2015 NCECA: Lect ure: Ceramic Art Leaving the Ghetto by Marc Leuthold

Ceramic Art Leaving the

Ghetto

Lecture by

Marc Leuthold, Professor

State University of New YorkAssissted by Mary Willmart

And Nate Infante

NCECA 2015

Sources

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Bai Ming. Bai Ming: WorkPiece Integrate. Beijing: F.Fine Gallery.

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Sources

Jonathan Fineberg, Robert Arneson: A Troublesome Subject, (California: University of California Press, 2013).

Mary Davis MacNaughton, editor, Clay’s Tectonic Shift, (California: Getty Museum and Scripps College, 2012).

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Sources

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Sources

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Sourceshttp://www.copenhagenceramics.com/html/Marit_Tingleff.html, accessed February 15, 2015.

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Sources

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http://www.mariangoodman.com/exhibitions/2003-05-15_thomas-schutte/, accessed February 18, 2015.

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http://www.contemporaryartsociety.org/resources/cas-recommends-september-2012/, accessed February 2, 2015.

http://www.sothebysinstitute.com/Programmes/PLondon/PLMasterDegree/PLMContemporaryDesign/MACD-Visits-Stair.aspx,

accessed February 2, 2015.

http://www.yvonneleeschultz.com/work/porcelain-pistol-yls-kpm/, accessed February 2, 2015.

http://www.tate.org.uk/context-comment/blogs/gauguins-little-monstrosities, accessed February 20, 2015.

http://www.imageandnarrative.be/inarchive/Timeandphotography/shimchung.html, accessed February 20, 2015.

http://blogs.artinfo.com/silhouettes/2012/05/31/hugo-boss-to-toast-jeff-koons-during-art-basel/, accessed February 20, 2015.

Sources

http://www.limoncellogallery.co.uk/artists/jesse-wine/, accessed February 25, 2015.

http://www.ceramicvision.net/2010/09/ceramique-paris.html, accessed February 25, 2015.

http://mondo-blogo.blogspot.com.au/2012/06/modernist-italian-ceramics.html, accessed February 25, 2015.

http://www.voir-ou-revoir.com/2014/08/lucio-fontana-mam-paris-aout-2014.html, accessed February 25, 2015.

http://www.annedevillepoix.com/, accessed February 25, 2015.

http://www.carnegiemuseums.org/cmag/bk_issue/2004/novdec/cma.html, accessed February 25, 2015.

https://olgaistefan.wordpress.com/2013/05/30/fire-it-up-ceramic-as-material-in-contemporary-sculpture-essay-2/, accessed

February 25, 2015

http://madmuseum.org/events/artist-led-tour-body-soul-new-international-ceramics, accessed February 25, 2015.

http://www.artfacts.net/en/institution/galerie-conrads-47/artwork/the-monuments-22161.html, accessed February 25, 2015.

http://sana-musasama.com/, accessed February 25, 2015.

http://www.veniceclayartists.com/fausto-fabbricatore-fausto/, accessed February 25, 2015.

http://www.hambro-art.com/?voce=artdiary&sel_year=2013&sel_month=9, accessed February 25, 2015.

Sourceshttp://nicoleklagsbrun.com/artists/brie-ruais, accessed February 25, 2015.

http://www.blouinartinfo.com/news/story/1053146/brie-ruais-gets-physical-with-her-material, accessed February 25, 2015.

http://www.standard.co.uk/goingout/exhibitions/first-look-at-the-turner-prize-show-8192776.html, accessed February 25, 2015.

http://www.tate.org.uk/art/artworks/caro-night-movements-t06793, accessed February 25, 2015.

http://www.anthonycaro.org/Gallery-Pic.asp?WorkID=2691, accessed February 25, 2015.

http://venicebiennalestaging.keepthinking.net/people/section/decade/decade/all/listing/other/reference/anthony-caro/image/740, accessed February 25, 2015.

http://www.miandn.com/exhibitions/anthony-caro_5/works/1/, accessed February 25, 2015.

http://pittsk.wikispaces.com/Henry+Moore?responseToken=0d51c8957dc123faebcabf695ea17beb3, accessed February 25, 2015.

http://whitney.org/Visit, accessed February 25, 2015.

http://en.wikipedia.org/wiki/Everson_Museum_of_Art, accessed February 25, 2015.

http://ceramicartsdaily.org/ceramic-art-and-artists/ceramic-artists/syracuse-university-from-ceramics-monthlys-mfa-factor/, accessed February 25, 2015

http://blog.syracuse.com/cny/2011/09 ceramist_margie_hughto_of_jamesville_gives_new_life_to_tiles_from_her_installation_below_world_trade.html, accessed February 25, 2015.

Sources

http://www.metmuseum.org/about-the-museum/press-room/exhibitions/2006/the-art-of-betty-woodman, accessed February 25, 2015.

http://www.metmuseum.org/collection/the-collection-online/search/493597, accessed February 25, 2015.

http://www.salon94.com/artists/detail/betty-woodman/2519, accessed February 25, 2015.

http://www.a-r-t.com/aboutLTE.htm, accessed February 25, 2015.

http://past.pacificstandardtime.org/exhibitions?id=clay-s-tectonic-shift-john-mason-ken-price-and-peter-voulkos-1956-1968, accessed

February 25, 2015.

http://www.takeshiyasuda.com/, accessed February 25, 2015.

http://www.exhibitfiles.org/clare_twomey_forever, accessed February 25, 2015.

https://worleygig.files.wordpress.com/2011/07/og-david-zink-yi.jpg, accessed February 25, 2015.

http://www.glenwoodnyc.com/manhattan-living/ken-price-sculpture-a-retrospective/, accessed February 25, 2015.

http://www.franklloyd.com/dynamic/artwork_detail.asp?ArtworkID=2833, accessed February 25, 2015.

http://www.zimbio.com/pictures/Ekgzv617brb/Exchange+Exhibit+Displayed+Foundling+Museum/zubN-EtliDV, accessed February

26, 2015.

