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Updated Portfolio // Italian Architect based in Luxembourg // Architecte Italienne basé à Luxembourg Ville // 2016
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www.issuu.com/silvia.toffanin28 ans
silvia.toffanin
+352691853782 / +393491202532toffanin.silvia@gmail.com
74, avenue Gaston DiderichL-1420 Luxembourg Ville
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> Design of a residential complex in Luanda, Angola;> Realization of the architectural firm’s portfolio > Mention in the Interior Design competition “Ibis Style Hotel” / February 2013
> Participation in the International Design CoMpetition “Thyssenkrupp Tall Emblem Tower Dubai”
> FiRSt pRiZe in the competition “Renovation and restoration of the former mill of Nuragus” / March 2014
> Renovation of a farm in the province of Pavia> Realization of photo montages for environmental feasibility studies
> Interior design> Public housing feasibility studies
>> www.sasisarquitetura.com.br
>> www.3tiprogetti.it
>> www.homme-design.com
October 2012 // January
July 2013 // September
September 2008 // February
October 2013 // January 2014
February 2014 // may 2014Hom(m)e Design
Architectural Assistant / Leonardo programmeBordeaux, France
3TILAB // Arch. Antonello Stella
STUDIO D’ARCHITETTURA CARLO MORETTI
SASIS ARQUITETURA E CONSULTORIA
Nord Milano Consult
Architectural Assistant
Architectural Assistant
intern
Architectural Assistant Busto Arsizio, Varese, Italy
Ferrara, Italy
Curitiba, Paranà, Brazil
Cassano Magnago, Varese, Italy
W o r k e x p e r i e n c e
A r c h i t e c t
may 2014 // august 2015
> Master houses and apartments renovation and interior design> All construction phases
Aries Interior Design // Arch. Victor Bragança
Architect Luxembourg
Skills & Competences
Interests
> 3 years’ experience> Architectural design: residentials buildings, apartments, offices, interiors, renovations, competitions, landscape> Drawing architecture: plans, sections, elevations, details, 3D renderings, presentations, reliefs on site, models> Attitude to work both alone and in a team> Good ability to adapt to multicultural environments, gained through mywork and study experience abroad> Good communication and socialization skills> Sense of organisation and problem solving ability
> DIY > Photography> Graphic design> Travels
>> www.awrcompetitions.blogspot.it/2013/06/vision-2020orientarsi-negli-spazi_15.html
>> www.formabilio.com/contest-project/quadrado-5783
Fevrier 2013
Octobre 2013
Participation in the logo & branding design competition for the city of Jesolo
Participation in the design competition Mission Gift / Formabilio
Mai 2013First Prize in the National Competition Vision 20 |20 Orientarsi negli spazi pub-blici attraverso il colore
P E R S O N A L E x p E r i e n c e s
> First pRiZe “Gian Girolamo Saint Micheli Award” for the projet elaborated during the workshop IWTA @ Triennale di Milano BVS / October 2007
> Participation in the exhibition “Infrastructure, territory and landscape. The Brebemi Project” @ Antegnate, Bergamo, Italy / October 2011> Partipation in the Master’s thesis AwARd and exhibition “Premio Mantero” @ Politecnico di Milano, Bovisa / January2013
> Participation in “One exhibition in One Day n° 4, 24 pavillions” @ Politecnico di Milano, Bovisa / June 2009 >> www.youtube.com/watch?v=vow9qUtR6Ai
> woRKShop Living in Valsesia Valley @ Varallo Sesia, Italy with Politecnico di Milano & TU Delft / August 2011
> woRKShop Requalification of San Martino’s Area @ Como with Politecnico di Milano et ENSAL / Mai 2010
> IWTA International woRKShop for tourism and architecture @ Famagusta, Cyprus with Politecnico di Milano, Gazi University, Ankara, Turkey et Eastern Mediterranean University - EMU, Famagusta, Cyprus / May 2007
September 2010 // April 2012
September 2009 // July 2010
July 2013
October 2006 // October 2009
Master’s Degree in Architecture // Laurea Magistrale in Architettura
ERASMUS
Diploma in Professional Practice in Architecture // Abilitazione all’esercizio della Professione di Architetto
Bachelor’s Degree in Architecture // Laurea Triennale in Architettura
École Nationale Supérieure d’Architecture de Lyon - ENSAL, Lyon, France
Università di Architettura, Ferrara, Italy
Politecnico di Milano - Facoltà di Architettura Civile, Milano, Italy
Politecnico di Milano - Facoltà di Architettura Civile, Milano, Italy
E d u c a t i o n a n d t r a i n i n g
+ renovation ++ interior design +
+ construction details +
luxembourg
ArIeS InTerIOr deSIgn
work experience
the building site
The aim of this renovation projet of a master house located in Luxem-bourg countryside was to respond at the owner’s current needs. In order to make the house more suited to contemporary life, the in-teriors and the façades are reviewed. An essential volume clad in red cedar wood is added to the existing building to increase the volume and open the interiors to the garden. New and old cohabit in a com-fortable, bright and fluid environment.
