Download pdf - Barnard Bulletin December 2015

December 2015

Heading Home for the Holidays

& Birth Control in the Public EyeA Tree Grows in BarnardDebora Spar!s New York City

LIKE US ON FACEBOOK: facebook.com!barnardbulletinFOLLOW US ON TWITTER: twitter.com!barnardbulletin

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THE BULLETIN !"!#!" December 2015

Rebecca Deczynski '16 & Sarah Schreiber '16 Editors-in- Chief

SOCIAL MEDIA Erica Harreveld '18Tanya Lalwani '18

FEATURESAnna Weill '16

POLITICS & OPINIONSheli Frank '16

ARTS & ENTERTAINMENTaiko suyemoto '16

NEW YORK CITY LIVINGAriana Busby '18

HEALTH & STYLEAmanda Breen '17

BARNARD BULLETIN3009 Broadway

New York, NY 10027

TheBarnardBulletin..Com

Jordana Roat '16Creative Director

ART EDITORNoa Herman '18

COPY EDITORSDanielle Owen '17

Jessica Tschida '18Lauren Zhang '18Izzy Kramer '19

Lauren Whittaker '19

Rachel dunphy '16Managing Editor

PHOTOSHOOT DIRECTORCARINA HARDY '18

PHOTOGRAPHY EDITORSHARON WU '18

THE BULLETIN !"!3!"!December 2015

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G$&H$%%*:D$3$..)&O&C)%)/

A Letter from the Editors

3 // Letter from the Editors5 // Behind the Scenes

6 & 7 // Trending & Playlist

Health & Style8 // Put Your Best Winter Boot Forward

9 // Winter is Coming: Defensive Wellness10 // Dress Well, Do Good

11 // Trends So Nice We'll Wear Them Twice12 // Beyond the Pill

14 // Clean Eating: A Dirty Myth?15 // Sustainable Beauty

Features16 // Dear Senior Me

17 // The Much Needed LinkedIn Tutorial18 // Centerpiece: There's No Place Like Home for the Holidays

22 // In Her Words: Being an International Student24 // Love, Actually: Ghosting

26 // The Advice That Carried Me Through College27 // Around the world in 25 Days

28 // The Bulletin Guide to Must Take Courses

Politics & Opinion30 // A Tree Grows in Barnard

32 // She Said She Said: TV Show Reboots33 // Angela Merkel

34 // Divesment investment37 // Babies for Bernie

38 // Presidential Christmas40 // Killers in the Classroom

Arts & Entertainment42 // Top 5 Holiday Specials

43 // The Misty Project44 // Murray Christmas!

New York City Living46 // Top 5 Lesser Known Museums Around NYC

47 // The Old Man and the Museum48 // DSpar's New York City

49 // Bites Beyond the Bubble

50 // TBT: The Bulletin in Barnard's Archives

! "##"$%&

'#%#(

ModelS: Marta Migo Cortes

& Tess Kichuk

BTS Photography: Jordana Roat

Photography:Sharon Wu

Art Direction:Carina Hardy


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Winter reading, lifelong lessons

Cremorlab Herb Tea Blemish Minus Calming Sheet Mask

Hannibal Lecter during, Gigi Hadid

after

Rebecca Minkoff Griffin BootsUnleash your inner badass

Shower SquidsNo more shampoo spills

all over your bathtub rim

The Life-Changing Magic of Tidying Up

MarRY YOU

Bruno Mars

4.


Roses

The Chainsmokers

1.

Remedy

Adele

2. Colors

Halsey

5.

Bad Things

Cults

6.Vicious Cycle3.Clairy Browne & the Bangin' Rackets

Master of NoneYour !rst Net"ix binge of the holiday season

Nars Bette LipstickThe perfect vampy lip

for winter


Phot

o Illu

strat

ion

by A

rt Bo

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H&S

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Put Your Best Winter Boot

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Photo Illustration by Art Board

Winter is Coming:Defensive Wellness

by Ali McQueen


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Dress Well, Do Good

by Ellie Livingstone

Disclaimer: !

e Bulletin does not own any images on this page

THE BULLETIN - 11 - December 2015

Fashion is often predicated on originality. Shock factor and the ensuing oh-I-need-it feeling is, you’d think, the result of something new. But what about the trends so damn

good, we can’t give them up after one season? We’re not talk-ing timeless staples—screw diamonds, a crisp white silk shirt is forever. Unless you spill wine on it. Then it’s not.