Sources

http://www.leonferrari.com.ar/index.php?/project/ceramicas-y-maderas--ceramics-woods/, accessed February 25, 2015.

http://www.crousel.com/home/exhibition/339/, accessed February 25, 2015.

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http://jameswagner.com/2009/01/at_dinter.html, accessed February 25, 2015.

http://www.newamericanpaintings.com/blog/consistently-unpredictable-josh-smith-luhring-augustine, accessed February 25, 2015.

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What exhibits have I omitted?

Which artists have I neglected to include?

This lecture and project is a work in progress.

Please email your suggestions to:

www.marcleuthold.com

I have a dream:

1,000 ceramicists meet at the Museum of Modern Art

in New York City (53rd Street between 5th and 6th

Avenues on the north side of the street) on Friday,

August 21, 2015 at 4pm. Each ceramist brings one

small ceramic object and meets in the main second

floor gallery at exactly 5:01pm. At 5:07pm, all 1,000

ceramists place their ceramic object on the floor of

the museum with the manifesto “the medium doesn’t

matter; all media are equally viable for artistic

expression.”

PS Entry to MoMA is free on Fridays, 4-8pm

Ferus Gallery

Exterior view of the Ferus Gallery during the exhibition of Edward Kienholz's installation Roxy's, 1962

Photo by William Claxton. Courtesy Demont Photo Management, LLC.

Ferus Gallery advertisement, c.1960

Photo: Mary Davis MacNaughton, editor,

Clay’s Tectonic Shift, (California: Getty

Museum and Scripps College, 2012).

Ken Price at the Ferus Gallery, 1961Photo:

Mary Davis MacNaughton, editor, Clay’s

Tectonic Shift, (California: Getty Museum and

Scripps College, 2012).

Poster for The Studs group exhibition at

the Ferus Gallery in Los Angeles, 1964

Robert Irwin, Ken Price and

Billy Al Bengston.Image courtesy of Hal Glicksman

John Mason exhibit at Ferus Gallery, 1959

Photo: Mary Davis MacNaughton, editor, Clay’s

John Mason

Andrew Perchuk, Getty Research Institute, with John Mason inspecting Mason’s sculpture

Orange Cross, 2010.

John Mason

Vertical Sculpture, Spear Form, 1957

Glazed stoneware

67 5/16 x 28 x 12 in.

Aichi Prefectural Ceramic Museum

John Mason

Installation at Ferus Gallery Patio, 1957

Photo by John Mason

John Mason, Blue Wall, 1959

Ceramic. 96 x 252 x 8 in.

Collection of the artist

John Mason installation at the Pasadena Art

Museum,, 1960Photo: Mary Davis MacNaughton, editor, Clay’s

John Mason in the Glendale

Boulevard Studio, 1959-60Photo: Mary Davis MacNaughton, editor, Clay’s

John Mason with Black Cross, 1961

Photo by John Mason John Mason compacting clay

onto his easel for a large ceramic

relief in his Glendale Boulevard

studio in Los Angeles, 1959–6.

Image courtesy John Mason

Studio.

Setting up photo shoot of

John Mason sculpture

White Cross, 1964

From left to right: Corky

Clairmont, Jerry Avesian,

Gordon Thorpe, John

Mason.

Photo: Mary Davis

MacNaughton, editor,

Clay’s Tectonic Shift,

(California: Getty Museum

and Scripps College, 2012).

John Mason's Green Spear installed at

the Ferus Gallery, Los

Angeles, 1961

Ken Price

Ken Price firing works for his Curio Store at the

home of Dennis Hopper in Taos, New Mexico, 1973

Photo by Happy Price. Image courtesy of the Ken

Price Studio

Ken Price

L. Red

“The largest and most lustrous lacquered egg in our show, L. Red, 1963, is

somewhat more vertical, and the opening is above the meridian of the orb. On

this work, Price did not use lines, but described shapes in an intense, deep

magenta. These are excellent examples of the work from this time

period” (Frank Lloyd, “Vanguard Ceramics: John Mason, Ken Price, and Peter

Voulkos,” in Clay’s Tectonic Shift)

Stoneware with lacquer and acrylic 13 1/2 x 12 x 10 in

Collection of the San Francisco Museum of Modern Art. Evelyn and Walter

Haas, Jr. Fund purchase. 82.155 © Kenneth Price

Ken Price

Avocado Mountain, 1959

Glazed ceramics (2 parts)

24 x 21 x 21 in.

James Corcoran Gallery, Los Angeles.

Permission courtesy Ken Price Studio

Ken Price

Ferus Gallery

Announcement,

Ken PriceL. Blue

1961Fired and painted clay6 x 9 x 5 inches

Ken Price

Squatly

2003Fired and painted clay

4 5/8 x 7 ¼ x 6 7/8 inches

Ken Price

Untitled (Two Part Geometric)

Part 1: 3 ¾ x 4 ½ x 3 ¼ inches

Part 2: 2 ½ x 1 ½ x 2 ¼ inches

Ken Price

20 x 24 x 17 inches

Ken Price

fired and painted clay

Barbara Gladstone Gallery

“Makers and Modelers: Works in Ceramic”

September 8, 2007- October 13, 2007

Metropolitan Museum of

Art Fifth Avenue at 82nd Street,

New York, NY

(212) 535-7710

Ken Price

Retrospective Exhibition at the Met

Mathew Marks

Gallery

Jeffrey Peabody with Ken Price artwork, Mathew Marks Gallery

Billy Al Bengston

Horn Pot

21.25 x 6 x 5.5 in.