interior design m a s t e r h o u s e r e n o vat i o n
luxembourg2015
year place
home renovation // interior design
The interior design project fits in a renovation of a rural building in the countryside of Bordeaux. The master bedroom suite is for a young couple who loves dark colors and modern and refined furniture. The structuring element of the project is the central perspective, the crea-tion of a visual continuity between rationally separated spaces.
dressing
interior design m a s t e r b e d r o o m s u i t e
bordeaux / france 2014 year
place
home // interior design
The former mill of Nuragus was the major landmark of the city, be-cause of its history and its architecture. The building, located at cent-er of Sardegna and managed by important families of the zone, has represented the principal nucleus of an industrial production for the village and the neighborhoods.The proposed project, through an accurate study of the structures and the recovery and the restoration of the existing buildings , wants to put the complex at the center of the life of the village, transforming it in a new center of ‘production’, ‘conservation’ and ‘development’ of the identity, the culture, the traditions and the local products . The whole complex becomes a museum, a public space, an arena, an at-elier opened to the inhabitants and the tourists.
mulinu: a public cultural centrerestoration and renovation of the forMer Mill of nuraGus
nuragus / sardegna / italy2013 year
place
competition // renovation // cultural centre
6. open air exhibition - local products
7. open air exhibition - local art
8. restaurant
9. kitchens
10. services and technical rooms
1. info point / bookshop / ticket office / exhibition - the mill history
2. shows / exhibition
3. exhibition - the sardinian territory
4. exhibition - local culture
5. exhibition - Giara di Gesturi
concert
theatre / space for local associations
exhibition
restaurant
market
FUNCTIONS
mUlTIpUrpOSe rOOm
The COUrT
+ interior design of the hotel room + + concept development +
+ graphic design of the hotel room +
+ concept development + + graphic design +
interior design competion ibis Styles hotel mentioned project
booklet of the competion ibis Styles hotel
curitiba brasile
SASIS ArquITeTurA e COnSulTOrIA
work experience
This interior design project follows the requirements set out in the call: create a different and unique design, that has to be cheap and adaptable to any type of public, from the family to the business man. The project has to follow an “happy mood”, condition easily possible in a country like Brazil, whose colors, scents, flora, fauna and culture are an emblem of optimism and liveliness! The developed concept is related to local identity: each hotel has a different decoration, follow-ing the landmarks of the region in which it is located, to benefit the reading and understanding of the place and encourage his guests, both Brazilians and foreigners, to explore the city. The city’s sights and wonders of nature represented with bold designs and bright colors become decorative elements and characterize the private and public spaces of the hotel. In the hotel rooms the space is large and comfortable, due to the perspective created by the inclined axis, de-signed by the bathroom block and the night area. Different heights, task lighting, bright colors and natural materials are the elements that characterize the rooms.
