Picture Chord Encyclopedia

INTRODUCTIONThe Picture Chord Encyclopedia is designed to serve two purposes: first, it's a reference guide to chords; second, it's a coliectioii of

popular guitar sounds.

Use it when you're learning a new song and you come across a chord that's unfamiliar to you. Use it when you're composing your own

tQUslc and looking for "just the right chord." Use it to explore the guitar fretboard, to improve your chord playing, to increase your under-

standing of chord theory, or jus! to discover new and unusual sounds. The applications are almost limitless.

The Picture Chord Encyclopedia is a comprehensive source for chords, for all playing styles and levels. One word of warning, though; it

does noi contain every guitar chord in existence; no book could. It does contain five easy-to-play voicings of 44 chord quahties for each of

the twelve musical keys. All totaled, (hat's 2,640 chords at your fingertips! These chords and their fingerings have been chosen for their

playabiUty and their praclicahty, ensuring a wealth of usable fingerings for any musical situation. So, whether you're a beginner looking for

your first C major chord, or a budding jazz guitarist searching for a new voicing for C7t5(|9)i you'll find what you're looking for here.

Enjoy!

CONTENTS

How to Use This Book ii The Chords

Choosing the Best Voicing .

Chord Construction iv

What's a Chord? iv

How Does a Chord Get Its Name? iv

How Do 1 Build a Chord? v

- What About Other Keys? v

D!. 23

Ft 133

G -....ISS

Triads vii ^t ".''All

Sevenths vii a 199

Extended Chords vii Bt 221

Inversions & Voicings viii B 243

ISBN [l-TiaS-flHTl-H

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For all wort<B contained herein:

Unauthorized copying, anwiging, adapting, recording or public performance is an intrlngBmenl ol copyright.

Infringers are liable under the laiv.

Visit Hal Leonard Online at

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I• -.'(

HOW TO USE THIS BOOKThe Picture Chord Encyclopedia contains 2640 chord vokings and over 500 unique chord types. To help you find your way to the

chord you need, all the chords are organized first by root (C, Cj, D, Et, E, etc.) and then by quality or type (major, minor, sevendi, etc.)

Each chord is identified by its symbol: Csus4

By its full name: C suspendeil iDUrth

And by its spelling: JEC F

root 4tli

Then, you are given a choice of five voicings, which are presented in chord frames and photos. In a chord frame, the six vertical lines

represent die six strings, on the ^tar, from low E to hi^ E, moving left to right. The horizontal lines represent the frets;

Ts tell you a string should not be played or should be muted.

O's indicate an open string.

A dark, thick line represents the nut on die guitar.

Black dots indicate the notes to be played, as well

as their location on the fretboard. Numbers tell

you what fingers to use to fret the strings. Think

of your left-hand fingers as being numbered

1 dirough 4:

2nd1st _ 3rd

A barre (pronounced like "bar") is shown

when a finger holds down two or more

strings at the same time.

C F G C F

Note names appear below each string

to help you understand the voicing.

Chords above the fifth fret use a fret number (e.g., "5 fr") to the right of the chord frame. This tells you to move

your band up to that fret to position your fingers.

BCHOOSING THE BEST VOICING

Any chord can have a number of different voicings. A voicing refers to how the notes of the chord are arranged—which corresponds to

where the chord is played on die guitar, and how it's fingered. Each chord quality in this book is presented with^t^ different voicings.

Typically, the first chord voicing presented is in the lowest position on the fretboard. The rest of the voicings gradually move up the neck.

Within these sets of voicings, you will encounter open chords, barre chords, broken-set chords, and adjacent-set chords:

' Open Chords

Open chords occur withm the first five frets of the guitar and contain at least one open

string. These chords are often the most appropriate choice for strumming purposes. They're

also typically die easiest voicings to learn when you're a beginner.

Barre Chords

Barre chords can occur anywtiere on the neck and serve as a type of "all-purpose"

chord voicing; that is, they can be strummed, plucked, or played fingerstvle, and can be

used in ahnost any musical setting.

Barre chords require you to lay a finger flat across a fret and press down all the

indicated strings sunultaneously. This can he challenging for a beginning guitarist. If

you find diese chords to be especially difficult at first, don't give up. Just keep practicii^,

and be patient

Broken-Set Chords

Broken-set chords also provide good, multipurpose chord voicings. These chords

contain a bass note on the fifth or sixth string and two or three notes on the hi^er strings,

with at least one interior string muted, or not played, These often work best in a jazz or

blues setting, especially when playing solo.

open strings

eCHORD CONSTRUCTION

WHAT'S A CHORD?

In order to effectively choose and utilize the chords in this book, it is important to have a basic understanding of how chords are

constructed. So, what is a chord.' A chord is simply defined as three or more notes played at die same time, l^pically, its fimction is to

provide the harmony that supports the melody of a song.

HOW DOES A CHORD GET ITS NAME?

A chord gets its name from its root note. For example, the root of a G major chord is G. The remaining notes In die chord determine its;

quality, or type. This is indicated by the chord suffix. So, in a Bm7l.5 chord, B i.s the root, and m7t5 Is the sufBx that indicates die quali^ of

the chord.

^B(@|)quality or type

This book contains 44 chord types. Here is a summary table to help you keep track of the suffix for each chord type:

HHOW DO I BUILO A CHORD? ',r *: K-V'! I'llnT- Itllt

All chords are constructed using intervals. An intend is the distance between any two notes. Though there are many types of intervals,

there are only five categories: major, minor, perfect, augmented, and diminished. Interestingly the major scale contains only major and

perfect intervals:

Scale degree: 12 3 4 5 6 7

Interval: Rcx>t M2 M3

^•-t

The major scale also happens to be a great starting point from which to construct

chords. For example, if we start at the root (C) and add the interval of a major third (E)

and aperfect fifth (G), we have constructed a C major chord.

C major

In order to conslmct a chord other dian a major chord, at least one of the major

or perfect mtervals needs to be altered. For example, take the C ms^or chord you just

constructed, and lower the third degree (E) one half step. We now have a C muior

chord: C-Et-G. By lowering the major third by one half step, we create a new mierval

caUed a minor third.

