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8/7/2019 What I Love Lucy Can Teach You About Writing Tics
http://slidepdf.com/reader/full/what-i-love-lucy-can-teach-you-about-writing-tics 1/3
Quick, what annoying trait do writers and I Love Lucy share? In the classic
episode “In Palm Springs,” Lucy and her gang drive each other up the wall
with their irritating habits: Ricky’s finger tapping, Lucy’s coffee stirring, Ethel’s
noisy eating, and Fred’s key jingling. Writers aren’t much different. We tap,
stir, slurp, and jingle our way through our stories, gleefully unaware that
we’re driving readers crazy with our personal writing tics.
The very fact that we’re unaware of these tics means they can be insidiously
difficult to find, much less overcome. Technically, a “writing tic” is any
repeated mistake, so the term encompasses everything from major plot
problems to grammar boo-boos. The only remedy for these types of tics is
applied study of the craft, a good editor, and lots of practice. However, some
of these villains aren’t blatant mistakes. Sometimes tics take the seemingly
innocent form of overused words and pet phrases.
Commonly Overused Words
Some words are overused so often that they find their way onto the Wanted:
Dead or Alive list of practically every author, agent, and editor (not to
mention reader). Usually, these are words that are flabby, boring, or just
plain unnecessary (in fact, “just plain” has a pretty good price on its head).
Run a search for words such as very, just, that, quite, nice, some, seemed,
almost, and such. Whenever you find one, gun it down. Nine times out of
ten, you’ll realize the word isn’t even needed to convey meaning or flavor.
What I Love Lucy Can Teach You About Writing Tics
www.wordplay-kmweiland.blogspot.com
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8/7/2019 What I Love Lucy Can Teach You About Writing Tics
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Personally Overused Words
In addition to generic tics, each author has his own cache of pet words and
phrases, most of which are perfectly fine when used once or twice, but which
become overbearing, distracting, and flat-out nauseating when they crop up
in every chapter. Each author’s personal tics are as unique as the rest of his
writing, and, usually, he’s completely blind to them. For example, “throat,” “quirk,” “jaw,” and “muscles” are words I’ve learned to guard against in my
own writingwords one beta reader refers to as “Weiland Specials.”
This blindness is the very thing that makes these tics so dangerous.
Ultimately, we’re completely at the mercy of our critique partners, beta
readers, and editors to help us identify which words and phrases we’re
overusing. Nothing is more valuable to a writer than a pair of objective eyes.
But we can also get a head start on these tics by utilizing tools such as
Wordcounter.comwhich allows you to search for both overused words and
overused phrases of a specific lengthor the Smart Edit scanning feature in
PageFour, a word processor designed specifically for writers.
Dialogue and Gestures
Some of the most nefarious felons in the underworld of writing tics are those
that appear in our dialogue and our descriptions of a character’s gestures. As
with all tics, overused dialogue phrases (such as you know, look here, and
now then) and overused gestures (shoulder shrugging, eyebrow raising,
and arm crossing) are often unintentional on the writer’s part. But
sometimes we incur deliberate guilt in an attempt to characterize through
consistent personality quirks. This is acceptable up to a point, but be careful
you’re not overdoing your protagonist’s habit of shoving his glasses up the
bridge of his nose. Mentioning this once or twice will be more than enough to
get the point across to readers.
Because writing tics continue to evolve throughout a writer’s life, we’ll
probably never completely master them. But it’s important to be vigilant, lest
our readers get any bright ideas from that I Love Lucy episode and come
after us with a baseball bat!
8/7/2019 What I Love Lucy Can Teach You About Writing Tics
http://slidepdf.com/reader/full/what-i-love-lucy-can-teach-you-about-writing-tics 3/3
About the Author: K.M. Weiland grew up chas-ing Billy the Kid and Jesse James on horsebackthrough the sand hills of western Nebraska, whereshe still lives. A lifelong fan of history and thepower of the written word, she enjoys sharingboth through her novels and short stories. Visit
her blogs Wordplay: Helping Writers Become Au-thors and AuthorCulture to read her take on thewriting life.
www.kmweiland.com
www.wordplay-kmweiland.blogspot.com