Rival Slab User Guide Rival Slab - MoTyFo · are the characteristics that make Rival Slab a...

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Rival Slab

Mostardesign Type Foundry

User Guide

Rival Slab

About this font family

Like the rest of the font family, Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary font family for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning…It comes also with a complete range of figure set options

It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Slab has true italics to give more style in long texts.

It has also an extended character set to support Central and Eastern European as well as Western European languages.

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Font Family

Rival Slab Thin Italic

Rival Slab Extra Light Italic

Rival Slab Light Italic

Rival Slab Regular Italic

Rival Slab Medium Italic

Rival Slab Bold Italic

Rival Slab Extra Bold Italic

Rival Slab Black Italic

Rival Slab Thin

Rival Slab Extra Light

Rival Slab Light

Rival Slab Regular

Rival Slab Medium

Rival Slab Bold

Rival Slab Extra Bold

Rival Slab Black

a a b c d e f g g h i j k l l mn o p q r s t u v w x y y zA B C D E F G H I J K L M

N O P Q Q R S T U V W X Y Za b c d e f g h i j k l m

n o p q � r s t u v w x y z� � � � � � � � � � � � � � b � � � � � � � � � e � � � � � � � � � � � g � � � � � � � i � � � � � � � � � � � � � � � � l � � � � � � � � � � � � � � � � � � � � � � � � � � � r � � � � � � � � � � � � � � � u � � � � � � � � � � � � � � � v � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � R � � � S � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

Glyphs Overview

Punctuation

& ! ? ¡ ¿ . · , : ; … ‹ › « » ‘ ’ “ ”‚ „" ' / | \ † ‡ * © ℗ ® ™ ℠ ª º _ - –# % ‰ + − ± × ÷ = ≠ < > ≤ ≥ ¬ ° ¶ § £ € $ ¥ ƒ ₽ ₹ � ¢ ¤ ( ) [ ] { } @

Ω ◊ π ∂ ∏ ∑ √ ∫ ≈

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Alternates & Symbols

Lining Figures

# • ℓ ℮ № ← ↑ → ↓ ↖ ↗ ↘ ↙ ▲ ▶ ▼ ◀ ◊ ★ ☜ ☞ ♼ ℮ № ⬤ ☐ ☑ ✓

12345678900

Case Sensitive Punctuation

@ ( ) [ ] { } ! ? ‹ › � » ¢ - – — · : •

Alternates

� l g � � � nd rd th st

Ligatures and Discretionary ligatures

fb ff fh fi fj fk fl ffb ffh ffi ffk ffl

Glyphs Overview

Tabular Figures

12345678900

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Numerators & Denominators

Superiors & Inferiors

Circled

0 1 2 3 4 5 6 7 8 9 ( , + = . ) 0 1 2 3 4 5 6 7 8 9 ( , + = . )

0 1 2 3 4 5 6 7 8 9 ( , + = . ) 0 1 2 3 4 5 6 7 8 9 ( , + = . )

1 2 3 4 5 6 7 8 9 0

Old Style Figures

12345678900

Tabular Old Style Figures

Fractions

12345678900

¼ ½ ¾ 8/9 5/2 ⅛ ⅜ ⅝ ⅞

Glyphs Overview

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Thin & Thin Italic

Extra Light & Extra Light Italic

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

Weights & Styles

Light & Light Italic

Regular & Regular Italic

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Sphinx of black quartz, judge my vow!

S��i�� �� bla�� �uar��, �u�ge �� v��!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

ab��e�g�i��l�����r��uv���� �����������������RS�������

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

Weights & Styles

Medium & Medium Italic

Bold & Bold Italic

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Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

Weights & Styles

Extra Bold & Extra Bold Italic

Black & Black Italic

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Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

Sphinx of black quartz, judge my vow!

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz1234567890&{.$£¥€@!)

Weights & Styles

0123456789Lining Figures

OpenType Features

{�]¡@ {�]¡@Case Sensitive Forms

� a l � � lStylistic Alternates

12345 12345Tabular Figures

12345 12345Old Style Figures

12345 12345Tabular Old Style Figures

1/2 5/8 1/2 5/8 Alternative Fractions

01234 01234 Numerators

01234 01234 Denominators

01234 01234 Superscript

01234 01234 Scientific Inferiors

�� ��Localized Forms

0123 0 1 2 3Circled

0123 0123 0123 0123Slashed Zero

a � ª ºOrdinals

ab��e� ★ ☜ ☞ ♼ ✓Stylistic Set 1

�� �� nd thStylistic Set 6

�i ��l fi fflF-Ligatures

����� abcdeSmall Caps

��� ���Pro Kerning

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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The

bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room although a

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,

Thin

Latin Text Settings

P 14

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The

bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room although a

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,

Extra Light

Latin Text Settings

P 15

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections.

The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin comparedwith the size of the rest of him, waved about helplessly as he looked.«What’s happened to me?» he thought. It wasn’t a dream. His room, a

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armou

Light

Latin Text Settings

P 16

�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i� ar��ur-li�e ba��, a�� i� �e li��e� �i� �ea� a li��le �e ��ul� �ee �i� br��� bell�, �lig��l� ���e� a�� �ivi�e� b� ar��e� i��� ��iff �e��i���. ��e

be��i�g �a� �ar�l� able �� ��ver i� a�� �ee�e� rea�� �� �li�e �ff a�� ���e��. �i� �a�� leg�, �i�i�ull� ��i� ����are� �i�� ��e �i�e �� ��e re�� �� �i�, �ave� ab�u� �el�le��l� a� �e l���e�. «��a�’� �a��e�e� �� �e?» �e ���ug��. �� �a��’� a �rea�. �i� r���, a �r��er �u�a�

�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i� ar��ur-li�e ba��, a�� i� �e li��e� �i� �ea� a li��le �e ��ul� �ee �i� br��� bell�, �lig��l� ���e� a�� �ivi�e� b� ar��e� i��� ��iff �e��i���. ��e be��i�g �a� �ar�l� able �� ��ver i� a�� �ee�e� rea�� �� �li�e �ff a�� ���e��. �i� �a�� leg�, �i�i�ull� ��i� ����are�

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and

�ne morning, ��e� �reg�r Sa��a ���e �r�� �r�uble� �rea��, �e ��u�� �i��el� �ra����r�e� i� �i� be� i��� a ��rrible ver�i�. �e la� �� �i�

Regular

Latin Text Settings

P 17

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff

sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room,

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back,

Medium

Latin Text Settings

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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches

into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little hecould see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour

Bold

Latin Text Settings

P 19

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The

bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. «What’s happened to me?» he thought. It wasn’t a dream. His room, a proper human room

Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he

Mixed

Latin Text Settings

P 20

�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au�

�u�uel la ��uver�ure, �r��e à gli��er ��u� à �ai�, �e �e�ai� �lu� �u’à �ei�e. Se� ���breu�e� �a��e�, la�e��able�e�� gr�le� �ar ����arai��� ave� la ��r�ule��e �u’ilavai� �ar ailleur�, gr�uillaie�� ���e���r��e�� ��u� �e� �eu�. �� �e r�veilla�� u� �a�i� a�r�� �e� r�ve� agi���, �reg�r Sa��a �e

�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au� �u�uel la ��uver�ure, �r��e à gli��er ��u� à �ai�, �e �e�ai� �lu� �u’à �ei�e. Se� ���breu�e� �a��e�,

�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���, u� ��� au��i �ur �u’u�e �ara�a�e, e�, e� releva�� u� �eu la ���e, i� vi�, b��b�, bru�, �l�i����� �ar �e� ar�eau� �lu� rigi�e�, ��� ab���e� �ur le �au� �u�uel la ��uver�ure, �r��e à gli��er

�n se réveillant un matin a�r�� �e� r�ve� agi���, �reg�r Sa��a �e re�r�uva, �a�� ��� li�, ���a��r����� e� u� �����rueu� i��e��e. �l ��ai� �ur le ���,

Regular

French Text Settings

P 21

�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb�� �ar�ber ge�ag� �a�. �ie�a��, �ag� er, ver����ä�e, ��er

�a��e, ��er flie�e �ie �u�� al� ��l��e, ����er� �eil gr���e S���er�e� i�r ��lge�, �e�� �a� �i��� �i� �er�u��� i�r �a���uge�e� ver��e�e. �be��� �er�e �er S���er� al� ��l��er v�� �ie�a�� gelieb�, ge�u��� u�� verla�g�, ����er� �eil �i�u��er ��l��e �ei�e� ei��re�e�, �a�� �a� �i��el�� �rbei�e� u�� S���er�e� ei�e gr���e �u�� �i��

�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb�� �ar�ber ge�ag� �a�. �ie�a��, �ag� er, ver����ä�e, ��er �a��e, ��er flie�e �ie �u�� al� ��l��e, ����er� �eil gr���e S���er�e� i�r ��lge�,

�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u�� au�ei�a��er �e��e�, �a� �e�er �egr���er �er �a�r�ei� u�� glei���a� �au�ei��er �e� gl���li��e� �ebe�� �elb��

�amit �hr indess erkennt, ���er �ie�er ga��e �rr��u� ge����e� i��, u�� �e��alb �a� �ie �u�� a��lag� u�� �e� S���er� l�be�, �� �ill i�� �u�� �lle� er�ff�e� u��

Regular

German Text Settings

P 22

�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ���

vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�.�e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e

�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e�

�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ��� �e a��rä��e �är�e� ��rru�, b�r�a�e �e� a�� reg�a, ��� i flera �i��ar fi�� ����e� �i��a �å gå�r�gge� ge���vå� ��� �u��ra��e av ��l�. �e� var �e� ��r��a reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e

�et var den första reg��age� u��er re�a�. Så lä�ge ��� vil�gä��e� �a�e ��a��a� �var i �ra��e� av ���b����, �a�e �e �a�� va��er� vä�er, �e� �a��a �ag, ���

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P 23

AfrikaansAlbanianAlsatianAragoneseArapahoAromanianArrernteAsturianAymaraBasqueBelarusian (Lacinka)BislamaBosnianBretonCatalanCebuanoChamorroCheyenneChichewa (Nyanja)CimbrianCorsicanCroatianCzechDanishDutchEnglishEsperantoEstonianFaroeseFijianFinnishFrenchFrench Creole (Saint Lucia)FrisianFriulianGalicianGenoeseGermanGilbertese (Kiribati)GreenlandicHaitian CreoleHawaiianHiligaynon

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RomanianRomansh (Rumantsch)RotokasSami (Inari)Sami (Lule)SamoanSardinian (Sardu)Scots (Gaelic)Seychellois Creole (Se-selwa)ShonaSicilianSlovakSlovenian (Slovene)SomaliSouthern NdebeleSouthern Sotho (Sesotho)SpanishSwahiliSwati/SwaziSwedishTagalog (Filipino/Pilipino)TahitianTausugTetum (Tetun)Tok PisinTongan (Faka-Tonga)TswanaTurkishTurkmenTurkmen (Latinized)TuvaluanUyghur (Latinized)VepsVolapükVotic (Latinized)WalloonWarlpiriWelshXhosaYapeseZulu

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P 24

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P 25

Character map

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