We can further alter die chord by flatting the perfect fifth (G) . The chord is now a C°:

C-E|.-G!>. The Gt> represents a (//m/nisAei/ fifth mterval. v <

Tiiis leads us to a basic rule of thumb to help remember uiterval alterations:

C minor^

C diminished

^^*f3fdiinS

A major interval lowered one half step is a minor uiterval. IM3 m3

A perfect interval lowered one half step is a duninished interval

A perfect interval raised one half step is an augmented interval.

I -o--o-

I -»-^E5

Half Steps and whole steps are the building blocks of intervals; they determine an interval's quahty—major, minor, etc. On the

guitar, a halfstep is just the distance from one fret to the next. A whole step is equal to two half steps, or two frets.

WHAT ABOOT OTHER KEYS?

Notice that we assigned a numerical value to each note in the major scale, as well as labeUng the intervals. These numerical values,

termed scale degrees, allow us lo "generically" construct chords, regardless of key. For example, a major chord consists of the root (1),

major third (3), and perfect fifth (5). Substitute any major scale for the Cmi^or scale above, select scale degrees 1, 3, and 5, and you will

have a major chord for die scale you selected.

Scale degree: i

D major scale

D major chord

o—Interval: Rooi

-o- ^ -o- ^r. ^ « m^M2 M3 P4 P5 M6 M7 M3 P5

eThe chart below is a construction summary of the chord types in this book (based on the key of C only) using the scale degree method:

CHORD TYPE

^sm^^twr-'i-^-Mi-^i^ -'

TRIADS

The mosl basic chords in this book are called triads. A triad is a chord that is made up of only three notes. For example, a simple G

major chord is a triad consisting of the notes G, B, and D. There are several types of triads, including major, minor, diminished, augmented,

and suspended. Ail of these chords are constructed by simply altering the relationships between the root note and the intervals.

G major G minor G diminishedm G augmented

MM3 P5 m3 P5 m3 dim5 M3 augS

SEVBUTHS

To create more interesting harmony, we can take the fomiliar triad and add another mterval: the seventh. Seventh chords are comprised

of four notes: the three notes of the triad plus a ni^or or minor seventh mterval. For example, if we use the G major triad (G-B-D) and add a

major seventh interval (F|),theGmai7 chord is formed. Likewise, if we substitute the minor seventh interval (F) for the F|, we have a new

seventh chord, the G7. This is also known as a dominant seventh chord, popularly used in blues and jazz music. As with the triads, seventh

chords come in many tjpes, including mj^or, minor, diminished, augmented, suspended, and others.

IG major triad Gmaj7 07^ a ^M3 P5 M7 m7

StTBWED CHORDS

Extended chords are those that include notes beyond the seventh scale degree. These chords have a rich, complex harmony that is very

common in jazz music. These include ninths, elevenths, and thirteenth chords. For example, if we lake a Gmaj7 chord and add a major ninth

interval (A), we get a Gmaj9 chord (G-B-D-Fll-A). We can then add an additional interval, a major thirteenth (E), to form a Gmajl.^ chord

(G-B-D-Ftt-A-E). Note that the interval of a major eleventh fc omitted. This is because the major eleventh sooically conflicts with the major

third mterval, creating a dissonance.

Ginaj9 Gmaji3

M9 M13

By the way, you may have noticed that these last two chords, Gia^9 and Gmajl.l, contain five and six notes, respectively; however, we

only have four fingers in the left hand! Since the use of a barre chord or open-string chord is not always possible, we often need to choose

the four notes of the chord that are most important to play. The harmonic theory that underlies these choices is beyond the scope of this

book, but not to worry—it has already been done lor you wiiere necessary. Below are two examples to demonstrate these chord "trimmings."

Gmaj9 Gniaj9 (four notes) Gmajl3 Gmaj 1 3 (four notes)

M t«-

Generally speaking, die root, third, and seventh are the most crucial notes to include in an extended chord, along with the uppermost

extensipii (nindi, diirteenth, etc.).

iniVBISIQNS & VOICiniGS

This brings us to our lasl topic. Though a typical chord might consist of only three or four notes—a C triad, for example, consists of just

a root, third, and fifth; a G7 chord consists of a root, third, fifth, and seventh—these notes do not necessarily have to appear in that same

order, from bottom to top, in the actual chords you play. Inversions are produced when you rearrange the notes of a chord:

mV " '

b (Cmaj)

C major

ICsiis4 (csus)

C suspended lourth

eCaddSC added ninth

IC6/9 (CGaddS)

C sixth, added ninth

CmajSC major ninth

-o--o--^

eCmajIS {CM13)

C major itiirteentli

-&-~&-

HCm(add9)C minor, added ninth

»o--^

Cm6C minor sixth

(CminG, C-6)

C El. G Droot l^rd 5Ui 9th

C El. G Aroot 'Jrd 5th 6th

C minor, llat sixth

lO--o- 'O

root ;>3rd

Cni7 (Cmjn7, C 7)

C minor seventh

>^t--o-

'^^c &

root i3rd

G B,5th 1.7th

DCm(maj7) m^))C minor, major seventh

~&--&-

^&--o-

root E^rdG5th

DCmSpU (Cm9-5, CmiRai>5)

C minor ninth, flat flttti

-o-<-^

^«-\h&

c B a Btroot B3rd t>5th oTth

iCinll (C-11,Cmin11)

C minor eleventh

-+0--o-

iC7 {Cdom7)

C dominant seventh

G A5th 1,7th

BC7p5 (C7-5, Cdom7.5]

C dominant seventh, Hat tflth

'O--»o-

Gl> a.

bSth t7th

Gk E Bt C

: 3C G. Bl. E

IC9SUS4 (cam)

C ninth, suspended loiirtti

'O--o-

G Bl5th i.7th gth

C7I79 (C7-9, Cdoni7.9)

C dominant seventh, fiat ninth

G Bl> 01.

