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20 th Century Architecture and Design into the 21st Century Modern to Post-Modern

20th Century Architecture

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  • 1. 20 thCentury Architecture and Design into the 21st Century Modern to Post-Modern

2. Modernism

  • After 1900 artistic innovation in Europe and the US increased in a rapid succession of movements, or isms.The modern movement lasted through the first half of the 20 thCentury.
  • Modernismrejects old, traditional ideas and stylesin art and design
  • Although Modernist styles are diverse,art moved toward abstractionbased on line, color, shape, space, and texture
  • Modern architecture and designmoved toward abstraction and rejected historical styles and ornamentation
  • Modern architecture reveals rather than conceals the inner structure of the building

3. Art Nouveau

  • Art Nouveau began in France
  • (Late 19 thCentury Early 20 thCentury)
  • Art Nouveau incorporates Organic and Natural Forms into the decoration
  • Architecture +Interior Design, Fashion, Graphic Arts, Decorative Arts

4. LouisSullivan American Louis Sullivan ,Carson, Pirie, Scott Building(Chicago), 1899-1904 5. LouisSullivan American

  • Art Nouveau( organic / natural motifs and decoration
  • UsedCast iron decorationon first and second floors
  • Large display windows

Louis Sullivan ,Carson, Pirie, Scott Building(Chicago), 1899-1904 6. AntonioGaudi Spanish Antonio Gaudi ,Casa Mila(Barcelona, Spain), 1907 7. AntonioGaudi Spanish

  • Apartment building incorporatingorganic form( Art Nouveau)
  • Designinspired bythe discovery of theAltamiraCaves (Prehistoric Caves in Spain)
  • Gaudi was trained as anironworkerbefore he became an architect
  • Gaudi created buildings asliving things

Antonio Gaudi ,Casa Mila(Barcelona, Spain), 1907 8. DeStijl(The Style)

  • Began in1917by a group ofartists in Holland
  • balance between individual and universal values
  • Integration ofArt and Life
  • GeometricForms / Purity and Simplicity

9. GerritRietveld

  • Garrit Rietveld , Schroder House (Utrecht, Holland) 1924

10. GerritRietveld

  • Garrit Rietveld , Schroder House (Utrecht, Holland) 1924
  • Rietveld was a furniture maker and architect
  • Schroder House combines geometric forms and primary colors with black, white, grey
  • simple, open spaces
  • furniture designed by Rietveld

11. ArtDeco

  • Movement in 1920s and 1930sassociated withthe Jazz Age
  • Began in France , but spread toother parts of Europe, USA, and around the world
  • People still wanted decorationdespite the de Stijl and other modern movements eliminating all unnecessary decoration
  • Industrial Design Combined with Fine Art Elements(industrial materials (metal) and objects + patterns and repeated shapes)
  • Industrial Design cars, household appliances, fashion, decorative objects, architecture
  • Inspiration from Ancient Cultures , including Egypt

12. The Chrysler Building New York William van Alen(American),The Chrysler Building(New York) ,1928 - 1930 13. The Chrysler Building New York William van Alen(American),The Chrysler Building(New York) ,1928 - 1930

  • Exterior made ofstainless steel
  • Art Decomotifs repeated shapes(triangles, etc.)
  • Built for Car Manufactuer,Chrysler Automotive Company
  • Monument to theRoaring 1920s

14. Prairie Style

  • American Midwest ArchitectFrank Lloyd Wright invented the Prairie Stylein early 20 thCentury
  • Related toThe Arts and Crafts Movement , using craft, including stained glass windows, ceramics, and wood carpentry
  • Wright preferred thecountrysideto the city
  • Natural Materials / Natural Environment
  • Inspired byJapanese Architecture(long, low buildings with open interior spaces).Wright designed a hotel in Tokyo(now demolished)

15. Frank LloydWright American Frank Lloyd Wright ,Falling water(Pennsylvania, USA) 1935 - 1937 16. Frank LloydWright American Frank Lloyd Wright ,Falling water(Pennsylvania, USA) 1935 - 1937

  • harmony with nature
  • Builtover awaterfall
  • Natural materials
  • Japanese influence

17. Frank LloydWright Frank Lloyd Wrightdesigned everything for the interiorsof his buildings (furniture, lamps, stained glass windows, etc.) 18. The Bauhaus

  • The Bauhaus was an importantart and design school in Germany opened in the 1920s
  • The Bauhaus focused on understandingPure Form (color, shape, line, composition, space, etc,)
  • Many importantartists and designers taught and studied there
  • The Bauhaustrainedartists, designers, and architects toaccept and anticipate the needs of the 20 thCentury
  • The Bauhaus greatly influenced modern designstreamlined the look of architecture and design, including typography
  • The Bauhaus wasclosedby the Nazisin 1933

19. TheBauhaus Bauhaus designers inventednew simplified forms of typography(sans serif) The Bauhaus designers created streamlined design withsimple, clean lines 20. WalterGropius German Walter Gropius ,the Bauhaus(Dessau, Germany), 1925 - 1926 21. WalterGropius German

  • Main Building of Bauhaus Art and Design School
  • In 1919, Gropius, German architect, was appointed director of The Bauhaus
  • Gropius focused on Formal Elements (shape, color, line, etc.)
  • Gropius promoted the unity of art, architecture, and design

Walter Gropius ,the Bauhaus(Dessau, Germany), 1925 - 1926 22. LudwigMies van der Rohe German Mies van der Rohe ,German Pavilion in International Exposition(Barcelona, Spain), 1929 23. LudwigMies van der Rohe German

  • Director of Bauhausfrom 1930 - 1933
  • Mies van der Rohe saidLess is More
  • Simple, Open Space and Quality Materials
  • Domino system - combine rectangles to form architecture

