48
Introduction to digital epigraphy Emmanuelle Morlock CNRS, HISoMA (UMR 5189) French-american program ‘Visible Words’ Information day, Ecole Française d’Athènes, may 4 th , 2015

Emmanuelle Morlock - Introduction to Digital Epigraphy

Embed Size (px)

Citation preview

Page 1: Emmanuelle Morlock - Introduction to Digital Epigraphy

Introduction to digital epigraphyEmmanuelle Morlock

CNRS, HISoMA (UMR 5189)

French-american program ‘Visible Words’Information day, Ecole Française d’Athènes, may 4th, 2015

Page 2: Emmanuelle Morlock - Introduction to Digital Epigraphy

Outline

● Digital Scholarly Editions (DSE)

● Digital epigraphy examples

● How does it work?

Page 3: Emmanuelle Morlock - Introduction to Digital Epigraphy

What is a DSE*?*Digital Scholarly Edition

Page 4: Emmanuelle Morlock - Introduction to Digital Epigraphy

Why digital editions?

1. to facilitate the pooling and exchange of resources 2. for larger dissemination of resources:

○ as webpages○ multimodal distribution : one single source (xml) => several outputs

(html, pdf, word, epub, xml, etc.)

3. to overcome the material constraints and limits of print editions

4. to enable new kinds of exploitations (statistics, visualizations, semantic web, big data…)

Page 5: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 6: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 7: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 8: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 9: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 10: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 11: Emmanuelle Morlock - Introduction to Digital Epigraphy

Text?

Patrick Sahle

Page 12: Emmanuelle Morlock - Introduction to Digital Epigraphy

A critical representation

● Representation:○ re-creation, re-presentation of a text○ model, data structure(s)

● Critical:○ enhancement of the material with scholarly knowledge:

■ facsimile != not a digital scholarly edition

● A schoarly edition is about a research question...○ Research objectives determines what is necessary to annotate

cf. P. Sahle, Criteria for Reviewing Scholarly Digital Editions, version 1.1<http://ride.i-d-e.de/reviewers/catalogue-criteria-for-reviewing-scholarly-digital-editions/>

“model” of brandebourg gate with lego blocks

Page 13: Emmanuelle Morlock - Introduction to Digital Epigraphy

Digital epigraphy?

Page 14: Emmanuelle Morlock - Introduction to Digital Epigraphy

Digital Epigraphy: community driven from the beginning

● Since 1999-2000 ○ 1st draft of EpiDoc as guidelines for the application of TEI

● Today:○ a mechanism for the creation of complete digital editions○ a framework maintained by an active community

“The collaborators were seeking a digital encoding method that preserved the time-tested combination of flexibility and rigor in editorial expression to which classical epigraphers were accustomed in print, while bringing to both the creator and the reader of epigraphic editions the power and reusability of XML.”

Page 15: Emmanuelle Morlock - Introduction to Digital Epigraphy

a TEI file structure

Page 16: Emmanuelle Morlock - Introduction to Digital Epigraphy

Digital Epigraphy: What is EpiDoc?

● EpiDoc○ a subset of TEI tags○ specific structural constraints:

■ re-expression of the epigraphic lemma in the metadata of the transcription file (teiHeader)

■ transcription part (text) divided in the conventional parts of a traditionnal edition: edition, apparatus, bibliography, commentary, translation

○ guidelines for their use, dedicated to epigraphy○ tools (xslt tranformation files from XML to .html and .txt, ODD schema)

Page 17: Emmanuelle Morlock - Introduction to Digital Epigraphy

div[@type=”commentary”]

Page 18: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 19: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 20: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 21: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 22: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 23: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 24: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 25: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 26: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 27: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 28: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 29: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 30: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 31: Emmanuelle Morlock - Introduction to Digital Epigraphy

entrée d’apparat critique

leçon préférée

alternative

version régularisée

version diplomatique

autre leçon

fin entrée d’apparat critique

Page 32: Emmanuelle Morlock - Introduction to Digital Epigraphy

What new interfaceswill you design?

inscriptions as ‘communication devices’...

Page 33: Emmanuelle Morlock - Introduction to Digital Epigraphy
Page 34: Emmanuelle Morlock - Introduction to Digital Epigraphy

How does it work?very basic principle of web pages production

Page 35: Emmanuelle Morlock - Introduction to Digital Epigraphy

the formula

HTML + CSS=

web pagein a navigator

Page 36: Emmanuelle Morlock - Introduction to Digital Epigraphy

<html>

(...)