5th b7th l.9tli

c E Bf a.

eC7|75(|f9} (C7-5(-i-9), Cdom7^5(if9))

C dominant seventh, fiat fifth, shai*p ninth

I»«-

E3rd !^5th I.7th Hgth

eC7||11 (C7+ll,Cdoin7i11)

C dominant seventh, sharp Mventh

*&--»-

Bi Ftt7Ih filth

eC13SUS4 (cissus)

C Oiirteenth, suspended lourtti

o -o-*«-

a,i-Tth

ElBt F A C

QC+7 (G7lt5)

C dominant seventh, sharp fifth

-o-rti-

E Gt Bt3rd JtSth i.7th

i ^ X X

C+71>9 (C7+5{.9))

C dominant seventh, sharp h'fth, flat ninth

-©- -i^»«-

C E G| 81. Dtroot 3rd isth 1.7th 1.9th

c° (C dim)

C diminished

•^•^

c Ei> aroot t3rd IStti

QCjt (Cmaj)

C-stiarp m^or

^ r^t-4^

a Et Giroot 3rd 5th

iC#sus4 (C#sus)

C-sharp suspended fourth

1^a^ -»-

Ctt Fl Gtt

root 4th 5lh

G« C# F|

CfadilSC-shapp added ninth

S^^^ ho-

Ct Etroot 3rd

Gt Dt5tti 9th

IC|6/9 (C468dd9)

C-stiarp sixth, added ninth

^- [O^

iC||niaj9 (c#ivi9)

C-stiarp major ninth

^- 4^ lo-

ot Eiroot 3rd

Gt Bt5th 7th

IC||maj13 (ctiMis)

C-sharp major thirteenth

Ctm(add9)C-sharii minor, added ninth

Cfroot

-O-fe-

E G: M!>3rd 5th gth

QC|fni|76 (Cit-l^B), Ciminpei

C-sharp ntinor, llat sixth

It^-o-

C|t E G|t

root I3rd 5thA

Ct E A Ctt Gf

fW Sfr

A Gtt Ctt E

C! A E Gt

C||ni7 mmmj.zmC-sharp minor seventti

root l^rd 5thB

Ca E G|! B E

C|ni(iitaj7) (c#m(+7))

C-sltarp minor, m^or seventti

r&--i^

CS Eroot 10rd Sth 7th

CjfmSI'S (Ctma-g, ClminS^S)

C-8harp minor ninth, tiat fiftli

-o--o-

-^ -i^

CI Eroot l>3rd

1.7th 9th

Dj G B E

iC|ni11 (CH1,C#min11)

C-sbarp minor eleventh

-o--!*>-

-&- -i^^^

dec*root j3rd 5lh

B Dt FtiJttt 9th 11th

Ct E B K FH

C||7 (Csdom?)

C-sharp dominant seventh

^- lo~-^

rootEt3rd

Bi.7th

« E» B qt

ft?B B C! Gt

C||71>5 {C]t7-5, Cl:iloni7^5)

C-sharp dominant seventh, flat tilth

^- -o-

CS Etroot 3rd

G Bt7th

C||9sus4 (CtSsus)

C-sharp ninth, suspended lourUi

!o^ i&^-o-

rootFt4th

B-.7th gth

ICjt7[>9 (C|t7-9, C#dom7.a)

C-sharp dominant seventh, flat nintti

^--»-

i^)-©-

« Ett

root 3rd 5th

D[>gth

5-0mCS E| B D

C|71>5(|f9) (c;7-5(+9), mm7\.s{m)C-sbarp dominant seventh, flat firtft, sharp ninth

^o^-^ -o-

1^C| Eil G B DK

root 3rd ,5tb i.7tti lOfh

iC|7|11 (C|7+ll,CSdDm7#11)

C-sham dominant seventh, sharp eteventh

4^ i^-^

root 3rd 5th 1.7th tiim

C#13sus4 (C:13sus)

C-shapp thipteentli, suspended lourth

t^^-H^-o-

BCt+7 (Cft7tt5)

C-sharp dominant seventti, sharp liTth

-o-^Ct Etroot 3rd

BCff+7lj9 (Cfl7+5(|.S))

C'Sharp dominant seventh, sharp litth, fist nintti

-o--&-

3rd tSth

Bl7th ii9th

ct e B D G::

C-stiapp diminished

-o--o-

Ct Eroot D3rct

D (Dmaj)

oD Ftt

root 3rdA5th

iDSIIS4 (Dsus)

D suspended lourUi

DDaddSD added ninth

root SrdA5th

FS A D E

iD6/9 (DGaddS)

D sixth, added ninth

oo -&-

iooD Ft

root 3rdA5th

D Fit A B E

.^- --^

DmajSD major ninth

(DIVI8)

Jo -Si.

oD Fit

root SrdA5th

7thE9th

A FS A Ctt E

QDmajIS (DM13)

D m^or Uiirteenth

Dm(add9)minor, added ninth

o ooD F

root (.3rd

A E91h

IDnipG (D-(^6), Dmtn^B)

D mmop, flat sixth

o *^oo

D Froot l'3rd

Sth teth

QDm/ (D-7, Drain?)

D minor seventh

DmybS (D-71.5, Dmin7-5)

D minor seventti, liat mth

F A Croot t3rd 5th 1,7th

iDm(inaj7) m*nD minor, major seventh

s«^oooD F A en

root S^rd 5th 7fh

Din9 (D-S, DmhiS)

D minor ninth

root j3rd

Ci.7th

D A C!t F

D A Ct F A

?A D F Ctt

Din91>5 (Dm9-5, DminSbS)

D minor ninth, flat fifth

o fcoo o

root l^rtJ

At!.5th

IDitlll (D-11,Dmln11)

minDP elevenUi

D Froot l3rd

X X o o^

D G C F

D7 (Ddom7)

D duninant saventti

ooD F?

root 3rdA

C!.7th

D A C Ft

iU7\}U (07-5, Ddom7b5)

D dominant seventh, tint tilth

[o^oD Fit

root 3rdA!. C

D9SUS4 (Dssao)

D ninth, suspended lourtti

o-o- o

rootG4th

C E9th

A D G C E

eD7p9 (D7-9, Ddom7^8)

D dominant seventh, Hat mnth

50^oolo^oR

root 3rdA5th

D Ri C Et

D7pu(ff9) (D7-5(+8), Dltom7[>5(!t9))

