Page 202: Vocal Score

POPULAR SONGSBy ARTHUR SULLIVAN.

You sleep (" Serenade "), in C and D flat

„ (Italian words) E tu nol sai (Sitng in " The

Profligate")

If doughty deeds

A weary lot is thine, fair maid

The maiden's story

Arabian love song (in G minor and A minor)

I heard the nightingale (in F and A flat)

Thou'rt passing hence

Thou art weary (D minor and E minor)

The distant shore (in E flat, F, and G)

Sweethearts (in A flat and B flat)

Tender and true (in E flat and F)

Ever (in B fiat, C, D flat, and E flat) .

The Lady of the Lake

For other Songs see Operas, &c., by this Composer.

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