Avril Lavigne -Goodbye Lullaby

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Avril Lavigne -Goodbye Lullaby

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Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any claim to its accuracy or value as a learning aid. My intent in making this FREE sheet music available is solely for non-commercial, educational use. If you’ve purchased this, then you were scammed --- by someone pretty brazen if they left this disclaimer in place, in addition to having sold it to you. If someone gave you this file in trade, I encourage you to refrain from dealing with them in the future, as I provide these compilations freely at the Pianist’s Library (where others share their compilations and scans as well.) I also distribute these via request to people who are sharing on pianofiles.com. Help your fellow musicians by keeping the music flowing and the leeches choking. This sentence intentionally left bereft of meaning. Please consult backwards message at the end of the record for the question to Life, The Universe, and … ooooh, shiny!

Avril Lavigne – Goodbye Lullaby

Table of Contents

01 – Black Star

02 – What The Hell

03 – Push

04 – Wish You Were Here

05 – Smile

06 – Stop Standing There

07 – I Love You

08 – Everybody Hurts

09 – Not Enough

10 – 4 Real

11 – Darlin

12 – Remember When

13 – Goodbye

14 - Alice

Unofficial  Compilation

For

©  2011 Sorgdal  @ The Pianist’s  Library

Gently

BLACK STAR

Words and Music byAVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

mp

µ

C G6

Am7 F C G6

Am7 F

Black star,

C

black

G6

star,

Am7

for ev- er- you will be

F

a shin ing-

C

star, shin ing-

G6

star, be what -

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

Am7

ev er- you can be.

F

A rock star,

C

rock

G6

star,

Am7

you will al ways- be

F

a black

C

star, black

G6

star, black

Am7

star.

F

Black

C

star, black

G6

star, black

Am7

star.

F C

G6

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

Am7 F C G6

Am7 F C G6

Am7 F C G6

Am7 F

µ

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

What The Hell

© Copyright 2011 Almo Music Corporation, USA/Avril Lavigne Publishing Limited LLC, USA.

Kobalt Music Publishing Limited (66.67%)/Universal Music Publishing (33.33%).

All rights in Germany administered by Universal Music Publ. GmbH.

All Rights Reserved. International Copyright Secured.

A D F#‹ D

q = 155

You

So

A

say

what if I

that

go

D

I’m

out

mess

on

ing

a

- with

mil

your

lion-

head.

dates?

F#‹

(Yeah, yeah, yeah,

D

yeah.)

You

nev

All

A

er-

’cause

call

I was

or

mak

lis

D

ing

ten

-

-

out

to me

with

an

your

y- way.

friend.

-

F#‹

(Yeah, yeah, yeah,

D

yeah.)

I

Words & Music by Avril Lavigne,Max Martin & Shellback

1.

2.

ra

Love

A

ther-

hurts

rage than

wheth

sit

D

er

a

- it’s

round- and

right

wait

or

all

wrong.

day.

F#‹

(Yeah, yeah, yeah,

D

yeah.) I

Don’t

can’t

get

A

me

stop

wrong.

’cause

I

D

I’m

just

hav

need

ing

some

- too

time

much

to

fun.

play.

F#‹

(Yeah, yeah yeah,

D

yeah.) You’re

on

A

your knees begg

D

ing- please stay

F#‹

with me.

D

But

hon

A

est- ly,- I just need

D

to be a lit tle- cra

F#‹

zy-

D

(1º only)

2

All

A

my life I’ve been good

D

but now, oh,

F#‹

I’m think ing- what the hell.

D

All

A

I want is to mess

D

a round- and I

F#‹

don’t real ly- care a bout

D

-

A

if you love me,

D

if you hate me,

F#‹

you can’tsave me, ba by,- ba

D

by.-

All

A

my life I’ve been good

D

but now, whoa,

F#‹

what the hell.

D

3

A

What...

D

what...

F#‹

what... what the hell?

D1.

A D F#‹ D2.

La,

A

la, la, la, la, la,

D

la, la...

F#‹

whoa... whoa...

D

You

A

say that

D

I’m mess ing- with your head.

F#‹

Boy, I like mess ing- in

D

your

4

bed.