We’re talking about the trendy pieces that you worry won’t work in a few years, but invest in anyway. And then we just so happen to love them so much that we reuse, recycle, and repeat. Read on for four trends so alluring that we just can’t let go.

Adidas Stan Smiths and SuperstarsStarting around last spring Adidas Su-

perstars and Stan Smiths under-went a major revival. Although

the traditional white Su-perstars with the black

3-stripe and the clas-sic green-accented Stan Smiths are

by far the most popu-lar, featured collabs ddefinitely gave these sneakers a dynamic edge. The sneaker world nearly imploded with Phar-rell’s “Supercolor” Superstar collection, featuring 50 hues that spanned the rainbow’s spectrum, individually monochrome on the classic silhouette. Raf Simons also did a few monochrome renditions of the Stan Smith, swapping the the 3-stripe for a per-forated “R”; the collab’s standouts were the beige and the metal-lic versions. These kicks can be easily adopted into your ward-robe, especially if you choose to cop the traditional versions, just swap them in for those Chuck Taylors you’ve been wearing since middle school.

The A-Line SkirtThese adorable minis are a definite nod to the 70s, but please do not feel obligated to pair them with ruffled peasant tops or calf length go-go boots—just don’t do it. The A-line skirt is best paired with toned-down tops, like a black mock-neck or a simple tee, tucked in. What’s nice about the a-line mini is that

it becomes the centerpiece of your look; many retailers are of-fering them with a combination of front buttons and oversized pockets, made in denim, cord, or patch-work fabrics. S i n c e these skirts are so popular you can find them for pretty cheap.

The “Dad Hat”The name may catch you off guard, but there is nothing quite as cool these days as a classic cap, like the kind your dad has with his favorite sports team on it. Honestly any old cap will do, go dig through your closet and find the ones you tucked away during the Trucker Hat a n d Snapback epidemics. Random logos and designs are all game, but feel free to cop a cap from OVO Store or Nike for added dopeness. The Dad hat is perfect for your bummy days, so pair them with leggings/tailored sweats and cool outerwear to achieve the lazy-cool aesthetic.

Bomber JacketsBombers first made their appearance in the 1940s as functional, warm outerwear for aviators in World War II. Many of them were made in leather, accented with fur collars, however with military revision, bombers began to appear how we commonly imagine them today. The classic sage green color used for this outerwear was originally purposed for effective camouflage during the Viet-nam War, and the bright orange lining was so the jackets could be turned inside-out for rescue visibility. With time these jackets were replicated and adopted into everyday wear; bombers are now available in any color, but dark greens, maroons, and navies are ideal for fall/winter dressing. Take a note from Kylie Jenner, (perhaps this should be the only note), and pair your jacket with a simple crop top and ripped jeans to achieve the sporty-styled look.

Trends So NiceYou’ll Wear Them Twice

by Imani Randolph


B

BeyondTHE PILL

by Claudia Levey

BIRTH CONTROL IN THE

PUBLIC EYE


Graphic by Jordana Roat

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The (Much-Needed)LinkedInTutorial

by Aiko Suyemoto

by Haley GeorgeModel / Marta Migo CortesPhotographer / Sharon WuArt Director / Carina Hardy

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In Her Words:

Being an International Student

by Hadar Tanne

When I first saw the Barnard gates with my own eyes, I cried. Those were tears of joy but also of relief. I wasn’t the least bit scared, not even slightly wary. I knew that I wanted to

come here, knew that I was at peace with my choice of living away from my family. I was excited and prepared for the challenges ahead.


Photography by Katherine Hanson

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Love

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by Claudia Lev

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“THE BULLETIN !"!25!"!December 2015


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There was one problem: I didn't follow proper ghost protocol. Typically, when

ghosting someone, you never see them or speak to them again. You might as well

have died as far as they know. As hard as I tried, I couldn't achieve full ghost mode.

