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THE STORY … TRADITIONAL BAGHDADI ART-CRAFT SCHOOL IRAQ BAGHDAD Al-Jassani, Karrar Ihsan

Traditional Baghdadi Art Crafts School Presentation

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Traditional Baghdadi Art Crafts School, by Al Jassani, Karrar Ihsan Faculty of Architecture, BAU 2013

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Page 1: Traditional Baghdadi Art Crafts School Presentation

THE STORY …

TRADITIONAL BAGHDADI ART-CRAFT SCHOOL

IRAQ – BAGHDAD

Al-Jassani, Karrar Ihsan

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The main vision was to directpeoples to increase theirinterest in the cultural issuesof the society and maintaintheir architectural heritageand develop it wisely , showout the rule of the architectin the society and theirapplication according to theneed and social technology.

WHAT …

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STRAT

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BABYLON GATE THE ZIGGURAT OF UR

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METHOD …By reading the human role in

architecture with his full relationwith it , he take two deferentplaces from it, as action makerand as recipient ( observer ), thisrelation relay on the basiccomprehension of people/societyneed that meet architecture bygiving it a specific form , showingthis need in two way , First ,physical form that represent thecollecting method of material inbody having it’s won volume,characteristics and features , thatcan realized by man directly orindirect , Second , as significantform : it’s thoughtful concept tothe physical form subjected tomental apperception for humaninteraction.

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THE GATE OF MAJISTY PATH OF FAITH

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SITE AND CORRESPOND TO LOCATION

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PREVAILING WIND

SANDY WIND

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APPLICATION

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EDUCATIONALCULTURALADMINISTRATIVE

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“ All our knowledge has it’s origins in our perception “

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-UNDERSTANDINGEmotionalPhysical

- Pathway

- Livability

- Application

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ARCHITECTURE OF SHADOW …IDENTITY …

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SYMMETRY …

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TRADITIONAL BAGHDADI ART CRAFT SCHOOL

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High Air Pressure Area Low Air Pressure Area

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TRADITIONAL BAGHDADI ART CRAFT SCHOOL

THANK YOU

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