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Page 1: SHOW BOAT vocal score

JEROME KERN

To B. HARMS COMPANY RKO BLOC. ROCKEFELLER CENTER N. 1.10, N. Y.

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SHOW BOAT A MUSICAL PLAY

Adaped fiPm Edna Fakr's novd of the same name

MUSIC BY

JEROME KERN

BOOK AND LYRICS BY

0- HAMMERSTEIN 2nd

Vocal Score . . . . Price $6.00

T, B, HARMS COMPANY RKO DL-. ROCIICILLIR CINl8R N. Y. 20, N. Y.

ALL RIGHTS REbERVSD

R L n r a d i 0 h U . S A .

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SYNOPSIS OF SCENES

A C T I The Levee at Natchez on the Mississippi-in the late E2'ghteen-kghties. Kitchen Pantry of the " Cotton Blossom "--a Half Hour Later. Outside a Waterfront Gambling Saloon-Simultaneous with Scene 2.

Auditorium and Stage of the " Cotton Blossom "-One Hour Later. Box-office, on ~bredeck of the '' Cotton Blossom "--Three Weeks Later. Auditorium and Stage of the " Cotton Blossom "-During the Third Act of

" The Parson's Bride "-That Evening. The Top Deck of the " Cotton Blossom " -Later that Night.

\

The Levee-Next Morning.

A C T I 1 SCENE I. A Midway Plaisance, Chicago World's Fair, 1893. SCENE 2. A Room on Ontario Street, 1904. SCENE 3. Rehearsal Room of the Trocadero Music Hall-About 5 p.m. SCENE 4. Trocadero Music Hall-New Year's Eve, I I .30, 1 9 4 . SCENE 5. In front of the Office of" The Natchez Evening Democrat," 1927. SCENE 6. Top Deck of the new " Cotton Blossom," 1927. SCENE 7. Levee at Natchez-the Next Night.

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TABLE OF CONTENTS v

PAGE Ovnntnr . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..: ... 5

NO. IOreJnso - -

(a) CaougD CUORUS . . . . . . . . . . . . (b) Cap- Aldy's Emmma ASD BALLY-HOO

ACT I

... (Nipgar dl work on de Mislsippi) (Csptain Andy. Ca&n Andy) ... (Whocamif mybatgocr up-strum?) (Onlym8kebeliewIbvepou) ... (Dee's an 01' man alled de Missirdppi)

. . . . . . . . . . . . . . . Where's the h t c for me ? "...

** UICie-Brlim " ....... ** 01' M.n R i v a " ......

( e ) S ~ ~ a ( R o o r n d ) ...... D u a r ( R a w d d M ~ a ) ... -0 u#) M D M# ...... - I1 ...... Coxamn~ Nu- ...... OmNlNG scma I11 ...... SONQ(&.U~C)ANDGUU ...... Sawa (Rarxml) AND M w ......

. IV ...... 0-scmm v ...... h r r r ( E l d i . d F r . a ) ) ...... RULT-HOO (-air) AND CHORUS omxNt3-sa.h VI ...... VILLAIN'S DANCH ......... Omhmro--scmm VII ......

... D u a r ( ~ d M ~ a ) Oranno--SQNI VIII nwr, FINALn- B~R'ACII . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . (Fish got to swim, m d birds got to fly)

. . . . . . . . . . . . . . . ** Lift on tbe T i e d Stage " ...

Till good luck annes my way " . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

mightfal fall back on you" ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

** You are Lave " ...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . .... (Life on rhe wicked stage)

m e man who ventures with act)

. . . . . . . . . . . . . . . . . . (Linle girl, you arc safe with me) ... (Hey I where yo' think yo' goin' ?) ...

. . . . . . . . . . . . . . . . . . ... (One a wand'* ne'er-do-well)

...... (Oh, tell ,me, did you m r ?)

Rnru~l AND oHNmo--. (a: AT w WOUD'S FAIR ... (b) FATUU'S I)nwa . . . . . . (c) Dmmm as P u n n ... (a) F A ~ ' s Smco~n, Dirwca ..r

Euarotls . . . . . . . . . . . . . ...... --

scml I1 . . . . . . . . . . . . . Onu3m+scmn I11 ruo Sowo (Julie!

