Iguzzini - Light First

Light first. Brother. Light First.

Social innovation through lighting.

Light First.

I want a light that can illuminate the smiles

of the people I meet on the street, because

that is a light that creates happiness

and that spreads around.

I want a light that, in the evening, can take back

our children and guide their steps toward home.

I want a light that warms the evenings at the park

with all kids and leaves a trail of games and

laughter.

I want a light that creates life in our city, giving

new nuances to the dark forgotten corners

of this city.

I want a light that reveals and lets us rediscover

the secrets of our history and our culture,

illuminating the monuments and buildings

that speak about our past.

I want a light that gives shape to the buildings,

the initiatives, to the dreams of our architects

and designers.

I want a light that marks a beginning

and an end of the streets of our city.

Light first. Adolfo.

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• Science.

• Industry.

• Technology.

• Design.

• Light is human.

• Light is environment.

• The Making.

• The i-factor.

• People for better life.

• Hubs and links.

Contents.

References:

Application channels.

Architectural

Art & culture

Large areas

Places of worship

Parks & Gardens

Retail

Street & Urban

Hospitality

Offices

1Light first. Social

innovation

through

lighting.

2Light first.

Every

project

counts.

3Light first.

Vital energy.

4Light first.

Making in Italy.

5Light first.

Open

network.

• People for better life.

• Hubs and links.

2 3

5

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87

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Light first. Social innovation through lighting.

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Environmental protection, biological and psychological

wellbeing, sustainable economies: since 1959 we have been

committed to positive development of life and society through light.

We promote responsible use of energy with public organisations,

protagonists of architecture, industry and trade, to support cities

for a real improvement of social life. We want light to convert public

places and working environments into centres of life by integrating

it into the surrounding fabric in order to become places where smiles,

encounters, looks and handshakes can still have a meaning.

Socially engaged.

A new social and individual wellbeing based on vital energy, quality

of technologies and know-how. This is why we have committed

ourselves to the search for products and solutions, to the increase

of the performance of lighting systems. We have created an ideal,

yet concrete story with political, territorial and international initiatives

that is oriented towards the future, attracting and supporting the

most scientifically and ethically advanced positive thrusts of

contemporary society.

Knowledge-based wellbeing.


Light generates innovation through mutually integrated technological,

industrial and design systems. Breakthrough solutions in our

organisation are created by constant dialogue with the international

protagonists of projects and ideas, by discussion with best producers

of technologies. There’s a great deal of life in light.

Is there life on Light?

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Our Social Advertising.

Total innovation is also in the ideas and positions we

communicate. We have decided not to talk only to designers,

but to the public, to the final user of the advantages of quality light.

We have decided to take a position on the main delicate social

issues.


With iGuzzini against lighting pollution.

In 1993 a series of amazing and eccentric advertisements in terms

of product logics was published. Lighting pollution - at that time

only familiar to astronomers - became an excuse for reflection on

the quality of light and projects. The title “Who stole the Milky

Way?”, coupled with provocative images, built evocative situations

at the service of a socially useful goal.

Better Light for a Better Life.

In order to improve our living environment, we must be aware of

the real difference light can make in life quality when designed

and used correctly. In 2004 we decided to enhance the value to

team work, with Partners for better light, giving space on project

sites to architects, lighting designers, customers and iGuzzini

technicians, who were a part of the team.

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It is exciting to work on light with a long term perspective. We are determined to discover new ways and achieve results.

We are capable of conjugating verbs in future tense and use words that speak over time, as study and research. We

explore the borders of science to create a better light. The know-how on acrylic materials - the origin of the Guzzini

Group - and in particular on metallization technologies, has motivated the production of sophisticated optical instruments

that have been further improved with the development of molecular processes. We work on the physics of materials to

improve the thermal dissipation mechanisms, on nano-technological treatments of finishes to guarantee corrosion

resistance, on advanced electronics to increase reliability and efficiency and to control fluxes and chromatic features.

Since 1983 the development of specific software (with a programme used to calculate the lighting performance of

products) has assisted in the definition of the most efficient use of our lighting fixtures. Smart grid connections, sensors

and multilayering are the new areas of development in our scientific research.

The brain factory.

Light first. Science.

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Light first. Science.