Mies van der Rohe ,German Pavilion in International Exposition(Barcelona, Spain), 1929 24. Barcelona ChairMies van der Rohe

  • Designed for King and Queen of Spainto sit on in German Pavilion
  • Later, the design wasmass-producedandbecame a status symbolin homes and offices

Mies van der Rohe ,Barcelona Chair , 1929 25. Mid-CenturyModern Late 1940s, 1950s, into the Early 1960s

  • OrganicForms vs.GeometricForms
  • Fusionof Architecture and Sculpture
  • Simplicity
  • NewIndustrial Materials

26. Frank LloydWright Frank Lloyd Wright ,Guggenheim Museum(New York), 1943 - 1959 27. Frank LloydWright Frank Lloyd Wright ,Guggenheim Museum(New York), 1943 - 1959

  • Art Museumbuilt forGuggenheim family(major American art patrons)
  • ConcreteBuilding
  • Shape inspired by thespiral shaped shell of a snail
  • Buildingslopes downfrom top to bottom (using gravity)
  • Central atriumwithnatural light

28. LeCorbusierFrench Le Corbusier ,Notre Dame du Haut(Ronchamp, France), 1950 - 1955 29. LeCorbusierFrench Le Corbusier ,Notre Dame du Haut(Ronchamp, France), 1950 - 1955

  • Small church chapelwhichreplaced a building destroyed in WWII
  • Shape representspraying hands or wings of a dove(symbol of peace)
  • Reference to MedievalArchitecture
  • Concrete over metalstructure

30. EeroSaarinen born in Finland Eero Saarinen ,Terminal at Kennedy Airport(New York), 1952 - 1956

  • AirportTerminal inNew York
  • Futuristic
  • Scandanavian Modernism
  • Simple curved, organic shapes
  • Theme ofMotion / Wings in Flight
  • Twoconcreteshells

31. EeroSaarinen born in Finland Eero Saarinen ,Terminal at Kennedy Airport(New York), 1952 - 1956 32. Tulip Table and Chairs Eero Saarinen ,Tulip Pedestal Furniture, 1957 33. Tulip Table and Chairs

  • Eero Saarinen wanted toeliminate the problem of too many legs on furniture
  • Based on theshape of tulipflower ( organic shape )
  • Made ofMolded Plastic(new material)
  • Clean and simpledesign

Eero Saarinen ,Tulip Pedestal Furniture , 1957 34. SeagramBuilding

  • InternationalStyle
  • Simple and Purerectangular shape
  • Mies van der Rohe helped change the look of cities tall glass boxes(design easily imitated)
  • Ambercolored windows andbronzecolored structure

Ludwig Mies van der Rohe and Philip Johnson ,Seagram Building(New York), 1956 - 1958 35. SeagramBuilding Ludwig Mies van der Rohe and Philip Johnson ,Seagram Building(New York), 1956 - 1958 36. Comparison 37. Post-ModernArchitecture The Past 20 30 Years

  • Belief that Early Modernist Architecture was impersonal and sterile
  • Complex and Eclectic structures
  • Post-Modern architecture accepts and embraces the messy and chaotic nature of urban life
  • References to architecture from the past

38. Pompidou CenterParis Richard Rogers(British) andRenzo Piano(Italian),Pompidou Center(Paris), 1977 39. Pompidou CenterParis Richard Rogers(British) andRenzo Piano(Italian),Pompidou Center(Paris), 1977

  • Cultural Center and Museum
  • Building turned inside outwith the water, electrical, etc. pipes, ducts, and tubes on the outside
  • Squarein front of the museumpopular placeto hang out
  • Reference to Eiffel Tower (structure visible)

40. HSBCHong Kong Norman Foster,Hong Kong and Shanghai Bank(Hong Kong), (1979-1986) 41. HSBCHong Kong

  • High TechArchitecture
  • Supportings k eleton on the outside
  • Computer programmeds u n trackwhich finds sun rays to bring into the space
  • Client wantedt h e most beautiful bank in the world

Norman Foster,Hong Kong and Shanghai Bank(Hong Kong), (1979-1986) 42. Frank GehryCanadian (lives in USA) Frank Gehry ,Guggenheim Museum(Bilbao, Spain) 1997 43. Frank GehryCanadian (lives in USA) Frank Gehry ,Guggenheim Museum(Bilbao, Spain) 1997

  • Art Museum(built for Guggenheim family same as in New York)
  • Deconstructivist Architecture(concept of taking apart)
  • Imbalanced and AsymmetricalForms
  • Sculptural
  • Structure is covered inTitanium Steel

44. Comparison 45. SantiagoCalatrava Spanish Santiago Calatrava ,Milwaukee Art Museum(USA), 2001 46. SantiagoCalatrava Spanish Santiago Calatrava ,Milwaukee Art Museum(USA), 2001

  • Art Museum
  • Organic / SculpturalForm (bird-like / boat-like)
  • KeneticArchitecture ( the roof moves opening and closing according to the weather conditions)
  • Connects the building onLakeMichigan to the city with abridge

47. ZahaHadid Born in Iraq / Lives in London Zaha Hadid , MAXXI Art Museum (Rome, Italy), 2009 48. ZahaHadid Born in Iraq/ Lives in London

  • Only Woman to receive thePritzer Prize in Architecture(most important award for architects)
  • MAXXIrefers to 21st Century (Roman Numerals XXI)
  • Contemporary Art Museum
  • Overlapping ofgeometric shapes
  • Deconstructivist / Postmodernist

Zaha Hadid , MAXXI Art Museum (Rome, Italy), 2009