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A Dialectic Approach to Film Form Matthew Hahn, Kyle Powell, Jessica Argueta,Joseph Ancheta, Quadir Johnson, Melissa Thompson

A dialectic approach to film form

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A Dialectic Approach to Film FormMatthew Hahn, Kyle Powell, Jessica Argueta,Joseph Ancheta, Quadir Johnson, Melissa Thompson

Art Consists of Dynamic ConceptsBeing-constant evolution from two oppositesSynthesis-opposition between thesis and antithesis

Art is ConflictArt Consists according to:1. Its social mission2. Its nature3. Its Methodology

Montage and Rhythm● Everything has Rhythm● Shot and montage are the basis of

cinemaThe unrolling of an idea with single shotsshown sequentially to create rhythm

Montagehttp://youtu.be/MzXFSBlQOe4

Irregularity● Spatial development of size and detail in correspondence to another creates meaning● Used by Grunewald and Renoir

Color● Gives Rhythm of Vibration● Every color has a physiological vibrationTwo conflicting colors give dynamism ● Perceive colors based on the colors

around it

Syntax (Film Grammar)Basic optical elements are used for deliberate compositions1. logical -fluid movement2. Illogical-ex. showing stills over time3. Emotions-ex. association montage

https://www.youtube.com/watch?v=DqW_5vTBAXw4. Liberation of the whole action from the definition of

the time and space- ex. point of view

Matthew Hahn-PowerpointMelissa Thompson-ResearchJessica Argueta-ResearchKyle Powell-ResearchQaudir Johnson-ResearchJospeh Ancheta-Research