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lways Sunset on Third Street 2
LWAYS zoku San-chome no yuhi
LWAYS
olor / Vista / 2007 / 146 min / Always? Sunset on
hird Street 2 Film Partners: NTV, Robot, Shogakukan,
ap, Toho, Dentsu, YTV, The Yomiuri Shimbun,
hirogumi, Imagica
irector: Yamazaki Takashi
cript: Yamazaki Takashi, Kosawa Ryota
ased on the manga by: Saigan Ryohei
nematography:Shibasaki Kozo
roduction Design: Jojo Anri
FX Director: Shibuya Kiyoko
usic: Sato Naoki
ast: Hoshino Mutsuko: Horikita Maki
uzuki Ippei: Koshimizu Kazuki, Suzuki Noriumi,
s ather: Tsutsumi Shinichi, Suzuki Tomoe
s mother: Yakushimaru Hiroko, Suzuki Mika
s cousin: Koike Ayame
hagawa Ryunosuke: Yoshioka Hidetaka
uruyuki Junnosuke: Suga Kenta
awabuchi Yasunari, his ather: Kohinata Fumiyo
hizaki Hiromi (Betty): Koyuki
akayama Takeo, Mutsukos riend: Asari Yosuke
ta Kin: Motai Masako
r. Takuma Shiro: Miura Tomokazu
etting: Tokyo, 1959
ynopsis: A sequel to ALWAYS Sunset on Third
reet (Always Sancho-me no Yuhi), Director and
creenwriter Takashi Yamazaki returns to the
ostalgic world o Tokyo in the Fities recreating
e street scenes o the Showa era particularly
e Nihombashi and Haneda airport built in
ose days.
Would-be writer Ryunosuke Chagawa
Hidetaka Yoshioka) is still living across the street
om Noriumi Suzuki (Shinichi Tsutsumi) and
s auto repair shop, though now he shares his
ome with Junnosuke (Kenta Suga), an orphan
es taken under his wing at the urging o pretty
romi (Koyuki), who continues to manage a
earby tavern.
At Suzuki Auto, where Noriumi Suzuki
nd his wie Tomoe (Yakushimaru Hiroko) live,
utsuko (Maki Horikita), the apprentice emale
uto mechanic, is still staying with the Suzukis
anage enough to stand on her own and shes
ecomes the object o afections o Takeo (Yosuke
sari), a downbeat young man who is studying
ooking. Then the Suzukis gain a new amily
ember their relatives daughter whom they
e going to look ater. To Chagawa, Junnosukes
ological ather Kawabuchi, comes to take back
s son. In order to keep Junnosuke with him, the
ther imposes conditions upon him to give the
oy a decent lie. To secure a stable lie and also
rove himsel to Hiromi, he starts writing again
win the Akutagawa award, a once abandoned
ope.
The lm was nominated in almost every
ajor category at the 2008 JapanAcademy
wards, and Yoshioka Hidetaka picked up his
econd best-actor win or the role o Chagawa.
hagawa Ryunosuke and Furuyuki Junnosuke are
ays on the names o amous writers Akutagawa
yunosuke (ater whom the prize is named) and
oshiyuki Junnosuke.
he Battery Future in Our Hands
atterii
olor / Scope / 2007 / 119 min / Kadokawa Pictures,
apan Fiim Fund, TBS, Toho
irector:Takita Yojiro
cript: Morishita Tadashi
ased on the novel by: Asano Atsuko
nematography:Kita Nobuyasu
rt Direction: Isomi Toshihiro
usic: Yoshimata Ryo
Harada Hiroshi, their ather: Kishitani Goro
Nagakura Go: Yamada Kenta
Yajima Mayu: Renbutsu Misako
Tomura Makoto: Hagiwara Masato
Sawaguchi Fumito: Yonetani Shinichi
Setting: Present-day Okayama Preecture
Synopsis: Harada Takumi (Hayashi Kento) has
moved to a country town in Okayama or his
sickly younger brother. He is an extraordinarily
talented baseball pitcher, but has been unable
to pitch to his satisaction as he couldnt trust the
catcher. Nagakura Go (Yamada Kenta), a catcher
at a childrens baseball team in Okayama, is eager
to orm a battery duo with Takumi. Their battery
looked like doing well, however, the diferences
in technique become apparent when they
join junior high school, and Takumi suggests
disbanding the battery.