We have registered dozens of invention

patents, investigated the special lighting

needs of artworks, enhanced the value

of goods, and made our cities more

comfortable and safer. All studies have

been conducted in collaboration with

Harvard University, MIT in Boston, the

Frauenhofer Institut, the Lighting Research

Center of Troy in the USA, and numerous

Italian institute.s and universities

Skills for society.

The results of our experimentation in the field of photo-biology, namely on the biological effects of exposure to

light, have become international guidelines (Which manufacturer in the industry is not talking about bio-dynamic

light today? Our research started in 1988). The studies carried out with the Lighting Research Center of

Troy were based on the relation between the variation of light features and the circadian rhythm of living beings.

In 1992 our studies gave origin to a patent and a biodynamic lighting system used to reproduce the natural

variations of daylight in artificial spaces. Not only was the system able to improve life and work quality in

enclosed spaces (such as control rooms of petrochemical plants, call centres, etc.), but it also contributed to

the rehabilitation activities of patients who had just come out of a coma.

Our investigation was urged by a demand for environmental quality, safety, saving, and reduction of lighting

pollution. In the mid-Eighties we invented polycarbonate diffusers for public lighting. The unbreakable and

transparent material, together with innovative reflectors, led to products specialized in visual comfort and

energy saving. The difficulties encountered by astronomers in the difficulties encountered by astronomers

in observing the night sky led to these solutions, thus determining our strong commitment against lighting

pollution and stray light with the production of fittings able to prevent light dispersion.

In 2009 our know-how and the collaboration with ENEL, the largest public authority in Europe for urban lighting,

allowed us to use power LEDs, once again using new optics, in one of the first fittings able to reduce

energy consumption in urban lighting.

“Light and democracy” was the investigation made at the end of the Nineties with Harvard University on a

new light for cities. The study led to the first ever prototypes of LED fittings with RGB technology, which

were programmed and controlled by software applications able to respond to environmental stress. The

Town Hall square in Boston was organized according to light fluxes that indicated the different directions and

crossings along the axes of space and time. From 2000 to 2007 we participated in Office21, an international

research project coordinated by the Frauenhofer Institut, with Microsoft among its partners, to investigate the

effect of networking on the configuration and light of work spaces. We also conducted new ways to illuminate

artworks, museums, archaeological sites, and historical buildings. We have made studies and research that

have produced new application modes (indirect light for outdoor spaces, diffused light with luminance control,

graphic light). In 2006, with “Knowing the Shape”, a project in collaboration with the Italian Institute for

Restoration and the Louvre Museum, we studied in depth the perceptive and cultural issues linked to the

relation between light and artworks. Our research activities continue unceasingly.

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Light first. Industry.

Today industry means variability, flexibility, and

complexity, without repetition. Our solution is

to collaborate with suppliers to obtain the best

components, sharing information and aligning

all activities to the latest technologies available on

the market. We work with world-leading certified

manufacturers of light sources and raw materials.

We carry out tests in laboratories and on-line to

guarantee quality, safety and reliability.

We have about 500 partners in the supply chain

and they all participate in the development stage,

because excellence of performance can be

obtained only through high-quality collaborations

that invest in the improvement of parameters

and believe in total integration: together we

process estimates, time schedules, standards and

production lots. The entire system is at the centre

of our work: we want to share the same work

ethics that is expressed in the quality of the space,

while listening to customers in every department,

respecting and involving our people with lifelong

training and updates that are indispensable in

such a rapidly- evolving technological sector.

Organisations are made up of individuals and their

trust, enthusiasm, and serenity are crucial to us.

It’s in the Process.

We have adopted World Class Manufacturing.

By applying methods and standards, it eliminates

all types of waste and losses: zero defects, zero

faults, zero waste, zero injuries, prompt delivery

of components from suppliers to the plant, and

from there to our sales network and construction

sites.

Our quality is in compliance with time schedules

and in the solution of special needs with the

production of custom products, international

services, in the exchange of information and in

technical training.

Quality first.

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Company Certifications

1994 Quality Certification

ISO 9001

2008 Environmental Certification

ISO 14001

2014 Energy Management

ISO 50001

Product Certifications

Since 1976 all products have

been awarded the IMQ mark

since 1996 all products have

been awarded the ENEC mark

since 2004 all products have

been awarded the CCC mark

Safety Certifications

1973 start

1992 IMQ certification/S.M.T.

procedure for granting of IMQ

and ENEC marks (also with

DEMKO/UL)

2004 UL (Underwriters

Laboratories) certification for

granting of UL mark

2011 CQCC (China Quality

Certification Center) certification

for granting of CCC (China

Compulsory Certification) mark.