Billy Al Bengston

Larry Bell, Billy Al Bengston,

and Ken Price outside Hotel Caesars in Tijuana, Mexico, 1968

Image courtesy of Larry Bell

An exhibition at Billy Al Bengston’s Artist Studio, with works by Ed Ruscha, Peter Alexander, and John McCracken, 1970

Image courtesy of Billy Al Bengston

Landau Gallery

Peter Voulkos

Peter Voulkos in his studio on Glendale Boulevard in Los Angeles,

1959, Image courtesy of the Voulkos & Co. Catalogue Project

John Mason and Peter Voulkos

photographing a sculpture outside their

shared studio on Glendale Boulevard in Los

Angeles, ca. 1959

Courtesy of the Voulkos & Co. Catalogue

Project

Peter Voulkos

Little Big Horn, 1959, Polychromed stoneware

62 x 40 x 40 in.

The Oakland Museum of California, gift of the Art Guild in memory

of Helen Schilling Stelzner.

Image courtesy of the Voulkos & Co. Catalogue Project.

Photo by Joe Schopplein

”Clay into Art” exhibit Metropolitan Museum, NYC, 1999 PeterVoulkos “Stack”

Peter Voulkos,

exhibition at the

Pasadena Art

Museum, 1958

Courtesy of the

Voulkos & Co.

Catalogue Project

Henry Takemoto

Henry Takemoto and

Peter Voulkos in front of

Takemoto's mural at Otis

Art Institute in Los

Angeles, 1959 Image

courtesy of Henry

Takemoto

Henry Takemoto working on his

glazed tile mural at Otis Art Institute

in Los Angeles, 1959

Photo by John Mason.

Image courtesy of Henry Takemoto

Henry Takemoto with

one of his coiled

glazed stoneware pots

at the studio of John

Mason and Peter

Voulkos, Los Angeles,

ca. 1959

Image courtesy of

Henry Takemoto

Joan Miro

Bildplatte

Paul Gauguin

Double Vase

1886–7

Paul Gauguin

Portrait of the artist in the form

of a grotesque head

Winter 1889

Paul Gauguin, Oviri,

Aristide Maillol

Vas mit Aktfiguren

in Landschaft Asnieres,

Gerisch Sculpture Park

Summer 2013

Back to Earth

Neumunster, Germany

Pablo Picasso

Canard Pique-

Fleurs

George Ohr

MET NY, American Art

Pottery Exhibit, George Ohr

Collection of Robert Ellison

Henry Moore

Charlie Cowles

Gallery

George Nakashima table

Peter Voulkos “Stack”

Charlie Cowles Gallery, Represented Voulkos and Toshiko Takaezu

Peter Voulkos platter on George Nakashima table

Manuel Neri figure

Pace Gallery

Keith Tyson

Large Field Array

artist

Tetkowski

Barbara Gladstone

Gallery

“Makers and Modelers: Works in Ceramic”September 8, 2007- October 13, 2007

Gagosian Gallery

Dan Colen

Poetry Exhibit

Gagosian Gallery

September 10 – Octover 16, 2010

Paul Noble Applied Egg 2014 Small Three (Noir et Blanc)

Paul NobleExhibited at Gagosian, NYC

Lohin Geduld

Gallery

Ursula Hargens artwork, Lohin Geduld Gallery

Tibor de Nagy

Gallery

Kathy Butterly

Tibor de Nagy Gallery

Nancy Hoffman

Gallery

Viola Frey artwork, Nancy Hoffman Gallery

Viola Frey

Nancy Hoffman Gallery

Whitney Museum

of American Art

Whitney Museum of Amerian Art, 945 Madison Avenue at 75th Street New York, NY 10021

“The Whitney’s new building will open to the public on May 1,

2015. Situated between the High Line and the Hudson River in

Manhattan’s Meatpacking District, it will vastly increase the

Whitney’s exhibition and programming space, offering the most

expansive display ever of its unsurpassed collection of modern

and contemporary American art.”

Charles Simonds

Dwelling, 1981

12 wide

Whitney Museum stairwell

Charles Simonds, Dwelling, 1981, Clay, sand

and wood Wall: 40’ long, Bricks: ½” long,

Museum of Contemporary Art, Chicago, IL

Charles Simonds,

Dwelling, 1981,

Clay, sand and wood

Wall: 40’ long,

Bricks: ½” long,

Museum of

Contemporary Art,

Chicago, IL

Charles Simonds, Dwelling, 1981, Clay, sand and wood

Wall: 40’ long, Bricks: ½” long

Views of the Whitney

Biennial, 2014

Whitney Museum of

American Art, New York,

Sterling Ruby

Sterling Ruby, Basin Theology/Butterfly Wreck, 2013 Gerisch Sculpture Park, summer 2013

Back to Earth, Neumunster, Germany

Sterling Ruby

Mortar & Pestle 2007. Ceramic, formica

pedestal, sculpture: 5 x 19-1/2 x 17-1/2 inches

(12.7 x 47 x 41.9 cm); pedestal: 30 x 26 x 26

inches (76.2 x 66 x 66 cm)

Sterling Ruby

Bride's Basket with Mortar & Pestle, 2007.