The trust between Takumi and Go is restored
because o the arrangement by Takumis younger
brother who was desperate to save the duo. But
that evening, the brother collapses with an illness,
and the mother blames Takumi or involving thebrother in baseball. Takumi explains the situation
and withdraws rom a match against a strong
contestant, but his brother persuades him
otherwise. The mother realizes Takumis passion
or baseball, and comes to the pitch or support,
where Takumi is pitching with all his might.
Director Takita Yojiro was the rst Japanese
director to win the Academy Award or Best
Foreign Language Film or 2008s Departures
(Okuribito) (Academy Awards given to three
Japanese directors in the 1950s were special
awards). The great Sugawara Bunta appeared in
the Battles Without Honor and Humanity (Jingi
naki tatakai) series o lms (directed by Fukasaku
Kinji, 1973-1976). This lm was based on a novel
by Asano Atsuko, which sold 3.8 million copies.
I Just Didnt Do It
Soredemo boku wa yatte nai
(
Color / Vista / 2007 / 143 min / Fuji Television
Network, Altamira Pictures, Toho
Director: Suo Masayuki
Script: Suo Masayuki
Cinematographer:Kayano NaokiProduction Design: Heya Kyoko
Music: Suo Yoshikazu
Cast: Kaneko Teppei: Kase Ryo
Kaneko Toyoko, his mother: Motai Masako
Arakawa Masayoshi, his lawyer: Yakusho Koji
Sudo Riko, his lawyer: Seto Asaka
Saito Tatsuo, his riend: Yamamoto Koji
Sata Mitsuru: Mitsuishi Ken
Apartment super: Takenaka Naoto
First judge: Masana Bokuzo
Second judge: Kohinata Fumiyo
Victimized girl: Yagyu Miyu
Setting: Present-day Tokyo
Synopsis: A young man, Kaneko Teppei is alsely
accused o molesting a high-school girl on a train.
He is arrested and orced to sign a statement thatis not his own words and goes through endless
court sessions to ght or his reedom. Teppei had
been working as a reeter, or part-time worker,
jacket got caught in the door. He struggled to
ree it, and apologized to the woman next to him
when he bumped her.
From out o the crowd a young womans
voice cried out, but he didnt understand what it
meant. They were escorted to the station masters
o ce, ollowed by a woman who wanted to
vouch or his innocence; the station employee,
however, shut the door in the womans ace.
His lawyer, Hamada Akira encourages him
to settle the matter out o court. I he chooses to
ght the charges, he will be held or three weeks
just or the investigation, and i he is prosecuted,
the case will take up to a year in court.
The trial begins on a positive note wherein
the courtroom is packed with riends o Teppeis,
who successully puts a dent in the policeinvestigation. The judge appears inclined to
nd Teppei not guilty. At that point in the trial,
however, a new judge is assigned to the case,
one ar more skeptical o Teppeis claims o
innocence.
The lm is an indictment o Japans troublingly
labyrinthine legal system, in which deendants
are coerced into signing conessions and criminal
cases go on or years, this was Japans o cial
submission or Best Foreign Language Film or
the Academy Awards or 2007.
The lm marks Suo Masayukis return to
lmmaking ater a decade-long hiatus. His
previous work was Shall We Dance? (1996),
an internationally successul comedy starring
Yakusho Koji and Takenaka Naoto, both o
whom appear in this lm as well. Kase Ryo is
amiliar to international audiences as Shimizu
in Clint Eastwoods Letters rom Iwo Jima (2006,directed by Clint Eastwood). Kase and Motai
Masako would appear again together in Ogigami
Naokos Glasses (Megane, 2007), while Motai and
Kohinata Fumiko both appear in the nostalgic
Always lms (directed by Yamazaki Takashi) rom
2005 and 2007.