A

Yeah, I

D

am mess ing- with your head

F#‹

when I’m mess sing- with you

D

in

All

bed.

A

my life I’ve been good

D

but now, oh,

F#‹

I’m think ing- what the hell.

D

All

A

I want is to mess

D

a round- and I

F#‹

don’t real ly- care a bout...

D

-

All

A

my life I’ve been good

D

but now, oh,

F#‹

I’m think ing- what the hell.

D

5

All

A

I want is to mess

D

a round- and I

F#‹

don’t real ly- care a bout

D

-

A

if you love me,

D

if you hate me,

F#‹

you can’tsave me, ba by,- ba

D

by.-

All

A

my life I’ve been good

D

but now, whoa,

F#‹

what the hell.

D

La,

A

la, la,

D

la, la, la, la, la, la,

F#‹

la, la, la, la, la, la,

D

la, la.

µ

6

Moderately

PUSH

Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission

3fr

Eb

Ain’t seen too much of you late ly,- and you’re

Bb(add4)

start ing- to get on my nerves. This is

f

3fr

Eb

ex act- ly- what hap pened- last time, and it’s

Bb(add4)

not what we de serve.- It’s a,

3fr

Eb

It’saa waste

wasteofof

mymy

time,time

shaklate

ing,ly,

-- and

andI’mI’m

Bb(add4)

gorun

ingning

--

outout

toof

search.words.

If it’s

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

3fr

Eb

real ly- meant to be, then you

3fr

F[add4]

could find a way to see.

Bbsus2

And may be- you should just shut up,

F

e ven- when it gets tough,

3fr

Cm

ba by,- ’cause this is love.

3fr

Eb

Bbsus2

And you know when push comes to shove,

F

it’s gon na- take both of us.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

CTo oda

3fr

Cm

Ba by,- this is love.

3fr

Eb

Ba by,- this is love.

3fr

Eb

Love,

Bb(add4)

love,

3fr

Eb

love.

Bb(add4)

3fr

Eb

It’s real ly- great to be with you; this is

Bb(add4)

how I could spend my life, but I’m

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

D.S. al Coda

CODA

3fr

Eb

cap a- ble- of tak ing- care of my self,- so if you

Bb(add4)

fuck this up then go take a hike.

3fr

Eb

Ba by,- this is love.

3fr

Cm

(You and me,

Bb/D

we can both start o ver,

3fr

Eb

- just the two of us.

Bb/D

We can get a lit tle- clos er.

3fr

Cm

- So fol low- me

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

Bb/D

hon est- ly,-

3fr

Eb

and you will see.

F5 Bbsus2

AndAnd may be- you should just shut up,

F

e ven- when it gets tough,

3fr

Cm

ba by,- ’cause this is love.

3fr

Eb Bbsus2

And you know when push comes to shove,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

rit.

F

it’s gon na- take both of us.

3fr

Cm

Ba by,- this is love.

3fr

Eb

Ba by,- this is love.

6fr

Eb5

Love,

Bb

love,

Cm11

love.

3fr

Eb

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

Moderately

WISH YOU WERE HERE

Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission

E

I can be tough;

mf

E

I can be strong,

B[add4]

but with you

4fr

C#m

it’s not like that at all.

Asus2

There’s a girl

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

E

who gives a shit

B[add4]

be hind- this wall;

4fr

C#m

you just walk through

Asus2

it. And I re mem- ber-

all

E

those cra zy- things you said. You left

4fr

B[add4]/D#

them run ning- through my head. You’re

al

4fr

C#m

ways- there, you’re ev ’ry- where,- but right

Asus2

now I wish you were here.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

All

E

those cra zy- things we did, did

4fr

B[add4]/D#

n’t- think a bout- it, just went with it. You’re

al

4fr

C#m

ways- there, you’re ev ’ry- where,- but right

Asus2

now I wish you were here.

Damn,

E

damn, damn!

B[add4]

What I’d do to have you

here,

4fr

C#m

here, here.

Asus2

(I wish you were here.)

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

CTo oda

Damn,

E

damn, damn,

B[add4]

what I’d do to have you

near,

4fr

C#m

near, near.

