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Audio Watermarking
Under the guidance of
Dr. Saroj Kumar Meher
Presented by
Suresh Chandra MarthaEC200118335
INTRODUCTION
Digital Data can be shared by multiple users, distributed over network, and managed for long period time without any damage.
In contrast to these, the copyright protection problem arises, since unauthorized copying and distribution of digital data are simplified, too.
As a result, a technique called digital watermarking is introduced to protect the ownership of these contents.
AUDIO WATERMARKING
Digital Audio Watermarking is a technology to hide information in an audio file without the information being audible to the listener, and without affecting in any way the audio quality of the original file.
What we can define
AIMS AT• Copy control of digital music• Ownership identification• Enforcement of usage policy • Fingerprinting
AUDIO WATERMARKING CHARACTERISTICS
Transparency: watermark is not detectable
Robustness: survives digital processing (e.g., compression) and malicious analytical attacks.
Efficiency: low cost implementation using minimal resources
Independence: of both the type and format of multimedia data (e.g., music, speech, video, sample rates, coding scheme, ...)
CLASSIFICATION OF AUDIO WATERMARKING
Temporal watermarking
Temporal watermarking hides watermarks directly into digital audio signals in the time domain.
Spectral water-marking
The spectral audio watermarking applies certain frequency transform, such as FFT, DCT, and DWT, etc, to the data block of the audio signal, and hides the watermark information Into the transformed data block.
AUDIO WATERMARKING SCHEMES
DC level shifting
QMF bank band division
Frequency masking
Spread spectrum
DC LEVEL SHIFTING
Here watermark is embedded by shifting the DC level of the audio signal.
An input signal is divided into frames of fixed length.
DC level of each frame =Mean of a frame-value in the frame
After that a binary watermark sequence generated randomly is introduced to the shifted signal. This is achieved by introducing a DC offset level to each frame in the signal according to the watermark bits.
If the watermark bit is 0, the signal is shifted downward.
If the watermark bit is 1, the signal is shifted upward. Cont..
DC LEVEL SHIFTING
level0=-DCBiasMultiplier x FramePower
level1=+DCBiasMultiplier x FramePower
wherelevel0 ->DC level introduced when a watermark bit is 0
level1 -> the DC level introduced when a watermark bit is 1.
To extract a watermark, a watermarked signal is first divided into frames. Then, the mean of each frame is calculated. If the mean of a frame is positive, the corresponding watermark bit is 1. Else, the watermark bit is 0.
The original signal and watermark is not needed in the extraction process. Therefore, DC level shifting is a blind watermarking scheme
Band Division Based on Quadrature Mirror Filter (QMF) Bank
Cont..
Cont..
Watermarked signal is filtered by the analysis filter bank and the low frequency watermarked band is extracted out.
The modified MDCT coefficients are calculated out and watermark can be determined by rounding the coefficients and observe whether coefficients are even or odd.
Watermark is 1 when coefficients are odd.
Watermark is 0 when coefficients are even.
This technique has a
High signal to noise ratio
The rate of detection or bit error rate is very high
WATERMARKED SIGNAL EXTRACTION USING QMF
FREQUENCY MASKING Watermarking involves hiding a faint but audible sound under another
louder sound (original sound), so the faint sound becomes inaudible
and it acts as a watermark for the original sound.
Watermark is generated firstly by creating a pseudo-noise sequence
(PN sequence) from a shift register. The shift register consists of m flip-
flops with a maximum period of (2m) – 1.
PN sequence is filtered along with the filter that approximates the
frequency characteristics of the human auditory system (HAS).
Consequently, it is put through to the time domain for temporal
masking. Cont..
The frequency masking algorithm is robust to coding, multiple watermarking, and resampling.
Different watermark can be embedded by this algorithm into the same signal and is easy to detect by the owner.
The detection scheme for this algorithm needs the original input signal, which is not flexible
From the extraction scheme, frequency masking is a private watermarking.
SPREAD SPECTRUM
Wherewi is element of watermark y is the watermarked signal
A correlation detector is carried out to detect the presence of the watermark and is described by Eqn
where N is vector cardinalityCont..
SPREAD SPECTRUM
While x can be modelled as Gaussian random vector, the normalised correlation test is described as Eqn
10, /
^ 2 x
CQ p N N
N
If p = 1, watermark is presentIf p=0, watermark is not present
ANALYSIS OF VARIOUS TECHNIQUES DC level shifting algorithm
The robustness level for the DC level shifting is poor, the watermark
can be easily removed by altering the DC levels of the signal and the watermark is
destroyed.
Frequency Masking
This method is not robust to filtering because watermark is embedded
to all frequency bands.
Attack by high pass filter MPEG can erase the watermark.
Spread Spectrum & Band Division Based On QMF
Both the band division method and the spread spectrum method are
capable of defending against the MP3 compression, but the spread spectrum
has a better detection rate than the band division method.
Cont..
The implementation steps for spread spectrum are more complicated. This
makes it hard to hack and breakdown the algorithm.
Band Division Based On QMF
Band division technology performs extraction scheme with no original
signal require attacks are still not upgraded to hack down this audio watermarking
technology.
CONCLUSION Watermark can be embedded in an audio signal without
being recognized by hearing and the perceptibility requirement is fulfilled .
Extraction can be done without the presence of the original signal and the watermark itself, so can be classified as blind or public watermarking.
Thank You !!!
QUESTIONS??
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