How to Become MyselfAshita no watashi no tsukurikata()
Color / Vista / 2007 / 97 min / Nikkatsu, Hakuhodo
DY Partners, Sony Music Entertainment (Japan), Sky
Perect Well Think, Kodansha, The Asahi Shimbun,
TV Asahi
Director: Ichikawa Jun
Script: Hosoya Madoka
Based on the novel by: Mado Kaori
Cinematography:Suzuki Kazuhiro
Art Direction: Yamaguchi Shu
Music: Sasaki Yuri
Cast: Oshima Juri: Narumi Riko
Hanada Kanako: Maeda Atsuko
Oshima Satuski, Juris mother: Ishihara Mariko
Tamura Hiroyuki, instructor o the literature club:Takaoka Sosuke
Kanai Jun, Kanakos riend: Sakurada Dori
Sugitani Tadashi, Juris ather: Ishihara Yoshizumi
Setting: Present-day Kanagawa and Yamanashi
Preecture.
Synopsis: Juri (Narumi Riko), is an elementary
school girl, loses sight o her true sel, while acting
out a alse sel in order to play along with her
riends. One day, Kanako, a classmate who used
to the popular girl b ut has been bullied lately, tells
Juri that the girl she is now is not her true sel, and
Juri sympathizes.
The two become high school students
without a chance to talk to each other. Having
heard that Kanako has moved to Yamanashi,
her new school, Juri starts sending her e-mail
stories, using a diferent name about a ctitiousgirl with tips to be popular with others. Kanako
then copies the girl in the story and becomes
popular but start eeling puzzled at hersel. Juri is
themselves, the two pledge to each other to liv
by their own values.
How to Become Mysel (the original tit
means How to Make Mysel or Tomorrow)
Ichikawa Juns (Tony Takitani) 20th eature lm
and second to last. Ichikawa was in his late tie
when he depicted this sensitive and insight
story about two young girls rom elementar
through high school. This lm is considere
unique as it deals with the problem o how t
t in almost exclusively on a psychological o
ethical level depicting the universal emotion o
an adolescent girl.
The Bandage Club
Houtai kurabu ()
Color / Vista / 2007 / 118 min / Dentsu, TBS, Toei, SD
Horipro, Chi kuma Shobo, Of ce Crescendo
Director:Tsutsumi Yukihiko
Script: Morishita Yoshiko
Based on the novel by:Tendo Arata
Cinematography:Karasawa Satoru
Art Direction: Suzuki AyakoMusic: Humbert Humbert
Executive Producer: Nakano Masato
Producers: Hyodo Hideki
Ooka Daisuke
Nomura Toshiya
Cast: Ideno Tatsuya (Dino): Yagira Yuya
Kiba Emiko ( Wara): Ishihara Satomi
Yanagimoto Shinichi (Gimo): Tanaka Kei
Tanzawa Shiomi (Shio): Kanjiya Shihori
Motohashi Akari (Tempo): Seki Megumi
Ashizawa Ritsuki (Risuki): Sato Chiaki
Waras mother: Harada Miek o
Tempos mother: Fubuki Jun
Setting: Takasaki City, Gunma Preecture,
present-day Japan.
Synopsis: Wara, a high school student, look
cheerul, but conceals darkness deep in he
mind. On a sudden impulse, she nearly climb
over a ence o the hospital rootop, when a
unacquainted boy, called Dino (Yagira Yuya
persuades her otherwise. Concerned abou
troubled Wara, Dino proposes xing the wound
by tying Waras bandage to the rootop ence
Wara eels comorted by this act, and comes u
with an idea to or Hotai Club (Bandage Club).
The Club asks people to post their bruisin
experiences on the site, then the Club applies
bandage to the damages part or the place, an
a digital photograph is sent back to the origin
poster. Wara started the Club with Dino an
other riends. Club members each have their ow
problems, but they are gradually reed rom the
worries through the activities o the Club.
The lm is based on a 2006 novel by TendArata, who went on to win the 2009 Naoki Prize
The lm is noteworthy or being completely sho
on location in Takasaki City, Gunma Preecture
and the word-o-mouth excitement amon
teenagers surrounding lms release, includin
screenings at major karaoke establishments. Th
story also was released as a manga in 2007.