Photometric Certification

1981 start

1997 IMQ certification for

granting of IMQ Performance

mark - certification of

photometric data and energy

efficiency

2011 UL certification to

operate in compliance with the

standard LM79 - certification of

photometric data and energy

efficiency

Light first. Industry.

Since 1973 compliance with safety standards and with the most stringent international

rules has been at the centre of our work. The Photometric laboratory has led to

important certifications. The Standard Laboratory has been certified by ENEC/UL,

amongst the first in Europe, and by CQC (China Quality Certification Centre) according to

the WMT IECEE procedure (Worldwide System for Conformity Testing and Certification

of Electro-technical Equipment and Components) for the issuing of the CCC mark

(China Compulsory Certification) in compliance with IEC standards. This is a prestigious

result because we were the first private laboratory of a non-Chinese company to

obtain such recognition and also the first lighting manufacturer. The WMT and CTDP

certifications prove that the laboratory operates in compliance with international quality

standards of test laboratories (ISO IEC 17025) and can independently carry out tests to

evaluate the compliance of products with the applicable standards anywhere in the world.

This allows third-party institutes to grant their approval brands based on the tests

carried out in the company. The recognition and positive reputation of our brand are a

guarantee of reliability, safety and performance.

Reliability for a better light.

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Laser Blade

Light first. Led is more.

Designing with LEDs means studying new geometries and

innovative relational strategies between the technological elements

of the lighting fixtures. It is complex work based on integrated

systems and exalts unique competence and deep know-how.

It is our consolidated knowledge on materials that makes us

leaders in the production and control of luminous fluxes through the

construction of innovative optical systems. The world expresses

needs that we have the obligation to understand and meet.

The answer is in projects/products that are unique in terms

of creation, service, and progress: in one word, high-intensity

solutions. So intense and compact that they can fit inside the

smallest of products.

Led is More.

Technology.

1918

Lun-Up

Light first. Led is more. Technology.

Constant innovation throughout the entire

organization has built our international success.

We choose the best suppliers for LEDs, light

sources and raw materials, in order to ensure

performance, safety and reliability over time.

The mechanical parts are designed in detail to

guarantee long life and correct heat dissipation.

The calibration of electronic parts provides the

satisfaction of the best technical parameters for

LEDs. Our technologies guarantee the emission

of the light flux at the beginning of the life cycle

and a stable CCT (colour consistency) for its

entire duration for all LEDs installed in each unit

and between all fittings with the same CCT. The

emitted light reaches the target areas with utmost

accuracy and uniformity, eliminating stray light.

We have decided to manufacture keeping in mind

the disposal of our fittings at the end of their life

cycle: all parts can be separated easily and no

adhesives are used.

It’s in the Product.

Our fittings are tested

according to the LM80

Standard (Approved Method

for Measuring Lumen

Maintenance of LED Light

Sources).

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Trick


Sometimes light is born from designing

shadows, from an emphasis on lines, from

contrasts and crossings, it creates a harmony

or a rhythmic counterpoint. Graphic Lighting

is for instance possible only with instruments

designed from applicative ideas that impose

design constraints for the integration of lighting

fixtures into architecture, concealing them from

our vision or minimising volumes. This great

innovation inaugurates new opportunities and new

disciplines. A blade of light may mark the rhythm

of space, inaugurating an original though on the

relation between light and built space, between

light and urban scene.

Graphic lighting.

Design.

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Wow


A combination of existing elements with ever-

changing connections to open new possibilities:

design, that of our historical experience, is not

limited to product design, but it involves our

entire activity. We are protagonists in the Italian

world of design and we have collaborated with

the best universities, with the most prestigious

names in design and in the historical and critical

preparation of formal and industrial design.

We have organized conventions, exhibitions, and

training events all over the world and received

international awards.

Light is created by designing elegant fixtures

that decorate the space and by controlling their

emission, with the purpose of obtaining visual

quality in a specific context. A lighting fixture

must be evaluated for its emission, performance,

reliability, lighting features and aesthetic

experience after installation. Light can convert

function into emotion, transforming a building

into a collective value and a landscape into a

perceptive experience. Light comes before all

else.

Design connection.

Design.

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Palco

Light first. Led is more. Design.

