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PAPER: LITERARY CRITICISM
TOPIC: RASA THEORYPREPARED BY : AVANI N. DAVEM.A. - SEM – 2ROLL NO: 02 DEPARTMENT OF ENGLISH,MAHARAJA KRISHNAKUMAR SINHJI ,BHAVNAGAR UNIVERSITY.
The theme is the body of the drama and the Rasa’s are the Soul that makes it alive .
Rasa: punaratma sarira Vibharvka !
Rasa : The main purpose of Drama. “ Na hi rasat rute Kashchit arth prvrtate ! A leading Theory
Barat’s Rasa Sutra :
Vibhavanubhav Vybhichari Sanyogad Rasanishpati!
How ‘Rasa’ is produced. Combination of all this four Bhavas Spices to food, Rasa to Drama.
Indian poetry believes in Rasa: “ Vakym rsatmkm kavym.” - Acharya Vishvanath
Relationship between Rasa and Bhava :
Sthayibhava Rasa
1. Hasya - laughter Adbhut2. roudra - horror Krodh3. Shringara - enthusiasm rati4. Karuna - tragedy Sok5. Adbhuta - exciting Vismy6. Bhayanaka - dangerous Bhay7. Beebastha - disgust Jugupsa8. Veer - bravery Utsah9. Shanta - peace sham
Different Rasa’s from Sthayibahva
This Presentation is Submitted to: Department of English, Maharaja Krishnakumar Sinhji
Bhavnagar University.
Thank You
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