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Crea%ng Engaging and Accessible Online Courses using Wordpress.com Presenta%on delivered at the Connect 2014 Conference on Technology and Learning, Niagara Falls ON. Robin L Po)er School of English and Liberal Studies Seneca College

Creating engaging and accessible online courses with wordpress.com

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Usability and accessibility guidelines are helpful in designing online courses that allow learners to focus on the content and tasks rather than on navigation and reading issues.

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Crea%ng  Engaging  and  Accessible  Online  Courses  using  Wordpress.com    Presenta%on  delivered  at  the    Connect  2014  Conference  on  Technology    and  Learning,  Niagara  Falls  ON.  

Robin  L  Po)er  School  of  English  and  Liberal  Studies  Seneca  College  

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INTRODUCTION  

2  TRS-­‐80  -­‐  Wikipedia,  the  free  encyclopedia,  en.wikipedia.org  (Accessed  May  2,  2014)  

The  first  computer  I  ever  used.  

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3  

MicrosoP  Sweden,  Apple  Computer  with  Excel  1.0  for  Macintosh  Screenshot  1985,  h)ps://www.flickr.com/photos/microsoPsweden/5395285812/,  (Accessed  May  2,  2014).  

The  first  computer  I  ever  owned.  

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THEN  AND  NOW  

4  Steve  Jobs  image  from:  h)p://cyberculturenewbie.wordpress.com/  used  from  www.soul-­‐sides.com  (Accessed  May  2,  2014).  

Text-­‐based  compu%ng          Visual  informa%on  experience  

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THE  DIGITAL  DIVIDE  FOR  MANY  OF  US  

5  

Jukes,  I,  &  Dosaj,  A.  (2003,  February).  The  differences  between  digital  na]ve  learners  and  digital  immigrant  teachers.  The  InfoSavvy  Group.  (Accessed  February  20,  2014)  from  h)p://edorigami.wikispaces.com/Understanding+Digital+Children+-­‐+Ian+Jukes  

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CONSIDERATIONS  FOR  BRIDGING  THE  DIGITAL  DIVIDE  

In  “Rewri]ng  the  Syllabus:  Examining  New  Hybrid  and  Online  Pedagogies,”  Jesse  Stommel  suggests:    “With   digital   pedagogy   and   online   educa]on,   our   challenge   is   not   to   merely  replace   (or   offer   subs]tutes   for)   face-­‐to-­‐face   instruc]on,   but   to   find   new   and  innova]ve  ways  to  engage  students  in  the  prac]ce  of  learning.  .  .    So,   hybrid   pedagogy   does   not   just   describe   an   easy   mixing   of   on-­‐ground   and  online   learning,   but   is   about   bringing   the   sorts   of   learning   that   happen   in   a  physical  place  and  the  sorts  of  learning  that  happen  in  a  virtual  place  into  a  more  engaged  and  dynamic  conversa]on.”  

6  

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DESIGN  YOUR  SITE  SO  YOUR  STUDENTS  WANT  TO  STAY    AND  COME  BACK    Consider  the  experience  of  these  kids:  Goats  balancing  on  flexible  steel  ribbon    What  is  their  experience  of  “the  thing”?                                                                                                  Max  Mur,  Chèvres  en  équilibre  -­‐  goats  balancing  on  a  flexible  steel  ribbon,  

       h)p://youtu.be/58-­‐  atNakMWw  (Accessed  February  20,  2014).  

   

7  

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 WHAT  MAKES  FOR  A  GOOD  WEBSITE?    

“The   most   important   part   of   a  perfectly   designed   website   is  connec]ng   the   user   with   the  informa]on   they   came   to   find.   If  your  design  is  easy  to  navigate  and  captures   the   interest   of   the   user,  you  have   likely  made  good  design  decisions.”      Douglas   Hughmanick   of   ANML,   a   web   and  content  design  firm  in  San  Jose,  California  

     

8  

Peter  Vukovic,  Experts  answer  what  makes  Websites  great?,  h)p://99designs.com/designer-­‐blog/2013/05/01/experts-­‐answer-­‐what-­‐makes-­‐websites-­‐great/  May  1,  2013.  (Accessed  November  25,  2013);  Photo  from  About  Roads  &  Kingdoms,  2014,  h)p://roadsandkingdoms.com/about/,  (Accessed  February  21,  2014)  

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“A  website  design  needs   to  be   clean  and  simple  so   it’s  easy   for   the  user   to  quickly  find  what  they  want.  .  .  It  just  needs  to  be  done  in  a  tasteful,  unclu)ered  manner  —  use  whitespace,   good   typography  and  be  subtle   with   rounded   corners   and   drop-­‐shadows.   .   .—   long,   responsive   websites  are  the  new  trend.”    