Glasses
Megane
2007Always2FilmP
artners
2007MEGANECompany,
PhotobyYokoTakahashi
2007THEBANDAGECLUB
PRODUCTIONCOMMITTEE
2007BatteryFilmP
artners
HowtoBecome
MyselfFilmP
artners
2007FUJITELEVISION/
ALTAMIRAPICTURES/TOHO
8/8/2019 Eigasai Flyer 2010
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irector: Ogigami Naoko
cript: Ogigami Naoko
nematography:Tani Minenobu
rt Direction:Tomita Mayumi
usic: Kaneko Takahiro
roducers: Komuro Shuichi
aekawa Enma
ast:Taeko:Kobayashi Satomi
uji, the pension owner: Mitsuishi Ken
aruna: Ichikawa Mikako
omogi: Kase Ryo
akura: Motai Masako
etting: A small island in the south o Japan,
resent day
ynopsis: Its early spring and still chilly when
aeko a stressed out career woman leaves her
ressed out lie in the city or an island vacation.
here is no sightseeing spot on the island and
eople come here to twilight. Taeko along with
er very large suitcase stays at Hamada, which
run by Yuji (Mitsuishi Ken). Expecting to be let
one, shes put of when the hotels proprietor,
uji, sits down to eat with her. Shes even more
sgruntled when Sakura, a mysterious woman
ho every year comes rom somewhere in
e early spring, takes the liberty o entering
er room to wake her up! But seeking haven
another hotel proves absurd, and Taeko
wkwardly returns to her unconventional hosts.
here is also this intriguing exercise called merci
iso, which the residents o n the island do as part
their daily routine but only during spring. Taekobewildered but begin to yield to their pace as
he spends more time in the island.
The title is a whimsical touch on a whimsical
m: All o the major characters wear prominent
asses. Filmed on location on Yoron Island just
orth o Okinawa, Megane was nominated or
e Grand Jury Prize at the Sundance Film Festival
nd won the Manred Salzgeber Award at the
erlin International Film Festival in 2008. Ogigami
reviously directed Kamome Diner (Kamome
hokudo, 2006), also starring Kobayashi Satomi
nd Motai Masako, shot on location in Finland.
otai Masako plays the tobacco shop owner
Always? Sunset on Third Street (Always San-
home no yuhi, 2005) and Always? Sunset on
hird Street 2 (Always zoku San-chome no yuhi,
007). Kobayashi Satomi is the wie o Mitani Koki,
e director o The Magic Hour (2008).
ourteen
uyon-sai (14)
olor / Vista / 2007 / 114 min / Pia, TBS, Tokyo FM,
magica, NTT Resonant, Humax Cinema
irector: Hirosue Hiromasa
cript: Takahashi Izuminematography:Hashimoto Kiyoaki
roduction Design: Matsuzaka Takashi
usic: Ikari Hideki
roducer: Amano Mayumi
ast: Sugino Koichi: Hirosue Hiromasa
ukatsu Ryo: Namiki Akie
obayashi Makoto, her colleague: Kagawa
eruyuki
mamiya Taki: Sometani Shota
hibara Chie, Fukatsus student: Oneyama Yurika
ayashi Michiko, Fuklatsus student: Natsue Sachi
mamiya Junko, Takis mother: Fujii Kahori
etting: Present-day Japan
ynopsis:The lms portrays the aint hope that
generated by the interaction between adultsho have not recovered rom the trauma sufered
hen they were 14 years old. Fukatsu Ryo
abbed a teacher in a t o rage when she was
to see a psychiatrist as she still traumatized by the
incident.
One day Fukatsu is reunited with Sugino
who happens to be the teacher to one o
Fukatsus pupils. Sugino is also burdened
with psychological scars which were verbally
inicted upon him when he was 14 and he gave
up playing his avorite piano as a result. Both
Fukatsu and Sugino reached adulthood without
recovering rom their trauma, but they begin
acing their issues rom the past and nding hope
to live by keeping company with the 14-year olds
who are living in the present at the same time
being trouble just as they are.
Hirosue Hiromasa, who directed this lm
played Sugino, also directed himsel in his
previous outing as a director, The Lost Hum(Hanauta dorobo, 2005). He has also appeared
in Yamashita Nobuhiros popular success A
Gentle Breeze in the Village (Tennen kokekko,
2007). His costar Namiki Akie also appeared in
Wakamatsu Kojis critically acclaimed United Red
Army (Jitsuroku Rengosekigun, 2007), about the
let-wing groups disintegration and standof with
the Japanese authorities in Karuizawa in 1972.
Kagawa Teruyuki starred in Kurosawa Kiyoshis
masterpiece Tokyo Sonata (2008).
TOKYO TOWER Mom & Me,
and Sometimes Dad
Tokyo tawaa?Okan to boku to
tokidoki oton?
