maxxi construction

FAKULTI SENIBINA PERANCANGAN DAN UKURUNIVERSITI TEKNOLOGI MARA (UiTM)

SHAH ALAM, SELANGOR

Nurameir Dzakarea Bin Azmi 2007106147Mohamad Arif Bin Md Zain 2007106125

Muhammad Rahmat Bin Amir Sharippuddin 2007106157Mohd Fikri bin Mohd Nor 2007106151

Ahmad Zulkamal bin Mohd Ziyadi 2007106123

AP 213 - Bachelor Of Science (Architecture)

Museum of the 21st Century

• Contents• IDEAS, CONCEPT & INTRODUCTION• FOOTING• METHOD OF CONSTRUCTION• ROOF SYSTEM & SKIN SYSTEM• MATERIALS• SPECIAL FEATURES• SUSTAINABILITY ISSUES


IDEAS, CONCEPT & INTRODUCTION


Museum of the 21st CenturyDesigner : Zaha Hadid

Client : National Museum of the XXI Century ArtsCost : 150 Million Euros ($200 Million USD)

Area: 30,000 sqm (320,000 sqf)Stories: 3

Awards : Winner, Stirling Prize 2010

First Italian public museum for contemporary creativity,

arts and architecture


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Location : Flaminio, Rome, ItalyDate : 1998 to 2010

Building Type : Contemporary MuseumConstruction System : Concrete, steel, glass

Climate : Warm Temperate


Museum = “an object” Museum = “a field of buildings”


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Confluences of Lines Primary force of the site

Unique L-Shape FootprintExplore the possibilities of

linear structure

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Major Streams Minor Streams

Galleries Connections & Bridges

Walls constantly intersect and separate to create both indoor and

outdoor spaces


FOUNDATION AND METHODOF CONSTRUCTION

• strip Footing -basement floor (retaining wall) - 3 storey heights

Cross Section Gallery

Cross Section Main Lobby



first floor

second floor

GROUND floor


CONSTRUCTION METHOD

•In-situ steel formwork

For continuity, the walls of the MAXXI were cast on-site in self-compacting concrete, representing one of the most challenging aspects of the construction process – with casts up to 50m long

CONSTRUCTION METHOD

•Load bearing wall -no column

•Steel structures


ROOF SYSTEM&SKIN SYSTEM



On the ceiling, deep, evenly spaced fins of glass-fiber-reinforced concrete (GFRC) parallel the gallery side walls, accentuating the effect of every curve.


Inside each curving channel, an armature of evenly spaced steel beams parallels the concrete side walls in three dimensions, supporting a roof of double-pane, low-e coated glass panels. The relatively small steel beams are visually emphasized by much larger glass-fiber-reinforced concrete (GFRC) fins that hang below the beams into the interior space.


The continuous roof skylight and light-colored interior walls of MAXXI combine to produce a consistent day lighting effect throughout. Epoxy-enameled galvanized steel screens hover above the skylights to mitigate heat gain through the roof, while mirrored diffusers and operable aluminum louvers control light levels within the galleries.

Light from MAXXI's skylight roof is controlled first by a continuous diffuser and finally by a series of aluminum louvers mounted in the channels formed by adjacent fins.



Detailed gallery roof plan and section drawings


Gallery section drawings showing GFRC fins and aluminum louvers


Gallery section drawings showing GFRC fins and aluminum louvers.




Detailed northwest-southeast section drawing through galleries






Ground Floor Ceiling Plan



The walls of the MAXXI were cast on-site in self-compacting concrete, representing one of the most challenging aspects of the construction process – with casts up to 50m long

Exposed-concrete walls provide the primary structure of MAXXI. The largest few pairs of these run in parallel to form four top-lit channels that bend and twist in three dimensions. The irregular intersection of these wide channels forms the building's three-story entry and wayfinding space, while their solitary ends enclose four of the five gallery suites.



The concrete shuttering involved the coordination of casting guidelines issued by Zaha Hadid Architects; with the site management directly responsible for the structural planning of the joinery, the completion of off-standard formwork systems, the design mix of the concrete, and the critical aspects of laying the concrete.


Exposed-concrete walls


A selection of movable partitions serve as flexible mounting surfaces for art that cannot readily be displayed on MAXXI's many curving walls.