Pat  Johnson,  award  winning    (10  AAF  awards)  web  designer  

 

       

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Peter  Vukovic,  Experts  answer  what  makes  Websites  great?,  h)p://99designs.com/designer-­‐blog/2013/05/01/experts-­‐answer-­‐what-­‐makes-­‐websites-­‐great/  May  1,  2013.  (Accessed  November  25,  2013);  Photo  from  Thumbtack.com,  h)p://www.thumbtack.com/in/indianapolis/graphic-­‐designers/award-­‐winning-­‐web-­‐graphic-­‐design  (Accessed  February  21,  2014).  

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 “Carefully   review   the   words   on   the  websites  you  design.  Are  they  helping  or   hur]ng   your   clients?   Like   good  design,   good   content   can   clearly   tell  visitors   how   they’ll   benefit   from   a  product   or   service,   provide   guidance,  and   make   it   easy   for   them   to   take  ac]on.  Quality  content  keeps  website  visitors   –   and   your   clients   –   happy,  and  coming  back  for  more.”    Rick  Sloboda,  Web  copywriter    

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Rick  Sloboda,  Good  Web  content  examples  and  what  makes  them  work."  Web  Design  Depot  June  7,  2011.  h)p://www.webdesignerdepot.com/2011/06/good-­‐web-­‐content-­‐examples-­‐and-­‐what-­‐makes-­‐them-­‐work/  (Accessed  November  25,  2013);  Photo  from  Canada  1,  h)p://www.canadaone.com/bio/rick_sloboda.html  (Accessed  February  21,  2014)  

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DESIGNING  FOR  ONLINE  WITH  YOUR  AUDIENCE  IN  MIND  

1.  A  look  at  a  Wordpress.com  Course  (as  an  example)  2.  User  Experience    3.  Usability  101-­‐-­‐for  Online  Course  Design  

a)  Course  mapping  b)  Portal  Guide  to  Off-­‐Site  Course  c)  Unit  overview  

4.  Accessibility  and  Readability  a)  Managing  Cogni]ve  Load  b)  AODA—Communica]on  and  Informa]on  c)  Page  Design  

5.    Wordpress  Course  Recap  

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WORDPRESS.COM:  AN  OVERVIEW  

Wordpress  is  a  blogging  plauorm  that  started  in  2003  with  “a  single   bit   of   code,”   which   evolved   into   the   open   source  blogging/website  development  site  we  know  today.            Dis]nguish  between:  

 -­‐  wordpress.com:  work  with  templates    -­‐  wordpress.org:  download  the  soPware  script  

 12  

wordpress-­‐logo1.bmp,  www.evenfromhere.org.  Crea]ve  Commons  A)ribu]on-­‐ShareAlike  3.0  Unported  License.  

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FEATURES  OF  A  WORDPRESS.COM  COURSE  

Go  to  Wordpress.com  •  Theme  •  Naviga]on  

•  Site  map  •  Scaffolding  content  

•  Blogging  •  Easy  upda]ng  •  Mul]media  •  Polling  •  Privacy  

13  

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ELEMENTS  OF  USER  EXPERIENCE:  NEILSON  &  NORMAN  

14  Neospot,  Usability  vs  User  Experience,  n.d.  h)p://www.neospot.se/usability-­‐vs-­‐user-­‐experience/  (Accessed  November  27,  2013).  

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WHAT  IS  USABILITY?  

Jakob   Neilson   and   Don   Norman   (nnGroup)   define   Usability   as  follows:    

1.  Learnability:  how  easily  a  user  “can  accomplish  a  task  the  first  ]me  they  encounter  the  design.”    2.  Efficiency:  how  well  they  can  perform  a  task  with  informa]on  provided  within  the  design    3.  Memorability:   how  well   they   can  become  adept   at   using   the  design  aPer  not  using  is  for  a  while  

   

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4.  Errors:  the  number  and  severity  of  errors   in  the  design,  along  with  ease  of  recovery    5.  Sa]sfac]on:  the  degree  of  pleasure  or  sa]sfac]on  in  using  the  design  

   

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HANDY  PEDAGOGICAL  TOOLS  FOR  OPTIMIZING  USABILITY  

1.   Course  Mapping  -­‐  A  tool  for  planning  your  course,  media,  materials  -­‐  A  learning  guide  for  students  -­‐  Template  