D dominant seventh, Hat rittli, sharp ninth

rootFt3rd

C1.7th

Elrath

iD7|f11 (D7-i-11,Ddom71i11)

D dominanl seventh, sharp eleventh

root 3rdA5th

C Gd1.7th tilth

D13SUS4 (D13SUS)

D tlw'teenth, suspended fourth

-&- ooD

iD+7 (D7#5)

D dominant seventh, sharp titth

[o^ISo

D Ftroot 3rd

Ci.7th

X X O—

D+7|?9 (D7+5li>9))

D doffllnant seventh, sharp litth, flat ninth

30 I0:o >o_

oD Fi At!

root 3rd iSth

C1.7th t9th

iD° (Di8m)

diminished

o ^4S_

root l^rd

Ep (Etmaj)

E-llat miHop

iEbSllS4 (Bsus)

E-riat suspended fourth

>o Io-t-^

El. At.

root 4thBl.

E^addSE-ftat added ninth

»o--&-^

B> Groot 3rc>

S^ ^flj

DEbG/S (EIGaddd)

E-flat sixth, added nintti

-o-»^ T5^

3rd 5thC6th

El?maj9 (e.m9)

E-tlat major naoii

5o--o-

-o-t^o

Et Groot 3rd 5th

S G D F

E-tlat major thirteenth

-&--o-

-&-*o-

& Groot 3rd 5th

E^m(add9)E-flat minor, adiled ninth

»^ \^»o-

Ei> Q> B\.

root ard 5thF

Gl> & E» F

BEpinbG (EI>-([.6), EMnkG)

E-flat minor, flat sixth

->o- 'O

4*0-»o-

Eb a Bi>

root l^rd 5thCtbeth

9---IQ

& &> C= G>

Ei^m? (B.niin7, E1.-7)

E-flat minor seventh

«- ^o-

El> G> Bt O.root k3rd 5th tTth

f~~QOO

B Bb a a

B & Of & Bt

El. Bl> [% G> Bt

iEl^mdnaj?) {b-{*7))

E-tlal ffliniH', mfuop seventh

-o-^^*^

Eb Gl> Bl>

root l^rd 5th

EpmSpS (Ekm9-5, Bmlna^S)

E-flat minor ninth, fiat mth

^o-»^

W*0->^t~

rool 'i3rd i.5th WthF

BEpmll (EHI.Bmlnll)

E-llat mBiop eleventh

€?7 {Bdom7)

E-tlat dominiHit seventh

Et Groot 3rcl

Bt Dt5th 1.7th

E, ti, a G

iEp/pU (Et7-5, El.dom71.5)

E-tlat dominant seventh, llat fifth

*o--o-

El. G Bl>l>

root 3rd nSth

El- Btl. Dt G

E19SUS4 (Easus)

E'llat ninth, suspended fourth

TO^ 5^ -O-

El> Mroot 4th

Bi. a,5th i.7th

1EpTl^O (B7-9, Bllom7.a)

E-flat dominant seventh, flat ninth

El. Groot 3rd

1.7th l.gth

XX oUEi. G Dt B

Ei^yl^SC^S) (B7-5(+9), E.I)om7.5(#8))

E-nat dominant seventh, flat fittfi, sliarp nintfi

-o-^o-

o-4«-

El, Groot 3rd

BU. Dt Ft1.5th I7th it9Th

e^ B, Q a- Ft

iEp 7||1 1 {E^7+1 1 , &dom73l 1

E-flat dominant seventh, slHrp eleventh

^»*»-

-o-'O-

Et Groot 3rd 5th t7th tilth

A El Bt Dt G

E-flat thirteenth, suspended fourth

^«-«-

iEb+7 (Et7«5)

E-nat dominant seventh, sharp fifth

El' Groot 3rd

tISth .7th

Ep +7I?9 (E7+5(t9))

E-flat dominant sevraith, sharp fltth, flat nhiHi

^o--»-

-©-"^ ^o-

B Groot 3rd

BitSth 1.7th

B Ei G Dt Fb

iE? ° (Bdim)

E-llat diminished

El. Gl.

root l>3rd

a Bill' El Gt

E (Emai)

E major

E 8 E G|t B E

ESUS4 (Esus)

E suspended fourth

EaddS£ added ninth

-o--i^

root 3rd

E6/9 (EBaddS)

E sixth, added ninth

E Gtroot 3rd

B5th 6th 9th

Emaj9 itm)

E major ninth

E Gtroot 3rd

Dt7th gth

iEmajIS {EM13)

E mojop thlpteenth

-^ ho--G-

Em(add9)E minor, added ninth

-o--o-

E Groot l>3rd

1Em^6 (E-(.8), Emin.6)

E minop. Hat sixth

-€*--^

E Groot p3rd

Cl>6th

«^ U O

E B E G C E

Em/ (Emln7, E-7)

E minor seventh

-o--o-

E Groot t^rd

Di.7lh

5E B E G D E

BEm(maj7) (nmE minop, m^or seventh

-&- 4^-o--^

E Groot »3rd

B D45th 7th

Eni9[>5 (Em9-5, EnimSl>5)

E minop ninth, flat fifth

-©--o-

E Groot t3rtJ

Emil {E-11,Eniin11)

E minop eleventh

tG--^-O-

-o--o-

E Groot |t3rcl

o o o o o

E A D G B F!