Ceramic, formica pedestal. Sculpture: 13 x

20 inches (33 x 50.8 cm); pedestal: 30 x 26

x 26 inches (76.2 x 66 x 66 cm)

Sterling Ruby, Figure Maker with Sphere, 2007.

Ceramic, formica pedestal, sculpture: 18 x 46

inches (45.7 x 116.8 cm); pedestal: 24 x 40 x 64

inches (61 x 101.6 x 162.6 cm)

Sterling Ruby, Bread Basket, 2007.

Ceramic, formica pedestal. Sculpture:

17.5 x 23 x 16 inches (44.5 x 58.4 x

40.6 cm); pedestal: 40 x 30 x 23 inches

(101.6 x 76.2 x 58.4 cm)

SterlingRuby

Bread Basket, 2007.

Ceramic, formica

pedestal. Sculpture:

17.5 x 23 x 16 inches

(44.5 x 58.4 x 40.6

cm); pedestal: 40 x 30

x 23 inches (101.6 x

76.2 x 58.4 cm)

Pam Lins &

Amy Sillman

Pam Lins and Amy Sillman

I placed a Jar in Tennessee, 2014

Pam Lins & Amy Sillman

2013-14

Ceramist Shio Kusaka in

her Los Angeles studio.

Kusaka is represented in

the U.S. by Anton Kern

Gallery, Shane Campbell

Gallery, and Blum & Poe

Shio Kusaka

Greengrassi, London, July 2011

Pat Lay

Pat Lay, Whitney Biennial, 1975

Pat Lay

Adrián Villar Rojas

A person loved me, 2012

from “The Ungovernables”

2012 New Museum Triennial

Adrian Villar

Mary Heilmann The Pink Cup 1983 glazed ceramic 4.25" x 8.5" x 3.5” (lying on a shelf attached to a

section of) Rob Wynne Snakepaper 2008 hand-screened ink on paper, dimensions variable (installation

Mary Heilmann

Mary Heilmann, Good Vibrations Diptych, Remembering David, 2012

Oil on canvas and 11 glazed ceramic dots, painting diptych 40 x 60 inches, installation size variable

Represented by 303 Gallery, New York, and was the subject of a traveling retrospective organized by the New Museum in 2008

Peter Schlessinger, Nicole Cherubini, Marc Leuthold, Joyce Robbins, Irrational Profusion exhibit,

PS1-MoMA dimensions variable, ceramic and mixed media, 2008

Irrational

ProfusionPS1 MoMA, Brooklyn

Peter Schlessinger, Nicole Cherubini, Marc

Leuthold, Joyce Robbins, Irrational Profusion

exhibit, PS1-MoMA dimensions variable, ceramic

and mixed media, 2008

Everson Museum

Syracuse, NY

Everson Museum, 401

Harrison St., Syracuse, NY

Arnie Zimmerman sculptures

“New Works in Clay”

curated and originated by

Margie Hughto

Everson Museum/

Syracuse University

Syracuse, NY

Margie Hughto

nationally known ceramist with a sliver of the type of tile ceramic work she was doing for the city of New York's

Cortlandt Station. That station is directly under the World Trade Center towers.

Margie Hughto

Margie Hughto, Realm of Muses II

1992, Everson Museum Permanent Collection, Syracuse, NY

Sir Anthony CaroNew Works in Clay participant

Everson Museum

Sir Anthony Caro in the

British Pavilion in 1966 ©

Peter Townsend (Studio

International/Peter

Townsend Archive in the

Tate Gallery Archive)

Sir Anthony Caro at his retrospective exhibition at

the Whitechapel Art Gallery, London, 1963 ©

Barford Sculptures Ltd In the background (from

left to right) are Pompadour, 1963, Twenty Four

Hours, 1960, and Months of May, 1963

Sir Anthony Caro teaching at St

Martin's School of Art, London,

1960 © Barford Sculptures Ltd

Sir Anthony Caro at Henry Moore's studio, Much Hadham,

Hertfordshire c.1952 © Barford Sculptures Ltd

Sir Anthony Caro

Night Movements

1987-90

Sir Anthony Caro

The Barbarians

“The artist has constructed each individual

piece from wood, steel and vaulting horses that

he found in a junk-shop in London’s Kings

Cross neighborhood, combined with ceramic

elements he made in the South of France with

ceramicist Hans Spinner.”

Sam Durant

“Light Blue”2006

unique mono-block resin chair, built at Jiao Zhi Studio, Xiamen, China

Porcelain

Sam Durant

Mike Kelley

Tender Button

ceramic

Mike Kelley

Rosemarie TrockelExhibited at DIA Foundation, NYCentre Pompidou, ParisGuggenheim Museum, NYRetrospective exhibit, Rosemarie Trockel: A Cosmos at the New Museum, NYC, 2012Represented Germany at Venice Biennale, 1999Exhibited in Documenta, 1997, 2012Teaches at Kunstakademie Dusseldorf