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2.  Learning  Portal  (LMS)  Guide  to  Off-­‐Site  Online  Course  a)  General  course  intro  b)  Addendum  c)  Learning  guide  (course  map)  d)  Student  guide  e)  Link  to  etext  site  f)  Link  to  Wordpress.com  g)  Learn.Wordpress.com  (tutorials)  

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3.  Unit  Overview    -­‐  Orients  students  to  unit  

-­‐  Topics  -­‐  Outcomes  -­‐  Readings  and  ac]vi]es  

-­‐  Focus    

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BASIC  PRINCIPLES  OF  ACCESSIBILITY      

1.  Keep  your  reader’s  needs,  abili]es,  and  experience  in  mind  2.  Familiarize   yourself  with   the   Accessibility  Ontario  Disability   Act  

(AODA)  3.  Use  mul]media  4.  Think  about  devices  5.  Be  consistent  and  predictable  6.  Write  concisely  and  clearly      

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MANAGE  THE  COGNITIVE  LOAD  

Avoid   overloading   the   learning   units   with   too   many   shiPs  between:  •  content  •  visuals  •  styles  •  dynamics  

Plan  the  combina]on  of  media  elements  with  care  

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AODA  REQUIREMENTS  

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Image  from  Panorama,  Abili]y  in  Disability,  h)p://www.]gweb.org/youth-­‐media/panorama/ar]cle.html?ContentID=6688  (Accessed  February  23,  2014)  

The  Accessibility  for  Ontarians  with  Disabili]es  Act  (AODA)  provides  guidelines  for  informa]on  and  communica]on  that  are  based  on  the  World  Wide  Web  Consor]um  Accessibility  Guidelines–highlights  are  linked  here.      

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BASIC  ACCESSIBILITY  PRINCIPLES  FOR  ONLINE  COURSES  

A.  Create  Unclucered  Pages  1.  Use  sans  serif  fonts  e.g.,  Calibri,  Verdana,  Arial

 2.  Place   important   informa]on,   headings,   visual   aids   at  

  the   leP   margin   for   leP-­‐to-­‐right   reading   languages    (Neilson,  2011)    -­‐same  rule  applies  to  right-­‐to-­‐leP  reading  languages    F-­‐Shaped  Design  Rule  (Neilson,  2006)  •  F-­‐shaped  reading  pa)ern  

   

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3.  Use  short  paragraphs  and  lis]ng  (chunk  informa]on)    -­‐  paragraphs—10  lines  max  

 4.  Allow  for  white  space  

 -­‐  rests  the  eye    -­‐  makes  informa]on  easy  to  find    -­‐  improves  reten]on  

 

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25  

Jon  Phillips,  “5  Things  for  Improving  Readability  on  Your  Website,”  2011,  h)p://spyrestudios.com/5-­‐]ps-­‐for-­‐improving-­‐readability-­‐on-­‐your-­‐website/,  (Accessed  February  24,  2014).  

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B.  Organize  Informa%on  Consistently  and  Predictably  1.  Use   descrip]ve   headings   and   sub-­‐headings  

consistently  -­‐  Verb  tenses  -­‐  Placement  -­‐  Font  style    

       2.  Organize  informa]on  in  predictable  ways  and  place  it  in  similar  loca]ons  on  each  page  

 -­‐  reveal  informa]on  progressively    -­‐  use  parent,  child,  grandchild  pages  logically      

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27  

Divyat  Rawat,  “How  to  Improve  Website  Usability  by  Improving  Content,”  2014,  h)p://www.paulolyslager.com/how-­‐to-­‐improve-­‐website-­‐usability-­‐by-­‐improving-­‐content/,  (Accessed  February  24,  2014).  

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C.  Write  Clearly  Using  Straight-­‐forward  Language  1.  Write  concisely;  brevity  is  key  in  all  web  wri]ng  

-­‐   Applies   to   all   languages   despite   differences   in    nuances/length  (Neilson,  2011)  

 2.  Use  the  ac]ve  voice  in  20-­‐25-­‐word  length  sentences.  

 -­‐subject  +  ac]ve  verb  +  object    3.  Use  the  “you  a{tude”:    

 -­‐  necessary  informa]on  first;  you-­‐oriented       28  

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D.  Support  Complex  Informa%on  with  Visual  Aids  1.  An]cipate  when  the  learner  would  benefit  from  

mul]media  support  and  provide  it  as  needed  a)  Logical  placement  b)  Compa]ble   with   content:   clarifica]on,   illustra]on,  

explana]on,  etc.    c)  Easy  to  find  

2.  Accompany  audio  and  video   informa]on  with  a  transcript  or  sub]tles  (AODA  requirement)  

 -­‐  Many  Youtube  videos  have  closed  cap]ons        

   