plan
interior design competition “ibis styles hotel”q u A r T O “ H A p p y M O O d ”
curitiba / brazil 2013 year
place
competition // interior design // graphic design
+ architectural design + + design 2D and 3D +
+ graphic representation of the project + + postproduction +
competition tall emblem structure in Za’aabel park in dubai
varese italy
STudIO d’ArCHITeTTurA MOreTTI
intern
The project participates in the competition “Tall emblem structure in Za’aabel park in Dubai” organized by the company Thyssen Krupp El-evator, and the claim is design an iconic building for the city of Dubai.The project area is in the city center within Za’abeel Park, from where you can see the main artery of the city’s traffic Sheikh Zayed Road and the nearby skyscrapers. The project provides a new layout for the park and the creation of a landmark visible from all over the territory and recognizable from the air. A diamond of 170m, reminiscent of Fuller’s geodesic dome, wants to be the representative symbol of wealth and power of the city.The diamond structure is glazed and conceals the true functional core of the building, a cube inside which there are an experimental theater, a library, a conference room and a bar with terraces overlook-ing the city.
the theatre
competition “tall emblem structure in Za’aabel park in Dubai”
d i a m o n d : a l a n d m a r k f o r d u b a i
dubai / united arab emirates2009 year
place
competition // landmark
+ public space design ++ concept development +
+ color as architecture +
+ graphic design ++ concept development +
public space design competitionViSion 20|20 - orientarsi negli spazi pubblici attraverso il colore
// first prize //
Jesolo logo & branding design competition
COMpeTITIOn
personal works
Porta Ticinese in Milan presents a conflict of uses in the public space: an historical and cultural heritage, due to the existence of the basilica and to the one of the most important Roman archaeological sites in the city; a residential reality and a lively and young nightlife, due to the presence of shops and restaurants, coexist in the same area. The goal of the project is create a public space for people and a relation-ship between the users and the site.Colors, combined with materials, are the instruments used to reach the objective: they give identity to the space and create an active and emotional dialogue with people who live it. The proposal focuses on the redevelopment of three micro-spaces. These urban residual areas are in state of carelessness and they can be connected because of their strategic position and their proximity. These areas are transformed into “urban lounge”, into rooms opened to the sky, where citizens can live, walk, play music and sports, re-lax and socialize. Each site is characterized by a color and a material that specifies the function that will host and it is designed to be used 24/24h. From day to night spaces transforms and they can be experi-enced in different ways. Technology becomes an additional element that unites the design of these rooms. Wifi, innovative materials, led lightning, open-air cinema characterized these urban lounge.
vision 20|20 orientarsi negli spazi pubblici attraverso il colore
open to sky rooms
colonne di san lorenzo / milan2013 year
place
competition // public space // color as architecture
una stanza verde per rilassarsi e
nascondersi
una stanza gialla per navigare e
ballare
una stanza rossa per allenarsi e
emozionarsi
+ architectural design + + design 2D and 3D +
+ graphic representation of the project + + postproduction +
+ realization of architectural and urbanism models with different techniques +
+ realization of conceptual schemes +
italy // france // cyprus
pOlITeCnICO dI MIlAnO enSAl // workshop
formation and training
The project for Martyrs Square area in the center of Beirut is inspired by a central question in contemporary architecture: the link between archeology and architecture.The “old” that comes to light from the excavation as “new” upsets the previous order and needs an idea that can be absorbed and not denied. Indeed when the pre-existence is isolated, the architectural and cultural identity of a city impoverishes, and the complexity that is based on the presences, the additions, the interferences is destroyed. The project starts from this idea of the excavation as an essential en-tity to understand that particular urban fabric that is Martyrs Square. The aim is to enable the city to reclaim this area and to create a dia-logue with the archaeological remains.The regulating lines creates a system for the designed elements in the area, which is broken in the presence of pre-existing buildings along the edge of the excavation. Main actors are the system of platforms, which relate the level of the buildings to the excavation, the border, which emphasizes the Cardo and Decumanus axes of the ancient Roman city and the rotation of the system, which shows the relationship with the past and is expressed strongly in the arrangement of the new square and the library, and has as its cornerstone the landmark tower of the Burj.
