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Started in Rome (Italy), and then it
spread across Europe.
Chronology: 17th Century
Where does the name come from? Its not clear…
It might come from the Portuguese word “barroco” name given to irregular &
imperfect pearls.
It might come from the word “verruga” something that is considered defective.
It was first used in the 18th Century, by Neoclassical artists, in a
pejorative way to criticize the extravagant & distorted artistic
forms of the previous century.
C H A R A C T E R I S T I C S :
• PROPAGANDISTIC ART: it tries to
impress, amaze & persuade
people.
Catholic Church used it to
promote its doctrines against
Protestantism.
Absolute Monarchs used it to
display their power & enhance their
authority.
Bourgeoisie used it to
demonstrate their economic success.
• Considered OPPOSITE TO THE RENAISSANCE, despite it also uses
element taken from the Classical art:
Rejects Renaissance principles (proportion, symmetry, simplicity, order…). It rather
prefers theatrical, excessive, pretentious & complex forms.
It tries to amaze & attract people appealing to their emotions, not their reasoning.
A R C H I T E C T U R E : C h A r a c t e r i s t i c s
• Use of classical elements (columns, arches,
pediments, entablatures…) but used with total
freedom no proportion (giant order), balance, order,
simplicity… they rather pursue a visual & emotional
impact.
• Taste for curved lines to create sense of movement
& a theatrical effect:
Curved walls to create chiaroscuro effects
(lights/shades)
Broken pediments
Solomonic column (twisted shaft)
Elliptical plans
• Extensive decoration specially the façades, as they
are considered “store windows” to attract people inside
the buildings.
VS
RENAISSANCE
“Villa Capra” or “Villa la Rotonda”
(Palladio)
BAROQUE
“Church of Saint Charles at the
Four Fountains” (Borromini)
Transformations of Saint Peter’s Basilica (Vatican city):
Enlarged the central nave to convert its plan to one of Latin cross
Italy: CARLO MADERNO
Italy: CARLO MADERNO
Transformations of Saint Peter’s Basilica (Vatican city):
Redesign of he façacde of the Basilica use of giant order
Baldachin of St. Peter’s Basilica (Vatican city)
Bronze covering structure over the altar supported by huge Salomonic columns
Italy: BERNINI
Most renowned Baroque artist.
Architect & sculptor.
Sponsored by the Popes.
St. Peter’s Square
(Vatican city)
Italy: BERNINI
Theatrical effect its’ shape symbolizes the big arms of
the Catholic Church that embrace the whole humanity.
St. Peter’s Square (Vatican city)
Italy: BERNINI
The Egyptian obelisk commemorates the martyrdom of St. Peter at the Circus of
the roman emperor Neron.
Baltasar Longhena:
Church of Santa Maria della Salute
(Venice)
Pietro da Cortona:
Church of Santa Maria della Pace (Rome)
Italy: OTHER BAROQUE BUILDINGS
Mansart:
Palace of Versailles (Paris) comisioned by the “Roi Soleil”
France
FrenchBaroque architecture was less complex:
• Straight lines
• Less decoration
HALL O MIRRORS
(Galería de los Espejos)
Creaban una escenografía auténticamente barroca
para exaltar la figura del Rey Sol:
• 17 ventanales… a los que corresponde otros tantos
espejos en la pared de enfrente.
• Abundancia decorativa.
• Bóveda con pinturas sobre las victorias de Luis XIV.
• Iluminación a base de 3.000 lámparas duplicada por
los espejos.
France
Palace of Schönbrunn (Viena)
Palace of “La Granja de
San Ildefonso” (Segovia)
• Versalles became the model of Royal palace in Europe.
France
“Les Invalides” (Paris)
France
• Commissioned by
Louis XIV, as a hospital
and a retirement
home for war
veterans.
• Burial place of
Napoleon Bonaparte.
ACTIVITY 1
1) What similarities & differences does Baroque art have with Renaissance art?
2) Why do we say that Baroque art was propagandistic?
3) Who were the main patrons of Baroque art?
4) Devise a diagram to summarize Baroque architecture. Include:
• Characteristics• Artists• Examples
Naturalism
Expression of feelings
Movement achieved by dynamic & complex compositions (“figuraserpentinata”), unstable poses, treatment of clothing, excessive gesticulation
Strong chiaroscuro big contrasts of lights & shades to increase dramatism.
Topics:
Mainly religious in Catholic countries (Italy, France, Flanders, Spain...)
New topics addressed to the bourgeoisie (especially in Protestant countries)
Mythological
Scenes of everyday life
Portraits
Landscapes
Still lifes (bodegones)
S C U L T U R E & P A I N T I N G :G E N E R A L C h A r a c t e r i s t i c s
ACTIVITY 2
1) Fill in the chart as you follow the explanation:
2) Match the artists with their characteristics:
Artists Examples
SCULPTURE Italy
PAINTING
Italy
Flanders
Holland
Spain
Caravaggio
Rubens
Rembrandt
Velazquez
Court painter of Felipe IV
Master in painting portraits
Tenebrism & great realism
Movement, colour & voluptuous women
Realism: no idealization; reality & nature are represented as they are
(ugliness, pain, deformity…)
Triumph of color over line. Fluid brush-strokes.
Illusion of depth & distance (3D) through aerial perspective & a
magnificent use of chiaroscuro.
Main artists:
Italy Caravaggio
Flanders Rubens
Holland Rembrandt
Spain Velazquez
P A I N T I N G :s p e c i f i c c h a r a c t e r i s t i c s
The Calling of St.
Mathew(Vocación de San Mateo)
JesusSt. PeterSt. Mathew
Italy: CARAVAGGIO
Tenebrism (very
pronounced form of
chiaroscuro)
Great realism (total
absence of
idealization)
humble people &
environments.
Conversion of Saint Paul(La Conversión de San Pablo)
Crucifixion of St. Peter(Crucifixión de San Pedro)
Italy: CARAVAGGIO
La Flagelación de
Cristo
La Decapitación de San Juan Bautista
Judit y
Holofernes
El entierro de
Cristo
Italy: CARAVAGGIO
Baco
• Still life (bodegón)
• Absence of idealization (vulgar
character, symptoms of
inebriation…)
Italy: CARAVAGGIO
Characterized by:
Movement curved lines,
complex & dynamic
compositions…
Colour clear triumph of
color over line. Fluid brush-
strokes. Brilliant colours.
Curvy & voluptuose
women with white skin
ideal of female beauty
The Three Graces
(Las tres Gracias)
Flanders: RUBENS