Asymmetric Rhythms and Tiling Canons

Asymmetric Rhythms and Tiling Canons

Dr. Rachel HallSaint Joseph’s University

Shippensburg University Student Math Conference

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Feel the beat

• Classic 4/4 beat

• Syncopated 4/4 beat

• How are these rhythms different?

• We will explore ways of describing rhythm

mathematically.

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Math for drummers

• The mathematical analysis of rhythm has a long history.

• In fact, ancient Indian scholars discovered the Fibonacci numbers and Pascal’s triangle by counting rhythms in Sanskrit poetry.

• They discovered the Fibonacci numbers fifty years before Fibonacci, and Pascal’s triangle 18 centuries before Pascal!

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Beats, rhythms, and notes

• In music, the beat is the basic unit of time.• A rhythm is a sequence of attacks (drum hits)

or note onsets.• A note is the interval between successive

attacks.• We will assume that every note begins on

some beat.

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Notation

Here are several ways to represent the same rhythm:

• Standard Western notation

• Drum tablature: x..x..x.

• Binary: 10010010

or

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Periodic rhythms

• If a rhythm is played repeatedly, it’s hard to tell where it starts.

• Two periodic rhythms are equivalent if one of them is the same as the other delayed by some number of beats.

• For example,

.x.x..x. is equivalent to x..x..x.

• The set of all rhythms that are equivalent to a given pattern is called a rhythm cycle.

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Composition 001

• Choose a rhythm (not the same as mine!)

• Write down all the patterns that are equivalent to your rhythm.

x .. .x.

...x.x x...x.etc.

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Binary necklaces

• You can represent your rhythm as a necklace of black and white beads, called a binary necklace.

• The necklace can be rotated (giving you all the equivalent patterns) but not turned over.

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Questions

• How many different rhythm patterns with six beats are possible?

• How many are in your rhythm cycle?

• What are the possible answers to the previous question?

• What does “six” have to do with it?

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Counting rhythm cycles

• There are 64 rhythm patterns with six beats.• Counting rhythm cycles is much more difficult.

(Can you explain why?)• It turns out that there are only 14 rhythm

cycles with six beats.• Burnside’s lemma is used to count these

cycles.

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Fourteen rhythm cycles

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Asymmetric rhythms

• A rhythm is syncopated if it avoids a beat that is normally accented (the first and middle beats of the measure).

• Can a rhythm cycle be syncopated?

• A rhythm cycle is asymmetric if all its component rhythm patterns are syncopated.

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Examples

Asymmetric cycle

x..x..x..x..x..xx.x..x...x.x..x...x.x..xx..x.x...x..x.x...x..x.xx..x..x.

Non-asymmetric cycle

x.x...x..x.x...xx.x.x....x.x.x....x.x.x....x.x.xx...x.x..x...x.xx.x...x.

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DIY!

x x ....

How can I fill in the rest of the template to make an asymmetric cycle?

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Rhythmic canons

• A canon, or round, occurs when two or more voices sing the same tune, starting at different times.

• A rhythmic canon occurs when two or more voices play the same rhythm, starting at different times.

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Example

Schumann, “Kind im Einschlummern”

Voice 1: x.xxxx..x.xxxx..Voice 2: x.xxxx..x.xxxx..

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More on canons

Messaien, Harawi, “Adieu”Voice 1: x..x....x.......x....x..x...x..x......x..x...x.x.x..x....x..Voice 2: x..x....x.......x....x..x...x..x......x..x...x.x.x..x....x..Voice 3: x..x....x.......x....x..x...x..x......x..x...x.x.x..x....x..

A canon is complementary if no more than one voice sounds on every beat.

If exactly one voice sounds on each beat, the canon is a tiling canon.

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Make your own canon

• Fill in the template in your worksheet to make

your rhythm into a canon.

• Is your canon complementary? If so, is it a

tiling canon?

• What is the relationship to asymmetry?

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Asymmetric rhythms and complementary canons

To make a rhythm asymmetric, you make the canon complementary.

When will you get a tiling canon?

x x ....

x x ....

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Oh, those crazy canons!

A three-voice tiling canonx.....x..x.x|:x.....x..x.x:| x.....x.|:.x.xx.....x.:| x...|:..x..x.xx...:|

The methods of constructing n-voice canons, where the voices are equally spaced from one another, are similar to the asymmetric rhythm construction.

repeat sign

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A four-voice tiling canon

Voice 1: x.x.....|:x.x.....:|Voice 2: x.x....|:.x.x....:|Voice 3: x.x.|:....x.x.:|Voice 4: x.x|:.....x.x:|

Entries: ee..ee..|:ee..ee..:|

inner rhythm = x.x..... outer rhythm = ee..ee..

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Tiling canons of maximal category

• A tiling canon has maximal category if the inner and outer rhythms have the same (primitive) period.

• None exist for periods less than 72 beats.

• Here’s one of period 72. You’ll hear the whistle sound the outer rhythm about halfway through.

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Tiling the integers

A tiling of the integers is a finite set A of integers (the tile) together with a set of translations B such that every integer may be written in a unique way as an element of A plus an element of B.

Example: A = {0, 2}

B = {…, 0, 1, 4, 5, 8, 9, …}

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Example (continued)

A = {0, 2}

B = {…, 0, 1, 4, 5, 8, 9, …}

Every rhythmic tiling canon corresponds to an integer tiling!

€

Z = A⊕B

2 4 5310 6 7 8 9 1011 ……

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Results and questions

• Theorem (Newman, 1977): All tilings of the integers are periodic.

• Can a given set A tile the integers?

• If so, what are the possible translation sets?

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Partial answers

• Only the case where the size of the tile is divisible by less than four primes has been solved (Coven, Meyerowitz,Granville et al.).

• In this case, there is an algorithm for constructing the translation set.

• The answer is unknown for more than three primes.

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Inversion and monohedral tiling

• Playing a rhythm backwards gives you its inversion. Tiling canons using a rhythm and its inversion are called monohedral.

• Beethoven (Op. 59, no. 2) uses x..x.x and .xx.x. to form a monohedral tiling canon.

• Not much is known about monohedral tiling. Maybe you will make some discoveries!