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What's in a story? Getting the best out of interviews, personal accounts and life histories Gaby Weiner January 2013

What's in a story? Getting the best out of interviews, personal accounts and life histories

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What's in a story? Getting the best out of interviews, personal accounts and life histories. Gaby Weiner January 2013. Questions. What to do? How useful as research method? What are strengths? What are weaknesses?. What to do. Documentary evidence (access, photocopying/scanning) - PowerPoint PPT Presentation

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Page 1: What's in a story? Getting the best out of interviews, personal accounts and life histories

What's in a story? Getting the best out of interviews, personal

accounts and life histories

Gaby Weiner

January 2013

Page 2: What's in a story? Getting the best out of interviews, personal accounts and life histories

Questions

What to do?

How useful as research method?

What are strengths?

What are weaknesses?

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Page 3: What's in a story? Getting the best out of interviews, personal accounts and life histories

What to do

• Documentary evidence (access, photocopying/scanning)

• Interviews (access, video/audio recording, transcription, ethics)

• Diaries, memoirs, memorabilia (access, photocopying/scanning)

• Similar studies • Wider literature review (access to journals,

libraries, Internet)20/04/23 Gaby Weiner 3

Page 4: What's in a story? Getting the best out of interviews, personal accounts and life histories

Autobiography: definition & sources

• History of a particular life, written by the self;• Complex interplay between the present and past life, reviewed at specific stages;• Subject has ownership of voice and text• Act of autobiography is in the present.

InterviewsLife-story tellingLife historiesOral historiesLetters, diariesJournals

sources

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Page 5: What's in a story? Getting the best out of interviews, personal accounts and life histories

• History of a particular life, written by another • Narrative structure• Act of biography is in the present.• Influence of BIOGRAPHER

Biography: definition & sources

InterviewsCase-studiesLife-story tellingLife historiesOral historiesLetters, diariesJournals  

sources

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Page 6: What's in a story? Getting the best out of interviews, personal accounts and life histories

Collective biography (prosopography)

• Study of individuals belonging to the same field e.g. teacher educators (Erixon Arreman, 2005);

• Based on a comprehensive collection of data e.g. social origin, education, characteristics crucial to the field

• Same set of data collected for each individual; • Main focus on the history and structure of the field

(not the individual)

(Bourdieu, Pierre, 1988: Homo academicus. Polity, Cambridge).

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Page 7: What's in a story? Getting the best out of interviews, personal accounts and life histories

Narrative into scholarship

What makes narrative into life history (the overall picture of the informant's or interviewee's life, usually gathered by means of an interview) is a second layer and further interpretation, usually by a scholarly other.  Thus, the first layer is more autobiographical and the second, biographical. 

Goodson. Ivor & Sikes, Pat. Life History Research in Educational Settings (Buckingham: Open University Press, 2001), 16.

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Page 8: What's in a story? Getting the best out of interviews, personal accounts and life histories

type, e.g.popularpathography – ‘digging up dirt’scholarlypolitical/critical

genre, e.g.historicalliterarypoliticalmilitaryeducational

Auto/biographical forms

focus, e.g.‘famous’ people – celebrities, villains, freakskey historical actors i.e. ‘great (white) men/women’ordinary people (hitherto)invisible people (hitherto)

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Page 9: What's in a story? Getting the best out of interviews, personal accounts and life histories

Why now as research?

• Growth of interest in the individual as subject• Wish to ’humanise’ research• Concern to acknowledge agency• Attempt to know the ’other’ – e.g. social justice,

feminism, multiculturalism/antiracism, dis/ability • Post-structural turn – rejection of the universal• Making visible the invisible• Interest in ‘why and ‘how’ as much as ‘what’, ‘when’ and

‘how many’• Interest in relationship between individuals and social

structureeee Gaby Weiner 9

Page 10: What's in a story? Getting the best out of interviews, personal accounts and life histories

Importance of interpretation

‘Mom and Pop were just a couple of kids when they got married. He was eighteen, she was sixteen, and I was three’.

(Opening to Billie Holiday’s autobiography Lady Sings the Blues, 1956)

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Page 11: What's in a story? Getting the best out of interviews, personal accounts and life histories

Truth?