E7 (Edom7)

E dominant seventh

E G:root 3rd

D1.7th

o omE B D Gjl B E

E B D Gt

^E7I75 (E7-5, EdomT.S)

E dominant seventh, flat litth

-o- i^

E G!root 3rd

D1.7th

E Bt D Gt

G; D E Bl>

X ^—^ X

E Bl> D Gt

E9SUS4 (E98US)

E ninth, suspended fourth

-o- -f^

:.7th 9th

QE7|'9 (E7-9, Edom7k8)

E domuiant seventh, flat ninth

-o--o-

E Giroot 3rd

D•.7th3/in >;

E B D G: D F

E/I^Silo) (E7-5(+9), Edom7.5(*9))

E dominant seventh, flat fifth, sharp ninth

-o-E«-^ -&-

root 3rd tsth |.7th !l9th

E7||11 (E7+11,EdOffl7l11)

E dominant seventh, sharp eleventh

-o-^«-

E13SUS4 (Ei3,us)

E thirteenth, suspended fourtli

o -o--o-

E A B D Ft! Cttroot 4th 5th 1.7th 9th 13th

^E+7 (E7S5)

E seventh, sharp tinh

+e^ 4^ -o-

E Gf Bfroot 3rd liSth

X X o o

E+7l>9 {E7+5(!.3))

E dominant seventh, sharp litUi, flat nintti

^- -o--o-

-o-h»-

rooi 3rd ItSth

D1.7th

E Bf D Gt D F

3:_F B: D Git

QE° (Edim)

E diminishGd

-o--o-

E Groot l>3rd ^5th

E Bt E G

F (Fmaj)

F major

<r""5s

QFsus4 (Fsus)

F suspended lourth

-U«- oo

root 4thC5th

FaddSF added ninth

F A C Groot 3rd 5th 9tti

X X—:r

F6/9 (FGaddS)

F Sixth, added ninUi

oo -&-

F A C D Groot 3rd 5th Sth 9th

Fmaj9 (FM9)

F major ninth

F A C E Groot 3rd 5th 7fh 9th

QFmajIS (FM13)

F m^op thirteenth

F A C E G Droot 3rd 5th 7th 9th 13tli

S——S

F A D G C E

F A D E A

FmCadd 9)F minor, added ninth

o-^^ o

F At C Groot (.3rd 5th 9th

X X ^o

F At C G

F minor. Hat sixth

±n-o •^

root l^rtJ

Fni7 (f-7, Fmin7)

F minor seventh

'Oo'Oo

F Atroot l-Srd

Et|.7th

QFiii(maj7) (Fm{+7))

F minop, major seventh

root 93rd

Fni9p5 (FmS-5, Fminai>5)

F minor ninth, flat tittti

^^ ^i ooo

F At a Et Groot I.3rd j5th i.7th 9th

QFmll (R1,Fmin11)

F minor eleventh

o ta•oo

F Ab C Et G Bb

root 1.3rd 5th 1.7th 9tti 11ttl

f7 (Fdom?)

F dominant seventh

F Aroot 3rd

C5th ^7th

QF7|?5 (F7-5, Fdom7^5)

F dominant seventh, ftet flfOi

CI. E.

l-5th ].7th

F9sus4 (F9SUS)

F ninth, suspended lourth

l>o Qto-

F a> C El. Groot 'Mh 5lh 1.7th 9th

F C El. a C G

QF7I>9 (F7-9, Fdom7l>9)

F dominant seventh, flat mntti

FA C El. Gtroot 3rd Sth >.7th t9th

X X mi

F A El. Gt

L 9 1 9c_3:_A Gt C Ei,

r7|70(|t9} (F7-5 (+9), FiJiim7t5(|9}J

F dominant seventh, flat litth, sharp ninth

o o 'O

F A C!. Ei. GSroot 3rd 1.5th l>7th i!9th

QF7jfll (F7+11,Ftl0in7S11)

F dominant seventh, sharp eleventh

FA C Et Broot 3fd 5th i)7th (llth

F B Et A C F

F13SUS4 (F13SUS)

F UurteBnth, suspended toupth

»o- oo

F Bl. C El> G Droot 4th 5th 1.7th 9th 13th

F+7 (F7f5)

F dominant seventh, sharp fifth

"o^o ^o 'O

F Aroot Srd ttsih Wth

El. A C:| F

F+7l?9 (F7+5(b9))

F dominant seventh, sharp ffltti, flat ninth

F A Ct Ei. Gl.

root . 3rd ISth |.7th 1.9th

QF° (Fdim)

F diminisheil

F A.root ')3r(J

al«th

F|f (mmF-sharp majop

root 3rd 5th

QF||sus4 (F^sus)

F-sharp suspended fourth

-o- 3^30

Fi Broot 4th

FJ Clt Ft B Clt Ri

F|adil9F-stiarp added ninth

so3^ 3s:

Ft Ajt Ct Gtroot 3rd 5th 9th

Fit AS Ct! Gtt

QFi6/9 (H6 add 9)

F-stiarp sixth, added ninth

30Kr 50 4^

Ft Atroot 3rd

Ct DfSth 6th

F|niaj9 ima)

F-stiarp mojor n'mth

f; AP a B Gtroot 3rd 5th 7th 9th

F||maj13 (f#mi3)

F-shapp major thirteenth

JS^in:

F! ASroot 3rd

7th 9th 13th

Ff Ad Dt Gtl Cf Et

F-sharp minor, added ninth

Ft A CI Gtroot i>3rd Sth 9th

Qr||ni|>6 (F3-(^6), F|tmini>B)

F-sharp minor, flat sixth

o 30 -o-

Ft Aroot tSrd 5th

Ft CI F« A D Ft

ti3"6"5fr

o ct f: A

Fjtin? (FS-7, Ftimin?)

Fsharp minor seventh

fH aroot lp3rd

C«Sth

E1.7111

QF|tm(maj7) (F#m(+7))

F-sharp minor, major seventh

iq:lo^o

Ft Aroot 1.3rd

Ff « Ett A Ct Ft

F||ni9l>5 (Fiim9-5, FttminS^S)

F-sharp minor ninth, tiat litth

loooto^

Ft Aroot Ii3rd

Eb7th 9th

QFUmll (FMI.f^minll)

Fsharp minor eteventli

Fit A C* E Gtt Broot t3rd 5th t7th 9th 11th

Ffl7 [fmmF-sharp dominant seventh

jq:lo^

rootA43rd 5th

E;.7th

Fi Ait CS E

IFjf7p5 {Fl!7-5, Fftilom7.5)

F-sharp dominant seventti, Hat fiftti

to 30o o

Ft Atroot 3rd

E1.7th

Fi9sus4 (F#98US)