(
Color / Vista / 2007 / 142 min / Tokyo Tower o.b.t.o
Film Partners: NTV, Little More, Shochiku, Eisei Gekijo,
Mitsui & Co., Dentsu, Fusosha Publishing, Bandai
Fil, Yomiuri Shimbun, YTV, Gunpowder, Enchante,
Film Makers, Sapporo TV, Chukyo TV, Hiroshima TV,
Fukuoka Broadcasting
Director: Matsuoka Joji
Script: Matsuo SuzukiBase on the book by: Lily Franky
Cinematography:Kasamatsu Norimichi
Art Direction: Harada Mitsuo
Music: Ueda Tadashi
Executive Producers: Okuda Seiji
Nakagawa Shigehiro
Sun Chiapang
Producer: Kikuchi Miyoshi
Cast: Nakagawa Masaya: Odagiri Jo
Eiko (Okan, older), his mother: Kiki Kirin
Okan (younger): Uchida Yayako
Oton, his ather: Kobayashi Kaoru
Mizue: Matsu Takako
Masaya (elementaray school): Tanaka Shohei
Masaya (high school): Tomiura Satoshi
Hiraguri, Masayas riend: Katsuji Ryo
Setting: Northern Kyushu (Kokura and Chikuho)
and Tokyo, rom 1966 to the present-day
Synopsis: The lm alternates between the past,
in which the central character, Masaya, narrates
his lie story, and the present, in which Masaya
watches his mother die o cancer in the hospital.
Masaya is a small boy when his parents split up,
ater his mother Okan (mother in southern
Japan) tires o his ather Oton (ather) returning
home drunk. Okan takes him to her hometown,
Chikuho. One time, his mothers date puts
quarters in an amusement game or Masaya so
the man can have a ew moments alone with
Masayas mother. Visiting his ather is more o
an adventure; his ather lms him with his home
camera, and Masaya is let alone in a dressing
room with cabaret girls who tease him.
When he goes of to Tokyo or art school,Masaya picks up many o his athers habits:
drinking, smoking, casual sex, gambling. His
mother begins running a restaurant to support
that he ultimately cant aford, and he plays
mahjong into the night; at one point in the game,
he sees himsel as a boy seated across rom him.
From that point on, he starts to grow up: he sends
his mother a book he has completed, he settles
down with a single girlriend, Mizue, and when
it is clear his mothers health is ailing, he has her
come to Tokyo to live with him.
Ater she dies, they bring the body home to
Masayas new house. While his riends make merry
downstairs, Masaya goes upstairs to work on an
illustration project beside his mothers body. He
stops and curls up next to the body in despair.
Mizue comes up and says that beore she died,
Okan had said to Mizue that her rst year in Tokyo
was the best year o her lie, and that Masaya had
repaid everything she had ever done or him inthat one year. Masaya opens up the box and nds
a lietimes worth o keepsakes inside. He takes
her memorial tablet to the top o Tokyo Tower.
The lm is the third adaptation o Lily Frankys
runaway bestselling memoir o the same name,
ater a TV movie and a television series. Kiki Kirin
and Uchida Yayako, who play Okan at diferent
stages in her lie, are real-lie mother and daughter.
Odagiri Jo is one o the most successul young
actors in Japanese cinema, having appeared in
lms by Kurosawa Kiyoshi, Aoyama Shinji, and
Mitani Koki.
Miyori in the Sacred Forest
Miyori no mori
Color animation / Vista / 2007 / 116 min / Fuji
Television, Nippon Animation
Director: Yamamoto Nizo
Script: Okudera Satoko
Based on the manga by: Oda Hideji
Art Direction: Masuyama Osamu
Music: Haketa Takeumi
Chief Animation Director: Ishikawa Tetsuya
Executive Producers: Suzuki KatsuakiMotohashi Koichi
Planning: Kaneda Koji
Kato Michio
Chief Producers: Matsuzaki Yoko
Tanaka Nobuaki
Cast (voices): Miyori: Aoi Yu
Grandmother: Ichihara Etsuko
Grandather: Tsuji Sinpachi
Father: Ito Toshihiro
Mother: Yoshizaki Noriko
Bokuriko: Takashima Aya
Old Nego: Sawada Masaaki
Kanoko: Amano Hiroyuki
Washirashi: Matsuo Midori
Fukurin Nagizari: Nagasaki Takashi
Tree spirit: Hajime Chitose
Teacher: Sasaki Kyoko
Daisuke: Numata Yusuke
Setting: Present-day rural Japan
Synopsis: Miyori is an 11 year-old girl rom Tokyo
whose parents are undergoing a messy divorce
and, rather than being willing to stay together
or the sake o giving her a stable amily lie. Ater
being deserted by her parents, 11-year old Miyori
shuts her heart rom the rest o the world and
denies any orm o human relationships. She was
entrusted in the care o her grandmother who
lives near a orest. Miyori will take a walk in the
orest where she elt a strong sense o loneliness
in the orest which seems to have nothing.