Light is for people.

means feeding a network for theoretical

processing and concrete exchange with on-

site tests. The design of light is a path of best

practices: the task is to create a technological

assembly able to generate an exact, balanced

and stable light without forgetting beauty. Light

is also a direction, it can be used as a semantic

guide, it uses signs and graffiti, breaks continuity,

underscores angles and curves, converts

lines into vectors to indicate directions, and

emphasises volumes.

We work side by side with designers from the

first phases of development. By studying new

customised architectural solutions we can

resolve the relations established by light between

buildings and human beings: not only is our

interest to illuminate space, but to enhance the

quality of a place. We have lived great human

experiences, met different sensibilities, worked

with extraordinary partners and designers from all

over the world: many of our solutions have come

from their input. Again and again, ideas, thoughts,

and dialogues are all around users who live their

life under our lighting fixtures. Design is made for

people, and people talk and discuss: collaboration

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Light first.Every projectcounts.Every project, every building, every place

is a centre of the world.

Our work finds a reason in the applications,

in the different areas in which artificial light

operates. It is a mechanism of launch and

renovation: we continuously define new

design modes and new application

contexts.

Light is the protagonist of a profound revolution

in architecture; it motivates space, affirms,

evokes, alludes and defends projects.

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Light first. Room 1004. Light First.

Linked Hibrid – Bejing, China

Architectural project: Steven Holl Architects

Light first. Abebe.

Viaduct - Chaumont, France

Architectural project: Jean François Touchard

Light First.

Light first. Monalisa. Light First.

Niemeyer Cultural Centre - Avilés, Spain

Architectural project: Oscar Niemeyer

Light first. Renzo. Light First.

High Museum of Arts - Atlanta, USA

Architectural project: Renzo Piano Building Workshop

Light first. Who else? Light First.

National Center for Performing Arts – Beijing, China

Architectural project: Paul Andreu Architects Associated with ADPI and BIAD

Lighting project: Lighting Planners Associates Inc. Kaoru Mende - Yosuke Hiraiwa

Queen Alia International Airport - Amman, Jordan

Architectural and lighting project: Foster + Partners

Light first. Gate 24. Light First.

Light first. Speed of Light. Light First.

Hassan Mosque - Cairo, Egypt

Lighting project: Simos Simon Architect - Eclaraigist

Light first. Cucu.

Camper Store - Barcelona, Spain

Light First.

Light first. Filomena.

Fondazione Capucci – Florence, Italy

Architectural and lighting project: Michele De Lucchi with Enrico Quell and Alessandro Ciancio

Light First.

Light first. BMW, die Welt.

BMW Welt - Munich, Germany

Architectural project: Coop Himmelblau - Wolf D. Prix

Lighting project: a-g Licht GbR, Wilfried Kramb, Michaela Kruse

Light First.

Bridge - Camburg, Germany

Lighting project: Planergruppe Weidemann, Gilbert Weidemann

Light first. Guten Morgen Camburg. Light First.

Light first. Need help?

Pangu Plaza Hotel – Beijing, China

Architectural project: C.Y. Lee Architects

Lighting project: Studio Methis - Marinella Patetta, BPI - Brandston Partnership Inc.

Light First.

Novamed General Hospital - Zagabria, Croatia

Architectural project: Ante Nikša Bili, Vanja Bišcanic, Suncica Mastelic-Ivic

Lighting project: Dean Skira, Maja Lipovcic

Light first. Dr. Lucija. Light First.

Light First.

Old town centre – Baku, Azerbaijan

Light first. Hug a tree.

Light first. Good night Florence.

Piazza del Duomo – Florence, Italy

Lighting project: Illum Srl

Supervision of works: Andrea Carlesi, Giulia Secci

Light First.

Light First.Light first. Dirty dancing.

Paddington Station – London, UK

Architectural project: Oxford Architects

Lighting project: GIA Equation

Light First.Light first. Cinderella.

Rossi Pavillion - Saint Petersburg, Russia

Light First.Light first. Wow & Ooooooh.

Studio Maillol y Maillol - Panama City, Panama

Architectural and lighting project: Maillol y Maillol

Light first. Join the driftbar.co.uk

Heron Tower - London, UK

Architectural project: Kohn Pedersen Fox

Lighting project: Illuminating Concept

Light First.

Light first. Renzo vs Frank.

Art Institute of Chicago - Chicago, USA

Architectural project: Renzo Piano Building Workshop

Light First.