ACT I1

(When we tell them about it dl) ... . . . . . . . . . . . . . . . . . .

... (Whenthesportsofg8yChiago) . . . . . . . . . . . . . . . . . .

... (I'm waking on the 8ir, d a r )

... (Dyunga Doe! Oyuap Doe 0 . . . . . . . . . . . . . . . . . .

(I wd to d r a m that I would dircoocr) (Fish got to swim, md birds got to fly)

. . . . . . . . . . . . . . . . . . (A linle rmiden climbed) . . . . . .

... (01' man Riva, &t ol',Man Riva l

... (You taught me to ue oae truth)

... (ConoP Blossom. Co- Blouam) (Muaic in the air) . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . .

. . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . **whydo1 love you?" ... "DdKmlq" . . . . . . . . . . . . . . . . . . . . . . . . .

I 4 Bilk " . . . . . . . . . . . . ** C.a't &lp lovin* &t man " ...

1V (a) CqClOi. A&'s ENTRANCE (b) ( 4 . . .

scPn VII (a) RPIZII , . . . . . . . . . . ... (b! Sara (Kim) AND CHORUS

FINALE . . . . . . . . . . . . . . .

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OVERTURE

JEROME KERN

Strings / - -

Copyright 1928 by T. B. Harms Company, New York, N. Y.

2967% International Copyright Secured Made in U. S. A. ALL RIGHTS RESERVED including public performance for profit

Any arrangement or adaptation of this cornpodtion without the consent of the owner is an infringement of cop#t

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Str. & Mr. W.

O Ben sostenuto

Brass >

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I Cymb.

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12

No. 1 Opening Act I The Levee At Natchez On The Mississippi

Lyrics by OSCAR HAMMERSTEIN IInd

IN Andante e mesto (. . . 'cl la barnbmde)

Music by JEROME KERN

Curtain

t t t * t # t t t t

Colored Mcn

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I white men play Load - ill? hy b6ats wid de

ij Colored

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Colored Chorus

- s 5

Colored Chorus

i - long, Hey! Nig-gers all work on de Mis- sis - sip- pi,

1 1 1 r ' I

Nig-gers dl workwhilede white folks play Load-in' ip boats wid de

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1 Chorus

I 51 s I bales of cot - ton, Git - tin' no rest t i l l de judg - ment day.

a C P

Colored

P) I A I I J I I I A n

I c o t - ton b~os - &om, cot - ton bYos - Em, 1

Colored I" I I I I 1 I I w I . I I w I. I

&ow- in' tree. en d6y pack you Ke l e v - ee Chorus

n si I &ow- k9 free. When dey pack you on de lev - e e

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E 0

Colored Chorus

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18 Lo stesso ternno

Colored id Chorus

Z 8 '

Nig- gers all work on de Mis - sis - sip - pi

Calared Chorus

I lev . lee- works

r r Nig-gers all work while de white man play.- Load-ing up boats wid de

z $

Colored Chorus

c f

I bales of 6ot - ton kt-ting no rest till he Judg - ment day.

colored Chorus

Colored C horn

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Colored Chorus

Co:orzd Chorus

Love to ske you

Calored Chorus

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Canriccioso

- .- (Cross ove.r)

stacc. I

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I Vigoroso A I . EtcC~~u?dot. of gown beaux

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Girls f

Girls BOP .

Boys

Girls

I_ " You will f h d act - ing thus

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Girls

n - lot we know!

Boys

I* These ire not the davs Af old.

