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Stylistics & Practical Criticism Objectives: *To understand the differences between stylistics and practical criticism *To be able to use stylistics and practical criticism to develop our understanding of the Pre- Release texts.

A2 English Literature & Language - Practical & Stylistics

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Page 1: A2 English Literature & Language - Practical & Stylistics

Stylistics & Practical Criticism

Objectives:*To understand the differences between stylistics and practical criticism*To be able to use stylistics and practical criticism to develop our understanding of the Pre-Release texts.

Page 2: A2 English Literature & Language - Practical & Stylistics

Literary Approaches: Practical Criticism

• The analysis of the literary devices used in a text. The literary text is seen as a self-sufficient work of art. – Rhyme Scheme– Figurative Language (similes / metaphors /

imagery / alliteration / personification)– Enjambment– Pathetic Fallacy

• Etc …

Page 3: A2 English Literature & Language - Practical & Stylistics

Linguistic Approach: Stylistics

• The analysis of the language used in a text to help the reader arrive at an objective view. – Sentence structure (clauses / verbs / noun

phrases etc ..)– Connotations / Denotations– Active / Passive– grammatical structures– phonology

• Etc …

Page 4: A2 English Literature & Language - Practical & Stylistics

Why is stylistics a useful approach?

• Stylistics allows you to make detailed comparisons about ALL the texts – both literary and non-literary.

• As you are stating what is used (linguistically) it allows you to be more objective (unbiased).

• BE CAREFUL – stylistic analysis will not give you all the answers.

Page 5: A2 English Literature & Language - Practical & Stylistics

Why is practical criticism a useful approach?

• Practical Criticism allows you to make detailed comparisons about literary texts it identifies how a text conforms or deviates from the typical features of that genre.

• The careful study of form and style and an analysis of techniques enables the reader to reveal the fine moral perceptions embedded in a text.

• BE CAREFUL – practical criticism is limited – it only considers the words on the page.

Page 6: A2 English Literature & Language - Practical & Stylistics

Stylistic or Practical?

• Look at the list of words on the next two slides. Divide them into two categories (S) for Stylistic and (PC) for Practical Criticism. Two have been done for you!

• Do you know what they mean? • Colour code your list:

– Red = No Idea– Amber = I think I have some idea– Green = I know what this means.

Page 7: A2 English Literature & Language - Practical & Stylistics

Glossary• Adjective (S) • Adverb • Archaic• Colloquial • Conjunctions • Connotations• Convergence • Consonant • Denotation• Determiner • Diachronic variation • Discourse markers • Divergence

• Ellipsis • External narration • Figurative language • Foregrounding • Formal • Generic • Geographical dialect• Metaphor (PC)• Monologue• Morphology• Narrator• Neologism

Page 8: A2 English Literature & Language - Practical & Stylistics

Glossary• Non-finite verbs• Noun • Noun phrase • Parenthesis• Phonology • Polysyllabic • Preposition • Pronoun • Semantic field• Semantics • Sentence structure

• Synonym• Tense • Verb • Vowel

Page 9: A2 English Literature & Language - Practical & Stylistics

Task

Read Activity 10.

*How do they differ?

*Where do they overlap?

Page 10: A2 English Literature & Language - Practical & Stylistics

Semantic Fields

Objectives:*To develop our understanding of semantic fields *To be able to use semantic fields when analysing texts.

Page 11: A2 English Literature & Language - Practical & Stylistics

Look at these words:

• attrition

• sudden death

• barbed-wire entanglements

• defence

• threat

What topic does the text that these words come from address?

Page 12: A2 English Literature & Language - Practical & Stylistics

Were you correct?ENGLAND v SPAIN

An early goal will open up any game but the longer this Wembly quarter-final today remains scoreless, the more it will become a contest of attrition, with the winners likely to be decided by sudden-death overtime or a penalty shoot-out. England are better equipped for an exchange of goals, with Shearer at least producing his prolific league form at international level. Spain have yet to find a consistent striker but the depth of their strength is formidable. They will hope to draw England on to the barbed-wire entanglements of their defence and then use Sergi to catch the opposition on the break. Hierro, Amor and Caminero will pose a threat to Adams coming from the deep. Terry Venables could have done with Ince against Nadal.

Page 13: A2 English Literature & Language - Practical & Stylistics

Semantic Fields

• The reporter has used two semantic fields within the report

• The words highlighted in green most people would assume to be from the semantic field of war

• The second semantic field are words one would associate with football reports – what words would form that semantic field?

