Prodromous Tsiavos

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Extracting Value from Open Licensing Arrangements:

CC 3.0 and beyond

Dr. Prodromos TsiavosEnCoRe

UKOER2010 23 07 10_ _

four elements

Data Licence

Value Flow

Life Cycle

   

1

­­­­­­­­­­­­­­­­­­­­­­­­|                          |

|    DATA    ||                          |­­­­­­­­­­­­­­­­­­­­­­­

   

What do we mean by -DATA-?

Copyright vs. Database RightPublic Sector InformationData ProtectionFreedom of InformationTransparencyINSPIRE

<legal>

</legal>

   

Where should I look for governance

instruments?

LawsEU directives

Organisational procedures

Employment contracts

Policies

International treaties

contributors agreements

Funding agreements

Licence Agreements

   

2

­­­­­­­­­­­­­­­­­­­­­­­­­­|                             |

|    VALUE    ||                             |­­­­­­­­­­­­­­­­­­­­­­­­­­

   

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                                                                    |

|    Uncomfortable Truths    ||                                                                                    |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

Four

   

Value does not necessarily mean

£££

No. One

Types of value identified per case study

BL ASR BMAGIC VoB BBC CenturyShare

MyExperiment

BECTA NEN Repurpose

OMII NLH LOR

Non Monetary

Educational X X X X X X X X

Reputation building X X

Quality Improvement X X X X

Audience Creation X X

Increasing relevance of material

X X X X X X

Collective Memory X X X X

Research X X X X X X X

Building on existing Knowledge

X X X X

Culture dissemination and preservation

X X X X

Monetary

Revenue Creation X

Sustainability X X X X

Securing future funding X X X X X

   

Value does not always follow the

No. Two

model

   

model

the

   

u

i

give

   

u

me

give

£

   

Value may follow the

model

network

   

model

networkIn the

I don t 'sell

   

I don t 'sell

   

I create value from relationships

model

networkIn the

   

Think of:

   

and

No. threecost

openness

Free as in Free Beer

(You get it for free)

Free as in Free Speech

(You speak your mind)

Free as in FreeDom of Information

(Free access to public information)

Free as in Free Puppy

(You get it for free......and you have to pay it for the rest of your life)

   

requires

No. FourValue

clarity

   

requires

clarity

rules

No. Four

   

3

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                        |

|    LICENCES    ||                                        |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

[three expressions]

[1]

Human-Readable: Commons Deed

[2]

Lawyer-Readable:

Legal Code

[3]

Machine-Readable:

Meta DataLogo + Link

schematic

31

Is Commercial Use Allowed?

Yes No

CC_BY CC_BY_SA CC_BY_NC

CC_BY_NC_ND

CC_BY_SA_NC

CC_BY_ND

Can the User Make Changes?

Must the Derivative Work Be Distributed Under the Same Terms and Conditions?

YesYes NoNo

YesYes NoNo

CC_BY CC_BY_SA

Open Closed

Prodrom

os Ts iavos © 2010  C

C_B

Y_N

D

Licence Species

Creative Commons Licences CC Sampling Licence

Public Domain Dedication

Developing Nations Licence

Six Basic licences based on the combination of three licence elements

Music Sharing

Founders’ Copyright

Licence Species

Creative Commons Licences CC Sampling Licence

Public Domain Dedication

Developing Nations Licence

Six Basic licences based on the combination of three licence elements

Music Sharing

Founders’ Copyright

XX

XXT

[modules]

Creative Commons licensing operation

Understanding the operation of the licences

Dual Structure

Basic Template

Variable Licence Elements

Licence principles:

The licensor retains her copyright and autonomy

The licensee is the recipient of a number of freedoms the licensor chooses to award

The operation of the basic template I (freedoms)

Basic Freedoms

To reproduce the work

To include the work in a collective work

To distribute copies

Display publicly, perform publicly, to perform publicly by means of digital audio transmission

To modify the work so that the rights may be exercised in all media formats/ platforms

The operation of the basic template II (licensor’s autonomy)

The licensor retains autonomy/ control

Licensor reserves all rights not explicitly granted

No sublicensing is allowed

The licensee is obliged to carry all notices regarding the copyright of the licensor

The licensee is obliged to attribute the original author

The licensee cannot impose any additional legal restriction or obstruct the dissemination of the work (e.g. using Digital Rights Management)

The Licensor may license the work under different terms and conditions

Attribution

Non Commercial

No Derivatives

ShareAlike

Licence elements

39

Combinations

Attribution

Attribution – Share Alike

Attribution – No Derivatives

Attribution – Non Commercial

Attribution – Non Commercial - ShareAlike

Attribution – Non Commercial – No Derivatives

Attribution

Non Commercial

No Derivatives

ShareAlike

Licence elements

41

Combinations

Attribution

Attribution – Share Alike

Attribution – No Derivatives

Attribution – Non Commercial

Attribution – Non Commercial - ShareAlike

Attribution – Non Commercial – No Derivatives

[CCUK 3.0]