Boys Y > ? See! The show boat!Tl&t's old cLP- t&n A n - V b o t - ton ~10s-somFill you

Bbys

Oobcd Women

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Boys

Colored Women

GIBLS / - I

I I - I r, I I I - I b a m I I I I 1 r I I

I 1 I I I I 'Twill be de - light - ful,

Girls

1 I .Colored I I I I I I I Women I I

Girls

I ' 'get per - mis-sion fiom I% - - pa. i

4 3 s I

l 1 : + Colored i

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25 Lo stesso tempo

1-

Girls &

Boys

' Colored Chorus

Girls &

Boys

m42 poco a poco

I great - est of diarn-mers and jol - ly co-me - dies, ~te-phen Ba - Ger, the 1, I I rqrU poco a poco

I Colored Chorus I

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Girls &

Boys

Coked Chorus

hand-som-est l&d - ing man And beau - ii - ful Ju - lie La -verne as

Girls &

Boys

I "Cot-ton ~oioasom;' cap-tain An-dfs &at - ing show!

I Col3red Cot-ton blos-som, cot-ton blos-som, Love to see you grow-in' free, Chorus a tmtpo.

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Girls &

Boys

I - Thrills and laugh-ter, con-cert af - ter, Ev- 'ry - bo-dyk sure to go.

solored n dey pack you on de lev- ee You're a heav-y load to me. Chorus

Girls &

Boys

Cdored chorus

float - ing show!

11 Cot-ton blos-som, cot-ton blos-som Love to see you grow - in' wild.

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Girls 6

Boys

. . I Thrills and laugh-ter, Con-cert aft- er, Get your girl and go.

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P a r t h y Ann UppeUr8. '54ndy K a r k s ! D r a t t h a t mart, Be'# never around!" L I I

The band appears, led by Captain Andy Gith a couple of town girls on each a r m .

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30 Allegretto

A GIRLS &BOYS -

I - cap-tain An-dy, cap-tain An-dy, we've been hear -lhg all a -bout your dm-dy -

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Captain Andy's Bally - Hoo Moderato

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L o stesso tempo

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I" show sound dan - dy. Frank and El - lie, chon let's show them I I

1 CAPT. ANDY I 1

I

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Dancettc . ELLIE & FRANK.

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Pete attd Stere struggle. Rva ......................................................... -.-.-..--.-.-.

I Th'rills ind 1iugh-ier, con-cert i f - fer, at iour i i r l and go! A

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G' locoso PARTHY :"~'llhczre more fo soy to you lafer.f"(Parfhy e x i f )

Dolce e moderato

1

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- - - - - - - #he dmps her h a t r d k d i g l

Broad

i

Andante moderato

i

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I

Andante moderato

I - gale bids me go with the riv - er's flow?-

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Pinpro off etage. Raarnal l i s t e n s , amused at the poor r e n d i t i o n .

i'

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A . . NagnoCin~ appears on u p p e r deck o ~ " ~ o f t o n Blossom" a n d sees Rnrenal .

I thank my luck - y Y r 1

stars my heart is 4

free,

I - k i d 0th- er times I won-der where& the mate?

MAGNOLIA RAVENAL

He1 - lo!

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I Viola

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Animato

Moderato armonioso A

Deliberato -n-

I

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Make - Believe (Ravenal and Magnolia)

- - 5 - lieve that you love me. 0 th - ers

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I " tend, h u do n t of - fend - - - 3 5

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lov - erk part .

t Allegretto

1 " TLe game of- just ;up- pas-ing- is {he sweet-est-game1 know;-

fi r, RAVENAL

I - And if the things we dream a - bout ciodt hap- pen to be so,-

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Poco animato

1 " Pi and Qb, 1f we put o'ur thbughtsin

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I " yrac - tice, We canban-ishall re - gret

V 1 " make be-hew-- I love you,- -

\.Ve c&ld make bk - lieve - .

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or two, or three. - Might as w ~ l l make be - I I \ 1 i

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Ravenal

Magnolia.

Ravenal .

tell the truih,- do.