However, she soon encounters unbelievable
things and gradually realizes that the orest is
more than what it seems...
The lm is based on a manga by Oda Hideji,
this is one o a number o recent anime lms totouch on issues o environmental destruction
in Japan, along with Princess Mononoke
(Mononoke hime, 1997), directed by Miyazaki
or praying hands house; once popular in th
northern part o the country, its steep roo
designed to prevent snow rom accumulatin
in winter. Kuro is the Japanese equivalent o th
common dog name Blackie, ironic ater the do
turns powder-white. Sasaki Kyoko, Takashima Ay
Matsuo Midori, Ito Toshihiro, and Yoshizaki Norik
are all announcers or Fuji Television.
Franz Kafkas A Country Doctor
Kaka Inaka isha
Color animation / Vista / 2007 / 21 min / Yamamur
Animation
Director: Yamamura Koji
Script: Yamamura Koji
Based on the novels by: Franz Kaka
Music: Shimizu Hitomi
Cast (voices): Doctor: Shigeyama Sensaku
Doctors Voice 1: Shigeyama Shigeru
Doctors Voice 2: Shigeyama Doji
Packhorse Driver: Shigeyama Shime
Rosa: Kanehara HiromiBoy: Shigeyama Ippei
Father: Yamamura Koji
Mother: Seto Mariko
Sister: Teranishi Fumi
Setting: Rural Europe, early 1900s
Synopsis: A country doctor gets an emergenc
call in the middle o a snowy winter night, bu
he has no horse to make the journey to see th
ill young man. His servant Rosa runs rom hous
to house to see i anyone can lend them a hors
When the doctor kicks open the door to h
abandoned pigpen, a packhorse driver emerge
with a pair o horses. The driver hitches him team
up to the doctors wagon, but when the docto
tells him to climb aboard with him, the driver say
that he will stay behind with Rosa. Rosa runs i nt
the house and goes rom room to room turninout the lights so that the driver cannot nd he
The doctor protests the drivers plan, but t
driver spurs his horses on, sending the doctor o
on his own into the night.
At the house with the invalid, the doctor
surprised when the young man whispers int
his ear, Let me die. The doctor nds nothin
wrong with him and presumes that the dotin
mother has simply given the boy too muc
cofee. The doctor is prepared to leave, but th
amily encourages him to i nvestigate urther. Th
doctor nds an open wound on his side, ull o
worms, and this time the boy asks to be saved. T
the singing o children, the doctor is stripped o
his clothes and placed in bed with the boy. Th
doctor tells him that the wound is not so bad
he has simply been hit with an axe a couple o
times. Many people in the world never hear th
axe coming, the doctor says, and he himsel waborn with a wound.
The doctor thinks about his escape. H
throws his clothing out the window into th
waiting carriage and jumps onto one o th
horses naked. His coat has missed the mark an
is dragging rom the cart, but he spurs the horse
on anyway. The doctor is racing through th
night, his thoughts on Rosa and the driver wh
has taken the doctors place in the household.
becomes clear, however, that the doctor will no
make it home.
The Shigeyamas are a noted amily o
kyogen actors; their diction and chanted line
are hallmarks o the classical Noh and kyoge
theaters. Kanehara Hiromi is the author o th
Akutagawa Prize-winning novella Snakes an
Earrings (Hebi ni piasu, 2003). The Count
Doctor (1919) is one o Kakas most compellin
works, incorporating Christian and Greek symboand meditating on sexuality and death. Th
vertiginous style o animation or which directo
Yamamura Koji is known is well-suited to th
HidejiOdaAkitaShoten
/FujiTVNippon
Animation
2007TOKYOTOWERo.b.t.o
FILMPAR
TNERS
PFFPartners
KojiYamamura/Yamamura
Animation,Inc./SHOCHIKUCO.,L
TD.