F-shapp ninth, suspended tourth

o 40-&- io_

Ft! B Q E sirODl 4lh Sth 1.7th 9th

ifflFS cii E B ct at

OOPFt! B E Gli

Fjf7l>9 (Ft!7-9, Fsilom7l.9)

F-sharp dominant sevenUi, flat ntntti

Ftt Alt ctt e Groot 3rd 5th 1.7th 'nWh

Ftf7[75(jt9) (Fit7-5{+9), F»ilom7!.5(l!9))

F-sharp dominant sevontti. Hat nnti, sharp ninth

30r<5^

C^5th tTth Wth

G>: Ft! At C E

QFjt7jt11 (F»7+11,Fttilom7{(11)

F'Sharp dominant seventti, shspp eleventh

SO_JO^

R At Ctt E Btroot 3rcl 5th |.7th filth

Ft13SUS4 (F#13sus)

F-sharp ttiirteenfii, suspended fourth

-o- 30o

Ftt B C* E Gtt Dtt

root 4th 5th i.7th 9th 13th

o__o o

JLJHLR O! E B Dj Ft

QF|+7 (Fit7t5)

F-sharp dominant seventh, sharp fifth

lo^tQ_

Ft A}root 3rd tSth

Fsharp dominant seventh, sharp filth, Hat ninth

Fi At CK E Groot 3rcl tSth 1.7th .9tti

°(FJdim)

F-stiapp diminished

Ff Aroot i>3rd

C1.5th

X XmA C Fi

OTOsfr

A C Fi A

G (Gm^)

Gmoiop

-o--o-

G Broot 3rd

QGSUS4 (Gsus)

6 suspended lourtti

G C D G C G

Gadd9G added ninth

-o--o-

G B D Aroot 3rd 5th 9th

G A D A B G

W-G B D A

G6/9 (GGaddS)

G stxtti, added nintti

-o- "O"-o-

G B D E Aroot 3rd 5th 6th 9th

Gni3j9 (GM9)

G mqor nintb

-^-«-

G a D F|: Aroot 3rd 5th 7th 9th

G A A B Rl

^GmajIS {6IV113)

G major thirteenth-»^

-&- 4^^

-o--«-

G B D FS A Eroot 3rd 5th 7th 9th 13th

«i^^'

Gm(add9)G minor, added ninth

oJ-^ ^ -o-

G B':. D Aroot ^3rd 5th 9th

^Gnipb (G-{:>6),GmlnpB)

G minor, flat sixth

v^ -o- >o

Q Bl' D E>

root |.3rtl 5th t6th

Gl1l7 (G-7, Gmln7)

G minor seventh

-o-^ -o-

G Bbroot lard

F1.7th

IGmdnaj?) (&n(+7»

Q minor, major seventh

-&-•-0-

G Bt. D Ft

root i>3rd 5th 7th

GmSpS (GmS-S, Gmma^S)

G minor ninth, fiat lifUi

G Bi> Di> F Aroot 1.3rd tSth [.7th 9{h

Gmll (G-11,Gmiii11}

G minor eleventh

^o--o-

-o-^ -o-

G Bl D F ACroot .3rd 5th tTth 9th 11th

G7 (Gdorn?)

G dominnit seventh

-o--o-

G e O Froot 3rd 5th -7th

G/PU (G7-5, GdomM)

G dominant seventh, flat ntOi

-e-'^-o-

G B Di> Froot 3rd tSth l>7th

Dt F G e F

G9SUS4 (G9SUS)

G ninth, suspended fourth

o -o--o-

G C D F Aroot 4th 5th l-7th 9th

QG/I^S (G7-9, Gdoni7^9)

G dominant seventh, flat ninth

-^ >-o-

-©--©-

G B D F A!.

root 3rd 5th 1.7th 1.9th

iffT ^

G/I^DlIf9) (e7-5(+9), Gllom7.5(i(9))

G dominant seventh, tiat tiltti, sharp nintli

-o--&-

G B d!. F Atroot 3rd ath l,71h ttSUi

QG7|f11 (G7+11,Gltom7411)

G dominant seventh, sharp eleventh

-o--&-

G B D F C|i

root 3rd 5th b7th (Hth

1 11 I

l b9 ~o~

G B D G Ct F

D G Ctt F B

G13SUS4 (Gism)

G thirteenth, suspended fourth -€

G C D F A Eroot 4th 5th 1.7th 9th 13th

G+7179 (G7+5(b9H

G dominant seventh, sharp filtti, flat ninth

'^^^ -o-

-o--©-

G e d; F ALroot 3rtl F5th |.7fh rflth

ntffh~o~

G B Oi fii. Di F

mF B Di Al.

iG° (Gdim)

G diminished

-o-'-&-

root b3rd tSth

Al^ (Almaj)

A-llat m^or

A, C El.

rool 3rcl 5th

iA1>SIIS4 (A^sus)

A-tl8t suspended lourth

4k»-!'0

Ai> 01' Broot 4th Sth

X X ^^

IA^addSA-nat added ninth

'OoI'O

Al> C El. BtroQt 3rd 5th 9th

lAl. C Et Bi> C

ft. C Et a

^Apd/S (A^GaddS)

A-llat sixth, added ninth

'O -o-o

Al> C Eb F Bl'

root 3rd 5th Gth 9th

Al?maj9 (a^ms)

A-nat mqjor ninth

At C Eb G Btroot 3rd 5th 7th 9th

^Al^majIS (AM13)

Atlat mojop thirteenth dSi.

Ai. C & G Bi. Froot 3rd 5th 7th 9th 13lh

Atm(add9)A-flat mlnop, aUded ninth

At Ct E. Bbroot l^rd 5th 9th

iAI'lllpD (A;>-(k6),A.inlnbB)

A-riat minor, flat sixth

Al> C, El Broot >3rd 5th p6th

Al^m/ (A^-7, A.min7)

Aflat minor seventh

Ai. a & &root t3rd 5th :.71h

Ai Gt a B

^Al?m(inaj7) (a^(+71)

A-flat minor, major seventh

At Cb B Groot l>3rd 5th 7th

Et Ai. a G

Al^mSpu (Al.m9'5, A^min9l.5)

A-riat minor ninth, flat filth

\,o 1*0-

A[. O EW. Gt Btroot :>3rd tSth 1.7th 9th

Apinll (Ak11,AkinIn11)

A-flat minor eleventh

Ai. C. Et Gl Bi. Dtroot ;^rd 5th l>7th 9th 11 th

SiAl- Gl> a Di.

