st Semester1nd Year. 1

Course: Architectural Registration

מוריה סבג

Semesterst 2Year. nd 2

Course: Structure theory

מוריה סבג

Studio Subject: Dwellings -st Semester 1nd Year. 2 The character on which the project is based upon is my partner Shlomi (who is deaf) with whom I live together with in the same apartment. Our daily routine is conducted at a very fast pace and which incorporates study, work and relationship. The project is characterized by clear guidelines and the fast speed representative of our pace of life.

Studio Subject: Intervention of an Existing Building -nd Semester 2nd Year. 2

The project is a post office branch open 24 hours a day, and its purpose is to serve the many foreign workers that live in the area, where most of them are not available during the regular operating hours of post office branches, and where they are in need of postal services in order for them to communicate with their family members living in different countries.

1:50 מ"קנמודל

Adult Contest -Studio Subject: Commerce -st Semester 1rd Year. 3 I chose to focus the work on two groups: deaf people and people that hear, and to design them a space suitable for both, a boxing ring. A space suited to the different attributes of both groups. The different attributes expressed as such that the deaf people require eye contact in the environment, compared with people of hearing making contact in the environment through the channels of sound and vision with the emphasis on sound. In addition, the visual channel with the deaf, is manifested in a dominant way such that through feel, there are some vibrations, something that the hearing pay less attention to. The aim of the project is to create a joint space for the deaf and the hearing in a quiet-noise dynamic. That is, part of the structure is transparent to passers by from the outside, allowing them to take an interest. The passers by, from their point of view, are unable to distinguish which type of boxers are the subject of discussion (the deaf or the hearing). In the actual building itself there will be two divisions, sound and visual. The integration between the two divisions will be realized by the different "noises": sharp noise by way of "vocal-sound', and on the other hand by feeling, in the way the deaf experience it (vibrations) and visual noise. One of the ways to prove the existence of feeling noise is through the floor, when parts of it will be from wood able to carry vibrations of that vocal noise,allowing them to feel the vocal noise there in the same place. When a deaf boxer and a hearing boxer hear clash in a space, in the ring, the fight creates a common language over a sign or spoken tongue. The ring is very isolated (a number of glass walls surround it) and as such, this space also marks isolation from both worlds that both groups are accustomed to. The audience, present at the time of the fight can watch, but cannot influence the fight through the aspect of feel and sound noise in light of the glass walls surrounding the ring.

Studio Subject: Commerce -nd Semester 2rd Year. 3 The project is a photographic studio that will serve the inhabitants of Holon (Weizman Square, Holon). In the first stage, I researched through texture. I created some different new textures that brought with them dramatic visualization, with which I combined into the area of the photographic studio. The studio has 3 main spaces, the first - a gallery, that can be seen from the outside by aid of the texture that I designed, I created part of the space with sealed layers and part with exposed. The second space - small and enclosed, that I call "The Fantasy". Any person, couple or child that enters the the room are subjected to lighting and colored effects on the walls, according to the atmosphere, and the mood of the people that went in to it. The third space - A Gift Room in which are also received pictures from the "Fantasy Room". For the all inclusive space, I focus on the interaction between texture and inside-outside look.

The project is based on the curing process. The source of inspiration comes from Japan, and in the main from the fashion designing of Issey Miaki. I drew from him the inspiration to use layering. I connected the mythology of layering, with a personal story. I experienced a bad traffic accident 13 years ago and I carry body scars since it happened. For me, these scars are an inseparable part of my body, and I see them as a kind of layering. The commercial area (Hanger 4, Yaffo Port) was the location I chose to design a wine store, because drinking wine passes through the body by way of a release process, which I see as an analogous process of healing of the accident wounds. The specific location in the Hanger is the south-west module. The western side is adjacent to the sea and the south side is next to the car park. The site has three floors in total even though one of these is a basement floor with a huge window looking out to the sea. Also the sea is visible from the ground floor. I chose the entrance to the building from the south, through the car park, since in an area like this there is disorder that dictates with the wall design of the site that also reflects a language of order and disorder. This language was chosen in order to show routine life in an organized and schematic way, as opposed to there being organized parts that are breaching, something that symbolizes the wounds and scars from the accident that violated the routine which prevailed in my life.

Between Perception and Reality -Studio Subject: Commerce -st Semester 1th Year. 4

Moriya Sabag - Asaraf