8/8/2019 Eigasai Flyer 2010
4/4
screeningschedules
Shangri-la
GaisanoSouthCityMall,Davao
Date Time Length Title (English)
01-Jul-10 Thu 7:00pm 2:26 Always Sunset
on Third Street 2
(Invitational)
02-Jul-10 Fri 2:00pm 1:54 Fourteen
4:30pm 1:37 How to Become Myself7:00pm 2:23 I Just Didnt Do It
03-Jul-10 Sat 2:00pm 1:46 Glasses
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 1:58 The Bandage Club
04-Jul-10 Sun 1:30pm 0:21 Franz Kafkas
A Country Doctor
1:56 Miyori in the Sacred Forest4:30pm 2:23 I Just Didnt Do It
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
05-Jul-10 Mon 2:00pm 1:54 Fourteen
4:30pm 2:23 I Just Didnt Do It
06-Jul-10 Tue 2:00pm 1:46 Glasses
4:30pm 1:58 The Bandage Club
07-Jul-10 Wed 2:00pm 1:37 How to Become Myself
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 2:26 Always Sunset on
Third Street 2
08-Jul-10 Thu 2:00pm 1:54 Fourteen
4:30pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
09-Jul-10 Fri 2:00pm 1:58 The Bandage Club
4:30pm 2:26 Always Sunset
on Third Street 2
7:00pm 0:21 Franz Kafkas
A Country Doctor1:56 Miyori in the Sacred Forest
10-Jul-10 Sat 2:00pm 1:37 How to Become Myself
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 2:26 Always Sunseton Third Street 2
11-Jul-10 Sun 1:30pm 0:21 Franz Kafkas
A Country Doctor
1:56 Miyori in the Sacred Forest
4:30pm 1:46 Glasses
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes DadUPFilmInstitute
Date Time Length Title (English)
18-Aug-10 Wed 2:00pm 1:59 The Battery Future
in Our Hands
4:30pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
7:00pm 2:23 I Just Didnt Do It
19-Aug-10 Thu 1:00pm 0:21 Franz Kafkas
A Country Doctor
2:00pm 1:46 Glasses
4:30pm 2:23 I Just Didnt Do It
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
20-Aug-10 Fri 12:00pm 1:56 Miyori in the Sacred Forest
2:00pm 1:54 Fourteen
4:30pm 1:58 The Bandage Club7:00pm 2:26 Always Sunset
on Third Street 2
21-Aug-10 Sat 1:00pm 0:21 Franz Kafkas
C
AyalaCenterCinema4,Cebu
Date Time Length Title (English)
03-Aug-10 Tue 7:00pm 2:26 Always Sunset
on Third Street 2
04-Aug-10 Wed 7:00pm 1:46 Glasses
05-Aug-10 Thu 7:00pm 1:58 The Bandage Club
06-Aug-10 Fri 7:00pm 1:59 The Battery Future
in Our Hands
07-Aug-10 Sat 4:00pm 1:54 Fourteen
7:00pm 2:23 I Just Didnt Do It
08-Aug-10 Sun 4:00pm 1:37 How to Become Myself
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
Date Time Length Title (English)
23-Jul-10 Fri 3:30pm 1:54 Fourteen
6:00pm 2:26 Always Sunset
on Third Street 2
24-Jul-10 Sat 11:00am 0:21 Franz Kafkas
A Country Doctor
12:00pm 1:56 Miyori in the Sacred Forest
2:30pm 1:59 The Battery Future
in Our Hands
6:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
25-Jul-10 Sun 11:00am 1:46 Glasses1:30pm 1:37 How to Become Myself
3:30pm 1:58 The Bandage Club
6:00pm 2:23 I Just Didnt Do It
K j i Y / Y
tact:TheJapanFoundation,
Manila(JFM)locatedatthe12th
Floor,PacifcStarBuilding,
Sen.
GilPuyatAvenue,cor
.MakatiAvenue,
MakatiCity1226,
numbers(632)811-6155to58,
axnumber(632)811-6153;a
ndemailaddressatemail@jfmo.org.p
h.