A6<»<»6

A I?7 (Aldoni?)

A-ttat dominant seventh

-t'Ooo

An C Et Gl>

root 3rd 5th l>7th

A-flat dominant sBvefltti, Hat Rftti

-v^ooo

Ai. c E;>i> aroot 3rd tsth 1.7th

Al>9sus4 (A9SUS)

A-Ilat ninth, suspended tourth

4.«—^s:

Al- Di. £> a Bbroot 4th 5th 1.7th 9th

QAi^/pO (AI7-9, AI>dom7^9)

A-flat dominant seventh, flat nintli

to-too

At C Et Gb B^t

root 3rd Sth 1.7th |.9th

A|77|75(^9) (Ai.7-5(+S), A^dom7[.5(S9)l

A-flat dominant sevrath, Hat fifth, sharp ninth

o^ >ooo

root 3rd bSth i7th 9th

Al>7||1 1 (A^7+11, Abdom7#11)

A-flat dominant seventh, sharp eleventh

l-o —'Oo

Al> C B Gt Droot 3rd 5lh l>7th tilth

D Al. C Gi.

A^13SUS4 WAZsns)

A-Ilat thirteenth, suspended fourth Xi_

>ob<5.

-O- 'O

At 01. s a K> Froot 4lti 5th aTth 9th 13th

_$^M» J>

QAl?+7 (AJ#5)

A-tlat dominant sevenDi, sharp tmh

'Ooo'O

Ab C E Gtroot 3rcl SSth t7th

E C E A^ C Gt

Alj+ytS (A!.7+S(!>9))

Aflat domlnsit seventh, sharp fifth, flat ninth

At C E a Bl.l>

root 3rd tsth :.7th tsth

E Bl. E Al> C a

A-flat diminished

At & Dtroot ^rd tSth

A (Am3j)

A major

root 3rdE5th

A E A ctt E

Asus4 (ASUS)

A suspended fourth

-t»-o

A D Eroot 4th 5th

Aadd9A added ninth

A d E Broot 3rd 5th 9tn

±A E B Cf E

A6/9 (ABaddS)

A Sixth, added ninth

A Cf E Ft Broot 3rd 5th 6th 9th

Amaj9 (AM9)

A majop ninth

A Ct E Gt: Broot 3rd 5th 7th 9th

±A E B C|i G;t

AmajIS (AM13)

A m^ior thirteenth

o £1.

A CS E G|t B Ft

root 3rd 5th 7th 9th 13th

Am(add9)A minop, added ninth

A C E Broot t3rd 5th 9th

sA E B C E

Am 1^6 (A-(l>6), Amin^B)

A minor, Hat sixth

A C E Froot i.3rd 5th t6th

A E A C F

Am7 (A-7, Arnin?)

A minop seventh

A c e Groot 'L.3rd 5th i.7th

Ani(maj7) m*?))

A minor, mHw seventh

A C E Gji

root >3rd 5th 7th

AmSp5 (Am9-5, AminSkS)

A minop ninth, flat fifth

A C El. G Brool ..3rd tSth ^7th 9th

A Et B C G

^Amll (A-11,Amin11)

A minor eleventh

o o Xt

AC E G B Droot n3rd 5th i>7th Qth 11th

X O O O

A G C E

A7 (Adorn?)

A dominant seventh

A Ct E Groot 3rd 5th |.7th

A E A C; G

A/PU (A7-5, Adoni7l>5)

A dominant seventh, flat filth

o lo^o

A Cl & Groot 3rcl .5th iJth

A El. A Ci G

A9sus4 (A9SUS]

A ninth, suspended fourth

o o-&- o

A D E G Broot 4th 5th 7th 9th

A/PO {A7-9, Adom7^9)

A dominant seventh. Hat ninth

A di E G Btroot 3rd 5th i>7th i>9th

A7|?5{ff8) (fl7-5(+9), Adoni7^5(lt9))

A dominiuit seventh, flat fifth, sharp ninth

A C? B G Biroot 3rd tSfh 1.7th Jt9th

QA7ifll (A7+11,Adom71i11)

A dominant seventh, sharp eleventh

A Cf E G Dtt

root 3rd 5th t7th ttHth

A13SUS4 (A138US)

A thirteenth, suspended loupth

o-o- _o_

A D E G B ^root 4th 5th ^71h 9th 13th

A E G D Ft

^A+7 (A7tt5)

A dominant seventh, sharp fifth

io:3e:

A Ct Ei Groot 3rd Itsth tTWi

A+7l?9 (A7+5(l.9))

A dominant seventh, sharp fifth, flat ninth

o 30£Q_

A Ct E|t G Bt

root 3rd tSth tTth ^9th

A° (Adirn)

A diminished

A Croot ?3rd

BL€th

A & A C

C & A C

B A C B

DP (B<>mal)

B-tlat major

"O--^•-&-

Bl. Froot 3rcl 5th

X X O"

QBI7SUS4 (Btsus)

B-tlat suspended lourtti

^Q_-©-

B. B Froot 4th 5th

Btadd9B-llat added lunOi

•o--o-

Bi. D F Crool 3rd 5th 9th

QBp6/9 {B.GaddS)

B-Ilat sixth, added ninth

-o- o-^

Bl> D F G Croot 3rd 5th 6lh Sth

B-flat majop ninth

.-O--o-

Bl. D F A Croot 3rd 5th 7th 9th

-S: Th

B-flat major thirteenth -iBf-

y^ -e-

Bb D F A C Groot 3rd 5th 7th 9th 13th

Btm(add9)B-Ilat minop, added nintti

Bi.DI.FCroot l>3rd 5th 9th

iDt F Bt C F

09lwO (Bl-(S.6), B^miii^G)

B-Hat miRor, flat sixth

-o- lo>^"^

root !.3rd 5th :.6th

B^m7 (B^-7, Bi>mln7)

B-llat minop seventh

-^^>-&-

Bb Dli F Ahroot 1.3rd 5th l-7th

Bl>ni(iiiaj7) [bh+d)

B-llat minor, major seventh

-o^-^•^

Bt Dl. F Aroot :.3rd 5th 7th

Bl^mSt^S (BlmS-S, B^minSbS)

B-fiat minor ninth, flat mth

x»-'^ ^

Bt D> Fi At Croot iJrd bSth l-Tth 9th

QDpinll (BMi.B^mimi]

B-ftat minor eleventh

[^^ >^

root l^rd

F At C El.