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The Advice That Carried Me Through College

by Sheli Frank

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in 25 daysAround the World

by Emily Wong

THE BULLETIN !"!28!"!December

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Hollywood’s Countercul-tural Cinema: Films of the 1970’sMaura Spiegel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

From Page to StageMindy AloffXC'+# ?07$# 9,<# 8,<1)# +'%)# /%0+9"%1'7# /,+#$,.'?,+@Y# N$07# )%(8'# )'&%+".'("#8,<+7'#07#"$'#,('#/,+#9,<=#Z0()9#L1,//#07#%#+0C'"0(-#%()#@0()$'%+"')#&+,/'77,+#?$,#'("$+%117#$'+#7"<)'("7#?0"$#C0)',7#,/#:%1;1'"7#%()#)078<770,(7#%:,<"#"$'#7",+0'7#"$%"#0(7&0+')# "$'.=# F'# &+'&%+')# ",# )0C'# 0(",#"$'#"%1'7#,/#[%(7#H$+07"0%(#L()'+7,(#%()#-'"# +'%)9# ",#?%"8$#&'+/,+.%(8'7#,/#:%1;1'"7# 10@'#N$'#Q<"8+%8@'+B#%7#?'11# %7# /01.7#10@'#A%("%70%#%()#N$'#P')#2$,'7=

African Dance IMaguette Camara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

The Bulletin Guide to:



Women in French CinemaAnne Boyman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

Economics of GenderHoma Zargamee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Elementary FrenchMasha Mimran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

Critical Writing (or any-thing with…)John PaganoW/";,55"/$ W*8*&"$ )*5$ *$ B*?$ ";$ 1*34&8$,+,&$ (),$ 1"5($ 5)?7$ 6,*5($ 0"&;4%,&($ 5(#:%,&(5$B*&($("$59,*3$#9$4&$)45$5,14&*/5<$=66$"94&4"&5$ */,$ +*6#,%7$ *&%$ ),$ ,&0"#/*8,5$

?"#$("$,@9*&%$"&$?"#/$"B&$()"#8)(57$*&%$B/4(,$*-"#($B)*($4&(,/,5(5$?"#$4&$(),$1*:(,/4*6<$G&$0/4(40*6$B/4(4&8$,55*?57$W/";,55"/$W*8*&"$ ,&0"#/*8,%$ 1,$ ("$ 0"&&,0($ "#/$5"#/0,$ 1*(,/4*6$ B4()$ 1#6(41,%4*$ ;/"1$1?$"(),/$4&(,/,5(57$*66"B4&8$1,$("$%450#55$S*/?$ C),66,?'5$ ./*&3,&5(,4&$ 4&$ (),$ 5*1,$-/,*()$*5$(),$6*(,5($W4@*/$1"+4,<$X,+,/$-,:;"/,$"/$54&0,$)*5$*$9/";,55"/$1*%,$1,$;,,6$5"$ ,&0"#/*8,%$"/$ +*6#,%$ *5$ *$ 5(#%,&($ "/$*&$4&%4+4%#*6<$G$(""3$I/4(40*6$H/4(4&8$B4()$W*8*&"7$-#($ G$ ,&0"#/*8,$?"#$ ("$ (*3,$*&?$06*55$?"#$0*&$B4()$()45$59,0(*0#6*/$9/";,5:5"/<

Fiction and Personal Narra-tiveTimea Szell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

Must-Take Coursesby the Bulletin Editorial Board


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A Tree Grows in Barnard:Implications of Construction on Campus

by Nicole Javorsky // Photography by Sharon Wu


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From Gilmore Girls to Taken: Is Back Really Better?

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TheMisty

Projectby Sarah Schreiber


by Georgina UstikGraphic Illustration by Alex Rosales

TV Christmas Specials have been around since the 50s, and since then celebrities such as Bob Hope, Perry Como, and Bing Crosby

have put on musical extravaganzas of their own.