It consists of galleries contained in long, narrow

concrete forms that curve, overlap and weave around

each other.


The walls of the MAXXI create major streams and minor streams. The

major streams are the galleries, and the minor streams are the

connections and the bridges. The site has a unique L-shaped footprint that

meanders between existing buildings

MATERIALS



• Fair-faced concrete Plain concrete (As-cast Finish Concrete / Bare Concrete)

• Also known as decorative concrete, is named for its highly decorative effect.

• Exposed-concrete walls provide the primary structure of MAXXI.

• It belongs to a casting moulding, without any decoration, place concrete used directly as a result of natural surface finishes


• Glass fibre reinforced concrete (GFRC)• Glass fiber concretes are mainly used in exterior building façade panels and as

architectural precast concrete.• GFRC fins that hang below the beams into the interior space.


• Glass (roof, floor & window)• The use of glass in buildings

is a transparent feature to allow light to enter into rooms and floors, illuminating enclosed spaces and framing an exterior view through a window. It is also a material for internal partitions and external cladding.

• The glass roof is protected on the exterior by a steel mesh that screens light and ensures easy maintenance.


• Steel (staircase, column, etc)• Controls qualities such as

the hardness, ductility, and tensile strength of the resulting steel.

• Aesthetical value, modern & contemporary styles


• Plasterboard• Panel made of gypsum

plaster pressed between two thick sheets of paper. It is used to make interior walls and ceilings

• Plasterboard connected with concrete walls creates the technical cavity that contains the museum's complex mechanical systems.

SPECIAL FEATURES



A gallery on the third floor cantilevers 45 feet

beyond the building’s main

structure. A tilted glass wall offers views over

the public plaza.


A system of metal grilles, blinds, and adjustable louvers

controls sunlight streaming into galleries.


The 228,000 square foot building includes 108,000 square feet of galleries, some of which are accessed by a long winding ramp. Some of the concrete fins

suspended from the steel and glass roofs provide power for lights, while others hold tracks to support temporary walls for exhibitions.


A system of steel stairs and ramps serves as a counterpoint to the building’s concrete structure. Built off-site and delivered in sections no larger than 7 feet, the stairs were painted black using the same technology manufacturers use for cars.


A forking bridge above the entry was supposed to connect to a pair of outbuildings on the other side of the plaza, but the client decided to renovate

an existing building there instead for use as a café, bookstore, and offices.


A selection of movable partitions serve as flexible mounting surfaces for art that cannot readily be displayed on MAXXI many curving walls

SUSTAINABILITYISSUES



Basic construction materials

Architecturally over-powering, but not the materialsEpoxy floor and concrete walls

Good practice during construction

Complicated job but tidy siteConcrete mixing plant on site

(avoid disruption during the concrete pours)

Waste of resources

Pursuit of concrete perfection

Test wall of 6m by 20m was demolished and rebuilt “at

least 10 times”


C02 Sensors

Minimise the quantity of incoming fresh air that

needs to be heated

Fixed Shading System

The carefully designed external steel ribs oriented to the south,

active louvers, as well as internal roller blinds to cut down on radiant

energy and create lighting conditions for 50 to 200 lux

Problematic Skylight

Envelope failures, leaking


http://www.andreaskuefer.com/maxximum/http://en.wikipedia.org/wiki/MAXXI_%E2%80%93_National_Museum_of_the_21st_Century_Artshttp://maps.google.com.my/http://www.archiplanet.org/wiki/MAXXI%2C_Rome%2C_Italyhttp://www.zaha-hadid.com/architecture/maxxi/#http://civil307.blogfa.com/post-157.aspxhttp://a1-optimization.com/webpromotion/2011/03/16/what_is_a_fair-faced_concrete/http://www.archdaily.com/43822/maxxi-museum-zaha-hadid-architects/http://archrecord.construction.com/projects/portfolio/2010/10/maxxi.asphttp://en.wikipedia.org/wiki/MAXXI_%E2%80%93_National_Museum_of_the_21st_Century_Artshttp://www.nytimes.com/2009/11/12/arts/design/12zaha.htmlhttp://redchalksketch.wordpress.com/2010/10/03/maxxi-museum-of-xxi-century-arts-by-zaha-hadid/http://www.architectureweek.com/2010/1117/news_4-3.html

Engineering

maxxi construction