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REMEMBER  

“Quality  Design  is  an  Indicator  of  Credibility”      

30  

Dimitri  Fedeyev,  10  Useful  Usability  Findings  and  Guidelines,  2009,  h)p://uxdesign.smashingmagazine.com/2009/09/24/10-­‐useful-­‐usability-­‐findings-­‐and-­‐guidelines/  (Accessed  February  23,  2014);  Alicia  David,  Payton  Glore,    The  Impact  of  Design  and  Aesthe]cs  on  Usability,  Credibility,  and  Learning  in  an  Online  Environment,  in  Online  Journal  of  Distance  Learning  Administra]on,  Winter  2010,  h)p://www.westga.edu/~distance/ojdla/winter134/david_glore134.html  (Accessed  February  23,  2014).  Image  from  locosol,  2013,  h)p://locsolu]ons.biz/about/  (Accessed  February  23,  2014).    

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ENGAGEMENT  

31  Karen  Robert,  Yukon  Public  Schools,  from    North  Ins]tute  of  Teaching  and  Learning,    March  4,  2011,  h)p://ni.oc.edu/2011/03/what-­‐does-­‐student-­‐engagement-­‐mean-­‐to-­‐you/  (Accessed  February  20,  2014).  

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WHAT  IS  A  RESPONSIVE  SITE?  

Responsive  web  design  is  usually  understood  in  terms  of  •  page  structure,  •  typography,  and  •  coding.    We  are  concerned  about  web  page  elements  that  connect  faculty   with   students—and   students   with   faculty   and  peers.      

32  Kyla  Wright,  Responsive  Website  Design:  What  It  Is  and  How  to  Use  It.  January  12,  2011.  h)p://coding.smashingmagazine.com/2011/01/12/guidelines-­‐for-­‐responsive-­‐web-­‐design/  (Accessed  November  26,  2013).  

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ELEMENTS  FOR  CREATING  A  RESPONSIVE  WEBSITE  

1.  Easy  to  update/modify  2.  Blogging-­‐-­‐Comments  3.  Polls  4.  Contact  form  5.  Email  feed  6.  Media-­‐enriched  elements                  (for  different  learning  styles)  7.          Seamless  design  

 

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White  African,  Blogging  Tools:  IZEAFest  Talk.  September  13,  2008.  h)p://whiteafrican.com/2008/09/13/blogging-­‐tools-­‐izeafest-­‐talk/  (Accessed  December  1,  2013).November  26,  2013)  

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Works Cited and Consulted Alicia  David,  Payton  Glore,    The  Impact  of  Design  and  Aesthe]cs  on  Usability,  Credibility,  and  Learning  in  an  Online  Environment,  in  Online  Journal  of  Distance  Learning  Administra]on,  Winter  2010,  h)p://www.westga.edu/~distance/ojdla/winter134/david_glore134.html  (Accessed  February  23,  2014).    Dimitri  Fedeyev,  10  Useful  Usability  Findings  and  Guidelines,  2009,  h)p://uxdesign.smashingmagazine.com/2009/09/24/10-­‐useful-­‐usability-­‐findings-­‐and-­‐guidelines/  (Accessed  February  23,  2014).    Douglas   Hughmanick   Photo,   About   Roads   &   Kingdoms,   2014,   h)p://roadsandkingdoms.com/about/,   Accessed  February  21,  2014).    Steve  Jobs  image  from:  h)p://cyberculturenewbie.wordpress.com/  used  from  www.soul-­‐sides.com  (Accessed  May  2,  2014).    Hanna  Lee,  Culture  Interfaces:  The  Blackberry  Project.  n.d.  The  Royal  College  of  Art.  h)p://ied.rca.ac.uk/uncategorized/culture-­‐interfaces-­‐the-­‐blackberry-­‐project  (Accessed  November  26,  2013).    Pat  Johnson  Photo,  Thumbtack.com,  h)p://www.thumbtack.com/in/indianapolis/graphic-­‐designers/award-­‐winning-­‐web-­‐graphic-­‐design  (Accessed  February  21,  2014).    Jukes,  I,  &  Dosaj,  A.  (2003,  February).  The  differences  between  digital  na]ve  learners  and  digital  immigrant  teachers.  The  InfoSavvy  Group.  Retrieved  February  23,  2009  from  h)p://edorigami.wikispaces.com/  Understanding+Digital+Children+-­‐+Ian+Jukes         34  