5th 1.7th 9th 11th

mBb & At Dl. F

Dpi (Bldom?)

B-llat dominant seventh

\^-^-o-^

Bt D F Abroot 3rd 5th [.7th

Bp/pO (B^7-5, B\>tim7\.5)

B-llat dominant seventh, tiat ntth

1.^ -&-

Bl> D B Atroot 3rd l>5th ;>7th

Bt D Al> D F!>

rfttri

B^9SUS4 (BSm)

B-llat ninth, suspendeil lourth

'O -o-

-!^«-

Bt Et F At Croot 4th 5th l>7tt> 9th

B1?7I>9 (BI'7-8, B.am7li)

B-llat dominant sevenOi, flat ninth

ko-1.^^

•-&--»-

Bl. F Ai Q.root 3rd 5th t7th 1.9th

Bl. D At a F

Bp/puljlo) {B^7-5(+8), B^dom7l>5{|8))

B-riat dominant seventh, tiat filth, sharp ninth

4«->^

To--o-

O' B At CHroot 3rd l>5th !.7th iigth

Bp/jfll (B^7+ll, B!.dom7t!ll)

B-ttat dominant seventh, sharp eleventh-o-

-o-•-&-

Bi. Droot 3rd

F At ESth ffth !t11lh

^sr .^^

Bt13sus4 (Bi3m)

S-riat thirteenth, suspended fourth -^

io «-\^ ^

•-&-

B!. B F A!. C Groot 4th 5th t7th 9th 13th

Bp+7 (B^71:5)

8-tlat dominant seventh, sharp fittti

^-^ -&-

B^ D FS Atroot 3rd Ssih .7th

Bb At D Fa

X ,^—V X

Bi> Ft At D

B> Al> D F|l

Bl?+7l>9 (Bi.7+5(.9»

B-flat dominant seventh, sharp fifth, flat ninth

<-&--o-

B. D Ft Ai. aroot 3rcl Wth 1.7th iigth

a. D Ab a F|

iBl. D Ft a FS Al.

^B^°B-tlat dinunshed

i-O-•^

Bb Db Fl>

root tSrd !j5th

Bt Ft B^ Db Ft

D (Bmqj)

Bmqjor

-o-if^

B Mroot 3rd 5th

if!B Ft B D[!

B Dtt Ft B D4

Bsiis4 (Bsus)

B siispended fourth

o -i^-o-

B E Ffroot 4th 5th

Badd9B added ninth

-»- i^to-

B K FJ Croot 3rd 5th 9th

Bni3J9 (BM9)

B mqjor ninth

-o-*«-

|«^1^ 1^

B m H M aroot 3rd 5th 7th 9th

Bmajl 3 (BM13)

B m^or thirteenth

-G-i^ i^

B D: Fil M a Gtroot 3rd 5th 7th 9th 13th

Bm(add9)B minor, added ninth

-&-!«-

B D Fa c*root 1.3rd 5th 9th

Bnib6 (B-(l.8), Binin.6)

B minor, flat sixHi

B Droot iiSrd

Fi G5th M\\

B D G B F!t

Bm/ (B-7, Bmin?)

B minop sevendi

B D FH Aroot 1.3rd 5th t7th

^Bm(maj7) (b(^7))

B minor, major seventh

-&--o-

B D Ft a;

root L^rd 5th 7th

BmSpS (Bm9-5, BminS^S)

B minor ninth, tlat fiftn

-G--O-

-o-^ t^

B D F A aroot b3rd l^th p7th 9th

^Bmll (B'll.Bmlnll)

B minor eleventh

-o--&-

B D Fi: A d: Eroot :.3rd 5th 1.7th 9th 11th

B7 (Bdom7)

B dominant seventh

B Dt Ft Aroot 3rd 5lh tTth

B9sus4 (Bsm)

B nintti, suspended fourth

o i^-&-

B Eroot 4th

Fit A Ot5th i.7th 9th

B7p9 (67-9, Bdoni7'9)

B dominant seventh, flat ninth

-o^-&^

-o-4^ t^

root 3rdFf A C5th :.7th 1.9th

imB Di A C Ft

B7|9 (B7+9, Bdom7«9)

B dominant seventh, sharp ninth

x-O--^

B A C Dt

B7p5(|f9) (B7-5{+9), B6m7lbm)

B dominant seventh, tlat tinh, sharp ninth

-©- 4^ -o-

B Dt F A D^root 3rd 1.5th 1.7th (9th

B D!t A C« F

B7i11 (B7+11,Bdoni7#11)

B dominant seventh, sharp eleventhtt^

so^-^ ^

B DH Ftl A Etroot 3rd 5th iTth (llth

B Et! A Dt! R

Dit Ft) B Et A

B A D« Et

B13SUS4 (B138US)

B thirteenth, suspended fourth

4^ ^ It^ —-o-

BE Ft A Cf Gtt

root 4th 5th t7th 9th 13th

^B+7 {B7S5)

B dominant seventh, sharp Ofth

-kO--O^

B Df F' Aroot 3rd (Sth 1.7th

B+9 (B8i:5, B9+5)

B ninth, sharp fifth

B+7|?9 (B7+5(t9))

B dommant seventh, sharp fitOi, Hat ninth

-o-*o-

-HO-^ -o-

B Di Fx A Crool 3rd tSth ,7th l>9th

mB D5 A C F"

i»5fr

B Dft F" C F'' A

obo7fr

A Dtt F- C

B° (Bdim)

B diminished

B Froot !>3rd tSth

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