Asus2

(I wish you were here.)I’d

love

E

the way you are

B[add4]

with who I am;

4fr

C#m

don’t have to try

Asus2

hard. We al ways-

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

D.S. al Coda

CODA

say,

E

say it like it is,

B[add4]

and the truth

4fr

C#m

is that I real ly- miss

Asus2

Asus2

(I wish you were here.)

F#m

No, I

4fr

C#m

don’t wan na- let go.

E

I just wan

B

na- let you know

F#m

that I nev

4fr

C#m

er- wan na- let go,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

E

let go

B

oh- oh.-

F#m

No, I

4fr

C#m

don’t wan na- let go.

E

I just wan

B

na- let you know

A

that I nev er- wan na- let go,

let

4fr

G#m

go, let go,

B

let go, let go, let

4fr

C#m

go, let go, let go, let go,

let go, let go, let go, let go. Damn,

E

damn, damn!

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

B[add4]

What I’d do to have you here,

4fr

C#m

here, here.

Asus2

(I wish you were here.) Damn,

E

damn, damn,

B[add4]

what I’d do to have you near,

4fr

C#m

near, near.

Asus2

(I wish you were here.)

E

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

Moderately fast

SMILE

Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission

f

F#5

E5

5fr

A5

F#5

LastYou

nightknow

Ithat

blackedI’m a

out,cra

Izy-

think.bitch.

E5

(I(What

do

5fr

A5

didwhat

you,I

whatwant

didwhen

youI

putfeel

in mylike

drink?)it.)

F#5

IAll

reI

memwan

- berna

--

makdo

ingis

- out,lose

E5

andcon

thentrol.-

5fr

A5

(Oh,(Oh,

oh.)oh.)

4fr

C#5 E5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

F#5

IBut

wokeyou

updon’t

withreal

aly-

newgive

tata

too.shit,

-

E5

(Your(You

namego

5fr

A5

waswith

onit,

me,go

andwith

myit,

namego

was onwith

you.)it.)

F#5

I’cause

wouldyou’re

dofuck

itin’-

allcra

ozy,-

verrock

-

E5

aand

gain.roll.

-

5fr

A5

You ou

4fr

C#5

- said,

E5

“Hey,

F#5

what’s your

E5

name?”

5fr

A5

It took one

look,

F#5

and now I’m not the

E5

same.

5fr

A5

Yeah, you

4fr

C#5

said

E5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

hey,

F#5

and since that

E5

day

5fr

A5

you stole my

heart

F#5

and you’re the one to

E5

blame.

5fr

A5

Yeah, and that’s

why

D(add2)

I smile.

A

It’s been a while

F#m

since ev ’ry- day and ev

E[add4]

’ry- thing- has felt this

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

1

right.

D(add2)

And now

A

you turn it all a round,-

F#m

and sud den- ly- you’re all

E[add4]

I need, the rea son-

why

D(add2)

I, I, I,

A

I smi -

F#m

- i ile.-

E[add4]

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

2,3

CTo oda

1

E[add4]

The rea son- why

D(add2)

I, I, I,

A

I smi

F#m

i- ile.-

E[add4] Dsus2

You know that I’m a cra zy- bitch. I

do

5fr

A5

what I want when I feel like it.

F#m

All I wan na- do is lose con trol.-

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5

2

D.S. al Coda

CODA

Esus F#m

All I wan na- do is lose con -

trol.

µ

And that’s

E[add4]

The rea son-

why

Dsus2

I, I, I,

5fr

A5

I smi -

F#m

- i ile.-

E

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

Moderately fast

STOP STANDING THERE

Words and Music byAVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

C

You’reAll

justthis

standtalk

inging

--

by.to you,

mf

Em/B

IYou’redon’t

justknow

wastwhat

ingI’m

- time.to do.

Am

I don’tWhy don’t

knowyou just

tell

wheremeyou

the truthstand,

G

awhat’s

boutin

- meside-

andof

you?your head.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

C

And asAll

thethis

timethink

goesing-

by,of you;

Em/B

Iis

hopethat

youwhat

re

you’realdo

- izeing

-- too?

Am

You’reifal

youways-

askon

memy

to,mind;

G

II

justtalk a

mightbout- you

beall

withof

you.the time.

