29
The Importance of Being Earnest Mashal Nathani Sohni Shaikh Dusheena Yazdani Sindhia Khowaja

The importance of being earnest

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: The importance of being earnest

The Importance of Being Earnest

Mashal NathaniSohni Shaikh

Dusheena YazdaniSindhia Khowaja

Page 2: The importance of being earnest

Choosing a Script

The Importance of being Earnest

Page 3: The importance of being earnest

Themes Keeping up appearances in

society is more important than actually being earnest.

Marriage is a social tool based on reputation and financial background

Leading dual lives is the common norm of modern life in order to keep appearances

Page 4: The importance of being earnest

The Importance of Being Earnest

This play is a satire; the tone is mocking and involves comedic elements and so the mood is light and airy

This play takes place during 1895 in London partly in the country and partly in the town › The Garden at the Manor House in Act II is sunlit,

old-fashioned, and rose filled› The Drawing-room in Act III is a light and airy

room Interior settings are lit in a different manner than

exterior settings

Page 5: The importance of being earnest
Page 6: The importance of being earnest

This play is a unrealistic drama that does not fall into the social “norm”.

No one marries a person based on their first name.

This leads into the satirizing of the characters, and making fun of how they want to marry someone because of the name. Ex: Gwendolyn desiring to marry a man of the name Ernest.

Page 7: The importance of being earnest

Period › Victorian Era

Play revolves around a farce of some of the Victorian era values such as hypocrisy, arbitrary honesty, and lack of moral constraints

Remains true to original meaning of script

Central Image› A central image or metaphor representing the

play› Could be done through Set design:

Have a mirror image set to represent double life concept

Page 8: The importance of being earnest

Casting Ernest/Jack Worthing

› Colin Firth

Algernon Moncrieff› Ed Westwick

He is able to play aristocratic roles very well and carries a British accent.

Page 9: The importance of being earnest

Casting Gwendolen Fairfax

› Keira Knightley

Cecily Cardew› Reese Witherspoon

Lady Bracknell› Julie Andrews

Page 10: The importance of being earnest

Casting

Rev. Chasuble› Paxton Whitehead

Lane› Edward Fox

Ms. Prism› Maggie Smith

Page 11: The importance of being earnest

Spine of the Play Main conflict:

› Both men have two reasons to lead double lives: Wanting to marry their respective lovers Escaping Victorian Era social responsibilities

Page 12: The importance of being earnest

Style of Production

Selective Realism › Resembles Victorian Era life and customs

but one thing is not accurate: The desire to marry someone with the name

Ernest is too unrealistic.

Page 13: The importance of being earnest

Creating the physical production requires the director to work closely with set, costume, light, scene, and sound designers, and actors. › To ensure the main themes and purpose of

the play is consistent in all elements.› To cast the parts and rehearse

Page 14: The importance of being earnest
Page 15: The importance of being earnest

Props

the couch is an important factor because the idea of sitting down is mentioned.

significant set pieces include: a plate of cucumber sandwiches, a cigarette case  

Page 16: The importance of being earnest

Practical Design Problems

Problem: the size not being big enough.

solution: measure the dimensions of the performing space then accommodate to those needs and set pieces. Make sure the sight lines are clear so that no area of the space that you want being noticed is ignored when a the production is playing.

Page 17: The importance of being earnest

Practical Design Problems

Problem: the set is not how it was pictured

solution: the set designers should be present when the design and setting is being constructed. They are the ones who designed it and know the details concerning the set.

Page 18: The importance of being earnest

Practical Design Problems

Problem: Not having enough time.

solution: Easy, get started right away. Don’t procrastinate. The set design is all a major part of the show. Know how things are going to be built and be one step ahead of the game.

Page 19: The importance of being earnest

The set pieces should also contribute to the whole of the play and collaboration with the other team members is important with this

Page 20: The importance of being earnest

The Use of Light

Lighting is essential to theatre; it adds feeling and substance to a play and heightens the quality of the setting and understanding for the audience.

It provides emphasis when needed, maintaining the kinesthetic connection between audience and theatre

Adds visibility; shape and form; focus and composition; mood and style; and time and place

Page 21: The importance of being earnest

The Aspects of Lighting

The intensity of this play would differ; the dimmers would be use in transitions between Acts in the town and country› The daylight scenes would

take place in bright, warm light

› The light would be dimmed for the town scene To the right is an example

of the Manor Lighting

©http://sarahlambert.squarespace.com/picture/cu%20earnest%201.jpg?pictureId=6180036&asGalleryImage=true

Page 22: The importance of being earnest

Colour The colors of the lighting would most

likely be warm for the scenes in the garden and outdoors and a bit cooler and dimmer for the indoor scenes

©http://www.rosebrand.com/images/portfolio/Earnest-Curtains.jpg

©http://sarahlambert.squarespace.com/picture/cu%20earnest%202.jpg?pictureId=6180037&asGalleryImage=true

Page 23: The importance of being earnest

Stage Lighting for the Play

The soft-edged spotlight could be used for this play

For example, the Fresnel to the right, can be flooded to cover the stage area

©http://www.archiexpo.com/prod/spotlight/halogen-lamp-fresnel-projectors-theatre-56998-691870.html

Page 24: The importance of being earnest

Automated or Moving Light

An automated or moving light is very versatile and could be used for this play because it can focus, change color, change the size of the beam, and change focus

This could be helpful when transition from Act II to Act III (the indoor to outdoor setting change)

Ex. Barco automated light to the right

©http://previewcf.turbosquid.com/Preview/2012/01/08__07_21_19/Barco%20Digital%20Automated%20Light%20moving%20head%20luminaire%20stage%20lighting%20dj%20spot%20projector%20lamp%20theatre%20light%20disco%20dance%20floor%20spotloght%20equipment%200001.jpg5a318c33-badd-4e13-bbdd-e62c7e907e11Large.jpg

Page 25: The importance of being earnest

The style of the play will be very expensive and high class as the characters all come from a wealthy status- including expensive looking materials such as silk and embroidery.

The costumes will include jewelry and hats, as well as items such as pocket watches.

The clothing will be of the Victorian era.

Page 26: The importance of being earnest

Clothing for Characters

Page 27: The importance of being earnest

The clothing for Cecily, Gwendolyn, Jack, Algernon, and Lady Bracknell will be extravagant and elegant.

Page 28: The importance of being earnest

Clothing for the lesser characters will be less as extravagant but still expensive looking as majority of them come from the same class.

However, for characters such as Miss Prism, Reverend Chausable and Lane will be of a lower class.

Page 29: The importance of being earnest

It would be easier for the men to change because their clothes are less restrictive, and could essentially keep the same shirt and pants- only having to change their coats with the accessories attached pre-production.

The women would be harder to change as their clothing is tight and many layers.