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No. 3 01' Man River (Joe and Male Chorus)

VOICE

Piano

Lento

Con sentimento

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I 01' man Xiv - er, He jes keeps 1 - f i n a - lon'. -

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-

You ail' me we sweat ar.' strain,

I Bod - y all ach - in9 an' rachd wid pain. "Tote dat barge!I7

1 "Lift dat bale!" Git a iit - t'le drunk an' you'll

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- 8. f i

4;: I I I I I w I I u I I I I I I I L I 1 * m I I II L. I r r I I ' .r II A

v I I 1 2

jes' keeps rol- lin' a - lon'. w

Moderato

Nig - gers all work on de Mis - s is - sip - pi,

( ~ v r t a i n s closr in

1 ~ i j g - i e r s all work while de white folks play h l - l!n' dose boats, from he

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I Don't look up, an' don't look down, You don't dast make de

I white boss frown. r B inti your knees

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68 a tempo.

s - sis - sip - pi,

i r r r r r r

whte I i e t me go 'way from de man boss.

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Lo stesso tempo I

I I Joe I I

Colored Male

Chorus 01' man Riv - er, dat, 01' man . Riv - er, &e

I I I I

Joe I 1

Colored Male

Chorus ' # must know ;urnp - in', dut don+ say noth - id, He

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I - I

Joe I 1

Colored Male

Chorus

Joe

Colored Male

Chorus

a * - P a -C: a 4;: I I I 1 I I

I I I I I I I I I I I I I I f I r I I I r V I I C I m D

c r I r I I I I - I I / I

Lon: old riv - er for - ev - er keeps rol - lin' on.

lon'. DO& plant 'ta - ters, he

II I I I 1 'I( I r2 Y I I . I w - 1

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I L I I v I - I I Joe. F I I J

Colored Male Chorus

Joe

Colored Malc Chorus

1) don't plant cot - ton .my dem dat plants 'ern is soon for - got-ten; But

I ~ b n p 01' riv- er b p s

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Joe

hear- in' dat song.. You an9 me, we sweat an9 strain,

Colored Male

Chorus (Humming) - 1 - _I 1 J L\. I u .I 1 0 V I

Joe

I Bod - y all ach - in9 and racked wid pain., "Tote &t barge!" an'

Colored Male

Chorus

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I ~ i f t dat bale!" We pits a fit - tiedrunk an' we

Colored Male Chorus

Colored Male

Chorus Ah gits wear- y an' sick of try - in',

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CTesc * + CI JJp 1 m + R + R

I L \ I n I I I I I I I I 1 1 , I I I I I . I v I w I I 1 I I I U Joe v I Id I r I I w r I

Colored Male

Chorus

1 tired of liv - in9 an9 scared of dy - i 4 But 01' man Riv - er he

If tired of liv - in9 an7 scared of d y - in', But 01' man Riv - er he

/ -- 4 * f e 4 *

I 1 I I L v U I I 1 I I v Joe I r I W. I I I jes9 keeps rol - lin9 a - 1 4 .

Colored -* Male

Chorus 1) jes9 keeps rol - lin9 a - lon?.

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No. 4

Piano I Scene I1

Kitchen Pantry of the "Cotton Blossom"

Aliegro con brio

Curtain

I

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as Andantino Btttrr Quee/tce foilorred by Julie. (hZ&l~~) Solo Violin

v 1 I I

Andante esoress.

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I No. 6

VOICE

Piano

Can't Help Lovin9 Da t . Man (Julie, Queenie, Magnolia, Joe and Mixed Quartet)

mine.

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No. 5 Can't Help Lovin9 Dat , Man (Julie, Queenie, Magnolia, Joe and Mixed Quartet)

Moderato

VOICE

Piano

an till I diej- - in' dat man- of

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- m' dat man -

I

Oh, lis-ten, sis - ter, 'I love my Mis-ter man and 1 can't-

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I * I Can't help lov - in' dat man- of mine. -

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I I And d e n he comes

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4 -d st:.

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I when dere is work to do.

1 Queenie

Joe

R He's nev-er roun' me when - dere's work - in' to do.

Queenie

I I

Joe I I I I I

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Queenie

Joe

Queenie

Joe

w I I But he don9- seem to care,- He can be hap-py

Why you dl thk 'bout

I I 7 - - Ah ev- en loveshim when his kis - ses got gin.

r gin?

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Julie with

Soprano

Queenie

Alto

Joe

I Solo Bass

Fishgot to s w i m and birds got to fly,- I got to love- one

Fish got to swim- and birds got to fly,- I got to love- one

Fish got to swim- and birds got to fly, I got to love- one

While

- - -

de birds fly till.