Rosemarie Trockel

Gladstone Gallery, NY

Rosemarie Trockel

“Watching and Sleeping and Composing”2007

steel, wood and glazed ceramics

Rosemarie Trockel

Landscapian Shroud of my Mother, 2008

Ceramics, steel, 70 x 278 x 200 cm

Liz Larner

front: Smile (declining)

cast porcelain

William O’Brien

Cinaedus Table

glazed ceramic, found objects, plaster, unfired clay, fabric

Ricky Swallow

Skull with Bay Leaves and Coyote

stoneware

Ricky Swallow

Thomas Schütte

Dirty Dictators

Marian Goodman Gallery, NYC

Thomas Schütte

Red Woman Head

ceramic

Thomas Schutte

Ohne Titel

Gerisch Sculpture Park, summer 2013

Untitled

ceramic

Anish Kapoor

Untitled

ceramic

Fischli & Weiss

Peter Fischli and David Weiss

Suddenly This Overview

Venice Biennial 2013

Peter Fischli & David Weiss, Venice Biennale

Plötzlich diese Übersicht (Suddenly This Overview) 1981

Installation view of The Encyclopedic Palace, Central

pavilion, Venice, 2013. Photo by Marin R. Sullivan

Fischli & Weiss

Untitled (climbing boot)

unfired clay

Fischli & Weiss

Rat and Bear

glazed ceramic

Fischli & Weiss, Untitled (brick), 2007, unfired clay

Peter Fischli and

David Weiss

Suddenly This

Overview

Suddenly This Overview

Venice Biennial, 2013

Jessica Jackson

Hutchins

Jessica Jackson Hutchins

Rondamoo, 2011-13

Plaster, collage, acrylic marker, fabric, glazed ceramic

Venice Bienale, 2013

Lascaux, 2012

Armchair, glazed ceramic

Carpaccio, 2013

Paint, fabric, collage and glazed

ceramics on leather couch

Jessica Jackson Hutchins, Couch For a Long Time, 2009. Couch, newspaper, ceramic

76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)

Collection of the artist; courtesy Small A Projects, New York, and Derek Eller Gallery, New York.

Photograph by Dan Kvitka

Couch For a Long Time, 2009. Couch,

newspaper, ceramic

76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)

Saatchi Gallery

Couch For a Long Time, 2009. Couch, newspaper, ceramic

76 × 29 × 35.5 in. (193 × 73.7 × 90.2 cm)

Whitney Biennial 2010

Shinichi Sawada’s work on display Venice Bienale, 2013

ShinichiSawada

Shinichi Sawada

Shinichi Sawada’s is

autistic and barely

speaks a word, but his

spiked ceramic works

depict a world

populated by

fantastical sea-

monsters and mythical

demons. Using his

long, slender fingers

with intricate

precision, he works in

silence and completes

even his largest

ceramic sculptures in

4-5 days.

“Sakti is the curatorial theme of the

Indonesia Pavilion. This Sanskrit term is

associated with the primordial cosmic

energy and with the personification of

divine, feminine creative power, as well as

change and liberation”

“Of Hindu origin, the concept of Sakti was

quickly integrated into local cosmology. Given

Indonesia’s 700 living languages, Sakti can

denote the foundational creative principle and

represents the unifying spirit of the Indonesian

Nation”

The Indonesian

Pavilion“Sakti”

Lara Almarcegui

Spanish

Pavilion

Lara Almarcegui

Spanish Pavilion

Ron Nagle

Ron Nagle work in case

All work ceramic

Venice Bienale, Central Pavilion

Elizabeth Benassi

The Dry Salvages

Hungarian Pavilion

Entrance way

Gerisch Sculpture ParkSummer 2013

Back to Earth

Neumunster, Germany

John Baldessari, Repository, 2002

Marcel Duchamp/ Alfred Stieglitz, Fountain, 1917

Summer 2013

Back to Earth

Neumunster, Germany

Matthias Hirtreiter

From the Mud

Summer 2013

Back to Earth

Neumunster, Germany

Matthias Hirtreiter

Daniel Spoerri

Bei Sevilla Serie Nr.28

Summer 2013

Back to Earth

Neumunster, Germany

Daniel Spoerri

Gert & Uwe Tobias

Ohne Titel,

Summer 2013

Back to Earth

Neumunster, Germany

Gert & Uwe Tobias

David Zink Yi

Untitled (Architeuthis)

Houser & Wirth Gallery, New York, NY

Photo By Geoffrey Dicker

“The 16 foot long squid (weighing 660 pounds)

is crafted from ceramic coated with a lead and

copper glaze. For this exhibit, the artist has it

laying in a pool of what appears to be the

squid’s own ink, but which is actually dyed

corn syrup. The squid is part of Zink Yi’s first

New York City solo exhibition Pneuma, a

group of seven experimental works.”

David Zink Yi

Untitled (Architeuthis)

Summer 2013

Back to Earth

Neumunster, Germany

Mona Hatoum

Still Life, 2008-09 Glazed ceramics, wood and painted steel 34 7/16 x 70 7/8 x 35 7/16 in. (87.5 x 180 x

90 cm) Courtesy of the artist and White Cube. Photo by Todd-White Art Photography

Stacked Revision Structure 2005

Liam Gillick

Guadalajara Revision Stack, 2009

Back to Earth

Neumunster, Germany

Gerisch Sculpture Park, summer 2013, Back to EarthNeumunster, Germany

Piotr Nathan

Summer 2013

Back to Earth

Neumunster, Germany

Quietus: The vessel, death and the human body

Installation shot, Middlebrough Institue of Modern Art, 2012 Photograph: Colin Davison

Julian Stair

Bottom left: Five Cups on a

Ground, 2013

Yvonne Lee Schultz

PP/Z (Zwiebelmuster)