C

AndSo don’t waste an oth- er- day,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

G

don’t waste an oth- er- min ute.-

Am

I can’t wait to see your face,

F

just to show you how much I’m in it.

C

So o pen- up your heart;

G

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3

1

2

help me un der- stand.-

Am

Please tell me who you are

F

so I can show you who I am.

Am7

show you who I am.

G

Stop

stand

Am

ing- there,

F

stand ing- there,

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4

Am

and stop act

G

ing- like you don’t care.

F

G

And stop be

Am

ing- scared,

F

be ing- scared.

Am

Stop act -

G

ing- like you don’t care.

F3fr

G5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

C

So don’t waste an oth- er- day,

G

don’t

waste an oth- er- min ute.-

Am

I can’t wait to see your face,

F

just to show you how much I’m in it.

C

O pen- up your heart;

G

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6

help me un der- stand.-

Am

Please tell me who you are

F

so I can show you who I am.

Am7 C

Who I am,

Em/B

who I am,

Am

who I am.

G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

Moderate Pop Rock

I LOVE YOU

Words and Music by AVRIL LAVIGNE,MAX MARTIN and JOHAN SCHUSTER

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC and MARATONE ABAll Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for MARATONE AB Administered by KOBALT MUSIC PUBLISHING AMERICA, INC.All Rights Reserved Used by Permission

La

C

la la la la

Cmaj7

la. La

C

la la la

mp

la.

Cmaj7

II

likelike

yourthe

smile,way

C

Iyou

likemis

yourbe-

vibe,have-

Em

Iwhen

likewe

yourget

style,wast

Am

ed,-butbut

that’sthat’s

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

notnot

F

whywhy

II

lovelove

you.you.

AndAnd

I,how

C

Iyou

likekeep

theyour

waycool

Em

when Iyou’re

amsuchcom

apli-

star,cat-

Am

ed,-butbut

that’sthat’s

notnot

F

whywhy

II

lovelove

you.you. Hey,

C

do you feel,

Em

do you feel

Am

me? Do you feel

F

what I feel too?

C

Do you need,

Em

do you need

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

Am

me? Do you need

F

me? You’re

C

so

beau

Am7

ti- ful-

Em

but that’s not

F

why I love you.

I’m

C

not sure

Am7

you know

Em

that the

reas

F

on- I love you is you

C

be ing- you,

Am7

just you.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

CTo oda 1

2

Em

Yeah, the reas

F

on- I love you is all

C

that

we’ve

Am7

been through,

Em

and that’s

F

why I love you.

that’s

F

why I love you, yeah.

G

Oh,

F C/E C G

oh.

F C/E C

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

D.S. al Coda

CODA

G

E ven- though

F

we did n’t

C/E

- make it through,

C

I

F

am al ways

C/E

- here for you,

C F

you, you, you.

that’s

F

why I love you. La

C

la la la la

Am7

Oh,la

oh, oh.

La

Em

la la laThat’s

la.

F

why I love you.

3fr

C5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

Pop Rock

EVERYBODY HURTSWords and Music by AVRIL LAVIGNE

and EVAN TAUBENFELD

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission

mp

3fr

Gm3fr

Ebmaj7 Bb F3fr

Gm3fr

Ebmaj7

Bb

F

3fr

Gm

Don’tIt

know,feels

3fr

Ebmaj7

don’tlike

Play L.H. as 8ths on repeat

knownoth

Bb

ifing-

Ireal

canly-

domat

F

thisters-

onan

myy-

own.more.

3fr

Gm

-Why

Whendo

you’re

3fr

Ebmaj7

you

havegone

Bb

toI

leavecan’t

F

me?breathe.

3fr

Gm

AndItI

seemsknow

3fr

Ebmaj7

I’myou

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

losnev

Bb

inger

--

somemeant

thingto

- deepmake

F

inme

sidefeel

- ofthis

me.way.

3fr

Gm

HoldThis

on,can’t

3fr

Ebmaj7

be

onhap

Bb

topen-

me.ing.-

F

Now

3fr

Ebmaj7

I see, now

F

I see.

Ev

3fr

Gm

’ry- bod- y- hurts

3fr

Eb

some days,

Bb F

it’s

3fr

Gm

o kay- to be

3fr

Eb

a -

fraid.