While de birds fly till de

1

While birds Y I

fly up in de sky

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Ju 1 ie w ~ t h

Soprano

Alto

Joe

1 Baritone

man till I die,- Can't help lov-in' dat man of mine.

man till I die,- Can't help lov-in'datman- of mine.

man till I die,- Can't he1 p lov- in' dat man - of mine.

world dies 1'1 1 love dat gal of mine or else she

world is d y - in' I'll love dat gal of mine

gal loves me; dat's why she's- true gal

I I

of mine. She

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Julie with

Soprano

Queenie

Alto

Joe

t

I Baritone

Tell me he's la - zy, tell me he's slowr

Tell me he's la - zy, tell me he& slowr

Tell me he's la - zy, tell me he's slow,.

ain't my gal. she's la - zY and slow,

1 a - ZY and slow,

may be la ZY and slow as cold mo - -

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Jnlie with Sopranc

Queenie

Alto

Joe

I Baritone

I Solo Bass

tell me I& era - zy, may-be I know,- can't help

tell me Ib cra - zy, may-be I know,- can't help

tell me Ih era - zy, -be I know,- can't help

- - - - -. -

know. can't help

era - ZY, lov - in' her so can't help

- . I

r1 I I I I ) . r2

I

las - ses I know, can't help - lov- in9-

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Julie with

Soprano

- in' dat man - of mine! When he goes a -

lov- in' dat man- of mine! When he goes a -

Alto

lov - in' dat man- of mine! When he goes a -

l w - in' dat gal, she's jes'as cra- zy 'bout me When I goes a - Joe

When F. goes a - .

I- a - I. a r . ) r . ! : Vr I I I ! 1 F l l I I I I 1

I 1 a 1 u I I I 1 1 1 I I I

I Solo Bas0

I dat a gal of mine! When I goes a -

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Julie aft&

Soprano

Queenie

Alto

I Baritone.

I Solo Base

Way7 - Dat's a rain-y day, - Ao'when he comes

Way, at's a rain- y day, An'when he comes

Way7 ~ a t h a r a i n - y day, An'when he comes

All dera in-y day, An,when I comes

Ways All de rain- y day, Ankhen I comes

way,Dat's lov-in' All de rain--y da); dat's lov-in' An'yhen I comes

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Julie with

Soprano

back dat day is fine .--The sun will shine. He cancome home- 2s

Qaetnie

Alto

Joe

Y backdat day is fine -- The sunwill shine,Yes sis-ter, He cancome home- as

I1 back dat day is fine -- The sun will shineyes sis-ter, He cancomehome- as

backdat day is fine. Yes,sis-ter, She cancomehome- as

I Baritone

I back dat day is fine. - Yes, sis-ter, She cancomehome- as

I Solo Bass

back dat day is fine.- Yes,sis-ter, She cancomehome- as

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late as can be,- Homewikut him- aidt no hometo me,- can't help

Qbeenie

late as can be7- Homewitli-out him-ain't nohome to mer can't help

Alto

late as can be,- Honiewith-out him- ain't no home to me,- can't help

Joe

late as can be, Homewith-out her- ain't no home to me,- can't help

[ Baritone

late as can b e , home with-out her- ain't no home to me,- Can't help I

I Solo Bass

late as can be,- Home witkout her- ain't no home to me,- can't help

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I I I

Julie with

Soprano

in'&t man- of mine! -

Queenie

lov-in'dat' man- of mine! -

Alto

Joe

lov-in' &t gal- of mine l- mine!

\

I Bariton

lov-in7&t gal- of mine!- mine!

I (Fur encore see top of ynac 7.5.)