Additional Features

+ from CC 2.5

* single licence for all three jurisdictions (EW/ NI/ SC)* Clarifications (collective work/ licensor/ restrictions/ TPM/ Attribution* No Endorsement* Express Moral Rights Acknowledgement* CC Notice * SA features* Differentiation between derivative and original* Sui Generis Database Right

The ShareAlike element

Share Alike

• It refers to the derivative works

• When the licensor creates a derivative work, she has to further license it under the same terms and conditions as the work it was based upon

• Particularly relevant when multiple authors create a work in a virtual environment (e.g. wikis, sampling sites)

The ShareAlike element and the GFDL licence

•As of 03.11.08, the CC_BY_SA and GFDL licences are compatible

•Wikipedia transition

•Huge step in reducing fragmentation of the commons

•URL: http://creativecommons.org/weblog/entry/10443

   

Remember:- know your value- clear your rights- standardise- use mixed models

   

4

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                        |

|    fLOWS    ||                                        |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

Types of Open

Access

Horizontal open

access

1

Examples

Shallow Open Access

•There  is  a  central acces point only•  Super­distributions (p2p) is not possible •  The  licences  used are  essentially expressions  of limitations  (exceptions, fair use, fair dealing)

User 1

User ΙΙ User ΙΙΙ

User IV

Why Shallow Open Access

* Content control* Quality assurance* provenance*  de  facto  control  of commercial uses*  Limited  issues  of  rights clearance 

User 1

User ΙΙ User ΙΙΙ

User IV

User 1

User ΙΙ User ΙΙΙ

User IV

User 1

User ΙΙ User ΙΙΙ

User IV Access Point

Organisation

User 1

User ΙΙ User ΙΙΙ

User IV Access Point

Organisation

Flow of content

User 1

User ΙΙ User ΙΙΙ

User IV Access Point

Organisation

Flow of Content

Flow of permissions

Key licence elements Ι

Limitations on: (a) Use­ Private­ Non Commercial-For Educational purposes only­- No Derivative Works(b) User-Teachers  / Educators - Academics- Students­  Staff  of  other  organisations  (HE  – FE – MLA)(c) Location ­ Membership­ Country / region campus­ Members of specific organisation (d) Moral rights­ Attribution­ Integrity­ Non Endorsement

User 1

User ΙΙ User ΙΙΙ

User IV

Key Licence Elements ΙΙRights/ Freedoms: (a) Use­ Private(b)  Communication  to  the public-Educational-NonCommercial(c) Reproduction-Private-Non Commercial-Educational

User 1

User  ΙΙ User ΙΙΙ

User IV

Key Licence Elements ΙΙΙOther important elements: (a)  the  licences  are  either contracts  that  require  offer, consideration  and  acceptance (e.g.  British  Museum)  or “naked”­ “bare” licences(b)  there  are  licence­specific definitions on:­  non­commercial  –  private  – educational use(c)  there  are  specific provisions with regards to-Personal data (PD)-Registration with the ICO-Policies about PD handling -Protections of minors-Cultural Heritage provisions-Public  Sector  Information provisions

User 1

User ΙΙ User ΙΙΙ

User IV

Why is horizontal access also shallow?

Horizontal  access  is normally  shallow  as  well because:­  Public  and  private organisations  feel  more comfortable  with  this  mode of content disseminations­  The  content  is  accessible and  may  be  easily  used even by users with minimum ICT skills

User 1

User ΙΙ User ΙΙΙ

User IV

Vertical Open

Access

2

cases

User 1

User ΙΙ User ΙΙΙ

User IV Access Point

Organisation

Flow of Content

Flow of permissions

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User 1

User ΙΙ User ΙΙΙ

User IV

User V

Access Points

User 1

User ΙΙ User ΙΙΙ

User IV

User V

Access Point

User 1

User ΙΙ User ΙΙΙ

User IV

User V

End-User Access Point

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User ΙΙ

User V

Licensing forms

-Users  normally  exchange content  with  each  other using  some  form  of  open licensing schemes- The most wide spread CC licences:• CC_BY_SA_NC• CC_BY_SA

The Models

[flow models]

Flows of content

Flows of rights

[A]

The nomad model

© Casas-Rodríguez Collection, 2009 CC_NC_ND

1990 2000 2009

Org 1 Org 2 Org 3

ContentPermissions ContentPermissions ContentPermissions

1990 2000 2009

Org 1 Org 2 Org 3

ContentPermissions ContentPermissions ContentPermissions

Rights Collection point

[B]

Clean Hands

National Centre for eResearch (MyExperiment/ OMII)

National Library for Health eLearning Object Repository (LOR)

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User 1

User ΙΙ

User IV

Key points

­  While  the  content  is deposited  in  a  common repository  the  flows  of permissions  (or  rights) follow a different trajectory-  When  CC  licences  are used,  the  permissions  flow directly  from  the  rights­owner to the content 

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User 1

User ΙΙ User ΙΙΙ

User IV

User V

User ΙΙΙ

Licensing forms­  The  content  ownership varies:  it  may  belong  to  the distributing  organisation  or third parties 

­ The distributing organisation may make available only the content for which  either  it has obtained rights or  the  rights­holders  allow  it  to  be stored on its servers.