Bb F

Ev

3fr

Gm

’ry- bod- y- hurts,

3fr

Eb

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

CTo oda

1

2

ev

Bb

’ry- bod- y- screams,

F

ev

3fr

Gm

’ry- bod- y- feels

3fr

Eb

this

Bb

way,

F

and that’s o

3fr

Gm

kay.-

3fr

Eb

La

Bb

da da da da,

F

that’s o

3fr

Gm

- kay.

3fr

Eb

Bb

F

La

Bb

la la la.

F

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

D.S. al Coda

So

3fr

Eb

man y- ques tions,- so much on my mind.(So

F

man y- an swers- I can’t find.)I

wish

3fr

Eb

I could turn back the time. I

F

won der- why.

Ev

3fr

Gm

’ry- bod- y- hurts

3fr

Eb

some days.

Bb

-

F

Ev

3fr

Gm

’ry- bod- y- hurts

3fr

Eb

some days.

Bb

-

F

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

CODA

La

Bb

la la la,

F

that’s oEv

3fr

Gm

’rykay.-

- bod- y- hurts

3fr

Eb

some

days.

Bb F

It’s

3fr

Gm

o kay- to be

3fr

Eb

a fraid.

Bb

-

F

3fr

Gm

Ev ’ry- bod- y- hurts

3fr

Eb

some days,-

Bb

yeah, we all

F

feel a fraid.-

3fr

Gm

Ev ’ry- bod- y- feels

3fr

Eb

this way,

Bb

but it ’ll- be

F

o kay.-

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

3fr

Gm

Can some bod- y- take

3fr

Eb

me a way-

Bb

to a bet

F

ter- place.

3fr

Gm

Ev ’ry- bod- y- feels

3fr

Eb

this way,

Bb F

it’s o -

3fr

Gm

kay.-

3fr

Eb Bb

F

3fr

Gm

3fr

Eb

Bb F

3fr

Gm3fr

Eb

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

La

Bb

da da da da,

F

it’s o

3fr

Gm

- kay.

3fr

Eb

La

Bb

la la la,

F

it’s o

3fr

Gm

kay.-

3fr

Eb

La

Bb

da da da da,

F

it’s o

3fr

Gm

kay.-

3fr

Eb

La

Bb

la la la,

F

it’s o

µ

- kay.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

With drive

NOT ENOUGH

Words and Music by AVRIL LAVIGNEand EVAN TAUBENFELD

Copyright © 2011 ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, EMI APRIL MUSIC INC. and BIG EVIL MUSIC CO.All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for BIG EVIL MUSIC CO. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved Used by Permission

mp

5fr

D5 Asus

Bm7

Gsus2

I’m sor

-

5fr

D5

ry’ries

-

if

thatthis

we’rehurts

los

Asus

you,ing,-

butall

Ithe

triedtime

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

Bm7

tothat

keepI

whatspent

wewith

had once,you

Iev

was’ry-

wrong,day,-

itI

wasthink

n’tit’s

- keeprun

Gsus2

ingning-

-medown

athe

wake.drain.

-

You did n’t

I’m- lis

feel

5fr

D5

ten,ing

--

you didthat

n’twe’re- hear

fad -

Asus

meing.-

when IDon’t

saidmake

Bm7

Ithis

wantas

more,hard

Ias

gotyou

think

noit would

more,be, it’s

youa

weren’tlot

stealeas

Gsus2

ingi

--

meer-

athan

way,it

-seems,

oh.yeah.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

Bm

It’s not e nough,- it’s not

Gmaj7

e nough- to give

D

me

what

A/C#

it is I want.

Bm

It’s not e nough,- it’s not

Gmaj7

e nough- to get

D

me ev

A/C#

’ry- thing- I need.

Bm

I,

G

I wish it was.

D A

I think it’s time

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

CTo oda

D.S. al Coda

Bm

G

to give this up.

D

A D

Oh, oh, oh, oh,

A

oh, oh, oh, oh.

Bm7

Oh.

G

All the mem -

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

CODA

Em

And I

D

can feel it fall ing- down,

G

slow

D/F#

ly,- slow ly.-

Em

I

D

can see you’re start ing- to drown,

G

can’t stop

D/F#

it now.

