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Creative Industry, Creative City, Creative District: the role of the city Creative Metropoles. Stockholm Kulturhuset 18 th March 2010. Prof. Dominic Power Uppsala University, Sweden [email protected]

Upsala creative metropoles stockholm march 2010

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Page 1: Upsala  creative metropoles stockholm march 2010

Creative Industry, Creative City, Creative District: the role of the city

Creative Metropoles. Stockholm Kulturhuset 18th March 2010.

Prof. Dominic PowerUppsala University, Sweden

[email protected]

Page 2: Upsala  creative metropoles stockholm march 2010

  CCI Employment CCI Focus CCI LQ CCI Rank

CCI Average annual growth

2001-2006

WIPO Employment

Berlin, DE 60,736 4.15% 1.53 25 -1.74% 59,333Cataluña (Barcelona), ES 153,202 3.54% 1.30 6 0.20% 151,286Eesti (Tallinn), EE 23,965 3.14% 1.16 77 4.02% 23,528Etelä-Suomi (Helsinki), FI 64,500 3.89% 1.43 22 -0.38% 66,213Latvija (Riga), LV 31,720 2.60% 0.96 56 3.87% 32,667Lietuva (Vilnius), LT 26,102 2.38% 0.88 68 5.79% 31,561Mazowieckie (Warszawa), PL 40,984 2.55% 0.94 42 N/A 75,896Oslo og Akershus, NO 39,778 4.61% 1.70 44 -4.21% 38,250Stockholm, SE 86,239 5.87% 2.16 10 -2.07% 76,601West Midlands (Birmingham), UK

35,913 2.35% 0.86 52 -1.64% 31,669

West-Nederland (Amsterdam), NL

195,646 4.23% 1.56 4 N/A 193,344

Priority Sector Report: Creative and Cultural Industrieswww.clusterobservatory.eu

Report presents statistics on 6.5 million CCI employees in 30 countries and 259 NUTS2 regions

Page 3: Upsala  creative metropoles stockholm march 2010

Priority Sector Report: Creative and Cultural Industrieswww.clusterobservatory.eu

Innovation probably, prosperity definitely

Page 4: Upsala  creative metropoles stockholm march 2010

AdvertisingArtistic creation and literary interpretation

Priority Sector Report: Creative and Cultural Industrieswww.clusterobservatory.eu

Page 5: Upsala  creative metropoles stockholm march 2010

• Core creative functions and manufacturing activities are the most regionally concentrated

• Consumer oriented activities such as retail the least regionally concentrated

Though both have a tendency towards districting... Though in very different forms

Priority Sector Report: Creative and Cultural Industrieswww.clusterobservatory.eu

Page 6: Upsala  creative metropoles stockholm march 2010

• Important to distinguish which type of creative industry you are targeting as each sub-sector has different locational needs, each step on the value chain has different needs

• Identify your strengths and build upon them before going for blue sky development

Creating the creative city and district?

Page 7: Upsala  creative metropoles stockholm march 2010

• Difficult to plan for resources and infrastructure as each sector has different needs

• Easier to prioritise startups and micro businesses– Business planning support– IP support services– Export advice– Suitable affordable spaces– Venture funding and support

Creating the creative city and district?

Page 8: Upsala  creative metropoles stockholm march 2010

• Inter-firm: project working support and intermediation systems/portals; incubators; information and partner directories; trade fairs

• Inter-person: (formal and informal) networking platforms; career development and mentoring programs

• Inter-sector: ice-breaker funds; networking events; incubators; living labs; research initiatives; tech transfer offices

• Develop your spatial strategy: combine a district oriented hotspot focus, with a region-wide linking approach

Proximity might not breed creativity but it builds business cultures

Page 9: Upsala  creative metropoles stockholm march 2010

Take brands and identities seriously (and realistically) as strategic tools, but there is not only one route… use multi-channel branding efforts and develop multiple brands

Page 10: Upsala  creative metropoles stockholm march 2010

Do not loose sight of celebrating culture or creativity over commercial concerns – these are the base for these industries’ attractiveness, spillovers and competitiveness