3-Aug-10 Tue 7:00pm 2:26 Always Sunset
on Third Street 2
4-Aug-10 Wed 7:00pm 1:46 Glasses
5-Aug-10 Thu 7:00pm 1:58 The Bandage Club
6-Aug-10 Fri 7:00pm 1:59 The Battery Future
in Our Hands
7-Aug-10 Sat 4:00pm 1:54 Fourteen
7:00pm 2:23 I Just Didnt Do It
8-Aug-10 Sun 4:00pm 1:37 How to Become Myself
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
.
ue,
Pa
,
.
,
3-Jul-10 Fri 3:30pm 1:54 Fourteen
6:00pm 2:26 Always Sunset
on Third Street 2
4-Jul-10 Sat 11:00am 0:21 Franz Kafkas
A Country Doctor
12:00pm 1:56 Miyori in the Sacred Forest
2:30pm 1:59 The Battery Future
in Our Hands
6:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
5-Jul-10 Sun 11:00am 1:46 Glasses1:30pm 1:37 How to Become Myself
3:30pm 1:58 The Bandage Club
6:00pm 2:23 I Just Didnt Do It
akat
,
18-Aug-10 Wed 2:00pm 1:59 The Battery Future
in Our Hands
4:30pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
7:00pm 2:23 I Just Didnt Do It
19-Aug-10 Thu 1:00pm 0:21 Franz Kafkas
A Country Doctor
2:00pm 1:46 Glasses
4:30pm 2:23 I Just Didnt Do It
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
0-Aug-10 Fri 12:00pm 1:56 Miyori in the Sacred Forest
2:00pm 1:54 Fourteen
4:30pm 1:58 The Bandage Club7:00pm 2:26 Always Sunset
on Third Street 2
1-Aug-10 Sat 1:00pm 0:21 Franz Kafkas
C
,
lo
r,
a e me eng e ng s
1-Jul-10 Thu 7:00pm 2:26 Always Sunset
on Third Street 2
(Invitational)
2-Jul-10 Fri 2:00pm 1:54 Fourteen
4:30pm 1:37 How to Become Myself7:00pm 2:23 I Just Didnt Do It
3-Jul-10 Sat 2:00pm 1:46 Glasses
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 1:58 The Bandage Club
4-Jul-10 Sun 1:30pm 0:21 Franz Kafkas
A Country Doctor
1:56 Miyori in the Sacred Forest4:30pm 2:23 I Just Didnt Do It
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
5-Jul-10 Mon 2:00pm 1:54 Fourteen
4:30pm 2:23 I Just Didnt Do It
6-Jul-10 Tue 2:00pm 1:46 Glasses
4:30pm 1:58 The Bandage Club
7-Jul-10 Wed 2:00pm 1:37 How to Become Myself
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 2:26 Always Sunset on
Third Street 2
8-Jul-10 Thu 2:00pm 1:54 Fourteen
4:30pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
9-Jul-10 Fri 2:00pm 1:58 The Bandage Club
4:30pm 2:26 Always Sunset
on Third Street 2
7:00pm 0:21 Franz Kafkas
A Country Doctor1:56 Miyori in the Sacred Forest
10-Jul-10 Sat 2:00pm 1:37 How to Become Myself
4:30pm 1:59 The Battery Future
in Our Hands
7:00pm 2:26 Always Sunseton Third Street 2
11-Jul-10 Sun 1:30pm 0:21 Franz Kafkas
A Country Doctor
1:56 Miyori in the Sacred Forest
4:30pm 1:46 Glasses
7:00pm 2:22 TOKYO TOWER Mom &
Me, and Sometimes Dad
Franz KafkasA Country Doctor
Kaka Inaka isha
Color animation / Vista / 2007 / 21 min / Yamamura Animation
Director: Yamamura Koji
Script: Yamamura Koji
Based on the novels by: Franz Kaka
Music: Shimizu Hitomi
Organized by the Consular Of ce o Japan in Cebu
In cooperation with:
The Japanese Association Cebu, Inc. The Japanese Chamber o Commerce & Industry o Cebu, Inc. Ayala Center Cebu
Organized by the Consular Of ce o Japan in Davao
In cooperation with Gaisano South City Mall, Davao
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