Robert Miller Gallery

Johan Cretin

Summer 2013

Back to Earth

Neumunster, Germany

Johan Cretin

Liu Jianhua

Summer 2013

Back to Earth

Neumunster, Germany

Instituto Municipal de Cerámica de Avellaneda

Danijela Pivasevic

Tenner

Danijela Pivašević-Tenner

Dani Jela TennerGerisch Sculpture Park

Summer 2013

Back to Earth

Neumunster, Germany

Bertozzi & Casoni

Cestino della Discordia

Bertozzi & Casoni

Cestino della Discordia

Bertozzi & Casoni

Regeneration

Bertozzi & Casoni

Bucranium with Varano

Bertozzi & Casoni

Melanconia (Guitar case

with Swordfish

Summer 2013

Back to Earth

Neumunster, Germany

Bertozzi & Casoni

Madonna Scheletrita

Bertozzi & Casoni,

Madonna Scheletrita,

Summer 2013

Back to Earth

Neumunster, Germany

Tony Cragg

In Camera

Summer 2013

Back to Earth

Neumunster, Germany

Tony Cragg

Grayson Perry2003 Turner Prize

Tate Gallery

London, England

Grayson Perry, Precious Boys, 2004, detail

Pablo Picasso Grayson Perry

Grayson Perry

left, Saint Claire 37 Wanks Across Nothern Spain, Saatchi Gallery;

right, Village of Penians, 2001, Victoria Miro Gallery, London

Andrew Lord

assorted works of “The Bowery”2007

Ceramic

Andrew Lord, At Sunset,

Carson Mesa (Gauguin), 2013

Andrew Lord, With Snow Falling,

Carson Mesa (Gauguin), 2013

Mounir FatmiMounir Fatmi, Forget, 2010

Porcelain, Courtesy of the artist; Goodman Gallery,

Johannesburg, Cape Town

Mounir Fatmi

The Monuments

5 parts, ceramics and porcelain paint,

160 x 30 x 18 cm. Ed. 5.

Gabriel OrozcoMid career Retrospective at MoMA, NYC, 2009

Venince Biennale, 1993, 2003, 2005

Guggenheim Museum, NYC, 2012

Documenta X, XI, 1997, 2002

Galeria Kurimanzutto in Mexico CityRepresented by Marian Goodman, NYC

Gabriel Orozco

Carlo Zauli

Lucio Fontana

Musée d'Art Moderne, Paris

Lucio Fontana, Battaglia, 1947

Ceramics, varnish, h: 15 x w: 39 x d: 21.5 cm / h: 5.9 x w: 15.4 x d: 8.5 in

Lucio Fontana

Lucio Fontana, designer, Rosenthal Porcelain

Factory, manufacturer, Concetto Spaziale -

White, 1968, and Concetto Spaziale - Black,

1968, Ailsa Mellon Bruce Fund, 2004.20.1 and

2004.20.2

Lucio Fontana

Leon Ferrari

c. 1960

75 x 35 x 18 cm

Fausto Melotti

Cavaliere

c. 1945

Fausto Melotti in his

studio, Milan, c. 1970

Photo by Ugo Mulas

Coppa con orlo mosso

1955Copetta

La Pittura

Fausto Melotti

Heretics and Saints and Bishops

Fausto Melotti

Summer 2013

Back to Earth

Neumunster, Germany

Joanne Greenbaum

ceramics and paintings in her studio, image courtesy Joanne Greenbaum

Joanne GreenbaumExhibited at Haus Konstruktiv in Zurich (March 6–May 4, 2008), exhibit traveled to the Stadtisches Museum Abeitag Monchengladbach in Germany (June 15–August 24, 2008).

Joanne Greenbaum

image courtesy Joanne GreenbaumJoanne Greenbaum

image courtesy Joanne Greenbaum

Josh Smith

Installation view, Luhring Augustine Bushwick. September 12 – October 26, 2013

Julia Kunin

Solo exhibits at StuxGallery, NY, NY. The Bellevue Saal, Wiesbaden, Germany. Selected Group exhibitions include: Sandra Gering Gallery,NY, Suite 106 Gallery, NY,Schroeder- Romero Gallery, NY, Artists Space, NY, Museum of Applied Art and Design, Frankfurt, Germany.

Julia Kunin

Neon Lava, 2004

Julia Kunin

Folly, 2006

Arlene Shechet

Not Knot (in foreground), Because of the Wind, 2010, glazed and fired ceramic, hardwood

and steel, 16 3/8 x 16 1/4 x 74 inches.

Arlene Shechet

Idle Idol, 2013

glazed ceramic, wood base, ceramic 30.5 x 15 x

12 in, overall: 89.5 x 13.5 x 13.5 in.

Photos by Thomas Micchelli

Stories, 2013

glazed ceramic, steel base

ceramic 38.5 x 18 x 15 in

overall: 71.75 x 20 x 18 in.

Arlene Shechet

installation view of The Sound of It

Jack Shainman Gallery, NYC

Marit Tingleff

Blue Landscape, 2011 (Plate rack with 32 plates)Photo: Thomas Tveter

Marit Tingleff

Covered Landscape 201

129 cm x 94,5 cm, 2011 Photo: Gareth T. Bayly

Untitled (from the Starsprout series), 2009-10, terracotta center blue:, 15.75 x 18.25 x 10 inches

Paul Swenbeck

Fleisher / Ollman Gallery, New York

Michel Gouery

Vorlone 2006

Michel Gouery

Body and Soul Exhibit

Musuem of Arts and Design (MAD), New York

September 24, 2013 – March 2, 2014

Brie Ruais

Area Whole, 300lbs, 2014, Pigmented and glazed ceramic, hardware, square measures:

78 x 54 x 5 inches, circle measures: 44 x 38 x 5 inches

Brie Ruais

Installation view of X O at Nicole Klagsbrun NY, 2013

Photo credit: Christopher Burke Studios

Brie Rauis, Forced from Inside and Outside: Pillar, Vessel, and Brick Kiln Base, 2014, at Socrates Sculpture Park in

Long Island City. Each ceramic sculpture made from two people's combined body weight, wood-fired and varnished.