[C]

Walled Garden models

© Recursion see recurcion 2006 CC_NC_SA

Model One

Full Rights Transfer

Open Release

Commercial Release

Necessary *for selling difference *between code and data licences GPL type * -licences offer protection

Model Two

No Rights Transfer

No Rights Transfer X

X

...but membership *agreement no actions *agreement

StandardsProtocolsInfo-structures

Open

Meta- Access

3

100

Cases

101

User 1

User ΙΙ User ΙΙΙ

User IV Access Point

Organisation

Flow of Content

Flow of permissions

102

User 1

User ΙΙ User ΙΙΙ

User IV

103

User 1

User ΙΙ User ΙΙΙ

User IV

DATA SET III

DATA SET II

DATA SET I

104

User 1

User ΙΙ User ΙΙΙ

User IV

DATA SET II

DATA SET I

Data FlowFlow of Rights

over Data

105

User ΙΙ User ΙΙΙ

DATA SET II

DATA SET I

Data FlowFlow of Rights

over Data

106

User 1

User ΙΙ User ΙΙΙ

User IV

DATA SET II

DATA SET I

Data FlowFlow of Rights

over Data

107

User ΙΙ

DATA SET I

Open Meta Access I ­  Meta­Data  and  Content  follow the same path­  Meta­Data  are  normally accompanied  by  a  set  of permissions  that  follow  the  same trajectory as the meta­data

108

User ΙΙ

DATA SET I

User IV

DATA SET II

Open Meta­Access II­  Meta­data  flows  do  not  follow the same trajectory as the content­  A  user  may  download  content while uploading meta­data

109

User II

DATA SET I

DATA SET II

Open Meta Access III­  The  most  important  users  of meta­data  collections  are organisations,  such  as aggregators  (e.g.  Europeana)  or collaborative  sites  (e.g. Wikimedia)

110

User ΙΙ

DATA SET I

111

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

112

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

Open Meta­Access IV­  The  user  downloads  meta­data which  are  then  combined  and enriched  with  meta­data  she provides-This  behavioral  patterns  relates to the need of the user to identify with  the  content,  to  combine  it with  other  content  for  cultural reasons  or  in  general  to contextualise  it  in  order  to customise it to her own benefit

113

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

Open Meta­Access V­ Other users may have access to the  same  content  but  enriched with additional meta­data.

114

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User V

Open Meta­access VI­  Provided  that  the  licensing schemes  allow  it,  meta­data  may flow  outside  a  specific  content repository-Most  licences  used  allow  such alternative  flows  under  certain conditions  (private/  educational/ non commercial use)

115

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User VDATA SET IV DATA SET V

+ =DATA SET V

Open Meta­Access VII­  When  the  flow  of  meta­data occurs  outside  the  repository  the enrichment  may  take  place  on  a peer­to­peer basis

116

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User VDATA SET IV DATA SET V

+ =DATA SET V

DATA SET V

Open Meta­Accss VIII­  The  most  important  users  of meta data are other organisations or collaborative platforms

BBC/BL OR wikipedia/ myExperiment

117

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User VDATA SET IV DATA SET V

+ =DATA SET V

DATA SET V

Open Meta­access IX­  Such  organisations  package third­party content with meta­data created by their user­base

118

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User VDATA SET IV DATA SET V

+ =DATA SET V

DATA SET V

DATA SET V

Open Meta­access XProvided  the  relevant infrastructure  (technical,  legal, organisational)  is  in  place, different organisations may share meta­data  either  directly  or through a common user base.

119

User ΙΙ

DATA SET I

DATA SET I

DATA SET III

+

=

DATA SET IV

DATA SET IV

User 1

DATA SET IV

DATA SET IV

User VDATA SET IV DATA SET V

+ =DATA SET V

DATA SET V

DATA SET V

Open Meta­Access XI­ The breaking down of streamed content  in  increasingly  smaller units,  the  enrichment  of  meta­data  with  content  and  the  use  of open  licences  for  the  reuse  and repurposing of meta data leads to an  indirect  deepening  of horizontal open access.

120

why

Is good 4U

* low transaction costs* simplicity* no liability* more users * more data

   

*** Q + A

***p.tsiavos@lse.ac.uk

Prodromos TsiavosEnCoRe Research OfficerThe London School of Economics and Political ScienceHoughton StreetLondon WC2A 2AEUK