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Page 1: Editing

FILM LANGUAGE

Editing

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Editing

Sequences the shots into something that makes sense for the audience, in terms of time and space.

Most common editing technique in use today is called ‘Continuity Editing’

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Continuity Editing

Makes sense of the spatial (space) relationships

Progresses events Shows reactions to previous actions

Allows the film to shift through time Gives the film rhythm Calls the audience’s attention to

significant objects / characters / events in the narrative

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Making Sense of Space

Continuity Editing

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Spatial Relationships

The Establishing Shot All edits should be motivated

Action / Reaction Eye-Line Match 180 degree rule

Shot Reverse Shot Match on Action Diegetic Sound

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The Establishing Shot

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The Eyeline Match

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180 Degree Rule

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Shot

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Reverse Shot

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Match on Action

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Making Sense of Time

Continuity Editing

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Time Relationships

Fade In / Out Ellipsis Slow Motion Parallel Editing Flash Back

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Parallel Editing

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Silence of the Lambs

Fooling the Audience

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Bullet Time (Slow Motion)

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Cutting Speed

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EDITING CHALLENGE.Count the number of cuts in the following sequence:

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‘PSYCHO’In this sequence, note where and when the editing changes pace and to what effect.

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Style

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Editing Styles

Straight cut Fade out Dissolve Wipe Jump cut

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Transition Style

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The Star Wars Wipe

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Spud’s Interview

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ANOTHER STYLE OF EDITING IS CALLED…

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Used to show a passing of long periods of time and progression of a character or relationship.

Montage Editing

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Montage Sequence

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“...montage is an idea that arises from the collision of independent shots“ Eisenstein

Soviet Montage

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Battleship Potemkin (1925) Eisenstein

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GRAPHIC MATCH

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Example 1

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Example 2

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Graphic Match

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Editing Controls Text Progression:• Picture relationships

• Rhythmic relationships

• Time relationships

• Space Relationships


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