Jeff Koons, Bubbles

Jeff Koons, Michael Jackson and Bubbles, 1988

"Jeff Koons: A Retrospective" at the Whitney Museum.

Jeff Koons

Installation view of Michael Jackson and Bubbles (1988) in "Jeff Koons: A Retrospective" at the Whitney Museum. Photo: Benjamin

Annabeth Rosen

Wave, ceramic, baling wire, 24 x 50 inches Fleisher / Ollman Gallery, New York

Meulensteen Gallery New York City, October 2010

Parcel, 59" high, ceramics, baling wire, casters

Fleisher / Ollman Gallery, New York

JW I have got nothing to offer I 2013Market Culture 2013

Jesse Wine

Installation views, Traveling White Man,

Jesse Wine

Traveling White Man,

Jesse Wine

Installation view, Open Heart Surgery,

The Moving Museum, London, UK

Jesse Wine

Installation view, The Practice of the Wild,

Limoncello Gallery, London, UK

research project "Kunstnerisk verdiskapingrepresented by Cargo Gallery, Sweden

Kjell Rylander

Takeshi Yasuda

Sana Musasama

Sana Musasama Sana Musasama

Unspeakable Series

Sana Musasama

Maple Tree Group

Dartmouth Installation, 2007

Sana Musasama

Vessel Pottery

Houses Group

Port Chester Exhibition, 2013

Clare Twomey

Clare Twomey lecture, “Piece by Piece- a series of actions”

Clare Twomey,

Victoria and Albert Museum, London

Photo source:

http://www.uwe.ac.uk/sca/research/rtc/photos/two

mey/statue.jpg

“Trophy” was a temporary installation created in the Cast Courts of the V&A Museum; the museum wished to engage with ceramics in a unique way and to encourage interest in non-traditional approaches to material specialist interests. Clare Twomey’s installation comprised 4000 birds made from Wedgwood Jasper blue clay displayed throughout the Cast Courts; the work considered the nature of the building and its historic role, to permanently hold a valuable collection for public view.

The birds could be taken away, creating a unique activity in the context of the museum: visitors were able to effectively steal an object from the V&A’s collections. By collaborating with Wedgwood in their production, Twomeyattributed a sense of history and worth to each individual bird; the audience perceived them as precious and desirable.

Clare Twomey,

Photo source: http://www.uwe.ac.uk/sca/research/rtc/photos/twomey/whole.jpg

Clare Twomey Forever 2010 Nelson Atkins Museum, Kansas City, MO

Working with Hartley Greens & Co. Leeds Pottery, a ceramics factory in northern England that has produced functional earthenwares since the 18th century, Twomey authored a model of the Sandbach Cup for the site-specific installation Forever. This cup was reproduced 1,345 times, honoring the number of works in the Burnap donation.

In addition to viewing the installation, visitors had an opportunity to own a Cup. Visitors viewed the vast collection of the cups, and they had the opportunity to become owners. Visitors completed and signed a Deed that asked prospective owners to consider why they want the work of art, and consider why and how they value the Cup. They signed a Deed committing them to care for a Cup forever – just as the Burnaps required the Nelson-Atkins to sign their Deed of Gift nearly 70 years ago.

Clare Twomey

1000 cups and saucers are displayed in artist Clare Twomey's installation 'Exchange' at the Foundling Museum on

June 14, 2013 in London, England. Ceramic artist Clare Twomey has inscribed individual good deeds onto the cups

and saucers, encouraging visitors to undertake a deed in exchange for a piece of the installation.

Bai Ming• 1965, born in Jiangxi, China

• 2000-present, Lecturer and Dean, Ceramics Department of the

Academy of Fine Arts, Tsinghua University, Beijing, China

• 1994, BA, Central Academy of Fine Arts, Beijing, China

• 1995-1999, Lecturer, Ceramic Department, Central Academy of Fine

Arts, Beijing, China

• 2002, Elected Lifetime Member, International Academy of Ceramics,

Geneva, Switzerland

• Member of the Chinese Artists’Association

• Editor-in-Chief of the Chinese Ceramics Network website, and of

China Ceramic Art Journal

• Mentor and former teacher for most members of the Antares Passing

Pottery Society

• Maintains three studios in China, including in Jingdezhen, and Beijing

• Published author of over 20 books, including World Famous Ceramic

Artists’ Studios

• Exhibited art all over the world since 1993, winning over a dozen gold,

silver, bronze, and excellence awards

• Approximately 80 major group/solo exhibits

Bai Ming

Lu Pinchang

• Professor, Dean of the Sculpture

Department, Central Academy of Fine Arts,

Beijing, China

• 1982, BFA, Fine Arts School of

Jingdezhen Ceramic Institute, Jingdezhen,

•1988, Master of Arts

• Secretary General of the Ceramic Art

Commission, China Artists Association

• Deputy Secretary General of China

Sculpture Society

• Deputy editor-in-chief of Chinese

Ceramicists magazine

• Winner of special government allowance

• Elected Lifetime Member, International

Academy of Ceramics, Geneva, Switzerland

Lu Pin Chang

• 1957, born in Beijing, China

• helped design the National Stadium of China, known as the Bird’s Nest,

in Beijing, which was used for the 2008 Olympic Games

Ai Weiwei

Dropping a Han

Dynasty Urn

(1995). Middle view

of a triptych of

gelatin silver prints,

each print 49 5/8” x

39 1/4”. Courtesy

private collection,

Ai Weiwei, Watermelon, porcelain, 2006

Ai Weiwei

Colored Vases (2006) Vases

from the Neolithic age (5000

- 3000 BCE) and industrial

paint; between 10” x

diameter 9” and 14 1/2” x

diameter 9 1/2”. Courtesy

AW Asia collection, New

Ai Weiwei Speaks with Hans Ulrich

Obrist:

“Yes, Ceramics is kind of crazy. I

hate ceramics but I do it. I think if

you hate something too much, you

have to do it. You have to use that.”