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86 *

No. 7 Life On The Wicked Stage

(Ellie and Girls)

ELLIE Y a tempo . k L

I a n I I A

T'OICE I U I 11 I I I1 I dl. m-. I1 ' Life up - on the wick- ed /-

Piano

L s 1 I L U m . I & 1 1 I I n I T I I U I I I I I I I I I 1 1 1 I I I A I I -0 I I I -I I I - I I

ri - d - / stage Ain't ev - er what a girl sup - pos - es;

gems ro - b s . When you let a fel - ler

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ru - in- mg ycjur re -

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jewels and sab - les On - ly live in Ae - sop's Fa - bles.

a tempo. - mi? m a a m

I I 1 A I L \ 1 1 I 1 1 1 I I I I 1 I J I 1 I I I

Girls I

II Thoughweb lis-tenb to you

Ellie Y --

Life up -on thewick-ed stage is no-thing for a girl!

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A G I R L S

1 " moan and grieve, You must dar - don us if we do not be - lieve you,

I V . r I I 1 I I I I I I I I I I I 1 4 1 I I I I I I 1 I

1 - I I I I I

d r I r r r r I t ;L i lk~ inwia t I ain't, I

And I like to play a de - mi morid - y

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rble with soul! Ask the he - ro does he like &c way I lure

- Y--- d- Life up - on the wick - ed stage ain't ev - er what a girl sup -

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I a tempo.

I -" I stage ain't no - thin' for a girl. You'd be back the sea - son af - ter!

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94

No. 8 Till Good Luck Comes My Way ~

Piano

(Ravenal and Men)

A1 legro moderato

I I I I I

That Ah- &-wise is Y '

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I - lo t - have their fate se-cure in a guard-edspot of the world,

I=' - They're wel-cbme to their drab ca - reer.

Poco lneno

It i s ' al l well e - nough to be grin-ning while your win- nings

be grin-ning while your stack is

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Men

I - grow - ing, But when for - tune turns her spin - ning,

life is not a - glow - ing, That

I life is not a - glow - ing, That is

M C I ~ why we like to see somedne who can be

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Ravenal

Men I I - l ike you.

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A , Moderato

- While there's a game o n

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I I I I I I I turn bf a wheel or the flip of a card as niy

I 4 1

I I I I I I I I 1 1 F I I

I m I 1 - I - 1 I \

guide. 1 lct fate de - cide

1 - - If I walk or ride, Why sit a -

and kil l

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- mur - row

I can

1 " - row Un - ti1 the day when G o d - luck comes

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I - '

way.

Nev-er ven-ture, nsv-er - gain; Men of cau-tion, it is

- L I I -- w I I 1 I V I , F I I

I I I I I plain. I

Men

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Havenal

plain. Live in vain, so I will

Men 11 For-tune will change like . an Ap - ril day, So we will

Men

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1 No. 9 j

I I

Piano

Scene IV Auditorium And Stage Of The "Cotton Blossomm

ANDY "Prompt her, Nola" MAGNOLl A YHamilfon,my own!" "P~pal Cook at Julie!"

Moderato misterioso

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1c - , " L": 2 I I I I F I

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Andante moderato

Men Up - on my poor 01' back With-in a liv-'ry hack

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Women

Men H Withnorno' rum, Oh,de rnis-e-ryhdone come!

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Andantino

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Piu mosso

Lento assai

I

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I w

Moderato (enter Gterd

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Em't Juk'e and Heve

I

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Lento ppjo~ f r o m upper b fx

4:: ,. i I L \ 1 L I K I I I I \ I I I I I I A I I I \I I I 1 1 I I 1 I

I 1 I I 1 I I I I n I - 1 A I

1 1 n I L I I I 1 A I I I I

I - I I J I I 9 I 1 r v v

01' nian Riv - er, Dat 01' man Riv - er, He must know sump- in', ~ u t

I don't say noth- in: He jes keeps rol - lin: h e keeps on rol - lin' a -

dodt plant 'ta - ters, He don? plant cot - ton, in' dem dat plants 'em is

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soon for - got - bnj But 01' man Riv - Cr he jes keeps roll - in a -

r 01' man Riv- er he just keeps roll-in' a - lon?

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114 No. 10

Piano I Scene V

In Front Of The Box-office, On ForedeckOf ~ h e " ~ o t t o n Blossom"

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116 No. 11 I Might Fall Back On You

(Ellie and Frank)

VOICE

Piano

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GIRLS One grou9 of airls(to Frank)

I - I. r r I

M - ter I ' have looked a - round the world for a mate,

I - Then, per- haps, I might fall back on you!

