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What Makes A
Winning PhotographHOW TO GIVE YOURSELF AN EDGE WHEN ENTERING PHOTO CONTESTS
Presented by Paul Keske
This Presentation…
Has Multiple Components
• In Camera
• Contest Rules
• Image Selection
• Image Prep (Editing/Printing)
• All of these come before a judge looks
at your image
How Do You Choose An Image for
Competition?
The Bottom Line
The image you select to enter
needs to catch the judges eye in
order to be considered for
placement
Your job is to simply provide an
image that catches the judges
eye.
The Bottom Line
Your image needs to catch the
judges eye to be considered for
placement.
The Problem is – How
do we do that?
How Do You Choose An Image for
Competition?
Start with the Rules…
What images are acceptable
Are there categories
Color or Black and White
Editing
Image size
Presentation
Print or Digital
Mounted, Matted, Framed
Some Things to Think About
Divorce yourself from the emotion of the moment. Look at what is
really there rather than the emotion that you felt during capture.
Live with the images you select. Place them where you will walk by
them daily and if you still like your choices after a few days they are
probably good choices
Have someone you trust (but is removed from the images) review your
choices and offer criticism
Don’t look as your work as a fan but rather be your own harshest critic.
As you’re going through your portfolio looking for entries…
Most people judging a contest are
competent photographers
When reviewing a group of images a good judge can
spot technical and compositional flaws rather quickly.
The fewer problems your photo has the better chance
it will make it past the initial cut and be considered for
a placement.
What does a Judge Look For
Images that are…
Technically Perfect
Good Composition
Have Gesture/Moment
These Items are Scored by the Judge
Technical Aspects
Composition
Gesture/Moment/Impact
Each Category is given equal weight.
Some Things to Strive For
Subject Centric
Simplicity
Tells a Story
Taken at the best
Moment?
Your Image Review - Technical
Properly Exposed
Blown Highlights/Clipped Shadows
White Balance
Sensor Dust
Properly Sharpened
Noise
Good Contrast
Straight Horizon Lines
No “Bad” Photoshop
Examples – Sensor Dust Spots
Examples Crooked Horizon Line
Example – Blown Highlights
• Blown Highlights
• No Sky Detail
• Horizon in Center
• Distracting Element
• Sensor Dust Spots
Examples – Bad White Balance
Example – Over Saturated
Examples – Cut off Elements or
Awkward Elements
Bad Photoshop
• Plastic Skin
• Transparent Hair
• Over Whitened
Teeth
• Mismatched
Eyes
Missed Focus
Over Sharpening
Eliminate Distractions
Change your position to the subject
Change your POV relative to the subject
Try a different lens
Try a different aperture
Composition
Subject Centric
Framing – Horizontal, Vertical, Square…
Remove Distractions Eliminated
Subject Placement in the Frame
Lines
Horizon Lines
Visual Mass or Pull
Patterns
Symmetry
Example
Photo by Michelle Wittensolder
Gesture/Moment The “Wow” Factor
Have you ever seen a best of show images that has an
obvious technical flaw but was still chosen as BOS?
An image that elicits emotion will
often trump the technical or
compositional aspects of the
photo.
Gesture/Moment--The “Wow” Factor
• Elicits an Emotional Response
• Makes You Feel Something
• Tells a Story
• Interesting
• Expresses YOUR Vision – What you saw and felt
This is what determines WINNERS
How do you know if your image has it? If you have to ask that
question it doesn't. If it’s there, you know it.
Gesture
Example
Photo by Michelle Wittensolder
Moment Trumps Technically Perfect
“ It is not the sharpness of the image to which people will respond.
They will not, one day in the distant future, speak about your stunning
histograms.” ~David DuChemin - The Soul of the Camera
Is Editing Necessary?
In most cases, some editing is
necessary. How far you go with
editing depends on the contest rules
and your editing skills
Remember – even SOOC images
are edited. Your camera
processes jpg images based on
the settings/choices you make
before pressing the shutter.
Straight Out of Camera Images
Must be shot in jpeg format, so…
Have to properly set…
Exposure
White Balance
Horizon Lines
Contrast
Saturation
Must Not
Have Sensor Dust
Have Vignettes due to Wide Angle Lens
Lens Distortion
Chromatic Aberrations
If you are using images SOOC
Shoot at the highest jpeg quality
Pay attention to White Balance
Choose a picture style that does not give a flat image scene
i.e. Portrait, Landscape, Vivid…
Shoot in Adobe RGB
Keep your sensor clean
Pay strict attention to Horizon Lines
Keep Distractions out of your scene
Minor Editing That Should Be
Performed
Remove Sensor Dust
Straighten Horizon
Crop for Print Size/Composition
Tweak White Balance
Basic Editing
All RAW images must have some editing at a minimum to convert them to a useable image.
Exposure Adjustment – Tonal Adjustments
White Balance – Color Adjustments
Choice of Picture Styles and Camera Profiles
Cropping for print size
Removing Sensor Dust Spots
Straightening Horizon Lines
Converting to B & W when needed
Sharpening
Remove Distractions
Creative Editing – Giving Yourself
an Edge
Tonal Adjustments
Dodging and Burning
Color Adjustments
Correct White Balance
Vibrance and Saturation
Creative Effects
Vignettes
Selective Color to Improve Tones and Colors
Color Grading
Monochromatic Images/Toning
Selective Sharpening
You be the Judge
SOOC
You be the Judge
Creative Edit
Presentation
One sure way to be eliminated from consideration is to present
your image poorly.
• If you want the judge to consider your image it needs to
look professional
Print and Mat Yourself vs Having it
Done Professionally.
Do It Yourself or Not -
Things to Consider
Monitor Calibration
Prepping for Print
Cropping for Print Size
Paper Choice
ICC Paper Profile
Soft Proofing Image
Inkjet Printing
Finishing
Pre-cut Mats
Custom Matting
Flush Mounted