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The most elaborate and well known of the more than 50 magnificent Buddhist monuments that crown
the hilltop of Sanchi, India, is Stupa Number One or the Great Stupa. It is part of an entire complex of
structures, mostly stupas, built between the 3rd Century BCE and the 12th Century AD. The stupa is not
a building in any traditional sense. Once a burial or reliquary mound, the stupa has become a purely
symbolic object.
SANCHI
Sanchi is 68 kilometers north of Bhopal in the state of Madhya Pradesh. It is unique, not only for having
the most perfect and well preserved stupas, but also for offering the visitor a chance to see, in one
location, the genesis, flowering, and decay of Buddhist art and architecture during a period of about
1500 years -- almost covering the entire range of Indian Buddhism. This is surprising since Sanchi wasnot hallowed by any incident in Buddha's life nor was it the focus of any significant event in the history
of Buddhism.
Proximity to a city was of importance for Buddhist monasteries as the monks were obliged to go begging
for half of every day. The religious duties that filled the other half day made it difficult to situate a
monastery in a noisy town. For this reason large monastic communities sought a situation outside a city
or on a busy trade route. The Emperor Ashoka saw Sanchi as an ideal place to give shape to his newly
aroused zeal for Buddhism. It has always been a quiet, meditative place that was, meanwhile, located
near the very prosperous city of Vidisha. The success of the Buddhist settlement was due in great
measure to the piety of the rich, mercantile community of the nearby city.
THE "ARCHITECT"
Ashoka Maurya (273 - 236 BCE) was the most famous of the Buddhist rulers of India. A dozen years or so
after he began his reign, about 258 BCE, he became a convert to Buddhism. He was a great
administrator and a great builder. His empire encompassed the whole of India and Afghanistan.
Ashoka's reign of paternal despotism has been compared to that of Constantine or Cromwell. With
tireless energy he personally supervised all the affairs of government for 40 years.
His doctrine was less concerned with the analytic aspects of Buddhism and dwelled exclusively on ethics.
He dispatched missionaries to other parts of India as well as Ceylon, Syria, Egypt, Cyrene, Macedonia,and Epirus. It is due to Ashoka that Buddhism became, and long remained, the predominant religion of
India.
The foundation of this important center at Sanchi was laid by the Emperor Ashoka when he built a stupa
and erected a monolithic pillar here. Ashoka built a total of eight stupas on the hilltop of Sanchi
including the Great Stupa. A great number of stupas and other religious structures were added over the
succeeding centuries.
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With the decline of Buddhism, the site decayed and was eventually completely forgotten. But, between
1912 and 1919, the structures were carefully repaired to their present condition and restored.
THE STUPA
The stupa is the most characteristic monument of Buddhist India. Originally stupas were mounds
covering the relics of the Buddha or his followers. In its earliest stages Buddhist art didn't represent the
Buddha directly. Instead, his presence was alluded to through symbols such as the bo tree, the wheel of
law or his footprint. The stupa also became a symbol of the Buddha. More exactly, it became a symbol
of his final release from the cycle of birth and rebirth -- the Parinirvana or the "Final Dying."
In a larger sense the stupa is also a cosmic symbol. Its hemispherical shape represents the world egg.
Stupas commonly rest on a square pedestal and are carefully aligned with the four cardinal points of the
compass. This is a recurrence of the symbolism of the dome whereby Earth supports Heaven and
Heaven covers Earth. The axis of the world is always represented in the stupa, rising above its summit.
The so-called "parasols," set one above the other along the shaft emerging from its uppermost region,
represent a heavenly hierarchy. The cosmic symbolism is completed by a ritual circumambulatory path
around the monument.
Stupas are large-scale memorials built in particularly holy places. Generally they enshrine relics of some
sort. As a building type the stupa is the forerunner of the pagoda. However, the stupa has also come to
be known, on a smaller scale, as the reliquary itself and can be made of crystal, gold, silver or other
precious metals.
The Great Stupa of Sanchi underwent a complete reconstruction after wanton damage inflicted upon it
in the middle of the second century BCE. The reconstruction consisted of a stone casing, a terrace with a
double flight of steps, balustrades, a paved processional path and an umbrella and railing -- all built ofsandstone. Four elaborately carved gateways were added in the first century BCE.
The last addition took place during the rule of the Guptas, sometime before 450 AD. By now effigies of
the Buddha were permitted and four stone Buddhas were placed against the walls of the stupa facing
the gates. Their haloes are elaborately carved.
A nearly perfect hemispherical dome, the Great Stupa is topped by a triple
"parasol" set within a square railing or harmika. A third of the way up from
its base, a raised terrace, enclosed by a fence, is meant for ritual
circumambulation of the monument. A second, stone-paved procession-path
at ground-level is enclosed by an encircling stone balustrade. This path is
accessed from the cardinal directions through four exquisitely carved gateways.
The Great Stupa is 120 feet across (36.6 meters) and, excluding the
railing and umbrella, is 54 feet high (16.46 meters).
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Stupas may be made of brick, brick and rubble, or encased in masonry.
The present stupa encases an earlier one of about half its present
dimensions. The earlier one, built of large burnt bricks and mud, has
been attributed to the Emperor Ashoka, the main reasons being that
the level of its floor is the same, and that the bricks used in it resemble
those in other Ashokan structures.
The four gateways, or toranas, are the finest works of art at Sanchi and
are among the finest examples of Buddhist art in India. The gateways
were erected c. 35 BCE. The scenes carved into the pillars and their triple
architraves are of episodes in the various lives of the Buddha.
The balustrades of the ground-level fence consist of a series of octagonal
uprights with lenticular crossbars mortised into them and crowned by
enormous copings rounded at the top. The outer faces of the uprights on
the berm and stairway are carved with a variety of motifs, mostly
flowers. The ground uprights, however, are austerely plain. The
reproduction of the technique of wood construction in these balustrades
shows that they follow the custom of wooden fences and are probably an
innovation here.
Siddhartha Gautama (c. 563 - 483 BCE) was the son of a local ruler. At
the age of 29, he decided that life was a cheat, and he renounced the
world. After his enlightenment, Buddha, or "the enlightened one,"
came to Sarnath, near Benares, where he preached his first sermon. A
stupa was built on the spot in the 3rd Century BCE.
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