Memorial Park - San Giuliano di Puglia, Italy

Architectural project: Sud Arch

Light first. Angelo mio. Light First.

Light first. Baby at work. Light First.

Headquarters Rubensluciano - Stra, Italy

Architectural and lighting project: Simone Micheli

Light first.Vitalenergy.

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We have converted energy efficiency and intelligence of lighting systems into the

core of our search for innovation that is not limited to products, but involves structures

and industrial processes. With an eye on energy consumption we have paid concrete

attention to the waste caused by useless dispersion of public lighting installations. Our

commitment has been translated in more rational and more efficient solutions in the

use of energy, including offices and work places. All new products are equipped with

LEDs and managed by electronic systems that control the switch-on cycles according

to actual lighting needs. Our products are designed to last and be disassembled

and disposed of easily. Sustainability is not a limit, it is a reality and a challenge, a

confrontation from which innovation and progress are originated. Our entire manufacturing

complex is ISO 14001 certified. Our buildings are a symbol of the attention and care we

pay to the natural and human environment.

Light first. Vital energy.

Light is environment.

Light is a vital thrust for man and for our body cells, it is useful, personal and variable.

From skin to heart, we are made of light. Light is one of the languages used by

cells to communicate. It is energy, the same matter of living bodies. We can bring

these two dimensions in contact and simplify their dialogue only if we start with

a wellbeing target in mind. Cells are not individual entities, but a single complex

system of different elements that exchange information on the context. The quality

of this relation is affected by senses and therefore by the luminous features of the

surrounding space: more beauty, more comfort, more accuracy, in social, work, and

commercial spaces, and also in large public places, such as airports and stations.

Every day new worlds are born and illuminated not in accordance to mere aesthetic

purposes, but to ensure a higher quality of life in the space for a personalised

operational and relational pleasure.

Light is human.

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Light first. Vital energy.The project of our headquarters in Recanati

has converted each building into a case study.

Great attention has been paid to the comfort of

people and to the integration of structures into the

environment and the landscape. While designing

the Light Laboratories we have worked on

architectural solutions and performance of

technical installations to minimise the energy

footprint of the building. The laboratory building

has been granted a rating of 3.5 according to the

Sustainable Building Challenge protocol by iiSBE,

the best result for an office building in Italy.

The Spanish headquarters in Sant Cugat del Vallés

in Barcelona has managed the use of materials and

the attention to energy consumption. The glass

spherical container is made efficient by a thorough

study of the position of the entire glass surface

with respect to solar irradiation.

The building that houses our UK headquarters

achieved a BREEAM “Excellent” rating due to the

fact that the building includes Photovoltaic panels

located on the warehouse roof, ground source

heat pumps, and a sophisticated lighting control

system featuring daylight linking.

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Light first.Makingin Italy.

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Light first. Making in Italy.

The Making.An industry is strong when it belongs to an international district and contributes not

only to the economic, but also to the social and cultural development of its territory.

Our work must never leave out a constant attention to the history, the people, the

ideas and the features of our area. This region, the Marches, is a place of harmony,

art and culture: a place where people - citizens live happily because it is difficult not

to in such a place. The features of our territory participate in the creation of products

and services, ensuring uniqueness.

The Italian industrial tradition is recognised for its capability to intercept the

good taste and values of objects. This is the reason why our territory is rich with

stories founded on original values: family, territory, culture as diffused knowledge,

internationalization. And design: a practice that has come true with great strength

over the years, design is the only language of our society able to give a lexicon to

industry. Knowledge and innovation have built an organization that increases the value

of its products through a focus on processes, and on the contribution that a large

community produces each day. For this we talk about Making in Italy, to highlight the

togetherness of the processes, the importance of daily work, and of each individual

that is present in this company.

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Light first. Making in Italy.The i-factor.Italy. Our story starts more than one hundred

years ago, at Fratelli Guzzini, with the production

of household items, followed by the evolution

with iGuzzini Illuminazione (1959) and Teuco

(1972) in the fields of lighting and wellness. Design,

research, technologies, products, markets, and

internationalization are developed by us starting

from the values of a solid industrial ethic. The work

in design has favoured the work in architecture. If

the Shuttle spotlights designed by Gecchelin and

awarded with Compasso d’Oro in 1989 represented

the great school of Italian design, the collaboration

with architects, designers and lighting designers has

resulted in products able to innovate applications

and create new ways to illuminate: Gae Aulenti and

Piero Castiglioni with Cestello (1990); Renzo Piano

with Nuvola (1990) and Le Perroquet (2000), followed

by Foster, Fuksas, Andreu, Willmotte, Cucinella, and

De Lucchi. In the early Sixties, as forerunners in the

Italian industrial sector, we opened our first offices

in the world to support a vehement international

development that evolved with subsidiaries in the

Nineties and with the manufacturing units in China

and North America in 2008, acting as operating and

service bases in the areas where the future is being

built.