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When we hear about Bill Murray, he is often doing some-

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NYCL

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American Folk Art Museum // 2 Lincoln Square, New York, NY

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

Museum of the Moving Image // 36-01 35th Ave, Astoria, NY

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

7?&+(=#/C&+"%&`&9:05&-#5%*&IJ3(:%&+0&I+%#/'(?&I+:%%+E&&

Nicholas Roerich Museum // 319 W 107th St, New York, NY

K/$?&(&*"0:+&'($=&9:05&F(:/(:,B*&2(5D3*6&+"#*&53*%35&"(*&+"%&3/#J3%& (/,& *D%2#9#2& 9023*& 09&`3**#(/470:/& (:+#*+&;#2"0$(*&`04%:#2"6&'#+"&(:03/,&QMM&09&"#*&D(#/+#/C*&0/&,#*D$(?E&-"#*&C#)%*&)#*#4+0:*&(/& #/+#5(+%& $00=& #/+0&`0%:#2"B*&'0:=*&(/,&+"%&*D#:#+3($#+?&(/,&2($$&90:&D%(2%&,#*D$(?%,&'#+"#/&+"%5E&1D(:+&9:05&7%#/C&*#54D$?&(&53*%356&+"%&*D(2%&($*0&"0*+*&9:%J3%/+&D0%+:?&:%(,#/C*&(/,&53*#2($&20/2%:+*E&-"%&53*%35&'0:=*&+0&D:0)#,%&23$+3:($&%OD04*3:%&+0&+"%&C%/%:($&D37$#26&(/,&(,5#**#0/&#*&9:%%E

El Museo del Barrio // 1230 5th Ave, New York, NY

1*&+"%&0/$?&G(+#/0&53*%35&#/&;%'&<0:=&>#+?6&a$&.3*%0&*+:#)%*&+0&#/+:0,32%&)#*#+0:*&+0&+"%&:#2"&23$+3:($&(*D%2+*&09&G(+#/06&>(:#747%(/6&(/,&G(+#/&15%:#2(/&(:+'0:=E&F?&D:%*%:)#/C&+"%&(:+'0:=&09&+"%*%&23$+3:%*6&+"%&53*%35&(#5*&+0&$%(,&(&/%'&C%/%:(+#0/&+0&(/&(DD:%2#(+#0/&09&(:+#*+#2&"%:#+(C%E&-"%&D%:5(/%/+&20$$%2+#0/&09&D:%4>0$357#(/&(:+#9(2+*& (/,&50,%:/&(:+& 2057#/%*&'#+"&,(/2%&%)%/+*&(/,&9#$5&*2:%%/#/C*&+0&2:%(+%&(&53$+#4$(?%:%,&%OD%:#%/2%E&ZD205#/C&%O"#7#+#0/*&#/2$3,%&T-"%&A$$3*#)%&a?%U&KD&1:+&(/,&+"%&15%:#2(*& #/&+"%&R_SM*Y&(/,&T1/+0/#0&G0D%8U&1:+&(/,&V(*"#0/EY&-"%&53*%35&#*&$02(+%,&0/&+"%&/0:+"%:/&%/,&09&.3*%35&.#$%6&(/,&(,5#**#0/&#*&9:%%&'#+"&(&F(:/(:,&AXE

Museum of the City of New York // 1220 5th Ave., New York, NY

G02(+%,&H3*+&*03+"&09&a$&.3*%0&,%$&F(::#06&+"#*&53*%35&099%:*&)#*#+0:*&(/&%OD%:#%/2%&+"(+&2(//0+&7%&903/,&(/?'"%:%&%$*%&#/&+"%&'0:$,E&V023*#/C&0/&+"%&2"(:(2+%:&09&;%'&<0:=&>#+?6&+"%&53*%35&D:0)#,%*&+03:#*+*&(/,& $02($*&($#=%&'#+"&(/&3/,%:*+(/,#/C&09& +"%&2#+?B*&"#*+0:?&(/,&C:(,3($&+:(/*90:5(+#0/E&aO"#7#+#0/*&$#=%&T-"%&;%'&<0:=&>#+?&.(:(+"0/U&-"%&b:%(+&`(2%Y&0:&TP(207&1E&`##*U&`%4)%($#/C&;%'&<0:=B*&K+"%:&c($9 Y&:%)%($&+"%&5(/?&9(2%+*&09&;%'&<0:=E&1,5#**#0/&#*&9:%%&'#+"&(&F(:/(:,&AXE

Top 5 Lesser-Known Museums Around NYC

By Katherine Leak

Disclaimer: !



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by imani Randolph

#tbt: Bulletin in the Barnard Archives