In fact:Billie Holiday’s mother, Sadie Fagan, was nineteen when she was born, and her father, Clarence Holiday, was seventeen, They never did marry, never even lived together. Billie Holiday (real name Eleanor Fagan) was not born in Baltimore, as she always said, but in Philadelphia

(Rose, P., 1993, The Norton Book of Women’s Lives. New York: WW Norton & Co: 402)

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Page 12: What's in a story? Getting the best out of interviews, personal accounts and life histories

Reflections -

How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but – mainly - to ourselves (Julian Barnes, 2012)

An autobiography is an obituary in serial form, with the last instalment missing (Crisp, 1997)

A well-written life is almost as rare as a well-spent one (Carlyle, 1827)

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Page 13: What's in a story? Getting the best out of interviews, personal accounts and life histories

Reflections +

There is properly no history; only biography (Ralph Waldo Emerson)

The history of the world is but the biography of great men. (Thomas Carlyle)

Read no history--nothing but biography, for that is life without theory. (Benjamin Disraeli)

(All quotes from nineteenth-century ‘great men’)

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Page 14: What's in a story? Getting the best out of interviews, personal accounts and life histories

The Autobiographer

I do not belong to the class whose public lives entitle them to call their autobiographies “Memoirs”, generally men and women who have actions on a wider public stage to record or defend, or who have lived close to great events and those who took decisions affecting them. I have not been among them. Probably my name will figure in the histories of one or two specialized fields, such as twentieth-century Marxism and historiography, and perhaps it will crop up in some books on twentieth-century British intellectual culture. Beyond that, if my name were somehow to disappear completely from sight, like my parents’ gravestone in the Vienna Central Cemetery, for which I vainly searched five years ago, there would be no discernible gap in the narrative of what happened in twentieth-century history, in Britain and elsewhere.

Hobsbawm, Eric. Interesting Times: A Twentieth-Century Life (London: Allen Lane, Penguin, 2002), x-xi20/04/23 Gaby Weiner 14

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Act of auto/biography

He [Bennett’s father] stopped at the bed of a sad, shrunken woman with wild hair, who cringed back against the pillows.

“Here’s your Mam,” he said.

And of course it was only that, by one of the casual cruelties that routine inflicts, she had on admission been bathed, her hair washed and left uncombed and uncurled, so that now it stood out around her head in a mad halo, this straight away drafting her into the ranks of the demented. Yet the change was so dramatic, the obliteration of her usual self so utter and complete, that to restore her even to an appearance of normality now seemed beyond hope. She was mad because she looked mad.

Bennett, Alan. Untold Stories (London: Faber & Faber, 2005) 12.

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Pictures as Autobiography

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Pictures as Biography

1923

192419281925

1940s

1950 1954 1963

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‘Professional’ auto/biography

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Pictures as biography,Harriet Martineau at 31

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New autobiographical forms

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What does auto/biography offer as research?

• the truth about an event or a life?• a truth about an event or a life?• retrospective and therefore perhaps unreliable

narrative? • conscious selection from experience?• attempt to create unified subject?• complex production of truth/fiction?• Shows impact of social structure on

individual?OR ???20/04/23 Gaby Weiner 22

Page 23: What's in a story? Getting the best out of interviews, personal accounts and life histories

Issues in auto/biography as research (summary)

timeidentity

memoryresearcher

methodology

multiple, fluid, constructed

past, present, future

fallibility, accuracy, false

memory

interpretation,representation,

reflexivity, ethics

quality of evidence, validity, reliability, rigour

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Page 24: What's in a story? Getting the best out of interviews, personal accounts and life histories

Doing educational narrative or auto/biography

Write about one’s own education/life or experiences

Write about someone else’s education/life or

experiences

• What do you emphasise?• What do you leave out?• How do you shape the story?• What voice do you use?• What form of evidence do you draw on?• What ethics are involved?• What is your key message?

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Page 25: What's in a story? Getting the best out of interviews, personal accounts and life histories

Contact details and information

Email:

[email protected]

Website:

www.gabyweiner.co.uk

Book: Deconstructing and Reconstructing Lives: Auto/biography in Educational Settings, with Lucy Townsend, Althouse Press, 2011

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