Light involves study and innovation: this is why we

support growth also with cultural initiatives. In 1981

the Museum of Sciences and Technology of Milan

hosted the exhibition-manifest “Understanding the

light”, in which we proposed the culture of design

a new strategy that later on developed in the strict

collaboration with lighting designers leaders in this

new profession. In 1983 we developed one of the

first software applications for lighting design, since

the mid ‘80s we have organised training courses

and conferences based on innovative research with

the participation of international specialists. We

promote light as a lever to qualify civil life through

communication campaigns that give evidence

to crucial themes: in 1993 we started our fight

against lighting pollution and in 2000 the use of

bio-dynamic light. From then on, light as a tool

for social innovation has become the core of our

cultural platform. We are partners in projects all over

the world, offering knowledge and specialised

services. We work on integrated processes to offer

intelligent lighting fixtures that are able to control

their performance in a sustainable, exact way: Italian

design, reliable construction, advanced electronics,

systems with great added value.

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Light first.Opennetwork.

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Continuity. Continuity in relations, service and

innovation. We are an international community of

different people, wide disciplines and deep know-

how: meeting and getting contaminated is a

richness, an awareness routed in our organisation

and our work.

Light first. Open network.

People for better life.

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Light first. Open network.We are open and curious towards differences

and we respect our partners with a spirit of

collaboration. We search for a continuous

generation of new knowledge. Our working

environments and methods are cosmopolitan

since we operate in different locations and time

zones. The Open Network favours the meeting

of different languages and technical cultures,

including in faraway areas, all joined by the single

language of light.

The supply chain, from suppliers to final users,

including researchers and designers, is a network

in the networks organised around moments for

exchange and training, including on-line. We are

a concrete organisation made of laboratories,

partner industries, offices and showrooms, places

for collection of ideas and projects, points for

study and dialogue.

We work together to satisfy safety and

performance requirements anywhere in the world

and to design and produce correct solutions. Our

professional structure supports designers and

customers through partner assistance centres

that work in various continents in real time. Today

we create value to build the future of architecture,

cities, human beings and nature with light.

We do not limit ourselves to illuminate the work of

others. We share our knowledge to interact with

places, give strength to large and small building

sites, help traders to make the best business,

support cities and large world events to become

unique. We have access to the goals and details

of projects, propose technologies, optimise

solutions coming from our experience, create

special fittings and special lighting projects,

always choosing to be on the same side of the

designer’s table.

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Light first. Open network.

Collaborators

Logistic and production platforms

EuropeAsiaNorth America

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3

International partners

78Operating offices

22

Hubs and Links.

Our community has real points of reference,

service bases (partner assistance centres)

and logistic support in Europe, Asia, America

and Oceania, feeding accounts in various social

networks online.

Partner assistance centres

19

International patents

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...thence we came forth to rebehold the starsDante Alighieri.

Light First.

Content Design:

Giorgio Di Tullio

Creative Direction:

Michael Goettsche

Art Direction:

Fabrizio Frasca

Coordination/

Production:

iGuzzini

Business Innovation

& Networking

Printed in:

March 2014

Photo:

Archivio iGuzzini

Fernando Alda

Engelhardt-Sellin

Gabriele Basilico

Stefano Belardinelli

Stefano Boldrini

Michel Denancè

Didier Boy De La Tour

Giorgio Di Tullio

Jurgen Eheim

Cristian Fattinnanzi

Gianni Berengo Gardin

Adrià Goula

Matteo Guzzini

Lv Hengzhong

Matiaz Kacicnik

Gabriele Mannelli

Sanchez y Montoro

James Newton

Giuseppe Saluzzi

Thomas Schlenkrich

Vjekoslav Skledar

Mario Tordini

Nigel Young

274 Km

9.58

52.0

00.0

Light First.Light first. Eataly.

Marketing

Iguzzini - Light First