Page 14: A2 English Literature & Language - Practical & Stylistics

Semantic FieldsENGLAND v SPAIN

An early goal will open up any game but the longer this Wembly quarter-final today remains scoreless, the more it will become a contest of attrition, with the winners likely to be decided by sudden-death overtime or a penalty shoot-out. England are better equipped for an exchange of goals, with Shearer at least producing his prolific league form at international level. Spain have yet to find a consistent striker but the depth of their strength is formidable. They will hope to draw England on to the barbed-wire entanglements of their defence and then use Sergi to catch the opposition on the break. Hierro, Amor and Caminero will pose a threat to Adams coming from the deep. Terry Venables could have done with Ince against Nadal.

Page 15: A2 English Literature & Language - Practical & Stylistics

How does the writer’s use of the war semantic field code

the text?What does it tell us about the role football plays in today's society?

Page 16: A2 English Literature & Language - Practical & Stylistics

Semantic Fields PRE-RELEASE

• Look at each of the pre-release texts you have been given.

• Make a note of words / phrases within each text that are in the same semantic field.

• You may find you have more than one semantic field per text – write a list of words / phrases that belong to each semantic field.

• How many of the texts share semantic fields?

Page 17: A2 English Literature & Language - Practical & Stylistics

Glossary

• Adjective – a word added to a noun to qualify it.• Adverb – a word add to a verb to modify it’s

meaning.• Archaic – referring to language features that are

no longer in use.• Colloquial - local dialect / slang• Conjunctions – a word that connects sentences,

clauses and words.• Connotations - the implied meanings /

associations of a word. • Convergence – a tendency to behave the same

as people with whom one has contact.

Page 18: A2 English Literature & Language - Practical & Stylistics

Glossary

• Consonant – a speech sound other than a vowel.

• Denotation – the surface meaning of the word.• Determiner – a limiting adjective or modifying

word (any, my)• Diachronic variation – variation in the language

that changes over time.• Discourse markers – words and phrases that

signal the structure and organisation of the text.• Divergence – a tendency to behave differently

from people with whom one has contact.

Page 19: A2 English Literature & Language - Practical & Stylistics

Glossary

• Ellipsis – an abbreviation in which a word or words are left out and implied.

• External narration – where the teller of the story is an external character.

• Figurative language (non-literal)• Foregrounding – bringing something to our

attention.• Formal – proper.• Generic – referring to the whole group.• Geographical dialect – evidence from what is

said / written of speaker’s regional origins.

Page 20: A2 English Literature & Language - Practical & Stylistics

Glossary

• Metaphor – a comparison where something IS something else

• Monologue – a speech spoken by one person.

• Morphology – the ways in which words are formed from smaller units of meaning (morphemes):

un reli able

prefix base suffix

Page 21: A2 English Literature & Language - Practical & Stylistics

Glossary

• Narrator – the ‘voice’ or ‘speaker’ in a text

• Neologism – a new word or phrase:– Borrowing – taken from another language.– Compounding – joining two words together.– Acronym – using initials– Blending – merging words together.– Clipping – abbreviating a word.

Page 22: A2 English Literature & Language - Practical & Stylistics

Glossary

• Non-finite verbs:– to + verb– verb + ing– verb + ed

• Noun (collective noun, proper noun, abstract noun)

• Noun phrase – group of words used as one noun.

• Parenthesis – a word or passage inserted into a sentence that is grammatically complete WITHOUT it.

Page 23: A2 English Literature & Language - Practical & Stylistics

Glossary

• Phonology – the study of the aspects of language connected to sound.

• Polysyllabic – words with more than three syllables (monosyllabic – words of one syllable)

• Preposition – indication of time or space – used before a noun (under the table, on Sunday morning)

• Pronoun – I, we, he, she, they, it … • Semantic field – a group of words with related /

similar meaning.

Page 24: A2 English Literature & Language - Practical & Stylistics

Glossary

• Semantics – the study of words and their meanings.

• Sentence structure:– Single – a sentence with only one verb group– Compound – sentences / clauses linked simply (and,

but)– Complex – sentences where subordinate clauses are

bound together by more complex connectives and punctuation

– Minor – fragment of a sentence– Declarative – a statement (most common sentence)– Imperative – a command– Interrogative – a question.

Page 25: A2 English Literature & Language - Practical & Stylistics

Glossary

• Synonym – a word that has the same meaning as another.

• Tense – past / present / future

• Verb – a ‘doing’ word

• Vowel – a e i o u