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Max  Mur,  Chèvres  en  équilibre  -­‐  goats  balancing  on  a  flexible  steel  ribbon,  h)p://youtu.be/58-­‐atNakMWw  (Accessed  February  20,  2014).    MicrosoP  Sweden,  Apple  Computer  with  Excel  1.0   for  Macintosh  Screenshot  1985,  h)ps://www.flickr.com/photos/microsoPsweden/5395285812/,  (Accessed  May  2,  2014)    Neilson,   Jakob.   F-­‐shaped   PaEern   for   Reading   Web   Content.   April   17,   2006.   h)p://www.nngroup.com/ar]cles/f-­‐shaped-­‐pa)ern-­‐reading-­‐web-­‐content/  (Accessed  November  14,  2013).    Neilson,   Jakob.   Interna]onal   Usability:   Big   Stuff   the   Same,   Details   Differ.   June   6,   2011.   h)p://www.nngroup.com/ar]cles/interna]onal-­‐usability-­‐details-­‐differ/  (Accessed  November  26,  2013).    Neospot,   Usability   vs   User   Experience,   n.d.   h)p://www.neospot.se/usability-­‐vs-­‐user-­‐experience/   (Accessed  November  27,  2013).    Jon  Phillips,  “5  Things  for  Improving  Readability  on  Your  Website,”  2011,  h)p://spyrestudios.com/5-­‐]ps-­‐for-­‐improving-­‐readability-­‐on-­‐your-­‐website/,  (Accessed  February  24,  2014).    D i v y a t   R aw a t ,   “ H ow   t o   Im p r o v e   We b s i t e   U s a b i l i t y   b y   I m p r o v i n g   C o n t e n t , ”   2 0 1 4 ,  h)p://www.paulolyslager.com/how-­‐to-­‐improve-­‐website-­‐usability-­‐by-­‐improving-­‐content/,   (Accessed   February   24,  2014).            

 

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Karen  Robert,  Yukon  Public  Schools,  “Engagement  Word  Cloud,”  from    North  Ins]tute  of  Teaching  and  Learning,  “What  does  student  engagement  mean  to  you?”  by  Berlin  Fang    March  4,  2011,  h)p://ni.oc.edu/2011/03/what-­‐does-­‐student-­‐engagement-­‐mean-­‐to-­‐you/  (Accessed  February  20,  2014).    Rick  Sloboda,  Good  Web  content  examples  and  what  makes  them  work."  Web  Design  Depot  June  7,  2011.  h)p://www.webdesignerdepot.com/2011/06/good-­‐web-­‐content-­‐examples-­‐and-­‐what-­‐makes-­‐them-­‐work/  (Accessed  November  25,  2013).    Rick  Sloboda  Photo,  Canada  1,  h)p://www.canadaone.com/bio/rick_sloboda.html  (Accessed  February  21,  2014).    Tom  Springer,  Domenico  Azzarello,  Jeff  Melton,  Bain  Consul]ng,  “What  it  takes  to  win  with  customer  experience,”  July  8,  2011,  h)p://www.bain.com/publica]ons/ar]cles/what-­‐it-­‐takes-­‐to-­‐win-­‐with-­‐customer-­‐experience.aspx  (Accessed  February  20,  2014).    

 

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Jesse  Stommel,  “Rewri]ng  the  Syllabus:  Examining  New  Hybrid  and  Online  Pedagogies,”  presented  at  the  ASSETT  Teaching  with  Technology  Symposium,  April  28,  2014,  h)ps://docs.google.com/document/d/1jaIbXUXKPujMIrpySEgwyGokOKXV34C2iF4I2M9WjD4/mobilebasic?pli=1  (Accessed  May  2,  2014).    Peter  Vukovic,  Experts  answer  what  makes  Websites  great?,  h)p://99designs.com/designer-­‐blog/2013/05/01/experts-­‐answer-­‐what-­‐makes-­‐websites-­‐great/  May  1,  2013.  (Accessed  November  25,  2013).    Wikipedia,  TRS-­‐80  -­‐  Wikipedia,  the  free  encyclopedia,  en.wikipedia.org  (Accessed  May  2,  2014)    Website  Design  Canberra,  “Customer  Experience  Design,”  technowand.com.au,  (Accessed  February  20,  2014).  

 

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This  presenta%on  has  been  created  by    Robin  L  Pocer  [email protected]  Tw:  @newbuscom  Registered  under  a  Crea%ve  Commons  license:        

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