Em

I

D/F#

can see you burn ing- out

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

G

so show

D/F#

me, show me

Em

how

D/F#

you’re gon na- turn it round,

G

be cause...-

A Bm

It’s not e nough,- it’s

not

Gmaj9

e nough- to give

D

me what

A/C#

it is I want.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

Bm

It’s not e nough,- it’s not

Gmaj9

e nough- to get

D

me

ev

A/C#

’ry- thing- I need.

Bm

It’s not e nough,- it’s not

Gmaj7

e nough- to give

D

me what

A

it is I want.

Bm

It’s not e nough,- it’s

not

Gmaj7

e nough- to get

D

me ev

A

’ry- thing- I need.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

Play 3 times

Bm

I,

G

I wish it was.

D

A

I think it’s time

Bm G

to give this up.

D A Bm

It’s not e nough,- it’s

not

G

e nough- to get

D

me what

A

it is I want.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

8

Bm

It’s not e nough,- it’s not

G

e nough- to get

D

me, yeah, yeah,

A

yeah, yeah.

Bm G

Oh,

D

mmm.

A

Mmm,

Bm

G

oh,

D

mmm.

A

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

9

Moderately slow

4 REAL

Words and Music byAVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

If I show

C

you, get to know

G

you, if I

mp

hold

Am

you just for to day,-

F

am I gon na- wan na-

let

C

go? Am I gon na- wan na- go

G

home?

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

Tell

Am

me you feel the same.

F

’Cause I’m

Am

4 real. Are you 4 real? I can’t help

C

my self;- it’s the way I feel. When you

look

G

me in the eyes like you did last night, I can’t

F

stand to hear you say good bye.- And it feels

Am

so right, ’cause it feels so right just

Am/B

to

C

have you stand ing- by my side, so don’t

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

CTo oda

let

G

me go, ’cause you have my soul, and I

F

just want ed- you to know. I don’t wan na-

look

C

back, ’cause I know that we

G

have some thing- the past

Am

could nev er- change.

F

And now I’m stuck in the mo -

C

ment,- and my heart is o

G

pen.- Tell

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

D.S. al Coda

CODA

Am

me that you feel the same.

F

Oh, ’cause I’m

I

F

just want ed- you to know. Hold

G

(hold) me down

Dm

(me down). Hold (hold) me now.

Am

I’m safe

G

(I’m safe), I’m sound

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4

1

2

Dm

(I’m sound)when you’re a round.-

Am Dm

(I’m sound)when you’re

a round.-

Am

’Cause

I’m

Am

4 real. Are you 4 real? I can’t help

C

my self;- it’s the way I feel. When you

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

look

G

me in the eyes like you did last night, I can’t

F

stand to hear you say good bye.- And it feels

Am

so right, ’cause it feels so right just

Am/B

to

C

have you stand ing- by my side, so don’t

let

G

me go, ’cause you have my soul, and I

F

just want ed- you(I’m

to know.4

I’mreal.)

Am

4 real. Are you 4 real? I can’t help

C

my self;- it’s the(The

wayway

I feel.I

When you

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

look

feel.)

G

me in the eyes like you did last night, I can’t

F

stand to hear you say(Feels

good bye.-so

And it feels

right.)

Am

so right, ’cause it feels so right just

Am/B

to

C

have you stand ing- by(By

my side,my

so don’t

letside.)

G

me go, ’cause you have my soul, and I

F

just want ed- you to know.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

Moderate Pop Rock

DARLIN

Words and Music byAVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

C

Dar

G

ling,- you’re hid

Am

ing- in the

F

clos et- once a gain,-

mp

C

start smil

G

ing.-

Am F

I know you’re

C

try

G

ing- real

Am

hard not to

F

turn your head a way,-

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

C

pret ty- dar

G

ling.- Face

Am

to mor- row,-

F

to mor- row’s- not yes ter- day.-

C G Am F

Yes ter- day,-

C G

oh, oh.

Am F

Am

Pret ty-

F

please, I know

C

it’s a drag,

G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

CTo oda

Am

wipe your

F

eyes and put

C

up your head.

G

Am

I wish you could

F

be hap

C

py- in stead,

G

- there’s

noth

Am

ing- else I can

F

do than love

C

you the best

G

that I can.