<h1>Visible Words</h1><p>Editer & Etudier les inscriptions dans un environnement numérique : méthodes, outils, ressources</p>

(...)</html>

body {

font-family:Times;

}

h1 {

font-size: 200%;

color: green;

font-weight: bold;

}

p {

color: black;

font-size: 100%;

margin-top:10%;

}

Visible WordsEditer & Etudier les inscriptions dans un environnement numérique : méthodes, outils, ressources

h1(title level 1)

Page 37: Emmanuelle Morlock - Introduction to Digital Epigraphy

How do you do it?

XML file HTML filetransformation (XSLT, Xquery)

Indextransformation (XSLT, Xquery)

manyXMLfiles

TOC

RDF

etc.

edition as the design of

information artifacts

Page 38: Emmanuelle Morlock - Introduction to Digital Epigraphy

Why XML?the basics

Page 39: Emmanuelle Morlock - Introduction to Digital Epigraphy

XML in short

1. XML doesn’t do nothing. It only describes. With means of tags (delimiter). In a context of text representation: text structures in particular (book, section, chapter, paragraph, etc.).

2. XML tags are not pre-defined.One can freely create its own tags (according to one’s research interests, for example).

3. But a tag’s grammar can be defined (DTD or Schema)Provides some rigour or means to use a common language between projects.

4. XML is defined to be self descriptive and can easily be readYou can open any xml file with any text editor and read the tags labels (it’s english!)

Page 40: Emmanuelle Morlock - Introduction to Digital Epigraphy

Descriptive markup - 1

★ chunks of text (of all sizes) delimited by start tag and end tag

★ description of nature of function in tag name

<tagX>My contenttagX>start tag

end tagchunk of text

Page 41: Emmanuelle Morlock - Introduction to Digital Epigraphy

Descriptive markup - 2

★ Attributes: additional information

<handNote xml:id="EP" medium="red-ink">

Ezra Pound's annotations.

</handNote>

valueattribute

name

Page 42: Emmanuelle Morlock - Introduction to Digital Epigraphy

Descriptive markup - 3

★ descriptive markup says what things are.○ not what is to be done with the data (procedural information)○ not how they are to be displayed (presentational information). ○ The objective is to describe the fonction and not the final appearance.

★ Separation of form and content

★ Compare:

★ More flexibility:○ same underlying data for multiple presentations○ presentation easy to change through stylesheets, etc.○ facilitates the addition of multiple annotation and re-use

<author>Louise Labé</author><span class=”small-caps”>Louise Labé</span>

Page 43: Emmanuelle Morlock - Introduction to Digital Epigraphy

More specifically

XML file :<author><forename>Louise</forename> <surname>Labé</surname></author>

CSS file:surname { font-variant: small-caps; font-family:Times; }

Web page in browser:

Louise LABÉ

Page 44: Emmanuelle Morlock - Introduction to Digital Epigraphy

Advangages of a TEI/Epidoc markup

ExpressivenessExploitabilityUpgradability

Reusability

Page 45: Emmanuelle Morlock - Introduction to Digital Epigraphy

EpiDoc encoding example: abbreviation <expan>

<abbr>a</abbr><ex>bc</ex>

</expan>

<expan><abbr>

<supplied reason="lost" cert="low">F</supplied>el</abbr><ex cert="low">icitati</ex>

</expan>

a(bc)

Default (Panciera) style: [F?]el(icitati?)Duke Databank style: [F(?)]el(icitati(?))London style: [F?]el(icitati?)

Page 46: Emmanuelle Morlock - Introduction to Digital Epigraphy

Tools: Oxygen Editor

Schema & documentation

Page 47: Emmanuelle Morlock - Introduction to Digital Epigraphy

Wrap up - 1

● Digitized vs digital ○ if you can reproduce your edition without substantial loss, you’re not really doing a scholarly

edition…

● Encoding text allows to:○ publish texts electronically

○ capture semantic distinctions

○ single input => multiple output

○ interchange with other projects

■ federated searches

■ linked data

○ Reuses

○ Long term sustainability

Page 48: Emmanuelle Morlock - Introduction to Digital Epigraphy

Wrap up - 2

● Markup may be an intellectual activity: ○ there is no such thing as a neutral markup ○ the editor’s job: deciding what markup to apply and how this represents his understanding

● It’s not difficult: Philology is encoding