Al Weiwei,

Coca Cola Vase, 2009

Summer 2013

Back to Earth

Neumunster, Germany

Coca Cola Vase 1997, Vase from Neolithic Age

(5000 – 3000 BCE) and paint

11 7/8″ x diameter 13″

Courtesy Tsai Collection, New York

Yoko Ono, original performance

done in 1966 at the Jeanette

Cochrane Theatre in London where

she broke a vase on the stage and

asked people to pick up the pieces

and take them home, promising

that they would all meet again in

10 years time with the pieces and

put the vase together again.

Ai Weiwei, He Xie (river crab), installation at Mary Boone Gallery

745 Fifth Ave, New York, USA, 2012

lee Bontecourepresented by Leo Costelli Gallery, NYC

Cover girl, Time Magazine

Lee Bontecou

MoMa, Queens, NY

Black Brown, One Over Two 6 x 6 x 4 in. stoneware, salt glazed, wood-fired

Karen Karnes

Karen Karnes, stool

Karen Karnes

3 Red Vase Forms, 2007, stoneware

Karen Karnes

Flower Container, 1997

17.5 x 9.5 x 9.5 in.

stoneware, wood-fired

Betty Woodman

The Ming Sisters, 2003

The Met Museum

Pillow PitcherFloral Vase and Shadow 1983

(Part of solo retrospective at the Met)

Betty Woodman

Installation view, The Art of Betty Woodman, The Metropolitan Museum of Art, 2006

Ana MendietaCuban born,

exhibited at

New Museum 1987

Hirshhorn Museum 2004

Whitney Museum 2005

Art Inst of Chicago 2011

controversial death in 1985

Suicide or accidental death or

Murdered by artist

Carl Andre

Ana Mendieta

Léopold L. Foulem

Photo by Andrew Leyerie

Léopold L. Foulem

Blue and White Teapot

with Oriental

Landscapes in Silvered

Mounts

Ceramic and found

objects

30.0 cm h.

Collection of the Los

Angeles County

Museum of Art

Ann Agee

Gross Domestic Product

Ann Agee’s installation Super Imposition, 2010, at the Philadelphia Museum of Art

“presents the artist’s factory-like castings of rococo-style vessels in a re-created period room.”

Courtesy Philadelphia Museum of Art

Ann Agee

Mary FrankThree Dancers, 1981,

29" x 34" x 25"

Crouching Woman With Two Faces

1981, slabs, 29"x24"x16"x

USA Lover,

1977, slabs, 23"x 44"x 25"t.t

Rudi StaffelPhiladephia Museum Retrospective ca 1998

“White Magic: Robert Ryman, Rudolf Staffel

David Nolan Gallery, NYC

Robert ArnesonPhoto: Lea Suzuki, The ChronicleSF MoMA staff pack Portrait ofGeorge (Mascone)Arneson represented by George Adams Gallery, NYC

Robert Arneson, Typewriter, 1965, Arneson represented by George Adams Gallery, NYC

ARCHIVE, GIFT OF THE ARTIST

Theaster Gatesin his studio with

pottery from

Feast, an

exhibition at the

Smart Museum

of Art

Theaster Gates

Soul Manufacturing

Corporation— To Make

the Thing that Makes the

Things

Fabric Workshop and

Museum (FWM),

Philadelphia, PA

Theaster Gates: Stand-Ins for a Period of Wreckage, 2011 / Kavi Gupta Gallery, Chicago

Courtesy of Art Basel Miami Beach

I have a dream:

1,000 ceramicists meet at the Museum of Modern Art

in New York City (53rd Street between 5th and 6th

Avenues on the north side of the street) on Friday,

August 21, 2015 at 4pm. Each ceramist brings one

small ceramic object and meets in the main second

floor gallery at exactly 5:01pm. At 5:07pm, all 1,000

ceramists quietly place their ceramic object on the

floor of the museum with the manifesto “the medium

doesn’t matter; all media are equally viable for

artistic expression.”

PS Entry to MoMA is free on Fridays, 4-8pm

2015 NCECA: Lect ure: Ceramic Art Leaving the Ghetto by Marc Leuthold

Art & Photos

NCECA 2014: James Ferrante

NCECA 2014: Seth Czaplewski

NCECA 2014: Ayumi Horie

NCECA 2014: Meredith McGriff

NCECA 2014: Zach Tate & Cindy Cooper

2015 NCECA Emerging Artist - Joanna Powell

NCECA 2014: Mel Griffin

NCECA 2014: Raheleh T. Filsoofi

NCECA 2014 Keynote: Theaster Gates

NCECA 2014: Linda Keck & Frank Mariano

Leuthold Group - From August 2015

NCECA 2014: Robert Hunter

NCECA 2014 - Meg Roberts

NCECA 2014: Christen Baker

NCECA 2014: Richard Wukich

NCECA 2014: Lauren Mabry

NCECA 2014: David Peters

NCECA 2014: William Carty

2015 NCECA - D.E Gary Branfman

2015 NCECA - Paul Mathieu