Am F

Yeah, yeah,

C

yeah, yeah.

G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

D.S. al Coda

C

Dar

G

ling,- I

Am

was there

F

once a while a go.-

C

I know

G Am F

that it’s

C

hard

G

to be stuck

Am

with

F

peo ple- that you love

C G

when

Am

no bod- y- trusts.

F

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

CODA

C

yeah, yeah.

G

That I can,

Am F

oh.

C G Am

And you’re not

F

the on -

C

ly- one

G

who’s been through,

Am

I’ve been

F

there a lone-

C

and now

G

so are you.

Am

I just want you

F

to know,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

C

want you to know

G

it’s not your

Am

fault,

F

it’s not your

C

fault.

G C G7sus

Oh,

Am7 Fsus2

oh,

C G7sus

your fault.

Am7 Fsus2

Your fault,

C G7sus

it’s not your fault,

Am7 Fsus2

your fault,

C

your fault,

F

your fault.

Am F

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

1

Am

Pret ty-

F

please, I know

C

it’s a drag,

G

Am

wipe your

F

eyes and put

C

up your head.

G

Am

I wish you could

F

be hap

C

py- in stead,

G

- there’s

noth

Am

ing- else I can

F

do than love

C

you the best

G

that I can.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

2

love

C

you the best

G

that I can.

Am F

Yeah, yeah,

C

yeah, yeah.

G

That I can.

Am F

Oh.

C G

C

Dar

G

ling,- you’re hid

Am

ing- in the

F

clos et- once a gain,-

C

start smil

G

ing.-

Am

F

3fr

C5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

8

Moderately slow

REMEMBER WHEN

Words and Music byAVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

C

Re mem- ber- when I cried

G

to you a thou sand- times?

mp

Am

I told you ev ’ry- thing;-

F

you know my feel ings.-

C

It nev er- crossed my mind

G

that there would be a time

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

Am

for us to say good bye.-

F

What a big sur prise.-

C

But I’m not lost;

G[add4]

I’m

G

not gone.

Am

I have n’t- for got.-

F

These feel -

C

ings- I can’t shake no more; this feel

G[add4]

ing’s- run ning- out the door. I

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

Am7

can feel it fall ing- down, and I’m

F

not com ing- back a round.- These feel -

C

ings- I can’t take no more. This emp

G[add4]

ti- ness- in the bot tom- drawer is

get

Am7

ting- hard er- to pre tend,- and I’m

F

not com ing- back a round- a gain.-

C G Am F

Re mem- ber- when.

8vb

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

C G Am

F

(8vb)

C

I re mem- ber- when

G

it was to geth- er- ’til the end.

Am

Now I’m a lone- a gain;-

F

where do I be gin?-

C

I cried a lit tle- bit,

G

but you died a lit tle- bit.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

Am

Please say there’s no re grets,-

F

and say you won’t for get.-

C

But I’m not lost,

G[add4]

and I’m

G

not gone.

Am

I have n’t- for got.-

F

These feel

C

ings- I can’t shake no more; this feel -

G[add4]

ing’s- run ning- out the door. I

Am7

can feel it fall ing- down, and I’m

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

F

not com ing- back a round.- These feel

C

ings- I can’t take no more. This emp -

G[add4]

ti- ness- in the bot tom- drawer is get

Am7

ting- hard er- to pre tend,- and I’m

F

not com ing- back a round- a gain-

Am F

hey- en.-

C G

Re mem- ber- when

Am F

hey- en.-

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

C G

That was then;

Am

now, it’s the end;

F

I’m not com ing- back.

C

I can’t pre tend.-

G

Re mem- ber- when

Am F

hey- en.-

G[add4]

These feel

C

ings- I can’t shake no more; this feel -

G[add4]

ing’s- run ning- out the door. I

Am7

can feel it fall ing- down, and I’m

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

F

not com ing- back a round.- These feel

C

ings- I can’t take no more. This emp -

G[add4]

ti- ness- in the bot tom- drawer is get

Am7

ting- hard er- to pre tend,- and I’m

F

not com ing- back a round- a gain.-

C

C/G

(fadeout to end)

Am73fr

C/F3fr

C53fr

C5

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

8

Moderately

GOODBYEWords and Music by

AVRIL LAVIGNE

Copyright © 2011 ALMO MUSIC CORP. and AVRIL LAVIGNE PUBLISHING LLCAll Rights Controlled and Administered by ALMO MUSIC CORP.