cardodecumanus
burj towerfrench axe
serrail ottoman’s walls
archeological remainsexcavation
pre-existing system
design elements*********
redevelopment of Beirut’s Martyrs square
Archaeological excavation as an architectural project in the city
beirut / liban 2012 year
place
master’s thesis // architecture // archaeology
the shell copper coverage
the platformconsultation area
the excavation archives and administration
the library
Oppose industrial diffusion along the highway, the phenomenon known as sprawl, and mitigate the infrastructure impact on the terri-tory are the two key points of this intervention strategy.The goal is transforming the “respect zone”, a non-place adjacent the infrastructure, into a “built respect zone”, a functional area, dealing respectfully with the environment.The strategy assumes a universal and reproducible character, be-cause of its flexibility, that can be adapted to the different situations along the infrastructure.The traditional relationship between building and ground and the distinction between architecture and context are canceled: the land-scape itself becomes a building material! The terrain is lifted up and creates green ramps that become a new urban park and a visual and sound barrier for the new infrastructure. The green ramps hide the production and commerce functions, so that these spaces don’t put on the chaotic and anonymous architectural aesthetic of the indus-trial centers along the highways.
plan
brebemi,the new infrastructure in the territo-ry: mediation strategy
l a n d s c a p e a s a r c h i t e c t u r e
antegnate / bergamo / italy2011 year
place
landscape // experimental // strategy
background analysis (the highway A4) and future forecasting (the BreBeMi infrastructure)
background highway a4 future brebemi infrastructure
project strategy and case studies
development phases of the design concept
In the town of Antegnate a technology center is designed: the production function is com-bined with research and distribution also in short supply chain of agricultural products. Office buildings, laboratories, farmland to be used by researchers, a market, a restaurant, a sports center and a pedestrian and cycle route are functions that find place in this project.
The starting point for the pavilion design is the willingness to trans-mit the concepts, the ideas, the principles that characterized Lucio Fontana’s artistic research, in other words storytelling through archi-tectural composition. The aim is making clear the artistic anxiety that characterizes the artist and communicating to visitors the sense of time, of contrast, of continuous research. The pavilion is partly under-ground, in order to show only the initial work of the artist and to en-courage visitors to discover the final phase entering in the museum. This operation explains the metaphorically concept of “attesa” (wait) introduced by Lucio Fontana Moreover some works exposed in open air, giving visitors a chance to observe without entering the exhibition.The complexity of the content is described by the simplicity of the type. The space is constructed through three fundamental elements: a path, a gallery, a ramp, in order to achieve the essential and to “strip” the architectural principle from any other attachments.
pav i l i o n f o r t h e w o r k s o f l u c i o f o n ta n a
porto di mare / milan / italy2009 year
place
museography // exhibition
The project Fert’ile is inspired by the ideas of the Degrowth movement, in particular the criticism of our way of life and the proposal for an alter-native to a society in overgrowth: belief in unlimited growth in a world of finite resources hasn’t sense! The goal of the project is to restore the meaning of district life, promoting the system of relations and the local activities, and proposing a program that focuses on reuse and recycling and consumption of local products. The project is based on the reali-zation of three bands with different functions and administered from a place of exchange: the urban mutations pavilion. The functions of the first band aim to re-educate our consumption: a food court is promot-ing the consumption of local and organic agricultural products. In the central area there is a study and research center related to the practice and knowledge of the earth. Finally, the last band presents workshops and ateliers open to the public and local artisans, offering a free and voluntary exchange of knowledge. The various functions are directly re-lated to the vertical farm, the real experimentation and research center of the complex.
research center, vertical farm, and urban muta-tions pavilion
F e r T ’ I l e : F e r T I l e I S l A n d
lyon / france 2010 year
place
multifunctional center // experimental
ateliers
ateliers
laboratoiresferme urbaine
musée hall
restaurant
restaurant
potagere
musée exposition
ferme vertical
ferme vertical
marché filière courte
musée exposition
administration
REZ DE CHAUSSE
PREMIER ETAGE
DEUXIèME ETAGE
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