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Resources of Language:Syntax
Felix Garcia and Ruben Toirac
Active Voice
• In a sentence using active voice, the subject of the sentence performs the action expressed by the verb.
• Ex.–The child kicked the ball.
–Sally mailed the letter.
–They have conducted the experiments.
Passive Voice
• In a sentence using passive voice, the subject is being acted upon by the verb.
• Ex.–The ball was kicked by the child.
–The class was taught by the professor.
–Her purse was stolen.
Repetition
• The duplication, either exact or approximate, of a word, phrase, clause, sentence, or grammatical pattern.
• Ex.– I'm nobody! Who are you?
Are you nobody too?Then there's a pair of
us-don't tell!They'd banish us you
know.– "Words, words, words."
(Hamlet)
Anaphora• Repetition of the same word or
group of words at the beginning of successive clauses
• Ex.– We shall fight on the beaches, we
shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills…” Churchill
– And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn, And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
Epistrophe• Ending a series of lines, phrases,
clauses, or sentences with the same word or words.
• Ex.– What lies behind us and what
lies before us are tiny compared to what lies within us." —Emerson
– Hourly joys be still upon you! Juno sings her blessings
on you. [. . .] Scarcity and want shall
shun you, Ceres' blessing so is on
you. — Shakespeare, The
Tempest (4.1.108-109; 116-17)
Inversion
• Figure of speech in which a language's usual word order is inverted
• Ex.o Sure I am of this, that you have only to endure to
conquer. (Winston Churchillo Gracious she was. By gracious I mean full of graceso In Xanadu did Kubla Khan
A stately pleasure dome decree
Anastrophe
• A rhetorical term for the inversion of the normal order of the parts of a sentence.
• Ex.– "Told you, I did. Reckless is
he. Now matters are worse."– After great pain a formal
feeling comes –
The nerves sit ceremonious like tombs.Emily Dickinson
Chiasmus• Grammatical structure in which the
first clause or phrase is reversed in the second, sometimes repeating the same words.
• Ex.– “And so, my fellow Americans, ask
not what your country can do for you: ask what you can
do for your country.” John F. Kennedy
– It's not the men in my lifeit's the life in my men.
– By day the frolic, and the dance by night
Asyndeton
• Deliberate omission of conjunctions between a series of related clauses
• Ex.– I came, I saw, I
conquered.– "He was a bag of bones,
a floppy doll, a broken stick, a maniac."(Jack Kerouac, On the Road, 1957)
Polysyndeton• Deliberate use of many
conjunctions; opposite of asyndeton
• Ex.–The meal was huge – my mother fixed okra and green beans and ham and apple pie and salad and all manner of fine country food – but no matter how I tried, I could not consume it to her satisfaction.–“And each dark tree that ever grew,Is curtained out from Heaven’s wide blue;Nor sun, nor moon, nor wind, nor rain,Can pierce its interwoven bowers…”
Meter
•Basic rhythmic structure of a verse or lines in verse
•Described with feet (monometer, dimeter, trimeter, etc.)
Enjambment•The continuation of the sense and
therefore the grammatical construction beyond the end of a line of verse or the end of a couplet
•Ex.–i carry your heart with me (i carry it
inmy heart) i am never without it (anywherei go you go, my dear; and whatever is doneby only me is your doing, my darling
–I am not prone to weeping, as our sexCommonly are; the want of which vain dewPerchance shall dry your pities; but I haveThat honourable grief lodged here which burnsWorse than tears drown.
Caesura
•A rhythmic break or pause in the flow of sound which is commonly introduced in about the middle of a line of verse
•Ex.–"Sing, o goddess, the rage ||
of Achilles, the son of Peleus."–Know then thyself II,
presume not God to scan;• The proper study of
Mankind II is Man.•Plac'd on this isthmus of a middle state,A being darkly wise, and rudely great:
Listing• Writing a series of words or
phrases together, one after the other and in a sentence, as if it were a list
• Ex.– Apples, pears, and bananas– POLONIUS
The best actors in the world, either for tragedy,
comedy, history, pastoral, pastoral-comical,
historical-pastoral, tragical-historical, tragical-
comical-historical-pastoral, scene individable, or
poem unlimited
Loose Sentence
• A type of sentence in which the main idea (independent clause) comes first, followed by dependent grammatical units such as phrases and clauses
• Ex.–I found a large hall,
obviously a former garage, dimly lit, and packed with cots.
–The wildcat looked briefly at the two humans, seemed to sneer with a raised lip, and stalked off back into the woods.