All Rights Reserved Used by Permission

mp

G/B C G C G/B C

Am

GoodGood

G

bye,bye,

C

--

goodbrown

G

bye,eyes,

C

-

goodgood

G

byebye

C

--

myfor

love.now.

Am

I can’tGood

G

hide,bye,

C

-

can’t

sun

G

-hide,shine,

C

can’ttake

G

hidecare

C

whatof

hasyour

come.self.-

Am

I have to go,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

CTo oda

1

G

I have to go,

Am

I have to go

C

and leave you a lone.-

D

But al ways- know,

G

al ways- know,

Am

al ways- know

C

that I love you so,

D

I love you so.

G

C

I love you so,

G

oh.

C

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

2

D.S. al Coda

C G

La lul la- by,-

D/F#

dis tract- me with your eyes.

Em7

La lul la- by.-

D G

La lul la- by,-

D/F#

help me sleep to night.-

Em7

La lul la- by.-

D C

D

I have to go,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

CODA

Am

I love you so,

C

oh.

D

I love you so.

G

Am

I love you so,

C

I love you so.

D

I love you so.

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

Slower, with some freedom

G/B C G

C G/B

C Am

Good

G

bye,

C

- brown

G

eyes,

C

good

G

bye

C

- my love.

Am C6

G[add2]/B Am

G

3fr

G5 G C G C G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

Moderately fast

ALICEfrom Walt Disney Pictures’ ALICE IN WONDERLAND

Words and Music byAVRIL LAVIGNE

© 2010 Walt Disney Music Company, Almo Music Corp. and Avril Lavigne Publishing LLCAll Rights for Avril Lavigne Publishing LLC Controlled and Administered by Almo Music Corp.

All Rights Reserved Used by Permission

mf

3fr

G5

8vb

(8vb)

Tripplay

3fr

G5

pingthe

- out,game, but

(8vb)

spinI

ningcan’t

- a round.stay.

-I’ve got

I’mmy

unhead

deron

- ground;straight,

-and

II’m

fellnot

down,gon na- change,

(8vb)

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

1

F5

yeah,I’m

Inot

fellgon na-

down.change.

3fr

G5

(8vb)

I’mI’ll

freakwin

3fr

G5

ingthe

- out,race, keep

whereup

amwith

Ithe

now?pace.

UpTo -

-

(8vb)

day’ssidethe

- down,day

and Ithat

can’tI

stopstart

itto

now.pray.

F5

(8vb)

YouYou

can’tcan’t

stopget

mein

now,my way,

3fr

G5

8vb

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

2

no.oh.

I,

C

(8vb)

Am7

I’ll get

G

by.

F[add#4]

I,

C Am7

I’ll sur

G

vive.-

F C

When the world’s crash ing- down,

Am7

when I fall and hit the ground,

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

3

1

2

G

I will turn my self- a round;- don’t you try to stop me. I,

C

Am7

I won’t

G

cry.

Dm

G

3

I’ll

Dm

I

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

4

found my self-

Am

in Won

C

der- land,-

G

get

Dm

back on

Am

my feet

C

a gain.-

G

Dm

Is this real?

Am C

Is it pre tend?-

G

I’ll

take

Dm

a stand

Am

un til-

C

the end.

G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

5

I,

C Am7

I’ll get

G

by.

F[add#4]

I,

C

Am7

I’ll sur

G

vive.-

F

C

When the world’s crash ing- down,

Am7

when I fall and hit the ground,

G

I will turn my self- a round;-

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

6

1

2

Repeat and Fade

Optional Ending

don’t you try to stop me. I,

C Am7

I won’t

G

cry.

Dm7

G

Digital Conversion © 2011 Sorgdal via The P ianist's Library - For personal educational use only - Not for resale or trade. This digital arrangement provided in the spirit of sharing for the community: Further Abuse by leeches using my scores for trades will likely discourage me from continuing to create these.

7

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