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I I L 1 1 I I I I 1 .. I 1 I I I . I I I I ' I \ I I I I I I' H I 1 I ' Pl I A

I I I I *- I I V w 1 Then I might de - cide a t you w7ll

/

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No. 12

VOICE

Piano

Queenie's Bally - Hoo (Queenia and Colored Chorus)

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Chorus

Chorus

- ,

Chorus

Queenie

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Dance. Vivo . , . . . . . . . . . . . 1 1 1 ,

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Moderato Poeh~t tt.,,rp~) I I

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130 No. 13 Scene VI Auditorium And Stage Of ~ h e " ~ o t t o n Blossom" During the Thiid Act of "The Parsoh Bride"

Incidental Music, played on the Stage during the presentation of ''Th Pars6n's Bride" I

VIOLIN

Small Organ

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132

No. 14 Villain's Dance

(Ftank's specialty dance )

Moderato

Piano

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Scene VII 134

No. 15

Cclored Male

Chorus

The Upper Deck Of The4'Cotton blossom^ Il~troduction And Duet "You Are Love:'

Andante

1 - 1 r r ~r 1 curtain iuaw,~dircovarr>a~ w a t e d a z

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Valse moderato SOPRANOS

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NO. 16 You Are Love [81 Tempo di Valse (Ravenal and Magnolia)

I v 1 1 I I - I I w I Chorus. F I I I - I 1

Ravenal.

I went way. Life was just a joke to

1 ' tell Like a lone- ly Punch-i - nel - lo My role was

1 * gay. -' ~ u t I knew the joke was aim - less,' ~frne<tnt on I

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Yoco agitato

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A RAVENAL

I - 7 me, Heres- a bright and beau- ti - f'ul . world- All

Tempo. di Valse

I - wrauped uo - in vou.

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ere in my arms

I want day af -ter day 3-

with you.

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I " ev . - er true. You are

Pat Howard
Marked set by Pat Howard
Pat Howard
MigrationNone set by Pat Howard
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RAVENAL

1 with 1 I you. You are Love,

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Magnolia

Ravenal \ Where you ko with me ~ e a v - e n will a1 - ways

I I - I - I w I I, - a

Magnolia I I

Ravenal.

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144

No. 17 Scene VIII - Finale Act I Levee Beside ~he"Cotton blossom^

Vivace . . .

Piano

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I Girls.

Roys

I I Gir l s

Boys

1 1

Girls

I

I Roys

I I' mance can start up -on the stage! RO - mance '

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Girls

Boys

Girls

ap - tail] An - dyI

Boys

p - tain An - dyl

Girls

11 " fine and dan - dyl Now Mag - no1 - ia's found her mate, You

Boys

ne and dan - dy

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I ' Cello

thought you'd l ike to (see the happy colrple pfaccyin'thei~ own ~ o m a n c e q f f the i tage . The brzpcik anii.gmom will he out i n a nrinute.and lAcn we9 I 4 .all march doun to tAe CAYTCA." I I I

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Valse brillante ENSEMBLE

A l l A <

I ' I

won by swift p u r - su - ing; Hkp-py =r . )r > .. tf -- tde way

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Ensemble

Ensemble

olia and Havenal

r the bride And may the great - est of hap - pi - ness,

- y-one charm-ing as

I

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Colored Women

I I I T I I I I Miss Mag - no1 - ia, we a1 - ways tol' ya, we knowed you(d

Magnolia

Colored Women

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Moderato I I I

I 1 I I

Maguolik I I I I 1 you?

I got to love- one Ensemble -

Ensemble.

Ensemble.

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Y nse mble

BUCK & WING

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A . Trpts . ,

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Ensemble

Ensemble

I n r \ T I r~ I - -

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\ I I I 1 crescencio boco a pocw I

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Ensemble.

r Y - I r . . V Y Y

Ensemble 11 Can't hklp lbv- in' that md- of

Ensemble

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Entr9 Acte No. 38

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